Summer 2025 on the White Isle? Pure madness, in the best (and occasionally wildest) way. Ibiza did what it does best: evolved, exploded, and reminded the world why it's still the undisputed heavyweight champion of global clubbing. From jaw-dropping club debuts and long-awaited returns to culture-bending shifts and curveballs no one saw coming, this season hit harder than a sunrise set at Amnesia.



The island was buzzing with fresh energy, legends reclaiming their throne, and moments that made you stop mid-dance and go, “Did that really just happen?”



So let’s break it down. Let’s get into The Good, The Bad, and The Unexpected.



THE GOOD: A SEASON OF BLOCKBUSTERS AND RESURGENCE



Pacha's Golden Comeback

One of the biggest success stories of the season was the resurgence of Pacha. With Marco Carola's Music On Fridays and Solomun's iconic Solomun+1 Sundays, the club reported record-breaking ticket sales and nightly capacity crowds. More than just a nostalgia trip, Pacha innovated with BLOND:ISH’s all-female-led Abracadabra party and upgraded its sound and lighting systems to cutting-edge specs. The return of Defected, after more than a decade, brought a sense of historic closure and fresh excitement as weekly house masterclasses were delivered by icons like The Blessed Madonna and Groove Armada.





UNVRS: The Rise of the Hyperclub

The debut of UNVRS, Ibiza’s first hyperclub, was perhaps the most dramatic shake-up in 2025. With a 15,000-person capacity and next-gen production, UNVRS delivered arena-level experiences. Residencies from Carl Cox, FISHER, Eric Prydz, elrow and Paradise drew thousands weekly. Carl Cox’s return alone generated historic buzz. FISHER’s dramatic ceiling descent and Eric Prydz’s mind-bending Holosphere 2.0 added high-tech flair to the Ibiza experience.





Amnesia Rebuilds and Reinvents

Despite losing some long-standing parties, Amnesia responded with agility. The launch of Resistance techno nights, Ben Hemsley’s breakout residency, and collaborations with Boiler Room and Mixmag injected fresh energy. Embracing up-and-comers while retaining events like Pyramid, Amnesia proved its ability to adapt and evolve.





DC-10 & Hï Continue to Deliver

Solid Grooves at DC-10 was again a defining underground staple. Meanwhile, Hï Ibiza maintained its dominance with Black Coffee Saturdays and Glitterbox Sundays.



THE BAD: COSTS, CANCELLATIONS & CONTROVERSY



Soaring Costs and a Changing Crowd

A major issue throughout the season was the cost of partying. Entry fees regularly toppled over the €100 mark, drink prices remained exorbitant, and VIP tables ballooned in cost. This shifted crowd behavior - some nights saw smaller dancefloors, and attendees reported spending more conservatively. The spontaneous, hedonistic feel of previous seasons was sometimes overshadowed by financial caution.



Residencies That Faltered

Not every party thrived. SHINE Ibiza, a trance-focused residency at Eden, was abruptly canceled just weeks before its September run, citing circumstances beyond the promoter's control. Without flagship residencies like Defected (which moved to Pacha), Eden’s 2025 season struggled to attract consistent footfall.





Storm Dana Disrupts Closings

October’s storm Dana (Alice) swept through Ibiza with torrential rain. Despite red alerts, some clubs pressed ahead with closing parties anyway! The controversy highlighted the tension between profit and public safety.



THE UNEXPECTED: TWISTS, TRENDS & MOMENTS OF MAGIC



Club Chinois Steals the Spotlight

A surprise hit of the summer was Club Chinois in Marina Botafoch. With its intimate vibes and a luxury feel, it hosted diverse residencies like Claptone’s Masquerade, Bedouin’s Saga, Honey Dijon’s Honey F**ing Dijon*, and Kerri Chandler’s KAOZ Theory. Fridays featured rotating global talent including Francis Mercier and Shimza. Many seasoned clubbers found it a refreshing, music-first alternative to the superclubs.





The Phone-Free Movement Grows

A growing desire to reconnect with the music led to a wave of phone-free events. Solid Grooves enforced no-phone nights to boost presence on the dancefloor. Meanwhile, new venue Tomodachi opened with a strict anti-phone ethos, focusing on minimal house and vinyl sets. As social media fatigue creeps into nightlife, these parties carved a welcome niche.





Meme Culture Meets Club Culture

One viral video turned British clubber Jack Kay into the “Ibiza Final Boss,” earning him influencer deals and international notoriety. It was a bizarre reminder that Ibiza still produces surreal, culture-shifting moments in unexpected ways.



Pop Crossovers and Extended Seasons

Blackpink's Jennie made a surprise appearance at Ushuaïa during Diplo’s set, blending K-pop with Balearic beats and setting social media ablaze. Meanwhile, events like TRIP at Club Chinois once again extended into late October, challenging traditional notions of when Ibiza’s season begins and ends.



What’s next?

Summer 2025 proved that Ibiza’s club culture is still evolving - sometimes for better, sometimes with growing pains. The introduction of mega venues, phone-free raves, and viral stars points to a scene willing to change. Yet rising costs, safety challenges, and over-commercialization sparked important debates.



As the island takes a breath before planning for 2026, one thing’s clear: Ibiza’s identity is being renegotiated in real time. The pulse of the White Isle may be shifting, but it still beats strong.

Ibiza 2025 Round Up: The Good, The Bad & The Unexpected

Manu González is Ibiza through and through. Before touring the world and playing alongside names like Solomun, Kerri Chandler, and Honey Dijon, he was that teenager behind the counter at Delta Discos, digging through crates and studying records before he was old enough to legally enter a club. His touring schedule reflects his international reach, with standout performances at Defected Ibiza, Ushuaïa’s ANTS, Club Chinois, Ministry of Sound London, 102 Club in Germany, and WOMB Tokyo, along with extensive tours across South America.

Winner of Best Ibiza DJ at the DJ Awards at just 22, Manu has built his career on three guiding principles: evolve, stay consistent, and work with intent. His long-running relationship with Paco Osuna has led to a key role in the NOW HERE movement at Hï Ibiza, while his own label Question Reality continues to enter new territory with charting releases. 



Recognized for epic sets rooted in groove, personality, and a raw house and techno edge, Manu is also expanding into the U.S. performing at venues like Gospel New York, The Roof of Superior Ingredients, and  Factory Town Miami. One show to look forward to is his upcoming Gray Area event on December 6th, where he’ll be playing alongside fellow Ibiza favorite Chelina Manuhutu and Martin Ikin.

In this interview, Manu opens up about his path from local Ibiza kid to international artist, the lessons he’s learned along the way, the importance of staying loyal to who you are, and why he lives by a simple motto: “Make it with passion or don’t make it at all.”



1. What’s one thing most people don’t know about you?


I always wear a cap during my shows, but I’m actually bald. I’ve never played a show without a cap on.



2. If you weren’t a DJ/producer, what would you be?


I would do something related to radio or television. I love interacting with people and I enjoy being part of a show.



3. What’s the most memorable moment of your career?


Winning the DJ Award for Best Ibiza DJ at age 22 was pretty amazing. That year I had residencies in London, Manchester, and Ibiza. It was a hell of a year, and everything escalated quickly after that. I became established as an international act from Ibiza.



4. Who’s an artist that inspires you right now? 



Paco Osuna always inspires me with his technique and mixing. 



5. What’s a track you play to hype the crowd? 



A track I play to hype the crowd is my new record “Funkd,” which has reached over 2 million streams on Spotify. 



6. What’s your go-to drink before a show? 



Before a show, I like a good shot of Don Julio 1942 tequila. 



7. What’s your favorite city to play in, and why?



My favorite place to play isn’t a city—it’s an island, Ibiza, my home. But if I had to choose a city, I’d say New York. Every time I land there, it feels like a dream come true.



8. What’s one non-music-related thing that makes you happy?


Playing racket sports, hiking with my loved ones, and enjoying a good meal.



9. What’s a track that always brings you back to your roots?




10. If you could collaborate with any artist, dead or alive, who would it be? 



I would collaborate with Frankie Knuckles.



11. What’s your favorite non-music hobby?


My favorite non-music hobby is tennis.



12. If you could time travel to any era of music history, when would it be and why? 



I would go back to the ’90s. I was born in 1990, so I was too young to experience Ibiza during that time. My parents and family told me so many stories about the island back then that I wish I could have experienced.



13. What’s a record that never leaves your USB?


A track that never leaves my USB is my upcoming release: Manu Gonzalez – “One Kiss” feat. Kiki (Original Mix).



14. If you weren’t touring or in the studio, where would we find you?


Somewhere enjoying life. I live in Ibiza year-round, but I also love to travel as much as I can between shows.



15. What’s a fun fact or hidden talent unrelated to music? 



I have a property business and I sell houses in Ibiza to some very famous DJs, footballers, actors, and entrepreneurs.



16. What’s something simple that makes you smile?


Something simple that makes me smile is spending a day at the beach—not a fancy beach club, just a picnic and good company.



17. What’s a memory you never want to let go of?


The first time I played ANTS at Ushuaïa Ibiza in 2016.



18. When do you feel most at peace? 



I feel most at peace when I’m at home watching a movie with my phone turned off.



19. What’s something you forget but feel better when reminded of?

I sometimes forget that I’m still very young.



20. What’s something meaningful to you that others might not understand?


Manners. Being polite, being a gentleman—the old-school values my family taught me.



21. What’s something normal to you that other people find weird?


I call my mum every single day.



22. If you could compliment yourself, what would you say?



I am loyal in a society that has lost loyalty.



23. From a touring perspective, what’s the most expensive mistake you’ve made to put on a great show?


I was playing in Bolivia and somehow—don’t ask how—I boarded a flight to Peru by accident and they let me in. When I landed in Peru I freaked out. I had to fly to Chile and then to Bolivia to make it to the show. It was unforgettable.



24. Have you ever lost music or a project you were working on?


Yes. I made a remix for Steve Lawler of a classic record called “Rise In.” The vocals were so old that Logic couldn’t sync them, so I had to quantize everything by hand. It took ages. Then there was a power cut and Logic didn’t save it. I had to redo it all, and of course, it never sounded like the first version.



25. What makes you cringe when you listen to your early material?


Honestly, some of my early sets at 119 BPM playing minimal at Sankeys Ibiza were sick. I just can’t play that style anymore unless it’s at an after-hours set.



26. What do you obsess over most in the studio?


The bassline. It’s everything to me. I can spend hours overthinking it.



27. What is your favorite set time and duration?


I love playing longer sets—2 to 3 hours, especially from 1–3 a.m. I also enjoy closing sets.



28. If you could abolish one music genre forever, which would it be?


Hip-hop.

One of Ibiza’s Own: Manu González on Music, Life, and Purpose

A new lawsuit in Egypt could bring an end to music festivals and large-scale electronic events held near the Pyramids of Giza, raising global debate about whether entertainment and heritage can coexist at one of the most historically significant sites on earth.

The Egyptian Center for Economic and Social Rights has filed lawsuit No. 1958/80 with the Administrative Court, calling for a suspension of raves, nightlife events, and commercial festivals in the Pyramids’ archaeological zone. The legal action argues that these events not only pose physical risks to the monuments, but also disregard the cultural and spiritual weight of the site.



A Clash Between Entertainment and Preservation

Legal documents state that high-powered sound systems, sub-bass vibrations, laser projections, stage construction, and heavy machinery could gradually harm the Pyramids’ ancient limestone foundations. Experts have long warned that heritage sites face long-term degradation from modern commercial activity if protections are not enforced.



Beyond physical risks, many Egyptians and cultural advocates argue that transforming a 4,500-year-old necropolis into a nightlife destination undermines its historical meaning. For them, the Pyramids of Giza are not a backdrop or a festival venue—they are sacred symbols of ancient civilization, human achievement, and collective memory.

“This is a burial site, not a party ground,” one Egyptian cultural commentator wrote online, echoing growing public sentiment. “Some places carry history that should not be treated as spectacle.”

No Official Ban Yet—But a Legal Turning Point

Although global headlines have circulated claiming that “raves at the pyramids are banned,” there is no official ban in place yet. The lawsuit is still under review by Egyptian courts, and events continue to be held pending a legal decision. However, if the lawsuit succeeds, new regulations could prohibit large-scale music events entirely or place tight restrictions on commercial entertainment near the plateau.



Over the past five years, the Pyramids have become a landmark destination for international event brands and electronic acts. Performances by Carl Cox, Keinemusik, and Anyma brought worldwide attention, generating tourism revenue but also growing criticism from historians and preservation groups.

Respect vs. Revenue: The Debate Intensifies

Supporters of the lawsuit argue that not all locations are suitable for commercial entertainment—and that some heritage sites should be treated with solemnity. They believe that the Pyramids, built as tomb complexes for ancient kings, carry deep historical and spiritual significance that should be protected from being reduced to branding opportunities and festival culture.

Event organizers and promoters, on the other hand, argue that well-managed cultural programming can bring global appreciation to Egyptian history while supporting the local economy. They claim that stricter guidelines—not bans—are the solution.

What Happens Next?

The Egyptian courts will rule on whether to suspend future events at Giza until comprehensive heritage impact studies are completed. UNESCO is also watching closely, as the Pyramids are protected under World Heritage guidelines that require preservation to take priority over commercial use.



For now, the debate continues: Should sacred ancient sites be used as entertainment venues in the first place? And how should modern cultural expression coexist with the responsibility to protect humanity’s oldest wonders?

One thing is clear—Egypt stands at a decision point between maintaining global cultural relevance and preserving a site that many believe should remain untouched out of respect for its history.

Pyramids of Giza Raves Spark Cultural Outrage

SINTRA didn’t grow up surrounded by instruments or formal training—in fact, he didn’t make his first track until his final semester of college. A spontaneous trip to Bonnaroo changed his trajectory, sparking a curiosity that led him to teach himself production. Today, the Peruvian-American artist has earned support from RÜFÜS DU SOL, Nora En Pure, and Keinemusik, landed on major Spotify editorial playlists, and performed at festivals like Deep Tropics, Breakaway, and Friendship, with Shambala on deck. 



From Miami, the city he credits for helping him discover his sound, to stages across North America, SINTRA continues to build momentum without losing clarity on why he started. In this interview, he opens up about his path into music, the turning points along the way, and the mindset he relies on to keep moving forward.



What’s one thing most people don’t know about you?



I didn’t grow up in a musical household. I didn’t even start making music until my last semester of college. I went to my first music festival, Bonnaroo, with some friends and left feeling really inspired. It was a special experience for me—I came home and started teaching myself production that same week.



If you weren’t a DJ/Producer, what would you be?



Probably a business owner. It’s hard to imagine what my life would be like without music, but I’ve never been one to follow. I’d likely be off doing my own thing, hopefully adding value to the world while I’m at it.



What’s the most memorable moment of your career?



It’s hard to choose, but one that comes to mind is the first major support I ever received. It was the beginning of the year and a lot of my friends were in Tulum for the parties down there. I remember scrolling through Instagram and hearing one of my unreleased records being played by RÜFÜS DU SOL at Zamna—and I was in shock. First, because I had no idea how they got the record, and second, because I hadn’t received much support at the time as a new act. That moment was meaningful because it was so early in my career and reinforced confidence in what I was doing.



Who’s an artist that inspires you right now?



Tripolism. Their sound design and rhythms feel fresh and different. I love how they take familiar elements from other styles and genres and incorporate them in a way that feels entirely their own.



What’s your go-to snack or drink before a show?



I’m a big espresso martini guy—with tequila.



What’s your favorite city to play in, and why?



Miami. It’s home, and it’s where I really discovered my sound. The energy there is open-minded and I’ve always had a great time playing in that city.



How would you describe your sound in three words?



Textural. Euphoric. Human.

 

What’s one non-music-related thing that makes you happy?



A proper spa and cold plunge day. Nothing leaves me feeling as refreshed and clear-minded, especially after long studio weeks or tours.



What’s a track that always brings you back to your roots?



“Sleepless” by Flume. It’s one of the early songs that made me want to make music in the first place. Every time I hear it, I’m reminded of the spark that started everything.



What’s your favorite non-music-related hobby?



Running. It clears my head and weirdly helps me solve production problems. Sometimes it helps to step away and get the blood flowing instead of being stuck in front of a screen.



If you could time travel to any era of music history, when would it be and why?



The early 2010s electronic scene, when artists like Flume, ODESZA, and Disclosure were breaking new ground. There was so much experimentation and freedom during that time.



What’s a record that never leaves your crate or USB?



“Innerbloom” by RÜFÜS DU SOL. It’s timeless. No matter where I am, that track always connects.



What is something simple that makes you smile?



Going for walks alone and catching a sunset. Those quiet moments put everything back into perspective.



When do you feel most at peace?



Early mornings in the studio—sunlight coming through the windows, coffee in hand. That’s when I’m most at peace, deep in a groove with no distractions and no expectations.



What are some things you forget but feel better when you’re reminded of them?



That creativity comes in waves. It’s okay to step back and breathe—forcing it never works.



What personal prison have you built out of fear?



Perfectionism. I used to think everything had to be flawless before anyone could hear it. Now I know imperfection is what makes it real.



If you could compliment yourself, what would you say?



I’m not sure if this counts as a compliment, but I’d say I never know when to quit.

Growth Without Shortcuts: SINTRA Speaks

When you think of Ibiza, images of sun-drenched beaches, packed superclubs, and sunset cocktails immediately come to mind. But what happens when the summer ends, the clubs close their doors, and the last wave of tourists departs? Between November and March, Ibiza transforms into something entirely different - calmer, more authentic, and equally enchanting. Far from being “closed,” the island in winter is alive with local festivals, cultural traditions, and a slower rhythm of life that reveals its true spirit.



A Different Kind of Sunshine

Ibiza’s Mediterranean climate means winters are mild compared to northern Europe. Average daytime highs hover around 15°C, but sunny spells often bring temperatures into the low 20s. Rain falls occasionally, but rarely for long, and locals like to joke it never rains more than three days in a row. The skies are brilliant blue, the air is crisp, and sunsets often set the horizon ablaze with orange, red, and purple hues.



Instead of crowded beaches and scorching afternoons, winter offers peaceful seaside walks, picnics by deserted coves, and drive through the campo where the fields bloom green again after summer’s dry spell. It’s a time when Ibiza’s natural beauty takes center stage, framed by tranquility.





Festivals and Local Life

While international club residencies take a break, Ibiza’s local calendar is far from empty. In fact, winter is when the island’s traditional culture shines brightest. Each village celebrates its patron saint with fiestas that include folk dancing, parades, street food, and fireworks. These events are less about spectacle for tourists and more about community, offering visitors an authentic slice of island life.



November brings the fiestas of Sant Carles and Santa Gertrudis, cozy village gatherings filled with music and local cuisine.

December sparkles with Christmas markets throughout the bigger towns on the island, including the famous Las Dalias Christmas Market. 

New Year’s Eve is celebrated across Ibiza Town with fireworks and street parties, followed by the traditional Three Kings’ Day parade on January 6th.

January marks the huge Sant Antoni festival, with live bands, parades, and even a retro “Flower Power” party. Santa Agnès also celebrates in January, perfectly timed with the island’s almond blossom season.

February bursts with Carnival, when Ibiza Town, Santa Eulalia, and Sant Antoni host parades of colorful floats and costumes. Santa Eulalia’s patron saint day on February 12th is another highlight, ending with fireworks by the sea.

March welcomes spring with Balearic Islands Day on March 1st and the fiesta of Sant Josep mid-month, complete with fire-runs (correfocs) and Flower Power–themed parties.



These fiestas prove that Ibiza’s celebratory spirit doesn’t hibernate. It simply shifts from global clubbing to local traditions - equally full of energy, but rooted in history.





Winter Activities: Nature, Food, and Culture

For many, winter is the best time to explore Ibiza’s outdoors. Hiking trails that are too hot to attempt in August become inviting in January, leading through pine forests, along rugged cliffs, and into sleepy villages. Cycling is also popular, and rental companies remain open year-round. One of the most magical seasonal experiences is the almond blossom that carpets the Santa Agnès valley in white and pink from late January to February. Locals even organize “full moon walks” to see the blossoms glowing under silver light.





Markets, another Ibiza institution, also continue through winter. Las Dalias stays open on Saturdays, and various car-boot and artisan markets offer everything from vintage finds to local produce. Without the summer crowds, browsing these markets becomes a leisurely, authentic experience.



Foodies are well catered to as well. Many restaurants in Ibiza Town and Santa Eulalia remain open, often with excellent value menús del día - three-course lunches for €10–15. Winter is also the season for gastronomic festivals, including Patrimoni Gastronòmic in January and February, where restaurants create special menus inspired by international cuisines. Combined with local wineries and olive oil farms that welcome visitors for tastings, Ibiza’s off-season is a culinary delight.



Nightlife Beyond the Superclubs

It’s true that Ibiza’s world-famous clubs like Ushuaïa and Amnesia shut down for winter, but that doesn’t mean the island stops dancing. A thriving resident nightlife scene carries on, smaller in scale but big in atmosphere.



In Ibiza Town, evenings often start at Plaza del Parque’s lively bar terraces before moving to spots like Lola’s, which has been hosting locals since the 1960s, or Teatro Ibiza, known for live music and DJ nights. Across the harbor in Marina Botafoch, ROTO and It Lounge keep stylish crowds entertained with DJs and live acts, while Keeper Ibiza offers Latin rhythms until the early hours.



In the north, Akasha, the intimate club beside the Las Dalias market, has become a winter institution, hosting electronic music nights every weekend and Sunday afternoon sessions that feel like a mini-festival. On the west coast, Hostal La Torre remains a beloved sunset spot, pairing breathtaking views with chill-out DJ sets. Even Eden in San Antonio throws occasional winter parties for locals, proof that Ibiza’s sound systems don’t stay silent for long.





Winter nightlife may lack superstar DJs, but it makes up for it with intimacy, affordability, and authenticity. Drinks are cheaper, crowds friendlier, and the vibe more relaxed - a refreshing alternative to high-season madness.



Discovering a Different Ibiza

The Ibiza of winter is not the Ibiza you see on postcards, and that’s exactly its appeal. It’s quieter, greener, more community-focused, and surprisingly festive. Visitors who come in off-season discover an island where you can walk along an empty beach in the morning, join locals for tapas at a village fiesta in the afternoon, and dance in a small club until dawn, all without queues, inflated prices, or tourist crowds.



For those who love Ibiza in summer, experiencing it in winter is like uncovering a secret. The White Isle doesn’t sleep; it simply reveals another side of itself - warm, welcoming, and full of life year-round.

What Happens in Ibiza Off-Season?

Arizona-born, Portland-raised DJ and producer FREAK ON has grown his presence in house music since making the move to Los Angeles after seven years as a firefighter and EMT in Oregon. He’s performed at big time venues such as SOUND LA, Splash House, and The Shrine while releasing music on reputable labels such as Thrive Music, Repopulate Mars, and House Call Records. His tracks have earned support from leading names across the scene, helping him build momentum on both club and festival stages.

In this interview, FREAK ON talks about his journey from emergency response work to touring, tracks that never leave the USB, and the mindset behind his work in the studio.



What’s one thing most people don’t know about you?


I was a firefighter/EMT in Oregon for seven years before pursuing music in LA.



If you weren’t a DJ/Producer, what would you be?


I would most likely still be working in emergency medicine.



Who’s an artist that inspires you right now?


Murphy’s Law, Luke Dean, Jamie Jones, and Franky Rizardo.





What’s a track you play when you want to get the crowd hyped?


My edit of “Pump Up The Jam” has been a great crowd mover lately.



What’s your go-to snack or drink before a show?


If I can grab some pizza before a show, that’s the move I’ll make!



What’s your favorite city to play in, and why?


I’ve always had so much fun playing in LA. The crowd is always reactive and engaged.



How would you describe your sound in three words?


Fun, energetic, groovy.



What’s one non-music-related thing that makes you happy?


Working out.



What’s a track that always brings you back to your roots?






If you could collaborate with any artist, dead or alive, who would it be?


Avicii.



What’s your favorite non-music-related hobby?


Snowboarding.



If you could time travel to any era of music history, when would it be and why?


The ’70s — for the peak of disco!



What’s a record that never leaves your crate or USB?


“Eeny Meeny” by Haynes.



If you weren’t touring or in the studio, where would we find you?


At the gym, hanging with family and friends, or playing video games.



When do you feel most at peace?


Phone off, back in Oregon during the summertime visiting my family.



As someone who deals with technology and computers to write music, has there been a gut-wrenching story where you lost your music or tracks you were working on?


Yes. I actually had one of my external hard drives corrupt — it held a ton of my samples. Most of my WIPs were half-empty, so I decided to just start over. It was terrible at the time, but in the long run, it turned out to be a blessing in disguise.



What makes you cringe when you listen to your early material?


I try not to be too hard on myself for what I wrote early on, but I’d say the mixdowns and sample choices stand out the most.



What do you find yourself obsessing over most in the studio?


The groove of the track — how the percussion and bassline make it move.



What is your favorite set time and duration?


I’d say a three-hour set is perfect. You can set the tone, build it up, and tell a story well — not to say I wouldn’t love playing longer.



If you had the power to erase and abolish one musical genre for all eternity, which one would it be?


Noise music.

FREAK ON: Fitness, Firefighting, and Finding Flow Behind the Decks

We sat down with ANATTA for a quick, fun Q&A to get to know him beyond the booth — the food he loves, the tracks he plays to fire up a crowd, and the things that keep him grounded outside of music.

Since breaking onto the scene in 2020, ANATTA has released more than 60 tracks, scored three No. 1 EPs on the minimal/deep tech charts, and built his own label, ILLUSTRATE, home to artists like Chesster, Fede Aliprandi, Omari, and Inflair. Off the dance floor, ANATTA keeps a clear and simple routine. He studied law before fully diving into music, still rides mountain bikes and dirt bikes whenever he can, and has a ritual of sushi and sake before shows. 

From a breakout set at Coachella to finding one of his favorite crowds in New York City, his journey has been fast-moving — but he hasn’t forgotten those early gigs playing to empty rooms on shaky setups that shaped his grind. In this interview, ANATTA talks about the tracks that serves as weapons in his sets, the artists inspiring him right now, and what it’s been like to build a label while touring.



If you weren’t a DJ/Producer, what would you be?

I would be a lawyer. It runs in the family, and it’s what I went to school for.



What’s the most memorable moment of your career?

So far, it has to be playing Coachella.



Who’s an artist that inspires you right now?

I’m getting a lot of inspiration from Dabeull. He’s a little outside of dance music, but his music is incredible.



What’s a track you play when you want to get the crowd hyped?

LF System – All I Got. It works every time.



What’s your go-to snack or drink before a show?

Sushi and sake are always a safe bet for me.



What’s your favorite city to play in, and why?

New York City is my favorite. The crowds I’ve played for there are really receptive to the full scope of my sound.



How would you describe your sound in three words?

Funky, swing, disco.



What’s one non-music-related thing that makes you happy?

Dirt bikes. I grew up racing them and still love the sport.



What’s a track that always brings you back to your roots?

Dennis Cruz – Everybody.



What’s your favorite non-music-related hobby?

Mountain biking. There’s a mountain right next to my house, so it’s nice to ride when it’s cool outside.



If you could time travel to any era of music history, when would it be and why?

The era of Studio 54. I bet that room was magic, and I love that whole era of music — as corny as it may be.



What’s a record that never leaves your crate or USB?

Ki Creighton – Trivial.



What is something simple that makes you smile?

Blueberry muffins.



When do you feel most at peace?

Unfortunately, when I’m smoking a cigarette.



What are some things you forget but feel better when you’re reminded about?

The early days of DJing. I started at the absolute bottom — playing bad shows, with no people and terrible setups. Looking back on that always makes me grateful for where I am and motivates me to keep going.



What makes you cringe when you listen to your early material?

The mixdowns, the writing, the sample selection — pretty much everything about it. I’ve changed a lot as a producer.



What do you find yourself obsessing about most in the studio?

Every part of creating a track. I tend to obsess over the hook, the vocal, and the groove. Those three things need to click for me to be happy with a track.



What is your favorite set time and duration?

I love peak-hour sets. I have a ton of high-energy, classic-sounding house that I really enjoy playing out.



If you had the power to erase one musical genre forever, which one would you choose?

Most people would probably go with country or screamo, but those are actually two of my favorite genres outside of house. I could probably do without opera — it’s never done anything for me.

We Caught Up With ANATTA — Here’s What You Might Not Know About Him

There may be less parties on the island now that we’re in to October, but the quality is still high. We’ve listed out the best parties to hit in the first half of October, let’s dive in:



Music On Closing Party | Pacha Ibiza | Thursday, October 9 and Friday, October 10



Thursday, October 9 marks the first part of the Music On Closing Party at Pacha Ibiza, bringing another unforgettable night of house and techno to the island’s most famous club. Known for its electric atmosphere and loyal crowd, Pacha has been home to Marco Carola’s residency all summer - a place where the dance floor never stops moving.



For this special closing, Marco Carola is joined by Vintage Culture b2b Franky Rizardo, plus Ale De Tuglie b2b Calvin Clarke, creating a mix of sounds that will keep the energy high all night long. From 23:00 until 06:00, expect powerful drops, rolling basslines, and that signature Pacha vibe.



As the season winds down, this event promises to be a highlight, a celebration of everything that makes Ibiza’s nightlife so unforgettable.



Get your tickets.



Listen to the sounds of Marco Carola on Instagram | Spotify





Amnesia Closing Festival | Day 1 | Amnesia Ibiza | Friday, October 10



The Amnesia Closing Festival begins on Friday, October 10, kicking off one of the biggest weekends of the Ibiza season. Known for its powerful sound and sunrise energy, Amnesia is the perfect place to celebrate the end of summer.



On the Terrace, expect uplifting house and high-energy sets from Arielle Free, Angel Lee, Ben Hemsley, Faster Horses b2b Kyle Starkey, and Jan. Meanwhile, the Main Room goes darker and heavier with 999999999, Katnada, Lee Ann Roberts, and SNTS taking control.



This first night of the Closing Festival promises big production, a buzzing crowd, and a mix of house and techno that defines Amnesia’s legacy. The music runs late, the energy stays high, and the island’s clubbing season begins to bow out in true Ibiza style.



Get tickets before they sell out.



Listen to the sounds of Ben Hemsley on Instagram | Spotify





Amnesia Closing Festival | Day 2 | Amnesia Ibiza | Saturday, October 11

The party continues on Saturday, October 11 as Amnesia’s Closing Festival shifts into high gear. This is the night where back-to-back sets and peak moments rule the dance floor.



On the Terrace, get ready for East End Dubs, Honey Dijon b2b Marco Faraone, Luciano b2b Josh Baker, Caal, Max Dean, and Sidney Charles b2b Gaskin.



Over in the Main Room, expect full techno force with Amelie Lens, Deborah de Luca, Nina Kraviz, plus Andres Campo, Fatima Hajji, Estella Boersma, Luca Donzelli, and Onyvaa.



Day turns into night, terraces into temples. This is the kind of closing night that lives with you after the last beat.



Buy tickets for the final night in Amnesia for 2025.



Listen to the sounds of East End Dubs on Instagram | Spotify





Pacha Grand Closing Party | Pacha Ibiza | Saturday, October 11



This Saturday, October 11, Pacha Ibiza hosts its Grand Closing Party - the moment the 2025 season bows out in style. As one of the island’s most iconic venues, Pacha has long symbolized nightlife, vintage vibes, and unforgettable dance nights.



For the finale, RÜFÜS DU SOL take the decks for an exclusive DJ set, curating a journey through melody and emotion. They’re joined by Carlita, and Samm B2B Ajna, bringing house and tech energy that mirrors the closing mood.



Expect big moments all night long, and that electric Pacha atmosphere bathed in light and sound. It’s the final hurrah of the summer, and a chance to dance out every memory before the doors close till next year.



Get tickets now.



Listen to the sounds of RÜFÜS DU SOL on Instagram | Spotify




UNVRS Closing Party | UNVRS | Sunday, October 12



The island’s newest superclub, UNVRS, closes its first season in true Ibiza style on Sunday, October 12. Built on the legendary grounds of Privilege, this futuristic venue has quickly become one of the most talked-about spots on the island, known for its huge production, visuals, and sound.



For its Closing Party, the lineup is nothing short of massive. Expect sets from ANOTR, Anyma, Black Coffee, Peggy Gou, Rampa, Salomé Le Chat, and Vintage Culture - a mix of melodic house, Afro beats, and high-energy club sounds.



Doors open at 23:00, and the music will run well into the early hours. With this combination of world-class DJs and state-of-the-art visuals, the UNVRS finale promises to be one of the biggest nights of the season - a perfect ending to Ibiza 2025.



Tickets will go fast - get yours now.



Listen to the sounds of ANOTR on Instagram | Spotify





TRIP | Collisions | Chinois Ibiza | Wednesday, October 15



Chinois Ibiza, nestled in Marina Botafoch, is known for its lavish interiors, moody lighting, and intimate club ambiance - a place where music feels immersive, not just heard.



On Wednesday, October 15, TRIP | Collisions returns with a compelling lineup: Bobby., Craig Richards b2b Christian AB, and Ogazon will hold court from 23:30 to 06:00.



TRIP has become a Wednesday institution at Chinois, blending underground house and techno with bold visuals (this season using an AI-generated visual concept). Expect long sets, deep connections, and a night where each transition matters.



Buy your tickets.



Listen to the sounds of Bobby. on Instagram | Spotify





Tales of the Unexpected | Akasha | Friday, October 17



On Friday, October 17, Tales of the Unexpected returns to Akasha, the intimate club inside Las Dalias in San Carlos. Known for its local atmosphere and high-quality sound, Akasha is the perfect setting for deep, creative electronic music.



Leading the night is Dan Ghenacia, joined by Jeremy Weeks, Visions Of Light (live), Muzka, Gerrard C, and The Brothers Grim. The evening starts early at Las Dalias Café from 19:00, with free entry until 23:00, before moving indoors for the main event.



Expect a mix of deep house, minimal, and soulful grooves, all delivered in the unique Akasha style - close, personal, and full of emotion. This night brings together some of Ibiza’s most respected underground DJs for an experience that feels special from start to finish.



Buy tickets and start your weekend right.



Listen to the sounds of Dan Ghenacia on Instagram | Spotify

October's Parties in Ibiza (Part 1)

Looking to experience ADE 2025 the right way? Every October, the Amsterdam Dance Event transforms the city into the capital of electronic music. What began in 1996 as a small industry conference has grown into a five-day marathon of music, culture, and innovation. Today, ADE brings together over 2,500 artists, 1,000 events, and hundreds of thousands of people from across the world — uniting fans, DJs, and industry professionals in a celebration of electronic music in all its forms.



ADE is a full city takeover. By day, the conference hosts panels, workshops, and artist talks that shape the future of dance music. By night, Amsterdam explodes into a maze of parties spanning underground basements, historic warehouses, intimate rooftops, and massive arenas. Every genre is represented — from techno and house to trance, drum and bass, and experimental electronic sounds — and every night offers something unforgettable.

This year, we’ve rounded up 10 unmissable parties that define the spirit of ADE. Whether you're chasing intimate label showcases, iconic legacy sets, immersive live performances, or sunrise warehouse sessions, these events will give you a true taste of what makes ADE legendary.

Get your black outfits ready, warm up your dancing shoes, and prepare for sleepless nights in the world’s favorite rave city — ADE is calling. 




1. NOW HERE by Paco Osuna – IJland

A trusted name in club culture, NOW HERE makes its return to ADE after a strong run in Ibiza this summer at Hï. Curated by the legend Paco Osuna, the event brings together a powerful lineup featuring Nicole Moudaber, Melanie Ribbe, Ariel Rodz, Chris Di Perri, and a special guest still to be announced. This year’s edition takes place on October 23rd at IJland, one of Amsterdam’s most impressive waterfront venues. Expect a night built around refined house and tech house, a serious crowd, and a proper party atmosphere from start to finish.

Tickets can be found here. 



2. Glitterbox – Thuishaven

Glitterbox returns to ADE with a daytime takeover at Thuishaven on Thursday, October 23rd. More than just a party, Glitterbox is a celebration of freedom, self-expression, and dancefloor culture rooted in house and disco history. Known for championing the LGBTQ+ community, the event creates a safe and welcoming space where everyone is encouraged to be themselves. Expect bold performers, drag hosts, vocal-driven sets, and a crowd united by music and good energy. If you want color, character, and real club spirit, this is the one.

Tickets can be found here. 



3. SlapFunk x VBX – Sissi’s Amsterdam

Two of Amsterdam’s most respected underground crews unite once again for a serious night of rhythm and raw club culture. SlapFunk, known for its stripped-back, percussion-heavy house sound and long-running DIY party roots, teams up with VBX, a leading force in Amsterdam’s minimal and techno scene. Hosted at Sissi’s Amsterdam from 22:00 to 07:00 on Thursday, October 23rd, this event promises a no-nonsense atmosphere focused on quality music and an engaged dancefloor. Expect deep grooves, long blends, and a dedicated crowd that knows why they’re there.

Tickets can be found here. 



4. D’EAUPE – Soulkitchen

Amsterdam’s brother–sister duo Shermanology bring their homegrown party brand D’EAUPE to ADE with an intimate late-night takeover at Soulkitchen on Thursday, October 23rd. With Dorothy Sherman on vocals and Andy Sherman on the decks, D’EAUPE has grown from underground Amsterdam sessions into an international force. 

Their parties in Amsterdam are known for packed dancefloors and a strong sense of community, and their label has built serious credibility with releases from Demuir, collaborations with Todd Edwards, Busta Rhymes, Tiësto, and Fisher, and consistent support across the house scene. The venue, Soulkitchen, adds something different to ADE nightlife. Known for epic dining experiences like KAITAI by Night—a live bluefin tuna carving ritual usually reserved for exclusive events—Soulkitchen fuses style, spectacle, and atmosphere. This one is for those who want a party with character and culture—not just noise.

Tickets can be found here. 



5. Cécille Records x Mood Child – NDSM Loods

This ADE, two standout labels join forces for a serious session inside NDSM Loods. Cécille Records, founded in Mannheim in 2007, has spent nearly two decades shaping modern house music with a catalogue that spans European club culture from Frankfurt to Barcelona and beyond. Mood Child, one of the most exciting new labels in the scene, has built a strong global presence in a short time with showcases across New York, Madrid, Bangkok, Miami, and Tokyo — earning recognition as Beatport’s Hype Label of the Year.



Together, they’re hosting a 12+ hour house marathon built around quality DJs and a focus on dancefloor energy and community. No gimmicks — just a pure house experience in one of Amsterdam’s most raw and industrial venues.

Tickets can be found here. 



6. fabric x Loud-Contact – WestWeelde

London’s influential club fabric teams up with Loud-Contact for a heavy late-night session at WestWeelde on Friday, October 24th. Since opening in 1999, fabric has earned worldwide respect for its focus on serious music programming, no-frills club culture, and long-running house and techno roots. For ADE, they bring a stacked lineup featuring Jeff Mills, DVS1, HAAi, Héctor Oaks, Quest, Adiel, and GiGi FM — a rare mix of pioneers and cutting-edge selectors.



Hosted inside the raw industrial setting of WestWeelde, this event is built for people who appreciate powerful sound systems, extended sets, and a true warehouse atmosphere. No distractions — just a deep night of techno and left-field club music from start to finish.

Tickets can be found here. 



7. BiBi x Cocoon with Sven Väth – IJland

Cocoon touches down at ADE with a special collaboration alongside BiBi at IJland on Friday, October 24th. At the center of the night is none other than Sven Väth, a foundational figure in techno who has shaped the culture for over four decades. From the legendary Omen club in Frankfurt to Cocoon’s iconic residencies in Ibiza, Väth’s impact on club history is unmatched.



This event brings together Cocoon’s long-standing legacy with the fresh energy of BiBi, set against the industrial waterfront backdrop of IJland. Expect a night built around deep techno, strong atmosphere, and a crowd that understands why Sven remains one of the most influential selectors in dance music.

Tickets can be found here. 



8. elrow – Delusionville at De Kromhouthal

No ADE is complete without elrow, the party brand widely known as one of the most outrageous and entertaining club experiences on the planet. This year they return with their Delusionville theme at De Kromhouthal on Friday, October 24th, bringing a night packed with color, confetti, characters, and full-scale stage madness.



More than just a rave, elrow is a full-blown theatrical experience where the crowd becomes part of the show. The lineup is stacked with strong house selectors including Bastian Bux, Chelina Manuhutu b2b Tini Gessler, Ilario Alicante, Kevin de Vries, and Prunk b2b Fleur Shore—a combination built to keep things moving until sunrise.

If you want pure fun, no ego, and a crowd that shows up to party hard, elrow is always the move.

Tickets can be found here. 



9. NoArt ADE Festival – Taets Art & Event Park

Founded in Amsterdam, NoArt has built a strong reputation by blending club culture with contemporary art in unconventional spaces. Their ADE festival returns on Saturday, October 25th at Taets Art & Event Park, turning the industrial grounds into a creative playground rooted in music, visual expression, and atmosphere. 



NoArt isn’t just about throwing parties—they aim to challenge perspectives and bring people together through curated experiences that feel different from the usual festival format. With a lineup built around forward-thinking selectors and live performances, this daytime event is perfect for anyone who appreciates house music with depth and a strong artistic edge.

Tickets can be found here. 



10. Breakfast Club – RADION (ADE Saturday)

A long-standing ADE tradition, Breakfast Club returns on Saturday, October 25th with a full daytime session at RADION from 08:00 to 18:00. Known for its loyal community and no-fuss atmosphere, Breakfast Club is where real heads go to hear refined selections outside of the usual peak-time chaos. This year’s lineup is stacked with serious selectors including Craig Richards, Shonky, Sonja Moonear b2b Saoirse, Sansibar b2b Sohrab, Paquita Gordon, and more.



The setting at RADION fits perfectly: raw, warm, and built for long listening sessions. If you want an ADE party that feels authentic and focused entirely on music, this one belongs at the top of your list.

Tickets can be found here.

10 Amsterdam Dance Events You Can't Miss

Ask ten people what makes Ibiza special and you’ll get eleven answers, but most circle the same truth: the island lives two lives. By day, it’s sun-kissed, social, and cinematic; by night, it’s a cathedral of sound where light, sweat, and bass bind thousands of strangers into one crowd. Understanding Ibiza means understanding the hand-in-hand rhythm of these realms - how they differ, how they overlap, and why you really need both to “get” the island.



Day: the open-air overture





Daytime is Ibiza’s soft-power seduction. Music starts as ambience, Balearic melodies washing over iced coffees and sea breeze, then swells into something you can’t help but move to. Beach clubs and pool venues curate the arc: mellow brunch beats, golden-hour sounds, and the occasional hands-in-the-air finale. The soundtrack leans feel-good and sun-friendly: vocal house, soulful disco, classic anthems, tropical and melodic strains of tech-house. Live flourishes like sax, percussion and singers are common. The point isn’t to pummel; it’s to buoy.



Crowds are mixed and chatty. You’ll see birthday crews in matching sunglasses beside couples who’ve planned this day for months, plus seasoned island regulars who know when to arrive for the best bed, the kindest sun, and the moment the DJ nudges the tempo. Dress codes are a rumor, swimwear, linen, and sandals rule, and so is the vibe: approachable, playful, a little glamorous if you want it to be. It’s as much about the scene (friends, photos, sea swims) as the set.



Boat parties spin a parallel story: decks become dancefloors, the horizon is the LED wall, and sunset is the headliner. These cruises are social accelerators, mixing beach-day ease with a pre-club pulse. They’re often the first stitch in a bigger day-to-night plan.





Importantly, day events set their own boundaries. Most wrap around sunset or shortly after; even the biggest open-air shows respect neighborhood rules and pre-midnight cutoffs. That containment makes daytime surprisingly sustainable: you can go hard for six sunlit hours and still reset for dinner or, if you’re game, for the night to come.



Night: the high-voltage main event



If day is a smile, night is a full-body exhale. Ibiza after dark is a precision machine: doors open late, peak hours crest after 2 a.m., and the production detail borders on theatrical - laser architecture, bespoke visuals, confetti weather systems, dancers, moving ceilings, sound systems tuned like grand pianos. This is where residencies and party brands flex identities week after week: underground temples of house and techno, big-room EDM spectacles, disco-forward glamour nights, trance sanctuaries, Afro-house odysseys, and Latin-leaning takeovers.





The music is louder, deeper, and designed for immersion. You don’t talk over it; you surrender into it. Sets build patiently, teasing tension until the drop lands and a few thousand people erupt as one. The crowd is global and purpose-built: first-timers wide-eyed at the scale, lifers chasing the perfect sunrise moment, friends reunited on the dancefloor. Fashion gets a glow-up - heels and sequins in VIP, leather and mesh, streetwear with intention…though the underground keeps it simple: trainers, black tees, a head for the groove.



Nights can be linear (one club, open to close) or modular: sunset bar → dinner → pre-party → superclub → afters. The island rewards both strategies. What’s consistent is the escalation. Where day encourages conversation, night prioritizes communion - those time-stopping, goosebump drops that make you hug a stranger and mean it.





Two energies, one ecosystem



It’s tempting to treat day and night as rivals. In reality, they’re relay partners. Day gets you social, warmed up, and woven into mini-communities, whereas night cashes in: a familiar face on the terrace at 3:17 a.m. can feel like fate. Conversely, the morning after a club marathon, the day realm becomes triage and therapy - sea swims, soft beats, shade, and stories.



They also trade ideas. Day parties have scaled up their production and bookings, blurring lines with festival-level shows that end before midnight. Nightlife, in turn, has diversified its sound palette and spaces, from glitter-and-disco showcases to intimate rooms dedicated to slower, deeper flavors. The result is choice. On any given 24 hours, you can sequence your perfect arc: euphoric poolside singalongs, a gastronomic pre-party with a downtempo soundtrack, then an all-gas main room until the lights bloom back to day.



Practicalities: how to do both well

Plan arcs, not hours. Stack your day so you can either crescendo into night or end content at sunset. Book tables or tickets early in peak months; the best options sell out.

Respect the cutoffs. Open-air shows end earlier - make that constraint a feature. Sunset exits are cinematic and leave room for dinner or a disco nap.

Dress for the realm. Day = comfort, SPF, swim-friendly. Night = expression, but shoes you can actually dance in. Carry earplugs; future-you will be grateful.

Mind the body. The island rewards balance: water, shade, sleep, and a proper meal can be the difference between a good night and a legendary one.



So…which is better?





Wrong question. Day is the invitation; night is the answer. Day teaches you the island’s contours - the color of the water at 5 p.m., the way a sax solo chases a seabreeze, the faces you’ll recognize later. Night teaches you its pulse - the communal roar when a classic drops, the terrace at dawn, the hush that follows the final chord. The magic of Ibiza isn’t choosing one; it’s learning how they complete each other.



If you only do days, you’ll miss the electricity. If you only do nights, you’ll miss the soul. Do both, thoughtfully, and you’ll understand why Ibiza isn’t just a place that parties; it’s a place that knows how.

Day vs. Night: Understanding Ibiza’s Two Party Realms

Music isn’t just something humans invented for pleasure — it’s woven into who we are. In a Big Think video, musicologist Michael Spitzer, professor of music at the University of Liverpool and author of The Musical Human, unpacks why music has been part of us for millions of years and how it molds the brain, body, and our emotional lives.

Spitzer — who leads Liverpool’s department of classical music and is known for his work on Beethoven, aesthetics, and music and emotion — frames music not as a cultural add-on, but as something that emerged from our earliest movements as a species. “Humans have been making and learning to recognize music from the moment our species learned to walk on two legs,” he says. Walking gave early humans a predictable beat, and with it, a sense of time and pattern that still underlies how we experience rhythm today.



Music and Mental Health Go Hand in Hand

One of Spitzer’s strongest points is that music isn’t just entertainment — it’s a tool for survival and mental well-being. “The biggest draw to mental health is loneliness,” he says. “Music can bring people together. You don’t have to actively make music with somebody else — just to listen to music plugs you into a social network, because every notion of music is social. It’s formed of social conventions.”



Listening doesn’t just connect you to others; it also has measurable effects on the body. “Music lowers stress by reducing cortisol,” Spitzer explains. “It gives you pleasure, makes you happy by flooding the brain with neurotransmitters like dopamine.” He adds that music helps tag memories, express identity, and process feelings “too precise for words.”



Interestingly, Spitzer warns against thinking of music as mere relaxation: “The word relaxation gives a sense of passivity, whereas to listen is a very active and creative activity.” True listening, he suggests, is closer to mindfulness — an act of deep engagement rather than background noise.

Why Rhythm and Emotion Feel So Instinctive

Humans are wired to imitate and feel what we hear. Spitzer points to mirror neurons — brain cells that fire when we see or hear an action. “When the brain sees an action, you don’t have to move to experience that motion in your brain,” he says. “Mirror neurons are responding sympathetically. We’ve always had an instinctive faculty to imitate. We call it mimesis.”



That explains why yawns are contagious — and why emotions in music are, too. “When I hear a sad song, my body, my mirror neurons, are instinctively sympathizing, are mirroring the sadness of the song,” Spitzer says. Not only does music represent feelings, it also physically pulls us into them.

He also connects this to the way emotions evolved for survival. Happiness signals reaching a goal. Anger appears when a goal is blocked. Sadness follows loss. Fear prepares us to freeze, fight, or flee. Music taps directly into these circuits, which is why some songs hit so hard they cause chills — or frisson. 





“There are moments in music which are so intense… you have the same parts of the brain which respond to that as respond to fear,” Spitzer explains. That’s why goosebumps rise when a song suddenly swells — it’s fear’s wiring, but in a safe space.

The Brain’s Music Network

Underneath these emotional responses is a fascinating neural map. Spitzer notes that the brainstem — our most ancient layer — reacts reflexively to sudden sounds, while the basal ganglia judge whether what we’re hearing feels pleasant or unpleasant. The amygdala handles core emotions like fear, sadness, anger, and happiness. 

At the top, the neocortex processes patterns and complexity — the reason we can appreciate a fugue, follow a jazz solo, or predict a beat drop. Together, these regions show why music reaches us at every level: from instinct and survival to intellectual and emotional depth.



Spitzer’s video is a reminder that music is a part of our biology and psychology. From the first hominin footsteps to today’s streaming playlists, music has been a way for humans to connect — to each other, to memory, and to emotion itself.



For anyone who’s ever felt a song lift their mood, bring back a vivid memory, or cause goosebumps out of nowhere, Spitzer’s insights explain why: music is movement, memory, and meaning combined. It’s not simply entertainment — it’s something deeply human.

Why Music Moves the Human Brain — Explained by Michael Spitzer

We are FULLY in October and ready to see off the last month of the season on the White Isle. We’ve got our top picks for you right here, so let’s get in to it!


Defected Closing Party | Pacha Ibiza | Thursday, October 2



Get ready: Defected brings its final house heat to Pacha this Thursday.



Pacha Ibiza has hosted legendary nights since the ’70s. On October 2, Defected closes its 2025 Thursday residency with a stacked lineup honoring the soul of house.



Leading the charge is Eats Everything, known for his groove-driven energy and versatile sets. Masters At Work (Louie Vega & Kenny Dope) bring classic house credentials and deep roots in the genre. Sam Divine links up B2B Low Steppa, promising a powerful blend of vocal house and bass rhythms. Rounding off the night is Rio Tashan, who has become a fixture in the Defected family.


Thursday will be a love letter to what Defected has always been: inclusive, dancefloor-first, timeless house music. Expect moments to sing, dance, and feel part of something bigger.



Get your tickets.



Listen to the sounds of Sam Divine on Instagram | Spotify





Joseph Capriati presents Metamorfosi Closing Party | Hï Ibiza | Friday, October 3



Hï Ibiza, with its three incredible rooms and cutting-edge visuals, has become the stage for Metamorfosi - Joseph Capriati’s evolving musical vision.



On Friday, October 3, the residency ends with a closing that brings the full Metamorfosi experience to life one last time. From 23:30 into the early hours, Capriati headlines the Theatre, joined by Chris Stussy, Omri., and Salomé Le Chat.



Over in the Club Room, Indira Paganotto, Kobosil, VTSS, and Unkle Fon carry the nocturnal torch in techno intensities.



Meanwhile, Wild Corner | The Lab pulses with Murphy’s Law, II Faces, Mike Nervous, and Vanee.



Tonight’s not just a finale - it’s a metamorphosis. Buy tickets and dance the night away.



Listen to the sounds of Joseph Capriati on Instagram | Spotify





elrow Closing Party | UNVRS | Saturday, October 4



Saturday, October 4, elrow throws its final show with Adam Beyer, Cloonee, Paco Osuna, and Tini Gessler leading the charge at UNVRS.



Under a brand-new, never-seen theme, the closing promises to turn the space into a full sensory ride - with bucket loads of confetti, crazy decor, and theatrical surprises all through the .


Expect powerful tech-house, sweeping transitions, and dramatic moments that merge theme and sound. For those who love spectacle and depth, this closing is bound to stand out. It’s elrow going all in, at Ibiza’s newest landmark club.


Buy tickets to the craziest night on the island.


Listen to the sounds of Adam Beyer on Instagram | Spotify





Solomun +1 Closing Party | Pacha Ibiza | Sunday, October 5


Solomun +1 All Night Long takes over Pacha Ibiza this Sunday, October 5.



Pacha, the cherry-icon club in Ibiza Town, has been at the heart of island nightlife since 1973. Its dancefloor and sound system have evolved over decades, now with the DJ booth positioned at the centre to connect crowd and music more deeply.



Tonight, Solomun plays all night long - no +1 guest announced. It’s just him, his signature sound, and the crowd sharing one full journey. This closing is pure dedication to the island’s Sunday ritual.



Expect deep, melodic grooves, seamless transitions, and connection from start to finish. The night will stretch into the early hours - 23:00 to 06:00 - offering one last chapter to a residency that’s steered many Sundays on the island.



You won’t want to miss this one, so get your tickets early.



Listen to the sounds of Solomun on Instagram | Spotify





David Guetta presents F*** ME I'M FAMOUS! Closing Party | Ushuaïa Ibiza | Monday, October 6



Ushuaïa Ibiza, the open-air poolside colossus on Playa d’en Bossa, wraps its season with the F*** ME I’M FAMOUS! Closing Party on Monday, October 6. Every Monday this summer, David Guetta has turned this stage into a global dance ritual. Now, he brings it home for the grand finale.



From 17:00 to 23:00, expect dance floor anthems, epic visuals, and moments built for the crowd. He’ll be joined by Paul Reynolds, whose familiar energy has been a backbone to this residency. More surprise names are yet to be announced.



Make no mistake, this isn’t just closing night. It’s a celebration of every Monday, every drop, and every dance move that defined the season. Tonight, we end loud, and as one.


Make your Monday better, get tickets.



Listen to the sounds of David Guetta on Instagram | Spotify





Eastenderz Closing Party | Amnesia Ibiza | Tuesday, October 7



On Tuesday, Eastenderz writes its final verse on the Terrace.”



Amnesia, perched in San Rafael and legendary for shaping Ibiza’s musical soul since the 1970s, welcomes one last Tuesday with Eastenderz Closing Party.



After building its reputation at Cova Santa, Eastenderz moved this summer to take over Amnesia’s Terrace as a full residency every Tuesday.



From 23:00 until 06:00 on October 7th, East End Dubs leads this final chapter alongside Archie Hamilton, Obskür, and Joëlla Jackson - names that’ve supported the journey all along.



Expect solid underground energy, and a sonic arc that honors what Eastenderz has meant this season. The closing party is a moment to revisit memories, feel the crowd, and close this residency with unity, deep beats, and the full spirit of underground Ibiza.



Get your tickets.


Listen to the sounds of East End Dubz on Instagram | Spotify





Eastenderz Closing Party | Part Two | Cova Santa Ibiza | Wednesday, October 8



Cova Santa is perched in the hills above San José - a sunset-garden and cave club hybrid where natural surroundings merge with underground sounds. And on Wednesday, October 8, Eastenderz returns for Part Two of its closing chapter - an intimate daytime edition from 16:00 to 23:00, marking the brand’s special nod back to its roots at Cova Santa.



After three summers of memorable nights, East End Dubs switches the focus back to the garden, delivering his signature rolling, smoky grooves with room to breathe.



This edition features East End Dubs with a supporting lineup still to be confirmed. Expect a refined selection of deep cuts, and a pace that marries energy with space. It’s not about spectacle, it’s about connection, warmth, and a closing that honors the subtle power of underground house.



Get your tickets for this unforgettable farewell to Eastenderz’s time at one of the island’s most magical venues.



Listen to the sounds of East End Dubz on Instagram | Spotify

This Week’s Parties in Ibiza (October 2 - 8)

For over a decade, Boiler Room has been bringing underground dance culture into living rooms around the world. Their cameras have captured everything from sweaty basements in Berlin to rooftops in Tokyo. But when it comes to sheer magic, few places compare to Ibiza. The White Isle, long regarded as the epicenter of electronic music, has provided some of the most unforgettable Boiler Room broadcasts ever. From intimate villa parties to legendary club takeovers, these sets have become part of Ibiza folklore.

Here’s a journey through the best Boiler Room moments to ever happen on the island.

Jamie Jones & Friends: The Paradise Villa (2013)

The first Boiler Room in Ibiza set the tone in true Balearic fashion. Instead of choosing one of the island’s massive superclubs, Jamie Jones invited Boiler Room to a sun-drenched villa party tied to his Paradise series. The result? Pure magic.

Joined by Richy Ahmed and Dyed Soundorom, Jamie crafted a sunset soundtrack of deep, rolling house grooves. Fans pressed shoulder-to-shoulder around the booth while others swayed poolside. At one point, Jamie went back-to-back with Dyed Soundorom, dropping immaculate house cuts that had the whole crowd shouting. For many fa

ns, this was their first taste of Boiler Room’s “Ibiza style” - a mix of intimacy, sunshine, and serious tunes.

Richie Hawtin & Friends: ENTER. Pool Party (2013)

A day later, Boiler Room shifted gears with Richie Hawtin’s ENTER. pool party. Held at his villa, the session featured Nina Kraviz, Azari & III, and an unforgettable set from Grimes.

Grimes’ performance is the stuff of Boiler Room legend. Instead of sticking to the techno script, she dropped a mix of Mariah Carey, Vengaboys, and Daddy Yankee’s Gasolina - straight from her iTunes library. The live chat exploded, purists cried blasphemy, but the crowd laughed, danced, and sang along. It was chaotic, fun, and completely unfiltered, exactly what Boiler Room is about. Hawtin closed the day with his trademark hypnotic techno, but it was Grimes who walked away as the unlikely star of the show.



Carl Cox & Friends: Villa Takeover (2013)

If one DJ defines Ibiza, it’s Carl Cox. So when Boiler Room set up at his villa, the energy was always going to be next level. The lineup included Nicole Moudaber, Yousef, and Uto Karem, but the highlight was Carl himself.

His set was a condensed masterclass in house and techno history. Opening with X-Press 2’s Muzik Xpress and weaving in New Order’s Blue Monday, Carl had the crowd screaming “Oh yes, oh yes!” before the drop. The intimate setting meant fans were part of the performance, dancing inches away from one of the greatest DJs of all time. For anyone who’s ever dreamed of being at a Carl Cox afterparty, this was the closest it gets.



Balearic Heritage with DJ Alfredo (2014)

Boiler Room’s Ibiza sessions weren’t only about modern club heroes. In 2014, they paid tribute to the roots of Balearic culture with a rooftop gathering featuring DJ Alfredo, Leo Mas, Paul “Apiento” Byrne, and Kelvin Andrews.

DJ Alfredo, often called the godfather of Ibiza, delivered a set that spanned decades of Balearic gems - sun-soaked disco, early house, and left-field oddities that once defined Amnesia’s terrace in the ’80s. At one point, he dropped Sueño Latino and the entire rooftop erupted in nostalgia. The set was a history lesson - a reminder that Ibiza’s spirit was built on eclecticism and open-mindedness.

Jamie Jones B2B The Martinez Brothers (2014)

One year later, Jamie Jones returned, this time teaming up with The Martinez Brothers. What unfolded has since been dubbed one of Boiler Room’s “instant classics.”

The trio went back-to-back-to-back, delivering a high-energy blend of house and techno. When they teased Green Velvet’s Bigger Than Prince, cutting the volume just before the drop, the crowd sang the hook at full volume before the beat slammed back in. Chris Martinez hyped the crowd on the mic while Jamie and Steve held down the mix. It was chaotic, sweaty, and joyous - a perfect encapsulation of what happens when you put three party-starters in one booth.

Maceo Plex: Secret Location Session (2015)

In 2015, Maceo Plex gave Boiler Room a call. The result was one of their most mysterious and memorable streams: a secret location in Ibiza that had never hosted a party before.

With his Ellum label crew in tow, Maceo turned the underground space into a cosmic techno haven. Dropping tracks from his forthcoming Solar album alongside crowd favorites like Solitary Daze, he delivered a deep, melodic journey that had the tight-knit crowd entranced. The secrecy of the venue added to the magic - viewers knew they were witnessing something unique, a one-off that could never be repeated.



Elrow x Boiler Room: Carnival Chaos (2016)

When Boiler Room teamed up with Elrow, chaos was guaranteed. Hosted at Pikes Hotel, this was less a DJ set and more a carnival.

Eats Everything stole the show with a party-starting set that included a cheeky bootleg of Fatboy Slim’s Praise You, which turned the terrace into a sing-along. Confetti rained down, inflatable toys bounced across the dancefloor, and Elrow’s costumed performers danced alongside the DJs. If Boiler Room is usually known for its cool, underground vibe, this was the polar opposite - a technicolor explosion of pure fun.



IMS Opening at Pacha (2019)

In 2019, Boiler Room returned to Ibiza in style, broadcasting from Pacha during the International Music Summit (IMS). The lineup was stacked with forward-thinking artists: John Talabot, HAAi, Karima F, IDA, and Nastia B2B Daria Kolosova.

The standout was Nastia and Daria’s furious back-to-back techno set. Pacha’s glamorous dancefloor shook to pounding beats not usually heard in its walls, while Talabot closed the night with a genre-blurring journey that nodded to Balearic traditions. It was a night that showed Boiler Room wasn’t just about villas anymore - it was ready to tackle Ibiza’s biggest clubs.

DC-10 Takeover (2019)

Boiler Room in DC-10. It finally happened in 2019, curated by none other than Seth Troxler. The lineup was a who’s who of underground tastemakers: Carista, Dr. Rubinstein, Willow, nd_baumecker B2B Roi Perez, Chris Korda, and more.

Dr. Rubinstein delivered an acid-heavy assault that had the Terrace pulsing, while Willow took the crowd into deep, dubby territory as dawn broke. Seth himself closed with a vinyl-only set of Chicago house classics, dropping Lil’ Louis’ French Kiss as the sun rose. For many, this night was the perfect fusion of Boiler Room’s ethos and DC-10’s legendary atmosphere.



Major League DJz: Amapiano on the Beach (2022)

Fast-forward to 2022, and Boiler Room introduced something entirely new to Ibiza: Amapiano. South Africa’s Major League DJz brought their sound to a beachside setting at Playa S’Estanyol, alongside Charisse C and Ade Smilez.

As the sun set, the duo’s rolling log drums and melodic piano riffs created a euphoric vibe unlike anything else on the island. Locals and off-season workers danced barefoot in the sand, sipping cocktails, and vibing to a genre making its global breakthrough. It was a beautiful reminder that Ibiza is always evolving.



Charli XCX’s PARTYGIRL at Amnesia (2024)

One of the most recent one-off Ibiza Boiler Room’s before their residency in 2025 may also be one of its most talked about. In summer 2024, Charli XCX brought her PARTYGIRL concept to Amnesia, turning the superclub into a nostalgic, hyperpop-meets-rave playground.

Her set was a rollercoaster of millennial anthems: trance classics, Y2K pop, happy hardcore, and edits of her own hits like Unlock It. The crowd screamed along, confetti blasted, and social media the next day was flooded with clips of fans losing it to remixed Kelly Clarkson and Spice Girls. It was proof that Boiler Room can still reinvent itself while staying true to its anything-goes ethos.



The Legacy of Boiler Room in Ibiza

From villas and rooftops to beaches and superclubs, Boiler Room has shown Ibiza from every angle. These sets are more than just parties captured on camera - they’re cultural snapshots of the island’s ever-changing sound.

And if history tells us anything, the next Boiler Room in Ibiza will be just as unforgettable.

The Best Boiler Room Sets Ever Filmed in Ibiza

Manda Moor has been on a serious rise these past few years, and if you’ve been paying attention to house music, you’ve definitely felt her presence. The Danish-Filipino DJ and producer has built a name for herself with percussion-forward sets, standout releases on labels like Hot Creations, Kaluki, and Tamango, and a growing reputation for doing things her own way. But what’s really set her apart is Mood Child—the label and party brand she co-founded with French DJ Sirus Hood.

Originally from France, Sirus has built a career rooted in raw, funk-laced sounds, with releases on respected labels like Armada Music, Rawthentic, and Cuttin' Headz. Applauded for his global tour schedule and residencies at venues like Sankeys Ibiza, Eden Ibiza, and Ministry of Sound London, he’s been recognized for putting on incredible sets.



Their Bandcamp project, Mood Edits, takes a different angle from the usual label output—offering limited-edition track edits that are only available for a short time before being replaced. It’s a direct response to the overload of digital availability in music today, and the series has been supported by the likes of The Martinez Brothers and Loco Dice.

In this interview, Manda and Sirus share a more personal side of their lives—on and off the stage. Manda talks about how her cultural background shows up in her music, the habits that keep her steady, and what it felt like to hear one of her early tracks played by a legend she looked up to. Sirus gets into how he works in the studio, what matters most to him when building a track, and why having a quiet space is non-negotiable. They also touch on the cities that mean the most to them, what they listen to when they want to reset, and the small things that keep them grounded. It’s an honest look at two people who care about what they’re doing—and are figuring it out on their own terms.





What’s one thing most people don’t know about you?

Sirus: I develop artists, gear, and products.
Manda: I don't like phone calls.



If you weren’t a DJ/Producer, what would you be?
Manda: Probably an airline pilot like my father, or a vet.
Sirus: A rally pilot.



What’s the most memorable moment of your career?
Manda & Sirus: When we won Hype Label of the Year at the Beatport Awards 2025.



Who’s an artist that inspires you right now?
Manda: Jamie Jones.
Sirus: Benny Rodrigues.



What’s a track you play when you want to get the crowd hyped?
Manda: Sirus Hood & Trangaz – Boothy (Manda Moor Spicy Remix).


Sirus: In Brazil, my track Warning (Dirtybird). In the rest of the world, my track Trapped In (Cuttin’ Headz).





What’s your go-to snack or drink before a show?
Manda: Buttered popcorn.
Sirus: Unsalted pistachios.



What’s your favorite city to play in, and why?
Manda: New York—that’s where it all started for me.
Sirus: Ibiza.



How would you describe your sound in three words?
Manda: Bouncy, groovy, bold.
Sirus: Raw, eclectic, different.



What’s one non-music-related thing that makes you happy?
Manda: Sleep.
Sirus: New technologies.



What’s a track that always brings you back to your roots?
Manda: Tagalog (with Trangaz), because I’m half Filipina.
Sirus: Habibi Groove (A.K.M. Edit).



If you could collaborate with any artist, dead or alive, who would it be?
Manda: Paul Johnson.
Sirus: Green Velvet.



What’s your favorite non-music-related hobby?
Manda: Tennis.
Sirus: Boat driving.



If you could time travel to any era of music history, when would it be and why?
Manda: The 2010s, because it was the golden era of clubbing and electronic music.
Sirus: The ’80s, to witness the birth of house music.



What’s a record that never leaves your crate or USB?
Manda: Sirus Hood & Reboot – Believe.
Sirus: Ghetto Corazon (with Trangaz).





If you weren’t touring or in the studio, where would we find you?
Manda: Drinking from a coconut in Thailand.
Sirus: In a heated pool.



What’s a fun fact or hidden talent that has nothing to do with music?
Manda: I'm a huge geek, and I have a strong gut feeling.
Sirus: I’m a great advisor and critic.



What is something simple that makes you smile?
Manda: My cats.
Sirus: Annoying Manda.



What’s a memory you never want to let go of?
Manda: When DJ Deeon played my first production.
Sirus: I don’t remember.



When do you feel most at peace?
Manda & Sirus: Anywhere by the sea with our loved ones.



What’s something you forget but feel better when reminded of?
Manda: That where I currently am is what I’ve been dreaming of.
Sirus: My spirituality.



What’s something meaningful to you, but not to others?
Manda: My eyeliner has to be perfectly symmetrical.
Sirus: Complete silence where I sleep and where I produce.



What personal prison have you built out of fear?
Manda: I get anxious pretty easily, especially in big crowds.
Sirus: I don’t let my fears control me.



What’s something normal to you that other people find weird?
Manda: I can sleep more than 12 hours easily.
Sirus: I arrive exactly on time—never early.



If you could compliment yourself, what would you say?
Manda: I have great shoes and hair.
Sirus: I’m handsome.



Has there ever been a gut-wrenching moment where you lost a track or project?
Manda: Sirus broke my SD card where I recorded the best set of my life.
Sirus: Never.



What do you obsess over most when making music?
Manda: Creating the loop.
Sirus: Finding the magic.



What’s your favorite set time and duration?
Manda: Sunrise—for at least 4 hours.
Sirus: Sunset, minimum 3 hours. Longer if the vibe, environment, and sound quality are good.



If you could abolish one genre of music forever, what would it be?
Manda: TikTok Techno.
Sirus: Big Room EDM.

A Conversation with Mood Child’s Founders

The last week in September is not disappointing when it comes to world-class parties. It was hard to whittle it down this week, but we have got a top pick for every day of the week (and there are some mega closing parties to choose from).


Let’s dive in:



FISHER Closing Party | UNVRS | Thursday, September 25



Thursday, September 25 brings FISHER’s final night at UNVRS for 2025, as the Aussie showman closes his residency with a bang. He’ll be throwing down a special B2B set with Luciano, plus strong support from Cole Knight and Jason Bye.



UNVRS, Ibiza’s new hyper-club, has been the perfect stage all summer - massive production, huge sound, and that late-night energy that pulls people in until dawn.



If you’ve been riding with FISHER all season, this is one night you don’t want to miss: full force, big names, hard beats, and one final moment to dance.



Get your tickets and follow the fish for one more night.



Listen to the sounds of FISHER on Instagram | Spotify





Kaluki | 528 Ibiza | Friday, September 26

This Friday, Kaluki brings its Japanese Garden series to a grand close at the outdoor space of 528 Ibiza. Running from 16:00 to 23:00, this day party gathers a stacked lineup sure to satisfy any house lover. Sidney Charles leads the charge, while Luke Dean B2B L.P. Rhythm double up for back-to-back heat. Add in Robbie Doherty, DXNBY, Pirate Copy, Goosey, plus a surprise back-to-back to be announced, and you’ve got serious groove from afternoon into sunset.



Expect the signature Kaluki vibes - warm-sun energy, open-air dancefloors, strong sound, and good people. Whether you're there early or catching the last set, this closing feels like a celebration of the season. If you love raw tech-house, driving beats, and outdoor freedom, this is your Friday fix.



Party day to night - get your tickets now.



Listen to the sounds of Luke Dean on Instagram | Spotify





Pure Pacha presents Robin Schulz Closing Party | Pacha Ibiza | Saturday, September 27

This Saturday night marks the grand finale of Pure Pacha 2025, with Robin Schulz at the helm for the closing party.



Joining Schulz for the finale are Sunnery James & Ryan Marciano, bringing their high-energy to the room; Shouse, known for their anthemic, crowd-lifting tracks; and Nancie.



Pure Pacha has always been synonymous with glamour and the classic Pacha “Cherry” spirit - melodic house, big vocals, and that unmistakable inviting energy that gets everyone dancing.



The final party of the summer will be a celebration of everything Pure Pacha has offered this season. Expect soaring melodies, euphoric moments, and one final night under the lights at the most iconic club on the island. If you're in town, this is the moment to be there.



Buy your tickets.



Listen to the sounds of Robin Schulz on Instagram | Spotify





Meduza & James Hype present Our House Closing Party | Hï Ibiza | Monday, September 29



Kick the week off as Hï Ibiza pulses with one final chapter in the Our House story. After sixteen electrifying Mondays, MEDUZA & James Hype close out their season with something truly elevated. The residency began back in June, complete with the brand-new MEDUZA³ live show, James Hype’s visual spectacle SYNC, and a new wave in Club Room energy led by Hannah Laing.



Joining MEDUZA & Hype this closing night are GENESI and Tita Lau in the Theatre - voices that’ve become part of Our House all season. Meanwhile in the Club Room, Hannah Laing returns, supported by Horsegiirl and Matty Ralph, pushing underground energy late into the night.



This one will be busy - get tickets early.



Listen to the sounds of James Hype on Instagram | Spotify





PIV Ibiza Party | Cova Santa Ibiza | Tuesday, September 30

Every Tuesday from June through September, PIV has lit up the hills under the stars. Tonight, Cova Santa, the dramatic open-air venue perched above San José, plays host to the grand finale. The party kicks off in the afternoon, around 16:00, and will roll on through until the early morning, merging open terraces and indoor energy.



On the decks: names like Dan Ghenacia, DiOsa (Blondi), Job de Jong, Robbie Doherty, Ruze, plus some mystery special guests and back-to-back sets.



Get your tickets.



Listen to the sounds of Dan Ghenacia on Instagram | Spotify





Paradise Closing Party | UNVRS | Wednesday, October 1

This is the moment you’ve been waiting for. On Wednesday, October 1, Paradise ends its Sands of Solaris chapter with one final voyage at UNVRS Ibiza, the super-club rising from the legacy of Privilege to redefine the late-night clubbing landscape.



In the Main Room, Jamie Jones leads the charge alongside a fiery back-to-back set from Josh Baker & Prospa, with Ahmed Spins and Olive F filling out the night.



Meanwhile, in Wild Comet, Richy Ahmed b2b wAFF revive that Hot Creations spirit, joined by Alisha, Mason Maynard, and Baglione - a crew that knows how to weave energy, tension, and release all the way until sunrise.



Expect immersive visuals, crisp sound, and all the unity Paradise has built this season.



The perfect mid-week stomping session - buy tickets.



Listen to the sounds of Jamie Jones on Instagram | Spotify

This Week’s Parties in Ibiza (September 25 - October 1)

Every island has a legend; Ibiza has Manumission. Not just a club night but a sprawling, high-camp, high-stakes piece of nightlife theatre, Manumission took the anything-goes spirit of the White Isle and bottle-rocketed it into orbit. From its ragged birth in Manchester in 1994 to its 14-summer reign at Privilege, it redefined what a party could be: part circus, part rock opera, part fever dream, and wholly unforgettable.



It started small and stubborn. Brothers Andy and Mike McKay launched Manumission in Manchester’s Gay Village with a simple heresy: clubbing should be a playground for everyone - gay, straight, freak, chic - so long as you contributed to the spectacle. Early nights mixed drag, pranks, and a punk sense of mischief. When escalating local trouble made it unsustainable, the crew did what great rabble-rousers do: they took the show on the road, landing in Ibiza and moving into the Coco Loco room at Ku (soon to be Privilege). Demand exploded. Within weeks Manumission jumped from side-room curiosity to main-stage juggernaut - and never looked back.





The quartet at its core gave the party its split personality. Mike and Claire (the lovers, performers, holy agents of chaos) met the cool-headed production brains of Andy and Dawn (organisers, vision-setters, ringmasters). Together they built a universe. Mondays became a pilgrimage: 8,000, sometimes 10,000 people filing into the world’s largest club, a cathedral of steel and light with a swimming pool beneath the DJ booth and rafters tall enough to hang a dream from.



Calling Manumission a “night” misses the point. It was a narrative, a pageant, a weekly myth with a fresh chapter every season. Themes were not decoration, they were scaffolding. One summer, a noir “Murder at the Manumission Motel.” Another, a nautical fever dream, “The Good Ship Manumission,” with mermaids and pirates swinging from the ceiling. A long red curtain could drop and suddenly Privilege wasn’t a club at all but a stage where acrobats fell from heaven, dwarfs marched in formation, and a man dressed as a television interviewed the front row. You might be handed a mysterious key and spend hours searching for the lock (spoiler: there wasn’t one). At dawn, you might be given cornflakes. At any time, you could be drafted into the show.





Then there was the scandal that sealed the legend: the live sex shows by the pool, running through the late ’90s. In a scene already built on transgression, Manumission shoved the line further - explicit, brazen, impossible to ignore. It was outrageous, yes; it was also symbolic. The point wasn’t just shock. It was permission. The party’s very name means “release from slavery”: from routine, shame, rules that say dance here, don’t do that, look this way. In a culture that sells rebellion in polished bottles, Manumission’s taboo-busting delivered the genuine article…raw, risky, sometimes ridiculous, always alive.





If the club was the temple, the Manumission Motel was the backroom gospel. A short, incandescent life in 1998, it was a derelict pink-limned roadside motel reborn as a 24/7 after-hours commune. Strippers from New York, burlesque fire-breathers, novelists, rock stars, DJs who came for a night and vanished for days. Press banned, rumours rampant, a revolving door of beautiful chaos. It functioned as the party’s engine room: relationships formed, ideas pitched at 7 a.m. on a waterbed became next week’s show. Like all supernovas, it burned too hot to last, but for one summer the island’s most whispered address wasn’t a beach or a booth; it was a neon motel by a roundabout.





Musically, Manumission zigged where others zagged. It didn’t hang the night on marquee DJ lineups; the party was the headliner. Yet the biggest names passed through anyway - often unannounced - because who wouldn’t want to play to a sea of thousands beneath a flying trapeze? Big-beat heroes, house dons, electroclash provocateurs, even indie bands took the stage. The sound was Balearic in the truest sense: promiscuous with genres, allergic to purism, engineered for moments not name-checks. A euphoric hands-in-the-air classic hit differently when a drum troupe thundered through the crowd or a giant egg cracked open on stage. Music didn’t dominate the story; it scored it.



Scale made the impossible possible. Privilege wasn’t a club so much as an aircraft hangar with lasers. Manumission used every inch. Over 400 staff and performers on peak weeks. Parade buses drumming through town at sunset, luring civilians into the narrative hours before the doors opened. Stage designer royalty dreaming up sets that should have been illegal to attempt on a Monday. It was maximalism with intent: a vote for wonder over minimal cool. Where other nights offered a dance floor, Manumission offered a world.



And, of course, controversy. Police warnings. Tabloids howling. A BBC presenter famously partying so hard she missed her show. Sponsors arriving in the 2000s and the explicit dawn shows bowing out, to cries of both relief and sacrilege. Then the dramatic rupture: a bruising dispute with Privilege’s owner that literally saw chains on the doors one night, and a last stand at Amnesia before the curtain fell in 2008. It ended as it lived - messy, noisy, never boring.

So why, among Ibiza’s pantheon, including Space closings, Circoloco’s airport-hangar delirium, Amnesia’s foam, Pacha’s glamour, does Manumission sit alone on the most notorious throne?

First, permission. Manumission didn’t just allow eccentricity; it required it. It made participants out of punters. It told 10,000 strangers, “Be ridiculous with us,” and then gave them the toys, the stage, the plot.

Second, theatre. Other nights do production; Manumission did dramaturgy. A party that remembered to arc, to call back, to surprise - not with one “drop” but with dozens of cues that made your night feel authored.

Third, scale. Ideas that would be laughable in a 1,500-cap room became jaw-dropping at 10,000. A pirate ship set, a human TV, an aerial ballet and more. These read as doodles until you see them carried by a stadium’s worth of energy.

Fourth, myth. The Motel, the sex shows, the parade, the sackings, the wedding on stage, the door chained shut. Each a perfect anecdote, together a folklore. Even people who never went can tell a Manumission story. That’s cultural penetration.

Finally, timing. The ’90s were a hinge: post–acid house openness colliding with pre-smartphone mystery. Manumission exploited that sweet spot. No endless phones in the air, no algorithm washing the rough edges. The only record of the wildest thing you saw was your heart racing.

When Manumission bowed out, Ibiza pivoted. VIP ropes tightened, brand activations got slicker, production values marched upward even as the sense of danger ebbed. Great nights remained (and remain), but that lawless carnival energy and the sense that you were stepping into a sandbox where reality took the night off became rarer. Manumission’s legacy is visible everywhere from confetti-drenched mega-parties to immersive festival stages, but its soul is harder to clone. You can mimic the props; you can’t fake the permission.

In the end, “wildest” isn’t just about nudity or numbers. It’s about how far a party lets you travel from your ordinary self and how skillfully it builds a world sturdy enough to carry you there. On that measure, Manumission wasn’t just the wildest party Ibiza has seen; it was clubland’s great escape hatch, a weekly jailbreak into wonder. Mondays have never felt so free.

What Made Manumission the Wildest Party Ibiza’s Ever Seen?

Sanvero, the Italian–Chilean DJ and producer duo based in New York City, have become a name to watch in the music scene. What started as playing for friends has grown into performances at major festivals like Elements and We Belong Here, as well as their Brooklyn Mirage debut a couple years ago. Their sound blends Afro and Indie House with influences from Latin America and Europe, often weaving traditional instruments into modern productions. 



With releases on Café de Anatolia, Lush Sunday, Moon Din Records, and Rhytmica, and support from Hernán Cattáneo, Guy Mantzur, Emi Galvan, and Cristoph, their tracks have reached global stages from Hï Ibiza to Warung Beach Club. In this interview, Sanvero share their inspirations, favorite tracks, and stories that show the personalities behind the music.



Who’s an artist that inspires you right now?


Tough question! There are so many good artists in the scene with such unique production, so it’s always difficult to pick. Top of mind recently are Ezequiel Arias and Kamilo Sanclemente on the more progressive side, while we love what Max Styler and the Maccabi House crew have been doing on the more indie/electro side. We also have to mention Chris Stussy and Josh Baker, as they’ve blown us away at their shows recently.

What’s a track you play when you want to get the crowd hyped?


Symphony by Eynka has been a true peak-time weapon for us this year.

What’s your go-to snack or drink before a show?


You can’t go wrong with some Welch’s Fruit Snacks.



What’s your favorite city to play in, and why?


It has to be New York — the energy is just unmatched.

How would you describe your sound in three words?


Euphoric, sexy, energetic.



If you weren’t a DJ/Producer, what would you be?


Nico actually works as a movie director/producer during the day. Cesco comes from an olive oil family in Italy, so he might’ve been a farmer.



What’s something normal to you that other people find weird?


We actually disagree about this between the two of us, so we’ve been taking to Instagram to ask our followers. Turns out everyone else is in disagreement as well. The last poll we ran asked people whether they brush their teeth before or after breakfast, and it was almost a 50/50 split.



If you could collaborate with any artist, dead or alive, who would it be?


Led Zeppelin. We’d just have to figure out a way to make it house.



If you could time travel to any era of music history, when would it be and why?


We’re a bit conflicted on this one, but probably the 70s/80s — the golden age of classic rock and the dawn of disco and electronic music.



What’s a fun fact or hidden talent that has nothing to do with music?


Nico is a CrossFit beast, while Cesco has a weirdly photographic memory — ask him the jersey number for any NFL player and he’ll remember.



What is your favorite set time and duration?


Starting during sunset and ending later at night. Some of our favorite sets have been seven-hour marathon ones. We like to play a lot of different sub-genres, and longer sets like that really give us the space to explore different sonic places.

Inside the Sound of Sanvero

Another big week on the white isle. Some residencies are finishing while others are still going strong. Let’s dive into our top picks:



HUGEL presents Make The Girls Dance Closing Party | Hï Ibiza | Thursday, September 18



Thursday, September 18 marks the grand finale of Make The Girls Dance at Hï Ibiza. From 23:30 ‘til early morning, HUGEL closes out his unforgettable residency in the Theatre with a special lineup: house legend Roger Sanchez, plus Juany Bravo b2b Grossomoddo bringing raw Latin & Afro-house fire.



Over in the Club Room, the unstoppable Miss Monique takes over with her genre-fluid, underground powerhouse sound, along with a special guest - who’s still to be announced - to raise the roof.



Known for its fusion of Latin house, Afro rhythms, and tech-house edge, this closing night is where the crowd will come together one last time this season - ready to dance and soak up the moment.



Get your tickets - don’t miss it.



Listen to the sounds of HUGEL on Instagram | Spotify




Woomoon | Cova Santa Ibiza | Friday, September 19



Friday night, September 19, Cova Santa comes alive once again with WooMooN - one of the island’s most imaginative and soulful parties. From 19:00 until 05:00, this event blends music, art, and ceremony, offering more than just a night out. Expect art performances, immersive visuals, and storytelling atmospheres mixed with healing spaces, crafts, and food stalls under the open sky.



On the decks: Bora Uzer (live) brings live electronic richness, Laolu, Samm, Mona Pirzad, and Bohem each contribute their own flavors - tribal, melodic, dance-driven - taking you from dusk into late night.



WooMooN’s magic is in its flow: dance outdoors among nature early in the evening, then drift into deeper, more intimate house and electronic vibes as the venue transitions into its indoor club spaces. It’s perfect if you want something immersive, soulful, and beautifully different.



Celebrate the start of the weekend - buy tickets.



Listen to the sounds of Bora Uzer on Instagram | Spotify





Claptone presents The Masquerade | Chinois Ibiza | Saturday, September 20



Step into the mask-wielding fantasy when Claptone brings The Masquerade to Chinois Ibiza on Saturday, September 20. This night promises deep house, ethereal vocals, and atmospheric tunes in Chinois’ sleek, opulent venue in Marina Botafoch.



Joining Claptone are Nora En Pure, Illyus & Barrientos and Diego San Diego.



Expect a masked ball vibe - rich decorations, immersive visuals, maybe even costumed dancers - that turns the dancefloor into a dreamscape. It’s one of The Masquerade’s standout nights, where mystery meets melody under Ibiza’s night sky.



Don’t miss this dose of theatrical house magic and get your tickets early.



Listen to the sounds of Claptone on Instagram | Spotify





Carl Cox Closing Party | UNVRS | Sunday, September 21



Sunday, September 21 marks the epic finale of Carl Cox’s “Carl Is Back” residency at UNVRS. Expect one of Ibiza’s biggest techno-house moments of the season as Carl Cox teams up B2B with Nic Fanciulli, laying down a masterful set to close out the summer.



Also stepping up are Dennis Cruz, bringing his dancefloor groove; Chelina Manuhutu, representing Ibiza with raw energy and style; and Salomé Le Chat.



This closing isn’t just another event, it’s a proper summer send-off. If you’re on the island, this is the moment to be part of history.



Buy your tickets and end your week right.



Listen to the sounds of Carl Cox on Instagram | Spotify





David Guetta presents F*** ME I'M FAMOUS! | Ushuaïa Ibiza | Monday, September 22



Mondays in Playa d’en Bossa are the place to be! David Guetta returns with his smash-hit F*** ME I’M FAMOUS! residency at Ushuaïa Ibiza. From 17:00 to 23:00, expect the full spectacle: massive stage visuals, pulsing drops, and feel-good EDM anthems made for sundowner moments followed by night-time fireworks.



Joining him are Joel Corry, known for his radio-friendly hits; rising talent Moojo; and longtime resident Paul Reynolds, who keeps the energy flowing.



If you want a party where the crowd matches the production, this is it - queen of poolside energy, Ibiza style. Ushuaïa under sunset light, sound, and the promise of a big night: this is how your week starts.



Do Monday right - get tickets.



Listen to the sounds of David Guetta on Instagram | Spotify





CAMELPHAT | Pacha Ibiza | Tuesday, September 23



Get ready for a night of deep house and melodic sounds as Camelphat takes over Pacha once again on Tuesday, September 23. The Liverpool duo, known for their Grammy nods and hits like “Glue,” bring their signature sound back to their Tuesday residency - offering strong vocals, atmospheric drops, and big dancefloor moments.



They’ll be joined by an amazing supporting lineup: Mita Gami b2b Dennis Ferrer adds rich, soulful house energy alongside Re-Type.



Doors open at 23:00 and the party carries on until 06:00, giving you plenty of time to soak up Pacha’s legendary atmosphere. Expect a club-filled vibe, great visuals, and one of the most exciting Tuesday nights of the season.



Buy tickets to watch the duo in action.



Listen to the sounds of CAMELPHAT on Instagram | Spotify





Sven Väth presents Cocoon | 528 Ibiza | Wednesday, September 24



Get set for a massive day-to-night party when Cocoon returns to 528 Ibiza on Wednesday, September 24. From 16:00 to 23:00, the party kicks off outdoors across two stages in the Benimussa Hills. On the Park Stage, Sven Väth heads up the lineup, paired back-to-back with Gerd Janson & Krystal Klear, plus a B2B set from DJ Norma & Greta Spark. Over at the Garden Stage, expect intense techno vibes with Richie Hawtin, Marcel Dettmann, and Dana Ruh keeping it deep.



When night falls, the energy shifts indoors. From 23:00 till 05:00, Sven Väth plays an extended set in the Teatro, while the club room pulses with sound hosted by Scenarios (Emanuel Satie, Maga, Sean Doron & Tim Engelhardt).



It’s one of the most ambitious Cocoon editions yet - expect powerful techno, big names, and that signature Cocoon atmosphere all night.



Get your tickets.



Listen to the sounds of Sven Väth on Instagram | Spotify

This Week’s Parties in Ibiza (September 18 - 24)

If Part 1 of our guide was about the build-up - residencies signing off, September energy peaking, and early October madness - then Part 2 is about the final sprint to the finish line. These last two weeks of the Ibiza season are legendary: when clubs pull out their most ambitious lineups, DJs play marathon sets, and the atmosphere mixes euphoria with bittersweet goodbyes.



Ibiza never goes quietly. The island saves some of its biggest surprises, longest sessions, and most emotional moments for the very end. From marathon techno at Amnesia to Pacha’s dual grand closing, from The Trilogy’s festival-scale finale to Circoloco’s Monday madness, here’s how Ibiza 2025 says farewell.


Amnesia - The Marathon Closing Festival





When you talk about Ibiza closings, Amnesia is always at the heart of the conversation. This year, the club is doubling down on its reputation with a two-day Amnesia Closing Festival on October 10 and 11.



Described as “two intense days where music and energy speak louder than ever – night & day, day & night”, the festival is essentially a 48-hour love letter to house and techno. The first wave of the lineup already reads like a who’s who of electronic royalty: Amelie Lens, Nina Kraviz, Honey Dijon, Deborah De Luca, Marco Faraone, Joris Voorn, East End Dubs, Andres Campo, and many more. And as always with Amnesia, you can expect surprise guests added last minute.



What makes this so iconic isn’t just the names, but the setting. The Main Room delivers pounding techno until your bones rattle, while the Terrace is where magic really happens. There’s nothing like that sunrise moment, when daylight pours in, and thousands of tired-yet-blissful ravers cheer in unison. For many, this is the single most unforgettable experience of Ibiza closings.



Amnesia’s Closing Festival is for the hardcore: prepare for long hours, multiple dance floors, and the kind of stamina-testing session that proves why Ibiza is the world capital of electronic music.



Pacha - A Grand Finale in Two Parts





Pacha Ibiza is wrapping up its season with not one, but two nights of grand closing celebrations. It’s a fitting end for the island’s oldest superclub, which continues to balance its glamorous legacy with forward-thinking bookings.



First up is Grand Closing Part 1 on Saturday, Oct 11, headlined by Australian giants Rüfüs Du Sol, who will be delivering a special DJ set. Known for their emotive live shows, this format lets them dive deep into their influences - melodic house, indie electronica, and festival-ready anthems - all reimagined for the Pacha dancefloor. It’s set to be a goosebumps night, bridging the line between euphoric and intimate.



Then comes Grand Closing Part 2 on Sunday, Oct 12, with house icon Roger Sanchez returning to the booth. A true Pacha favorite, Roger has been part of the island’s story for decades, and his extended house set is the perfect nod to the club’s roots. Adding balance to the bill, techno powerhouse Paco Osuna joins in, creating a crossover of soulful house and driving underground beats.



Combined, these two nights tell the story of Pacha: one night looking forward with global superstars, and the next honoring the roots of house and the enduring power of a veteran behind the decks.



The Trilogy - Ushuaïa, Hï & UNVRS Join Forces

For the first time in Ibiza history, three of the island’s superclubs have teamed up to create a single closing weekend concept: The Trilogy. Curated by The Night League (the team behind all three venues), this is arguably the most ambitious closing experiment ever staged.

Day 1 - Oct 11 (Ushuaïa): The open-air extravaganza features Eric Prydz, Adam Beyer B2B Chris Avantgarde, Paul Kalkbrenner (live), and Franky Wah. Expect Prydz’s cinematic visuals and Kalkbrenner’s live energy under the Balearic sky.

Night 1 - Oct 11 (Hï Ibiza): Once Ushuaïa winds down, the action moves across the road. Highlights include Jamie Jones B2B Joseph Capriati, Damian Lazarus, Indira Paganotto, and TSHA. From tech-house to pounding techno to melodic bliss, this lineup covers the spectrum.

Day 2 - Oct 12 (UNVRS): The finale of the trilogy unfolds at Ibiza’s new hyperclub, UNVRS. The lineup is jaw-dropping: Anyma (live), Peggy Gou, Black Coffee, ANOTR, Rampa, and Vintage Culture. It’s the perfect mix of melodic techno, Afro-house, stylish grooves, and festival-scale performances.

Together, these three events form a two-day festival across three venues, essentially uniting Ibiza’s present and future in one closing statement. If you want to see the island making history, this is the weekend.



DC10 - Circoloco’s Last Stand





And then, there’s DC10. For many, the true end of the season isn’t the glitzy spectacle of Trilogy or the polished production of Amnesia - it’s the raw, sweaty chaos of Circoloco Closing.



On Monday, Oct 13, the infamous hangar by the airport runway hosts one of the most anticipated parties of the year. Circoloco has been running every Monday since May, bringing together a who’s who of underground house and techno: Seth Troxler, The Martinez Brothers, Peggy Gou, Amelie Lens, Dixon, and more. Its closing night is traditionally an all-day, all-night affair, kicking off in the early evening and pushing deep into Tuesday morning.



What makes Circoloco special is its no-frills philosophy. There are no pyrotechnics, no LED mega-screens, no gimmicks. Just a dark room, a packed terrace, and the best DJs in the world playing for a crowd that lives for the underground. The Circoloco closing is often emotional - it’s the last big gathering of Ibiza workers, residents, and hardcore fans, and when the final track drops, it feels like the island is collectively exhaling after five months of madness.



If Amnesia’s festival is the spectacle and Pacha’s closing is the celebration, Circoloco’s finale is the soul of Ibiza.



The End of the Season



By mid-October, the dust settles. Flights thin out, the beaches quieten, and the clubs start to shut their doors. But the energy of these closing weeks lingers long after the last track drops. Closing parties aren’t just about saying goodbye - they’re about celebrating the journey, thanking the fans, and sending everyone off into winter with enough memories to last until next summer.



And in 2025, Ibiza has outdone itself. With the introduction of UNVRS, the birth of The Trilogy, and the return of the island’s most iconic closings, this season’s finale is destined to be remembered as one of the greatest ever.



For those lucky enough to be there, savor every second. For those watching from afar, start planning: because there’s nowhere in the world like Ibiza in the closing season.

Ibiza Closing Parties (Part 2)

It’s that bittersweet time of year on the White Isle - the 2025 clubbing season is drawing to a close, but not before an explosive finale of closing parties. For the uninitiated, closing parties mark the end of a glorious summer season, bringing together clubs, DJs, and diehard clubbers for one last series of unforgettable events.



Most residencies run weekly throughout the summer, and when each one ends, it throws a closing party to bid farewell. After that, the clubs themselves host their own grand finales – often stretching across multiple days. Traditionally, most closings fall between mid-September and mid-October, effectively the island’s “last call” before attention shifts to events like ADE in Amsterdam. In 2025, the calendar is packed, and in this two-part guide we’ll highlight the unmissable events.



In Part 1, we’re focusing on key closing parties happening in September, with a blend of mainstream spectacles, underground marathons, and everything in between. Think of this as your warm-up to the huge finales coming later in October.


Hï Ibiza - Afro, Disco & Techno Heaven





Voted the world’s number one club yet again, Hï Ibiza never fails to deliver at closing time. Its residencies cover every corner of the electronic spectrum, and their finales always feel extra-special.



One of the crown jewels is Black Coffee’s Saturday night. Now in its eighth season, the South African superstar has made Afro-house the heartbeat of Ibiza. On Saturday, October 4, he plays his final set of the summer with an extended journey through deep, soulful grooves. He’ll be joined by genre-blending live act WhoMadeWho, plus support in the Club Room from Crosstown Rebels boss Damian Lazarus, who always adds a mystical, experimental edge. Expect immersive production, dazzling visuals, and one last Afro-house odyssey that feels like a rite of passage.



Glitterbox takes over on Sunday, October 5. Famous for its flamboyant performers and anthemic house and disco, this is Ibiza at its most joyful. Closing party highlights include disco pioneer Dimitri From Paris, house heroine Jayda G, Ibiza collective Melon Bomb, and plenty of special guests. It’s a night of pure positivity - one final chance to dance under the disco balls before Hï wraps up.



Hï’s other closings are equally unmissable. The Martinez Brothers finish their Tuesday residency on Sept 30, and on Oct 3, Joseph Capriati’s Metamorfosi wraps with a techno-heavy lineup - last year saw him joined by Indira Paganotto and Kobosil, and 2025 is shaping up just as strong. Together, these events make Hï’s final fortnight a non-stop showcase of electronic music’s biggest names.



Ushuaïa - EDM Titans & ANTS Takeover





Across the road, Ushuaïa Ibiza brings the big daytime energy. Known for jaw-dropping outdoor production and stadium-sized crowds, its closing parties span from EDM to underground house.



On the commercial side, heavyweights like Calvin Harris (closing Sept 12), Dimitri Vegas & Like Mike (Sept 24), and Martin Garrix (Sept 25) will finish their residencies with the kind of high-octane sets fans travel across the world for. Each closing is loaded with massive hits, sing-along moments, and plenty of pyro. Armin van Buuren’s residency also signs off on Sept 28, giving trance fans their final Balearic fix under the open sky.



But the jewel in Ushuaïa’s crown is ANTS, its in-house Saturday residency. This year’s METALWORKS theme has transformed the club into a dystopian playground of robotic ants, towering steel structures, and industrial-themed production. For the ANTS closing on Oct 4, the Colony is pulling together a monster lineup of B2B sets. Andrea Oliva joins Franky Wah for a driving house showcase, Chelina Manuhutu pairs with Mason Collective, Nic Fanciulli goes B2B with Joris Voorn, and Max Dean faces off with SOSA. Add in the high-tech staging and you have one of the most visually spectacular closings on the island.



If you only do one daytime closing party this year, ANTS should be top of the list.



Amnesia - Terrace Sunrises & Closing Festival





Few clubs embody the Ibiza spirit like Amnesia. Their residency closings are stacked, but the real magic comes in October.



On Sunday, Oct 5, the club’s flagship underground night Pyramid ends its season. Pyramid is all about marathon sets and a who’s who of techno and house. Past closings have seen names like Ricardo Villalobos, Luciano, and Nina Kraviz, and 2025 promises another roadblock lineup.



Then Amnesia saves the best for last with its two-day Closing Festival on Oct 10 and 11. The first wave of artists includes Amelie Lens, Nina Kraviz, Deborah De Luca, Honey Dijon, Marco Faraone, Joris Voorn, and more. It’s effectively a festival inside a club - two days, multiple rooms, and a non-stop flow of techno and house until way past sunrise. This is Amnesia at its most uncompromising, and a must for anyone who wants to experience the island’s raw, untamed energy one last time.



Pacha – Old Meets New





Over in Ibiza Town, Pacha continues to blend island heritage with forward-thinking bookings. The first week of October is stacked with back-to-back closings.



Defected signs off on Oct 2 with a lineup for true house heads: Masters At Work, Eats Everything, Low Steppa, and Sam Divine. For lovers of classic house grooves, this is as authentic as it gets.



The following days bring more variety. Flower Power closes Oct 4 with its trademark retro-disco vibe, this time boosted by Purple Disco Machine. On Oct 5, Solomun +1 reaches its finale, with Solomun playing an all-night-long set.



For fans of melodic house, CamelPhat’s final night on Oct 7 is essential, featuring a live set from techno wizard Stephan Bodzin. And Pacha’s week of closings rolls straight into Music On with Marco Carola on Oct 9–10, because who needs just one closing party? It’s a whirlwind stretch of parties that perfectly captures Pacha’s eclecticism.



DC10 - Raw & Underground





If you’re looking for pure, no-frills clubbing, DC10 is where you’ll find it. Two closings here stand out.



First up is Solid Grooves on Oct 2. Expect bass-heavy tech house from founders PAWSA and Michael Bibi’s crew, alongside friends like Dennis Cruz and ANOTR. It’s a Thursday night built for groove-hungry ravers who want to lose themselves in the warehouse atmosphere.



Then there’s the big one: Circoloco on Oct 13, one of the very last closings of the Ibiza calendar. This Monday marathon runs from early evening until deep into Tuesday morning, with an enormous lineup of underground stars. Seth Troxler, Peggy Gou, The Martinez Brothers, and many more usually appear – and the energy is unmatched. Circoloco’s closing is a rite of passage, and for many, it marks the true end of summer.



UNVRS - The Newcomer’s First Closing





2025 also marked the debut season of UNVRS, the futuristic club built on the site of the old Privilege. With residencies from Carl Cox, Eric Prydz, and FISHER, it’s already cemented itself as a major player.



Carl Cox’s closing on Sept 21 will be a techno masterclass, while FISHER ends his fun-filled Thursday sessions on Sept 25. But the real headline is the UNVRS Closing Party on Oct 12, part of the joint trilogy weekend with Ushuaïa and Hï. Featuring Anyma, Peggy Gou, Black Coffee, ANOTR, Vintage Culture, and more, it’s a genre-spanning, jaw-dropping lineup that signals the arrival of Ibiza’s new era.



From Afro-house journeys at Hï to daytime madness at Ushuaïa, marathon techno at Amnesia, and underground chaos at DC10, Ibiza’s September and early October closings in 2025 are looking unforgettable.



This is just Part 1. In our next article, we’ll dive into the final stretch of October, including Amnesia’s festival marathon, Pacha’s grand closing weekend, and Circoloco’s legendary last dance. Ibiza never goes quietly - and 2025’s closings prove once again why this island is the beating heart of global club culture.

Magazine