5 House Tracks by Miss Dre Sure to Ignite the Dancefloor

Miss Dre’s Full-Circle Moment with Dirtybird Star Justin Martin

9 Up-and-Coming House Artists Miss Dre Thinks You Should Know

Miss Dre’s Advice to Producers: “You Just Need to Get Your First Track Out”

United States

tech house

MISS DRE

United Kingdom

deep minimal techno

house

minimal techno

techno

Alan Fitzpatrick

Greece

afro house

Angelos

destroy techno

fidget house

Harvard Bass

uk tech house

Joshwa

Kaleena Zanders

Brazil

Mochakk

Canada

funky tech house

melodic house

progressive house

Simon Doty

OCHO Episode 9

bass house

Noizu

Germany

latin tech house

Tini Gessler

Darius Syrossian

Branqueeno

Knockdown Center

Noizu w. Tini Gessler + Darius Syrossian

Lucati

Eskuche

Local Singles

Doubleheader

Gray Area is pioneering the "Doubleheader" event series, drawing inspiration from back-to-back baseball games to showcase artists with similar styles but unique fan bases. By having one artist follow another and culminating in a collaborative back-to-back (B2B) set, Doubleheader aims to create a powerful platform for musical discovery and cross-pollination. Embracing the "B2B" spirit, the initiative seeks to introduce audiences to new sounds while strengthening the dance music ecosystem.

The Room at Superior Ingredients

Doubleheader with Lucati & Eskuche

Netherlands

Mau P

Debut

Gray Area's new venture, "Debut," aims to bridge the international house music community by bringing established and emerging artists to cities they've never performed in. This initiative seeks to expand artists' fan bases and provide fans with fresh, exhilarating musical experiences. Having played a role in introducing major artists and brands like elrow and Awakenings to new audiences in the past, Gray Area believes in the magic of first-time experiences. By promoting artists in new venues and cities, they hope to cultivate a thriving, unified house music ecosystem. Debut is not merely a marketing strategy but embodies Gray Area's commitment to fostering collaboration, unity, and musical discovery.

The Roof at Superior Ingredients

Debut: Mau P First U.S.A Performance

Enamour

melodic techno

Hunter/Game

Mexico

dark disco

deep techno

mexican techno

Rebolledo

Spain

Melon Bomb

hanzondeck

Italy

italian techno

Marco Carola

uk house

TSHA

lo-fi house

deep house

Dj Steaw

Chile

german techno

microhouse

Ricardo Villalobos

Jaguar

Talk to anyone in the San Francisco house music scene and they’re bound to know the name 

. In recent years her sphere of influence has grown much bigger than the Bay Area, however.

Her steady climb has landed songs of hers like “Give It To Ya” and “Something Special” on key house labels such as Psycho Disco and Farris Wheel, respectively. A prolific vocalist, she also sings on dance tracks—perhaps most notably Niles Shepard’s Beatport #1 “Follow Me” via Slothacid. Her tour schedule as a DJ has grown in step with her recordings, taking her to cities across the US. Miss Dre is a house music triple threat, and she’s just getting started.

Give It To Ya

Singing was her first musical pursuit, one she started exploring all the way back in elementary school. Miss Dre, whose real name is Drea Kaplan, picked up guitar soon after and dabbled in everything from R&B to punk rock.

By the time she was a teenager, bass music found its way into her musical awareness. Then, in 2014, she attended her first music festival: Northern Nights. It was there that she witnessed a DJ set by Dirtybird sweetheart 

, who was still soaring off the success of his debut artist album, 

 Experiencing his eclectic sound signature in a live setting opened her mind to the possibilities of house.

“His house music was still kind of bassy, you know?” she says. “Since sonically it was bassy, it was easy for me to get into.”

Buzzing with inspiration, Miss Dre took it upon herself to learn how to produce music. She didn’t perfect her creative process overnight, though. “When I turned 20, I got my first DAW, Logic,” she says. “I messed with that for two years—it was honestly not very logical to me. I then moved to Ableton, and it was way easier.”

After two more years of honing her craft, Miss Dre produced a track she deemed worthy of calling her debut release. “Down Like Me” came out in 2018, and while she recalls feeling “a lot of frustration” while working on the track, it gave her the jumping off point she needed.

“That was the first track I ever released, after I’d made, like, 100 tracks,” she says. “It was probably just daunting for me releasing my first track, like it was a big deal because I wanted people to perceive me as a good producer. You look back in retrospect, and you just need to get your first track out. It’s going to set you off, and you’re going to make 1,000 tracks after that one.”

Miss Dre did indeed write many more tracks after that first release. Slowly but surely, she climbed the label ladder. "Sometimes you have big intentions, and then some record labels are like 'No, it's not for us,' and you get 20 more nos and wonder, 'Oh, dang, is this track gonna get picked up?'" she says. "And then finally, it gets picked up by one that's way bigger who you didn't expect to pick it up, and you're just like, 'Oh my God!'"

Technocality

On the other side of that long journey, Miss Dre has grown much more confident in her path. She says that tracks like “Technocality,” her second single chosen by house tastemaker 

 for release on his Farris Wheel imprint, practically write themselves. Sometimes, she says she’ll even hear a project’s tones play back on her speakers and intuitively know which label will pick it up.

This uncanny sort of kismet has become a common theme of Miss Dre’s rise. Justin Martin, who first whetted her appetite for house music eight years ago, now frequently supports her music and requests that venues book her to open for him. As if things couldn’t come any more full circle, he even enlisted her to reimagine “Lezgo” for a 

Lezgo - MISS DRE Remix

"Synchronicity and magic have played a big role in how I got integrated in this industry," Miss Dre says. "I met [Justin's] girlfriend, like, three years ago, and I didn't even know it was his girlfriend. We just met at housie and clicked, and then she started supporting me. We became good friends, and then he came to a show of mine—and he's just so incredible. He's so nice, so humble, and just a sweetheart. He supports a lot of younger," green artists.

There’s no denying that Miss Dre is making a long-lasting mark on house music. She’s not done, either—not by a long shot. Stay on the lookout for more from this emerging DJ-producer-singer-songwriter.

Talk to anyone in the San Francisco house music scene and they’re bound to know the name Miss Dre. In recent years her sphere of influence has grown much bigger than the Bay Area, however.



Her steady climb has landed songs of hers like “Give It To Ya” and “Something Special” on key house labels such as Psycho Disco and Farris Wheel, respectively. A prolific vocalist, she also sings on dance tracks—perhaps most notably Niles Shepard’s Beatport #1 “Follow Me” via Slothacid. Her tour schedule as a DJ has grown in step with her recordings, taking her to cities across the US. Miss Dre is a house music triple threat, and she’s just getting started.

Singing was her first musical pursuit, one she started exploring all the way back in elementary school. Miss Dre, whose real name is Drea Kaplan, picked up guitar soon after and dabbled in everything from R&B to punk rock.



By the time she was a teenager, bass music found its way into her musical awareness. Then, in 2014, she attended her first music festival: Northern Nights. It was there that she witnessed a DJ set by Dirtybird sweetheart Justin Martin, who was still soaring off the success of his debut artist album, Ghettos & Gardens. Experiencing his eclectic sound signature in a live setting opened her mind to the possibilities of house.



“His house music was still kind of bassy, you know?” she says. “Since sonically it was bassy, it was easy for me to get into.”



Buzzing with inspiration, Miss Dre took it upon herself to learn how to produce music. She didn’t perfect her creative process overnight, though. “When I turned 20, I got my first DAW, Logic,” she says. “I messed with that for two years—it was honestly not very logical to me. I then moved to Ableton, and it was way easier.”

After two more years of honing her craft, Miss Dre produced a track she deemed worthy of calling her debut release. “Down Like Me” came out in 2018, and while she recalls feeling “a lot of frustration” while working on the track, it gave her the jumping off point she needed.



“That was the first track I ever released, after I’d made, like, 100 tracks,” she says. “It was probably just daunting for me releasing my first track, like it was a big deal because I wanted people to perceive me as a good producer. You look back in retrospect, and you just need to get your first track out. It’s going to set you off, and you’re going to make 1,000 tracks after that one.”



Miss Dre did indeed write many more tracks after that first release. Slowly but surely, she climbed the label ladder. "Sometimes you have big intentions, and then some record labels are like 'No, it's not for us,' and you get 20 more nos and wonder, 'Oh, dang, is this track gonna get picked up?'" she says. "And then finally, it gets picked up by one that's way bigger who you didn't expect to pick it up, and you're just like, 'Oh my God!'"



On the other side of that long journey, Miss Dre has grown much more confident in her path. She says that tracks like “Technocality,” her second single chosen by house tastemaker Gene Farris for release on his Farris Wheel imprint, practically write themselves. Sometimes, she says she’ll even hear a project’s tones play back on her speakers and intuitively know which label will pick it up.





This uncanny sort of kismet has become a common theme of Miss Dre’s rise. Justin Martin, who first whetted her appetite for house music eight years ago, now frequently supports her music and requests that venues book her to open for him. As if things couldn’t come any more full circle, he even enlisted her to reimagine “Lezgo” for a Ghettos & Gardens 10-year anniversary remix pack.





"Synchronicity and magic have played a big role in how I got integrated in this industry," Miss Dre says. "I met [Justin's] girlfriend, like, three years ago, and I didn't even know it was his girlfriend. We just met at housie and clicked, and then she started supporting me. We became good friends, and then he came to a show of mine—and he's just so incredible. He's so nice, so humble, and just a sweetheart. He supports a lot of younger," green artists.



There’s no denying that Miss Dre is making a long-lasting mark on house music. She’s not done, either—not by a long shot. Stay on the lookout for more from this emerging DJ-producer-singer-songwriter.

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