Leah Chisholm is at the peak of her ever growing musical powers.


For starters: under her LP Giobbi alias, the Oregon born and raised producer’s compellingly versatile, Pacific Northwest-tinged, piano-centered house music-leaning productions have resulted in DJ Mag readers crowning her as North America’s Best Producer of the Year. That accolade was capped by LP’s appearance as the cover artist for the venerable publication’s Best of North America issue.



There’s LP’s critically acclaimed Light Places album that was released in May and promptly followed up in August with a deluxe edition stuffed full of a stunning array of club driven edits and stripped down live renditions.

There’s her extensive production collaborations with iconic jam band "The Dead & Co." that culminated with her becoming a featured performer at the official afterparties of the band’s much hyped farewell tour.

She also managed to tour the United States earlier this year in an airstream trailer outfitted with a customized production studio alongside DJ Tennis.

Now, she’s in the midst of launching her much anticipated sub-label YES YES YES on Defected Records.



Consider what she’s done as co-founder and artistic director of non-profit FEMME HOUSE. Along with co-founder and executive director hermixalot (Lauren Spalding), Femme House’s ongoing dedication to creating “opportunities for women, gender-expansive, BIPOC, and LGBTQIA+ creatives in the technical and behind the scenes areas of music” has led to a string of successful collaborative projects with an impressive collection of cornerstone brands including the likes of Insomniac, Ableton, Spotify, and Moog.

And although the macro-cultural impacts of Femme House’s various activities and initiatives are decidedly difficult to measure, it’s clear that LP and hermixalot have made a significant impact on many of whom they’ve worked with in their ongoing pursuit of a more representative North American dance music scene. Just ask any of the artists who’ve received support from Femme House’s plethora of initiatives for evidence of that fact.



Overall, Femme House is diligently building a comprehensive artistic support and promotion network to boost traditionally marginalized individuals — all within North America’s current cultural ecosystem. Query any of the major industry players who’ve partnered with Femme House; their answers may provide a starting point for gauging the impact of Femme House’s ongoing efforts to reshape the boundaries of diversity and equity throughout the larger North American dance music scene.



The underlying goal is to gradually rebalance what they see as inequitably calibrated cultural scales that continue to harm traditionally marginalized identities.


“For us, what we're talking about and what we're trying to do should be an intrinsic part of the culture,” hermixalot says.


“That’s the whole Femme House ethos.”

FEMME HOUSE’S FIRST TIME

Last March, as lush south Florida humidity hung thick over the secluded back lawn of the W Hotel in Miami Beach, a crowd of about fifty electronic music industry insiders congregated on rows of white picket benches under a canopy of giant pool umbrellas.



“We’re at Miami Music Week and it’s Femme House’s first time here,” hermixalot tells Gray Area. “We’re doing a panel about allyship and amplification, and how we use our platforms to create equity in dance music.”

Although it’s a beautifully bright and sunny Miami Beach day, hermixalot is a bit anxious. The cause? Femme House’s artist showcase and yacht excursion is at risk of being canceled due to complications arising from the city’s crackdown on overzealous spring break partiers and electronic music revelers.

Later that evening, the planned yacht party will be forced to be relocated to the W Hotel’s swanky lounge bar — but the showcase will go on to a packed crowd nonetheless. But first there’s the Femme House industry panel to conduct.

As the audience sips pink lemonade, LP and hermixalot take their places as moderators. The panel of five electronic music industry players do similarly, and discussion commences.

“Femme House was originally just supposed to be for women,” hermixalot begins. “As it grew, we realized [that] the most marginalized among us — women, gender expansive folks, queer folks, bipoc folks — we're all fighting the same battle.”

“That’s the seed of the panel.”



BIG GATEKEEPERS

According to LP and hermixalot, one key cultural shift has allowed Femme House’s diversity and inclusion initiatives to power forward with a hefty head of steam.

“What we discovered when we started Femme House and started reaching out to our very corporate, very specific connections is that these people, gatekeepers, big companies — they wanted to be part of the change,” says hermixalot. 

“They believed in the mission, what we were doing was right, and that it needed to happen. [But] they didn't have the tools [or] the resources. That’s systemic.”

“The biggest change in the last few years — I've seen the big gatekeepers be shockingly willing to open doors that I didn't even think could be possible,” LP says.

As a model example, LP mentions Femme House’s partnership with industry heavyweight Insomniac. In addition to agreeing to co-produce a Femme House stage takeover at their flagship EDC festival, Insomniac suggested further projects to boost Femme House’s reach and impact — all while keeping a clear and open line of dialogue.

“Do you want to do a compilation too,” LP says Insomniac asked, “where [Femme House] can reach out to all of your female and gender expansive producer friends and we can release their records?’” The resulting Femme House compilation which was released on Insomniac Records still serves as a benchmark for all the creative possibilities.



“We've seen Ableton — the DAW that I use to make music — partner with us,” LP continues. “They only have six certified female trainers so far, but they sent them all over the stops on this [Femme House production workshop] tour we did. We've seen Moog help in the same way. We've just seen big gatekeepers [such as] Spotify open doors.”

“We try to step in to say, ‘Yo, here's the playbook,” hermixalot explains. “Let's use your resources to amplify these other voices that wouldn't otherwise get shots.” For Femme House, that pitch has proven to be mightily persuasive.

“The shocking part is that these gatekeepers sometimes still don’t seem to know how to make the change,” LP says with a spark of genuine incredulity. “But if you go to them with the ‘here’s how you do it’ — they will do it.”

“So we’re taking a step in the right direction.”



SEISMIC SHIFT



“We’ve learned a lot at Spotify” about diversity and inclusion in electronic music, says panelist Ronny Ho with measured assuredness.

Ho knows the specifics — after all, she’s Spotify’s head of dance and electronic development, and founder of the company’s Asian employee resource group.

“Originally, we really leaned on minority communities to do a lot of the work,” she explains. “It was exhausting for the people that were experiencing [marginalization] to have to also deal with [fixing] it. So we changed the way that we handled a lot of that.”

According to Ho, Spotify executives readily supported her and her colleagues' more proactive approaches towards diversity and inclusion with substantial budgetary and policy backing. “A lot of the work that you see is actually grassroots effort from employees who really care about the work that's happening,” she says.



“On the consumer facing music side, we started building out different programs for artists and creators really to build a safe space for them,” Ho recalls. “We started out with Frequency, which is for our black creators. You're building spaces across artistry, but we also lean into different communities, really local communities, to work with them and see how we can represent them authentically on our platform.”

She mentions LP and Femme House’s collaboration on Spotify’s female-geared channel Equal, as well as the creation of more identity specific channels such as LGBTQIA+-centered Glow.

“What we really focus on is safe spaces for the artists, the communities — but also making sure that they're embedded in the day-to-day of everything that we do so we're not siloing anyone in one specific corner,” Ho says. That approach necessarily requires active engagement between artists, listeners, and industry curators.

Ho also mentions Spotify’s newfound concentration on one-on-one mentorships and relationship building, which is designed to foster mutual understanding and trust between traditionally marginalized individuals and the company’s relatively untested next wave of industry gatekeepers.

Fellow panelist Sam Sciarra sees the wisdom in the methods Ho embraces in her work at Spotify.

“Actual conversations and the grassroots element — a safe space comes from just sitting down with someone and hearing them out and learning,” Sciarra adds. “Thinking about how you can do better and how you can be more inclusive. How you can evolve both as an individual, but also collectively.”

“Like, I don’t know everything!”, he jokes with a wry chuckle.

Sciarra might not know it all, but he definitely has some useful industry knowledge — he’s been with Mad Decent for six years and is currently responsible for Diplo’s A&R. Sciarra also leads A&R and branding for Higher Ground, the house-leaning sub-label of Mad Decent.



“Generally, there's just been this seismic shift in all sorts of accountability,” Sciarra says. “On a cultural level we now expect there to be more diversity and more inclusion.” Later, he continues his train of thought in conversation with Gray Area after the panel concludes.

“There’s been this collective malaise or disillusionment among the white people in the industry — even though they might not say it,” Sciarra tells Gray Area matter-of-factly. “But that’s naturally starting to subside, and everyone's starting to get more used to this idea of inclusion and diversity. So that’s naturally going to become more ingrained in this industry.”



Efforts from those like LP and Femme House are only “going to continue to result in more amplification and recognizability for marginalized groups,” he says. “What I'm noticing is particular acceptance of trans artists as well, which is something that is unbelievable and super, super important. It’s just going to continue to get more and more diverse.”

There’s also a growing craving from consumers and industry gatekeepers alike for upcoming artists to authentically embrace individuality.



“If you’re a creative, you understand this need to be true to your own identity,” Sciarra explains. “As a queer person, it took me a long time to finally get super comfortable with not only my sexuality on a wider world level, but also being able to authentically express myself creatively. It’s a whole other thing — my tastes, but also owning that.”


Accordingly, that’s what Sciarra looks for in the artists he promotes as a professional and the music he enjoys as an avid listener. “LP is a great example. She really believes in her music,” he says. “She really believes in her vision, her project, and she's having success because it's authentically hers.”

Maybe the dedication to authentic individual identity that Sciarra speaks of is a matter that falls between generational gaps.

“I'm 37, so I’m a late millennial,” hermixalot tells Gray Area in an interview during the artist showcase later that night. “At a certain age for our generation, we've normalized this idea of identity and why it's important. We've normalized this idea of diversity and why it’s important. That’s how we just operate in our lives.”

“Some of the panelists today — we’re of the same generation. We’re just starting to move into positions of power, and we're all thinking of it the same way,” she furthers. “So it’s really heartening to see as we move into positions to make change that we move with that at the forefront.”

After all, hermixalot says that Femme House’s results and ongoing success in collaborating with such key industry players “make us feel confident that the needle is moving.”

It’s a bold and lofty claim, to be sure.

But considering the combined results of the assembled panelists and their shared dedication to ongoing dialogue and collaborative action, it seems like Femme House and their influential electronic music industry partners have provided clear signals that intrinsic changes regarding diversity and inclusion are swiftly approaching the North American dance music landscape.

Two questions remain: will those potential changes be powerful enough to eventually lead to any meaningful demarginalization? And will they be widespread enough to stick around long enough to become the new normal?

Only time will tell.



REPRESENTATION MATTERS



From an alcove tucked between the W Hotel’s back lawn and the hotel bar, Femme House featured artist Kaleena Zanders is circumspect in conversation with Gray Area after finishing her showcase set.


As the moon rises above Miami Beach, Zanders recalls a moment from 2014 when she was working at Trader Joe’s and producer Andrew Reinfield asked her a simple question: “Do you want to be on a dance record?”

“I was gonna quit music the week before,” she recollects. Instead, Zanders said yes to Reinfield and ended up on SNBRN’s "California",  the 2015 breakout track which was promptly remixed by Chris Lake and Matroda.


“Then it became massive,” she says.

That period of initial career success was “crazy, and it was overwhelming,” Zanders remembers. “I was working with a lot of men, a lot of white dudes. Being a black female, it's interesting to navigate. You're constantly protective over your energy and stuff.”




“I wanted to pivot out of it because it had beaten me down so much. But I stayed in dance music to be a representation for all of what I am,” she says. “I stayed here because I feel like I have a purpose in dance music — to actually be a visual representation of people who are trying really hard to be seen in this scene.”




For Zanders, her musical career isn’t about becoming a figurehead or token for any particular marginalized group. Her motivation is to live a life that is authentic to her own identity while sharing her art with others. In living that life, she just so happens to be one of the most popular dance music vocalists and producers in North America.




“I don't actually want to be a role model. I'm not trying to fucking lead anybody to anywhere — bitch, I'm having my own quest! But I’m black, and I’m gay, I’m a woman,” Zanders proclaims with vibrant swagger. “Even if there are mountains of fucking trauma and trouble, you can do anything. I just want to show people that.”



After Zanders met LP in 2018 and the two bonded through the pandemic, it took two years for the pair to perfect and release their track "Carry Us". It was then that Zanders saw the early stages of Femme House coalesce. “I knew [Femme House would be successful]. LP’s just a powerful person, and she believes in supporting all types of life,” Zanders says. “She helps people — POC, gay, women. Femme House is just tying it all together.”



“I've been in this industry for a long time, almost alone,” Zanders says with candor as she wraps up her thought. “With Femme House, [LP]’s helped bring together these people who haven't been seen, bringing more visibility. Having more people in support and more camaraderie, more solidarity — it’s beautiful to see.”



Fellow Femme House showcase artist Val Fleury echoes Zanders comments.



“I'm just a nice Liberian girl who's possibly not even supposed to be here, and I don't take that lightly,” Fleury tells Gray Area with sheepish confidence. “Being able to collaborate with an organization like Femme House is important work, because we do stand on the shoulders of giants who don't have names or recognition.”

Fleury won a Femme House mix contest in Philadelphia after her friends at east coast-based collective Solar Sounds encouraged her to submit a last minute entry. She’s been linked up with Femme House ever since.



“Whether people want to acknowledge it or not, we live in an intersectional world. Electronic music at its fundamental core has always been diverse, inclusive, and intersectional, and I think people forget,” says Fleury. “I wake up every day and try to help project that story, to remind people to include people who are underrepresented.”



“It’s important for me whether I am scared or not to be present, because representation matters,” she says. “There's not a lot of black women in electronic music. Being one of the growing numbers — I do take that as a great honor and a great responsibility.”



Fleury contends that the mission is not only about respecting dance music’s cultural roots — it’s about taking effective action, too.



“Femme House does a really good job at not only preserving and sharing the history, but really training people,” she explains. “Whether it's a curiosity or something that you want to do as a career, you have to start somewhere. You need support, whether it is teaching girls to DJ at summer camps or other organizations.”

Fleury pauses for a couple moments to collect her thoughts.



“They’re really, really doing the work,” she says.

POUND ON A FEW DOORS

As Zanders lays live vocals over her Femme House showcase set, both she and Fleury can’t help but grin from ear-to-ear as LP and hermixalot dance next to the booth of the packed W Hotel lounge bar. The artist showcase is a special one in several ways for Femme House. Most notably, for the first time the lineup consists almost entirely of black female artists — with the sole exception of co-founder LP.



“I feel like I have a community!”, Zanders giddily exclaims as the party rolls on.

As for Fleury, she has a piece of advice for anyone looking to break into or establish themselves in the dance music industry. “I encourage anyone who has a fear of anything — whether it's being the first, being the only one — to know that's a human condition,” Fleury remarks. “You’re not wrong to feel fear, but go ahead and just do it anyways. Do it the fuck anyways!”


Hermixalot views Zanders and Fleury’s brimming confidence, self-reflexive perspectives, and ongoing development as electronic musicians as prime examples for why Femme House exists.



“Art is important,” hermixalot says. “It's where people see themselves, and it's important that we all see them.”


As for the main takeaways from Femme House’s ongoing efforts to broaden diversity and inclusion throughout the larger dance music world?




“All it takes is intention,” says hermixalot. “Gatekeepers in the room, the big guns — I encourage you to find ways to change things. ‘Cause we need allyship before amplification, and that’s how you create equity in dance music.”



“We have a lot of work to do, for sure,” LP says while flashing an optimistic smile. Just then, a glint of rebellious energy fills her face.

“But if you pound on a few doors, I know that they can open.”

New Gatekeepers: LP Giobbi, hermixalot, and FEMME HOUSE

If you've been on the hunt for music that doesn't just play but resonates, capturing both the essence of a moment and the pulse of a generation, then your search might just be over. Enter Hayden James, a name that's not merely a blip in the vast world of electro-pop house but a force, a vibe, an entire mood. With a single track, "Something About You," he not only captured the essence of an Australian summer but also garnered global attention, amassing over 212 million streams since its 2014 release. His iconic track isn't just a song; it's a timeless work of art that always leaves you thinking about how mental the track is.

Hailing from the vibrant landscapes of Sydney, James' music is a masterclass in blending the familiar with the groundbreaking. His talent and special touch to any note he comes across has landed him multiple Platinum-certified hits, sold-out global tours, and collaborations with A-List names such as Katy Perry. In a genre where many risk sinking into repetitiveness, James stands tall with his ingenious layering, evocative basslines, and those subtle shifts in synths that make all the difference. Dive in with us as we explore the world of Hayden James, the artist whose every note feels like a revelation.

How do you believe your sound and production style have evolved since your first hit "Permission to Love" to your recent album "Lifted"?

I believe it's about the time I've spent writing music. I've certainly evolved my production techniques over time. However, my writing style hasn't changed much because it's the core of who I am as an artist. Deep down, from songs like Permission to Love to my latest, "We Could Be Love", there's a consistent feel. 


They might not sound identical in terms of production, but they resonate with my signature because of how I write and convey emotion in my music. Speaking of production, there's no doubt it has evolved. It's been 10 years since Permission to Love, and there have been numerous advancements in production techniques and music-writing methods. Yet, I believe I've remained true to my original sound.



Can you share a specific moment or experience from your tours that has deeply inspired a track or an album?

I don't really work like that, to be honest. It's not about an event on the road or a specific show leading to a song. What does happen, though, is when I have music I want to test. If I play it at a show, that gives me an immediate feeling. It's like instant feedback. 

You can tell right away if something is great or not, whether it's by playing it for people on a dance floor, at an after-party, in a hotel room, or even at an airport. I think playing your music in various surroundings is beneficial.





Can you share an interesting or unexpected story from one of your collaborations with other artists?

One of my favorite collaborations on the Lifted album was with ElderBrook and Cassian for "On Your Own." The three of us have written music together, and for other people. Cassian has even helped me with some mixing in the past. We've worked together for a long time, but we'd never released something as a trio. So, getting into the studio to create "On Your Own" was a special moment. 


I had sent Alex (Elderbrook) the basic music for the song about two years before its release. It was just chords, a drum beat, and a loop. He crafted the vocals, from the verse to the chorus, and it felt so right that I kept it on my desktop. One day, I played some demos for Cassian, and a few days later, he introduced the prominent lead line you hear in the song, especially during the build-up. 

We spent a few hours in the studio refining it, and that was that. It was truly an inspirational moment to work with people I've collaborated with on other projects. It felt really good.

What has been the most challenging aspect of maintaining a career in the electronic music industry, and how have you navigated it?

It's a crazy industry, and I guess you just have to stay true to yourself. But you also have to evolve, which is a bit of a juxtaposition. You need to understand the power of social media and its importance. It used to be all about music, but now, I don't think that's the case. 

Platforms like TikTok, Instagram, and Facebook are incredible tools to speak to your fans and put yourself out there. I'm still learning every day. It's difficult to put yourself out there in that way. I know many artists wish it was always about just writing music and being in a room by themselves. 

But that's not the case these days. You have to stay true to yourself, and if you're going to pursue this, you need to use these platforms to let people know you're out there and what you're doing. There are many new and exciting ways to promote yourself, and that's a challenge. I don't love it, but it's the world we live in.



Without giving too much away, can you tease any themes or inspirations behind the new music you’re planning to release soon?

One thing I believe my first two albums did well was tell a story. I used various methods to achieve that, from songwriting to production and song style. Everything is emotive and melodic, with many beautiful harmonic elements. It's also varied; there's a lot packed in there. For the next batch of music, as I start to write another album, I want to focus on one idea and one specific feeling. 

It's like I'm intentionally pigeonholing myself. I aim to create a distinct moment. I want to explore the concept of capturing a specific moment in time, perhaps a club experience. Everything will be more dance-oriented, faster, and a bit more aggressive and exciting, as opposed to being chill. While it will still have my signature songwriting touch, it will lean more towards club vibes.


How do you think your Australian roots have influenced your music in an industry that is heavily impacted by European and American trends?

Interesting question. I think everyone sees that the industry is heavily impacted by European trends, not American ones. European trends hit America, and then America adapts to them. Australia has its own thing, but European trends, especially from the UK, eventually come to the states and go big, which is great. 

Being an Australian, growing up by the beach and having a positive, outdoor lifestyle has impacted my musical taste. It influences what I like. But I also draw a lot of inspiration from bigger UK artists like the Chemical Brothers and many French artists. I'm inspired by old French disco, like Daft Punk, Alan Braxe, Fred Falke, and Phoenix. Being Australian has molded the emotional side of my music, but trend-wise, I think it all comes from Europe and the UK.



How has the evolution of music production technology influenced your creative process over the years?

Yes and no. While there are many tools and methods available for writing music nowadays, including various loops you can purchase, at the end of the day, my approach remains simple. When I sit in front of a computer to write music, I don't rely on technology. Instead, I pull up a piano patch or use my piano at home to compose. I believe no amount of production can guarantee a hit; it's all about the emotion and feeling. So, for me, there isn't a specific tool that changes everything. It's more about capturing a particular feeling.

Can you share a behind-the-scenes aspect of your music production that fans might be surprised to learn?

Yeah, I always tell people this when they react with, “whoah, what??” I've sung in nearly every song I've ever released. For instance, the lead vocal in “Permission to Love” is me. I also sing on Embrace, “Lay Down”, “Something About You”, and “Just a Lover”. That entire first EP is me. I don't have my catalog in front of me, but I've done lots of backing vocals for most of them as well. I love that, and I'm planning to explore it again. I haven't done it in a long time, but I'm looking to delve into it for the next album and batch of music.



How do you want to be remembered in the music industry, and what impact do you hope your music has on future generations of artists?

Oh, that sounds like I'm retiring. It sounds like I'm dying [laughs]. I'd love to be remembered for being consistent and never really following trends, like, 'Oh, that's really cool right now,' because everything changes all the time. I think it's super important to stay true to your artist project and who you are. 

If you start writing stuff that's just on trend and you become famous or successful from it, I don't think it'd be that great. You wouldn't love what you're doing. So, I think it's important to be remembered for having songs with a consistent vibe. That's what I'd love.



With the increasing focus on sustainability, how do you ensure that your tours and shows are environmentally friendly?

I mean, I think sustainability is obviously really important. For big artists, say, like Taylor Swift, who tour around the world and probably fly in their own planes, the impact is significant. On my personal rider, I try to avoid single-use plastics. That's kind of all I can do right now. 

Being in an industry with a lot of waste, especially at music festivals, is a concern, but it's getting better. Big festivals like Coachella and Glastonbury are working with artists to promote sustainability in the touring industry. I think we're heading in the right direction. There are things we could be doing better, but from my standpoint, I don't feel I have a huge carbon footprint.

Outside of music and touring, what activities do you engage in to relax and recharge, and how do these activities feed back into your creative process?

My favorite thing is being a dad. It's absolutely my favorite thing in the world. While it's not always relaxing and recharging, it's the most rewarding and truly the best job. I love cooking and I cook for my kids every day. I recently got a pizza oven, and if you follow me on Instagram, you'll see I've started making pizzas, though they aren't perfect yet. I need to get some lessons. 

Besides cooking, I enjoy bike riding and spending time with my family, especially since I travel so much. I also love traveling with the family when I'm back home. Being in Sydney, we live just a few minutes from the beach, so I try to get in the ocean every day, regardless of the weather. So, in summary, cooking, bike riding, and spending time in the ocean are my go-to activities.

SOMETHING ABOUT HAYDEN JAMES: THE ARTIST & HIS STORY

Martin Ikin, a name synonymous with the ever-evolving landscape of electronic music, began his odyssey in 1991 and has since navigated the winding pathways of the industry with finesse and undeniable talent. From the pulsating beats of his Gold Disc track "Headnoise (Get Hype)" to the enchanting rhythms stemming from his classical jazz pianist background, Ikin's trajectory showcases a musical evolution marked by deepening sophistication and mastery. 

This seasoned DJ and producer, who's had the honor of remixing legends like Mariah Carey and Jamiroquai, remains as relevant as ever by staying deeply rooted in the scene and embracing emerging talent. With a discography as diverse as the aliases he once wore, Martin's continued passion for the craft is palpable. As he enjoys the global appeal of electronic beats, from the fervor of Brazilian crowds to the energy of the USA, one message resonates clear: Martin Ikin's journey is a blend of relentless passion and transformative creativity.



In three words, tell us how your music production has elevated since your early days in 1991.

Smoother, Deeper, Louder



Your track "Headnoise (Get Hype)" achieved gold disc status. Can you describe the feeling of achieving this and how it should serve as inspiration to other aspiring artists who must have patience in the industry?

Yes, this is my first ever Gold Disc achievement, so it was like a huge bucket list tick for me, I was delighted. So, I guess the message is, never give up. It took me 30-plus years!

Given your background as a jazz pianist, how has classical training influenced your electronic productions?

Having some musical knowledge will always aid you if you’re making music for a living. So, I would urge anyone in the business to at least arm themselves with the basics, for example, knowing the basic scales and chord relationships. 

This will help you with things like getting vocals in the right key. You don't have to be an amazing player for it to be useful to you. For me it comes into its own when I'm writing piano chords, I wouldn’t have been able to write tracks like "How I Feel" or "You" without having that theory background.



Over the years, you've taken on various musical personas. How do you decide when it’s time for a change or a new direction? Which alias was your favorite if you could choose one?

Yes, if I’m honest I’ve probably had too many aliases. I’d probably have stuck with one or two if I did it all again. I guess I changed names when I changed genres though. I started in ’91 so it was rave (hardcore) back then. 

That moved into DnB and Jungle. After that period, I was doing a bit of UK garage and house, then onto soulful house, etc. So, the aliases changed with the scene and the genre. My favorite by a mile was my early DJ Mayhem days (91-93). That was an exciting, special time musically, with the birth of rave, hardcore, and DnB.

Working with renowned artists like Mariah Carey and Jamiroquai must have been thrilling. Any standout collaboration experiences you'd like to share?

Yes, they were official remixes I did, which was a massive honor of course. Unfortunately, I never got to meet them or be in the studio with them, that would have been insane! Another standout one for me was being asked to remix the legend AVH a few years ago.

How has the music scene and your interaction with it changed with the rise of streaming platforms and the decline of traditional record shops?

It's a completely different game now. Whether that’s good or bad is probably a discussion that could go on and on, but there are pros and cons to the changes. The pros are it's much more accessible now for people to put music out and to find new music. 

In my opinion, one of the saddest changes was the death of record shops. That was a special environment, going to record shops like Black Market in Soho - London on a Saturday and standing there with 20 other people listening to all the new records, imports, white labels, double packs, and 10” specials that the guys in the shop would play. 

And holding your hand up like an auction and shouting “I’ll have one of them”. And if you were a regular, they’d have a bag of the newest records waiting for you under the counter, which you could take to the side and listen on the turntables and headphones. It was thrilling and exciting. Something is lost now scrolling when through download sites. Having said that. Carrying a USB is much easier than two boxes of heavy vinyl! So, as I said its pros and cons.



Are there any emerging artists or producers you're currently excited about and feel we should be listening to?

There are so many young talented producers in the scene that now, it’s hard to keep up with them all. There are more and more emerging every week. And that can only be a good thing. We love exciting new talent in the scene, it keeps it fertile and fresh.



In today's rapidly changing electronic music landscape, how do you stay ahead and remain relevant?

It’s hard to stay relevant at any point in your career, and probably harder as you get older. I think it's important to keep yourself involved in the scene as much as possible. Going out and listening even if you’re not playing is very important, I would say.

What's your studio setup like, and do you have any essential pieces of equipment you can’t work without?

I’m a bit of a “gearhead”, I love spending my money on synths, new and old, so I have a room full of those batboys. However, you don’t need any of these to make good records. But the one thing I can’t do without is my Genelc monitors. I mix and master all my records so it is essential to have a quality monitoring system that you can trust if you’re doing the mixing or mastering.

Do you have a personal favorite track or remix from your extensive discography? 

Probably Headnoise, just for the fact that so many labels turned it down, and now it's got a Gold Disc haha! 



How do you navigate the challenges of balancing a busy touring schedule with studio time and personal life?

Haha, I'm not sure if the best at this balance, as I write this I'm currently (very) late delivering my next release. And when I say late, I mean I haven’t even started it yet. It's very tough, I like to work in my studio and not on the laptop so maybe I struggle more than most with this balance. It's a work in progress I would say.

Given the global reach of electronic music, are there any countries or venues you especially enjoy performing in?

The USA and Brazil are currently so vibey, the scenes and crowds there are thriving, I love it.



What's next for Martin Ikin? Any upcoming projects or collaborations we should be on the lookout for?

Yes, a few more cool collaborations are on the way after my release last week with Noizu on Insomniac Records.



What do you owe yourself?

A holiday haha.



Lastly, looking back on your journey so far, is there anything you'd do differently if given the chance?

I'm very grateful for my long journey and career in music and love it more than ever right now, so there’s not a lot I would change. Maybe less aliases in my early years though.

Synthesizing Success: The Martin Ikin Story

Dance music duo Gabriel & Dresden are turning towards techno, although the pair’s initial claim to fame arose from their massively popular, trance-centered, alternative-adjacent work of the '2000s.



Remember their 2004 single "As The Rush Comes," which reached #11 on the UK singles charts? Or their remix of Above & Beyond’s "No One On Earth," which was voted the #1 track of the year in 2004 on Armin Van Buuren’s seminal podcast A State of Trance? Those are just two of the iconoclastic tracks that spring to mind from Gabriel & Dresden’s wide-spanning careers as globetrotting producers and DJs.

In the nearly two decades since breaking into the mainstream dance music zeitgeist with those early hits and their self-titled album, Gabriel & Dresden have also become a central act on Above & Beyond’s label Anjunabeats, having released a slew of singles and two full-length albums on the influential imprint.

“Our remix of Above & Beyond’s 'No One On Earth' was one of the first really big Anjunabeats records, and it was technically one of the first Above & Beyond hits,” Dresden remembers. “So we have a long history with these guys. We put out two albums with them, and we continue the relationship.”


“We’re doing either an album or an EP” for release on Anjunabeats, Dresden casually announces to Gray Area.

Nowadays, Gabriel & Dresden are launching the CQ / Techno tour, a new ten-stop American affair featuring local artists and extended techno-centered sets. The tour’s branding is in part a spinoff of their popular Twitch show Club Quarantine, which first took off during COVID and was recently retooled as a touring concept. It’s also in part due to the tour’s sonic focus “running the gamut of techno music from the pretty and beautiful to the hard and banging,” according to press releases.



And the first stop on the tour?

November 4th in New York City, at Musica with Gray Area.


It’s somewhat of a full-circle moment for Gabriel & Dresden: back in the ‘2000s, one of their first gigs together under their moniker was at Arc in New York City.

Yet, many questions remain about Gabriel & Dresden’s ongoing musical evolution. Gray Area asked Dresden to fill in some of the blanks during a mid-hike conversation as he rested atop the peak of Mount Tamalpais, just about an hour’s drive north of his regular San Francisco stomping grounds.


“We're sort of an act that has never had a total musical identity,” Dresden tells Gray Area. “Like if you listen to our first album — there's some trance on it. There's some indie rock-feeling stuff on it, there's some house-sounding music on it. We’ve always just made music that we wanted to make, and never really thought about the genre of the music that we're making.”



“Recently though, we've been thinking a little more about [genres],” Dresden notes, “because at this point in the game, you sort of have to pick a side, so to speak.”


MODERN TOUCHES

Dresden explains that the upcoming CQ / Techno tour follows the August release of their latest single "Other Eye," a collaboration on Anjunabeats with Andrew Bayer and Sub Teal that’s been years in the making.



“Andrew Bayer is like one of the figureheads of Anjunabeats,” Dresden says. “He’s helped Above & Beyond make most of their music for over a decade. We've shared a kinship with him and Above & Beyond for a long time.”


With such history, a collaboration between Bayer and Gabriel & Dresden was seemingly inevitable.

Yet, it was a life-threatening health scare that finally got that long-brewing collaboration off the ground while setting the stage for the duo’s upcoming CQ / Techno tour.



“Last year, my music partner Josh Gabriel had a heart attack,” Dresden says. “So [we were] trying to find a way for Josh to be productive but not have a lot of stress, because making a song from scratch is stressful.”




During Gabriel’s recovery, Bayer reached out to the pair asking how he could help. “That's really where we began talking, and figured out that it was the perfect time to make a record,” Dresden says.


“[Bayer] was like, ‘I want to make a modern Gabriel & Dresden record’ with the ideas of G & D — the song, the lyrics, guitars, electric basses, like rock basses. And then he would add modern touches,” Dresden says. “But his modern touches were definitely more in the G & D vein than in the Andrew Bayer vein. So it was a really interesting sound clash between two acts that have helped define Anjunabeats in some ways.”




For an act that’s well known for pushing the Anjunabeats sound forward with their trance-laced singles and genre-blending albums, it’s a seemingly incongruous choice to follow such a quintessentially Anjunabeats release with a techno-focused tour.

“There's the confusion as we're putting out a track that’s pretty trance-y, and then going and doing a techno tour,” Dresden says. “And this CQ / Techno tour that we're about to embark on is basically us going out and playing underground sets.”



But when viewing that decision in the context of their entire career rather than in a cultural vacuum, the underlying reason for highlighting their underground-leaning techno predilections with the CQ / Techno tour makes a whole lot of sense.

UNDERGROUND SETS

“Being G & D for all these years, it's kind of like being Rüfüs Du Sol — people want to hear your songs. We’ve been doing that for years,” Dresden explains. “Normally when we go out, we play our music, and music that sounds like our music, and a few other things.”



“But this [tour] is going to be specifically about techno — so this is a way to get away from relying on our songs, to get people to dance,” he says.

“That’s exciting, because we’ve never really done that before.”



Here, Gabriel & Dresden’s choice to showcase underground techno as a style of electronic music they aren’t mainly associated with as producers (but are nonetheless passionate about) is a career maneuver that’s proven to be in vogue for other major dance music artists lately. Look no further than Deadmau5 and his techno-driven alias Testpilot, Jauz and his house-oriented Off The Deep End shows, or Diplo and his house-centered sublabel Higher Ground.



It’s no surprise that prolific producers such as these continue to put their own spins on genres outside of their regular fare. But what is curious is how fan bases across electronic music have fairly wide-open ears for when one of their favorite producers makes something new by stepping off the beaten musical path. That quirk of contemporary electronic music culture seems to stand in stark contrast to past crossover attempts by artists from other mainstream genres, including folk, rock, rap, and country music alike.


For example: recall just how furious many folk music fans were back in 1965 when Bob Dylan performed his first electric show at the Newport Folk Festival. When Dylan played his new single "Like a Rolling Stone" with backing from an electric band, whole sections of the festival crowd reportedly booed the so-called ‘spokesman of a generation’ for embracing that sonic evolution.


A notable example from more recent decades: Garth Brooks’ ill-fated, short-lived project as alt-rock alter-ego Chris Gaines, which culminated in the incomprehensible 1999 album "Garth Brooks… In the Life of Chris Gaines."



Perhaps it helps for dance music producers like Gabriel & Dresden to have bedrock sounds from house and techno traditions as they weave new sonic threads throughout the tapestry of contemporary dance music. “House and techno are the foundations of most of this music,” Dresden says. “Disco, new wave, all that stuff is also foundational. But for all intents and purposes of modern electronic music, house and techno are the foundations. They’re in everything we do.”


“If you’re using a 909, an 808, a 707, a 606, and a 303, you're generally making house and techno,” Dresden says with a dry chuckle. “I've been DJing since 1987, and Josh has been making music since the early 80s. We still in our DJ sets play lots and lots of house and techno.”




“But at the end of the day, Josh and I — we like to break the rules a little bit.”




BODY OF WORK




As for what’s coming out of Gabriel & Dresden’s latest studio efforts?




“We’re currently working on a body of work that I'm not sure what it is,” Dresden muses candidly. “Is it an album? Is it ‘anything goes’, where we release it by ourselves? Does it come out on Anjuna? Are we gonna go some other route?”




“We’re definitely making music that would be aimed more squarely in the techno genre,” Dresden says when pressed on sonic specifics. “But we'll still put arpeggios in songs, chords in songs, and have full verses and choruses in songs, which isn’t necessarily techno music.”




In regards to their staying power in the global dance music scene, Dresden tells Gray Area that there isn’t some grand master plan that’s allowed them to stay relevant in the decades following their initial success.




“I think that we're just always going to be these guys that make a wide variety of music and hope for the best,” Dresden says.




“If we had to make the same kind of music every day, we'd get really bored quickly.”




In light of their upcoming CQ / Techno tour as well as their yet-to-be-announced releases, it doesn’t appear as if Gabriel & Dresden are going to get bored anytime soon.

Gabriel & Dresden: From Trance Titans to Techno Heads

From the heart of Burgos to the global stage, Yamil's musical journey is a unique blend of introspection and broad-ranging influences. Steering clear of fleeting trends, he’s carved out a distinct space for himself in house and deep house. His tracks, a tapestry of cultural experiences, are as diverse in tempo as they are in mood. With major platforms like Beatport and Traxsource frequently spotlighting his creations, and nods from icons such as Black Coffee, &ME, Rampa, and Solomun, Yamil's resonance in the industry is undeniable. As his global audience continues to grow, we delve into the life, sounds, and sonic realm of this Spanish artist, Yamil. 

How did growing up in Burgos influence your musical journey?

Being born in Burgos (an area with a limited electronic music proposal) has made me focus a lot on my music, my sound, on my projects and move away from the fashions or trends of the moment, therefore, I could say that the "disconnection" with the scene has helped me a lot to connect with myself. As they say: disconnect to connect. 



Your tracks span a wide range of sounds. Is there a particular moment or place that inspired one of your favorites?

My sound is an accumulation of cultural insights, and it's fueled by my personal experiences and travels. My tracks can go from 90 BPM to 125 BPM. I don't care much about what people think if I release a slow track or a track to listen to instead of a club track; the same happens with the mood of my music.

I can release something darker or something happier because, for me, the important thing is to bring out what you have inside at every moment and have it reflect the different stages of your life. I like music to have a soul and express a feeling.

How do you approach collaborations with other artists? What's your process?

It depends a lot according to the artist, if we work with the same DAW, we share the whole project as we progress, but if they are different DAW's, it is more laborious to have to send tracks and limit resources. Sometimes we get together to start ideas in the same studio, but the distance makes the projects are completed remotely and connected via internet.

With such a global appeal, how do you maintain the unique Spanish essence in your music?

The truth is that I always try to be myself and not follow what others do in order to not lose the essence of my sound. Although, as you said my sound range is large and I like to experiment with different moods and styles, but I think some elements like drums are always present in my songs and make them easily recognizable.



Which of the esteemed labels you've worked with pushed you out of your comfort zone the most?

Honestly, I never write music thinking about the labels I'm going to send it to. I try to do what I feel, and if the music fits one of the labels I like, then perfect; I'm happy to release it with them. However, I don't feel that urge to make music just to sign here or there. 

That's why we created our label, Pieces of Life, to get away from the trends and the specific sounds of certain labels. I think this is where I have left my comfort zone because there is no pressure, and we set the timelines and create the strategy to publish the music without third parties.

Beatport and Traxsource often feature your tracks. How do you feel when you see your work alongside industry legends?

It makes me very happy to see that these big platforms consider and support my music. It’s gratifying to see that the work of so many years is bearing fruit and is attracting the attention of the curators and the people in charge of these platforms. In the end, they are a very important gateway to our music, so I am very grateful for this.



There’s significant support from heavyweights like Black Coffee and Solomun. How did these endorsements influence your career trajectory?

That artists of this magnitude support your music is fantastic, it's like a trampoline to reach new audiences, they are such a platform that reaches millions of people and your music benefits from it. I think that today this does not change your life and you must keep working hard, but it is a great motivation to go back to the studio with a big smile and keep making better music. 

We’re eagerly awaiting your show at Superior Ingredients on December 22nd. Can you give us a hint about any special preparations or surprises in store for the night?

I am very excited to join your event in New York, one of my favorite cities in the world, by then I hope to have my second album 100% ready. I am looking forward to testing some of the songs I am finishing so stay tuned!

Rapid fire: Analog or Digital? Sunrise set or Sunset set? Studio session or Live gig?

Analog and digital (mix of both).I prefer sunset sets, but I also love sunrises. I'm a studio nerd and I have a lot of fun in my cave creating, but I also love to get out there and try out my new songs to see how the audience reacts.

In short, the answer is 50/50 on everything hahaha. I'm not a strict person or pigeonholed into something, I like to take the positive out of everything.

If you could collaborate with any artist, past or present, dead, or alive, who would it be and why?

Tough question. I could name several artists that have been a great inspiration for me, but without a doubt, I would choose Bob Marley or Manu Chao since both have been revolutionaries in their musical genres.

How do you wind down after an intense tour or music production session?

I relax from the tour by going back to the studio and I relax from the studio by going back to the tour, a rather vicious circle. But I also like to go out in the countryside, connect with nature, and ride my bike.

What's the most unusual venue you've ever played at? What's your dream venue to play at?

I have had the opportunity to play in very random places over the years, from a small island in the Antilles in the middle of the Caribbean Sea, to a 10th-century castle in Spain, to a remote cave in the South of France. For me, it's one of the most beautiful things about this profession and I love being able to keep exploring and discovering different parts of the world.

Can you name a track that never fails to energize the crowd, no matter where you play?

There are several of my songs that I love to play, and the reaction of the audience is always overwhelming as could be "Shesawa" or "Magma", I think I will never get tired of playing these two.

Outside of music, do you have any hidden talents or hobbies that fans might be surprised to learn about?

I love cooking, it's my second passion after music. I think I could be a chef in another life. 

If you were stranded on a deserted island, which three albums would you want with you?

Jahsta - El Mensaje, Manu Chao – Clandestino, Daft Punk – Homework

With 2023 on the horizon, can you share any upcoming projects or goals you're setting for yourself?

Now, I'm still focused on the present as I have a pretty full tour schedule until the end of the year. I'll be in Europe, the Middle East, and America. Also, I have a few releases about to see the light soon as my new EP on Sol Selectas, which I'm looking forward to coming out because they are songs that I've been playing for quite some time, and I'm very excited to finally drop them. 

I also have a remix to Clemente that will see the light in the coming weeks. Then, the next step will be to finish my new album to finally release it next year - I love everything that goes into releasing an album, from the recording process to the moment of release, so super excited about this!

Tuned In: Yamil Uncovered in an Exclusive Interview

In an industry that often heralds the "overnight sensation," Miami's very own DJ and producer Fiin stands as an example of the passion and the dedication. For him, music wasn't an inheritance but a discovery. Soccer fields and sports medicine textbooks were his initial companions until a fortuitous brush with house music at a store shifted his life's trajectory.



Trading college dorms for CDJs and a dream, Fiin dived headfirst into the world of beats and bass. Guided by the mentorship of DJ Diego Harispe, Fiin was introduced to the legends of the disco era, grounding him in the very foundation of the genre he loved.

From being the youngest resident of Miami's iconic Heart Nightclub to sharing decks with global DJ maestros, Fiin's rise was noteworthy. His sentiment towards his hometown resonates deeply, "Playing at III Points holds profound importance for me because it's more than just a gig; it's a connection to the heart of Miami. This is not just a performance; it's a celebration of our vibrant city's energy and a moment to share my passion with the place that has always been my inspiration." 



His Sunday venture, Relic, became Miami's musical haven, an ode to pure, unadulterated sounds, stripped of frills and fads. Understanding the need for originality, Fiin embarked on a production journey, relentlessly perfecting his craft. The result? A coveted contract with Ultra Records and tracks that reverberate with sensuous grooves, techy rhythms, and a soul that's unmistakably Fiin. From hits like "Le Crocodile" to the rhythmic allure of "Wild Trees," his music invites listeners to lose themselves.


Further amplifying his reach, Fiin's inclusion in the Gray Area SoundCloud mix introduces his unique sound to a broader audience. This curated auditory journey, designed to spotlight emerging talents, provides a platform where artists like Fiin resonate with global listeners, embodying the essence of the contemporary music landscape.

On the SoundCloud Pulse: Fiin's Vibrant Voyage & III Points

Every autumn, Amsterdam takes center stage in the electronic music world with the Amsterdam Dance Event (ADE). Since its inception in 1996, this monumental festival and conference has evolved, bringing together the industry's brightest minds and most dynamic talents. This year, the ADE lineup promises to offer a deep dive into the multi-faceted world of electronic music. 



From Claptone's riveting first live interview, marking a decade of "No Eyes," to the future of festivals and the intricate economics of music streaming. Additionally, sessions like "How Jayda G Inspires Climate Action" showcase how dance music intertwines with pressing global issues. As we gear up for this year's event, this article offers a curated selection of the top conference picks, ensuring attendees navigate ADE's rich tapestry with insight and enthusiasm.





Claptone: First Ever Live Interview and Experience




ADE Pro is set to present the first ever live interview and Q&A session featuring Claptone, commemorating the 10-year milestone of the chart-topping song "No Eyes." Hosted by BBC Radio 1 presenter Danny Howard, this event will delve into the rapid ascent of one of the globe's most enigmatic artists, offering professionals a unique insight.




The Future of Festivals



The Future of Festivals TalkShow will provide a comprehensive perspective on the evolving nature of festivals and their societal significance. The discussion will encompass a close examination of the shifting sociological composition of festival-goers and evolving demographics, exploring topics such as redefining festivals to prioritize distinctive community interactions over mere lineups, delving into the core components that define a truly unique event.




20 Years of Armada Music: How to Stay Relevant



Discover the secrets to maintaining your relevance in a swiftly changing industry from Armin van Buuren and Maykel Piron, who are both co-founders of BEAT Music Fund, alongside Nadine van Bodegraven, who serves as COO.




Whether you're a well-experienced expert in the field or a rising star, this session offers valuable resources, tactics, and knowledge to safeguard and advance your career in the realm of dance music.





Predicting Hits: Human vs. Machine



In an era marked by the growing integration of Artificial Intelligence across various sectors, a fundamental query has emerged within the music domain: Is AI's ability to predict poised to transform the music landscape?




As we embark on an investigation into this prospective transformation in our field, we venture into the realm of Neuroforecasting, a convergence of neuroscience and artificial intelligence.




How Jayda G Inspires Climate Action



During this engaging Q&A session featuring Jayda G and Nicolas Brown, they delve into their upcoming documentary "Blue Carbon", a compelling call to action for the preservation of vital coastal ecosystems, aimed at enthusiasts of dance music and environmental advocates alike.




Fossil Free Festivals of the Future – Presented by Greener Power Solutions



How can festivals transition from relying on fossil fuels to embracing sustainable, future-proof energy sources? This panel aims to ignite the festival industry's imagination regarding the future of energy while exploring three exemplary approaches to renewable energy solutions.




Inside Cercle - Unveiling the Creative Process




Examining one of Cercle's recent projects showcasing the incredible Miss Monique, this panel uncovers the inner workings of their stunning productions, delving into the partnership between the artist and Cercle for their performance at the Biosphere Museum in Montreal.




The Art of A&R by Adam Beyer






The core essence of any remarkable record label lies in its A&R abilities, and Adam Beyer, the creator of Drumcode, will delve into this concept during his Creative Keynote at ADE Pro.




How Much is Music Worth: The Value Proposition in Streaming Economics






A study into the economics of music streaming, examining the prevailing trends and how artists can shape the future, while also considering the model's influence on the production, release, and promotion of records.





HE.SHE.THEY. - How To Create Positivity Out Of Frustration





This is a story of how founders Stephen and Sophia transformed their industry-related frustration into a worldwide concept, demonstrating that anyone can achieve the same.

ADE 2023: The Ultimate Guide to the Top 10 Conferences

The annual showcase of Amsterdam Dance Event returns to the Dutch capital next week for its most flavorsome and large-scale edition yet. From Wednesday 18 to Sunday 22 October the city will come alive with over 1000 events at 200+ venues, as well as 2,500+ artists migrating from every corner of the globe.

Aside from the incredible conferences, panels and workshops, the world-class parties are of course the foremost reason to attend. With so much to choose from, it's going to be almost impossible to squeeze in all of ADE’s incredible party offerings into your schedule, so we recommend you propose an itinerary to make the most out of your time in the Netherlands.

To save you some work, we've carefully selected ten events over the course of the five day affair that we think are parties not to be missed. From intimate boat parties on the canal, to sweaty warehouse raves with incredible line-ups, here we present to you Gray Areas chosen ones.

(For a full scope of events during ADE and to purchase tickets for these events, head to Resident Advisor. For more information about the history of the event, check out this article.)



Shelter Presents Boogeyman: Wednesday October 18, Shelter - 23:00 - 6.30am

The Martinez Brothers Cuttin’ Headz sub-label Boogeyman takeover at Shelter makes the cut as the first of our top ten. Taking place on night one, Wednesday October 18, of the five day extravaganza, this perfectly curated line-up radiates the Bros’ synonymous tech-house sound that will play out at one of the city's most iconic venues, Shelter.

From 23:00 to 6.30am the sounds of Jesse Calosso, A-Trak, Fleur Shore, Guti (live), AJ Christou, Jean Pierre and Nathan Alzon will penetrate the walls of the subterranean nightclub, setting the tone perfectly for what’s going to be one hell of a few days.

If you’re yet to experience a rave at the renowned nightlife institution that is Shelter, then this is the perfect opportunity to do so. Located in the underground of the landmark A'DAM Tower, its industrial setting is not only complemented by a fantastic sound system, but a 24/7 party permit also. Excited is an understatement.



Kaluki ADE - Thursday October 19, Bret - 12:00 - 23:00

Who doesn't love a day rave? Next up on our top 10 party roster is the one and only Kaluki. This incredible UK label/events brand that was formed in a grubby Manchester (UK) basement back in 2006, has transformed into an underground success story that works with both established and upcoming producers.

Thursday October 19, the coveted brand will take over one of Amsterdam’s most sought-after nightclubs, BRET with an incredible line-up. From midday to 23:00, Loco Dice, Richy Ahmed, East End Dubs, Rossi, Joey Daniel, Alisha b2b Wheats and Pirate Copy will all be spinning some sexy deep tech tunes in the vibrant spot.

This venue is said to be the life and soul of the city as it lights up the slightly gray corner of Sloterdijk with a much-needed splash of color with its bright red exterior. BRET is also a beer bar, restaurant and urban vineyard that regularly transforms its indoor and outdoor spaces for magical club nights.



Paradise X Loveland - Friday October 20, Mediahaven

Jamie Jones and the extended Paradise family return to Amsterdam for another ADE showdown together with the Loveland crew. This time, the party will go down at the mighty Mediahaven where three rooms of Paradise await.

Located in the center of Amsterdam in the Houthavens lies Mediahaven. The large-scale warehouse consists of three rooms that vary from a 12-meter-high ceiling to a basement with a grungier feel to it. And best of all, it has amazing acoustics with a state-of-the-art sound system.

This line-up is one not to be missed. In A-Z order, AMÉMÉ, Bontan, HoneyLuv, Hot Since 82, Jamie Jones b2b Loco Dice, Kolter, Mason Maynard, Richy Ahmed, Rossi, SYREETA and Toman will all take over the decks for this a rave to remember.



SW (Strafwerk) Presents Camelphat - Friday October 20, De Kromhouthal

With this one, we delve into the deeper, melodic depths of electronic music as Strafwerk presents Camelphat at De Kromhoutal. The impressive industrial venue of over 5000m2 has now been transformed into an event venue after decades of history as a manufacturing hall, perfect for music events of this kind.

From 23:00 to 7:00 the British duo powerhouse are back at it, straight off the back of their summer long residency at Pacha Ibiza, where they’ll be joined by Kölsch, Fideles, ARODES and Layla Benitez for a night to remember.

You know it’s going to be a good one when Straf Werk is involved.



Music On X Loveland - Saturday October 21, Mediahaven

Saturday is the pinnacle night of the whole five-day event. It’s by far the busiest day in the ADE calendar, but for us, this super magical line-up stood out from the crowd.

Bringing to you another event from one of the top promoters in the game, Loveland. Founded in 1995 by Marnix Bal, Loveland is today one of the leading event organizations in the world, headquartered in Amsterdam.


This time the imprint will be working with Marco Carola and his world-renowned Music On party. The Italian adonis will be joined Saturday October 21 at Mediahaven by a host of his Music On entourage including (A-Z) Ale De Tuglie, Archie Hamilton, BLOND:ISH, Calvin Clarke, Chelina Manuhutu, Jean Pierre, Cuartero, Joey Daniel, Mahony, Maqossa, Marco Carola, Paco Osuna and Wade.

From 23:00 to 7:00, get involved and immerse yourself in the Music On madness at Mediahaven.



Franky Wah Presents SHEN ADE Boat Party - Saturday October 21, Watt Events Boat Party

In true Amsterdam style, your trip to the Netherlands wouldn't be complete without a boat party on one of their picturesque canals. Saturday October 21, Franky Wah takes his progressive and emotive SHÉN imprint afloat, embarking on a sonic and spiritual awakening.

Wah will be joined by his day one musical luminary Sasha and rising star KALISMÃ. Expect a broad pallet of music which takes influence from a range of genres including trance, breakbeat, house, techno from 21:00 to 3:00. Wah’s sonic identity is one that sits at the apex of what modern dance music is all about: diversity, unity and a progressive outlook. This is going to be special.



VBX, ADE - Friday October 20, The Loft And Saturday October 21, BRET

From one iconic venue to the next, the VBX crew go in with a double whammy as they take over The Loft on Friday October 20 as well as BRET on Saturday 21.

For those real underground, authentic Amsterdam vibes, you can ensure the VBX music collective will bring you just that. Embracing the minimal tech and house sounds, the brand runners Jasper and Maurits know their way around the city's music scene like the back of their hand, and are known to throw a killer party. The pair state that it boils down to just one simple thing: the groove.

Starting off at The Loft on Friday from 15:00 to 22:00, Mandar, Laurine, Junki Inoue, Alexia Glensy, Alex Dima will all take to the 16th floor of Amsterdam Noord’s iconic A’DAM Tower, The Loft. The exclusive penthouse boasts towering windows that indulge its patrons in a breathtaking panoramic view across the city. It's known for intimate sunrise and sunset parties, which go strictly by the musical guidance of some of electronic music’s greatest.

On Saturday VBX will then take over BRET for a 12 hour stint of B2B music brought to you by Quest, Julian Anthony, Gene On Earth, Gabbs, Frank Haag, E.LIN and Annyrock. Your chance to get to know some artists that you may not be familiar with, but will for sure leave a musical memory etched into your brain.



Fuse ADE 2023, Saturday October 21, De Kromhouthal

Saturday October 21, London-based event brand and record label FUSE returns to Amsterdam for its biggest ADE showcase to date. The brands founder Enzo Siragusa will be joined by some of minimals finest including Apollonia, Raresh, Traumer, Rossi, Sweely & Alexia Glensy at the 3000 capacity industrial space De Kromhouthal.



Joy X Locus ADE - Sunday October 22, Het Sieraad

Joy, one of Hollands most in demand house brands, invites Locus London for a special ADE takeover at Het Sieraad. Once a jewelry factory, Het Sieraad has transformed into a pulsating electronic music haven, hosting a diverse array of techno, house, and urban parties in the heart of Amsterdam. Drawing over 470,000 visitors every year, this venue is alive with excitement and energy.

LOCUS is a brand new record label brought to you from the team behind FUSE London. The ethos behind LOCUS is to explore all shades of house music, with the dance floor at the forefront of the imprint's thinking.

Oden & Fatzo, Rich NxT, Up The Stuss’ latest sensation Locklead, Lauren Lo Sung, Julian Anthony, De Sluwe Vos, ADMNTi, Boss Priester will all play at Het Sieraad that is steeped in history. Only in Amsterdam, can you party in venues with such quirky narratives.



Deeperfect x Guerrilla ADE 2023 - Sunday October 22, Koepelkerk

Deeperfect is a signature label for the minimal/deep tech and tech-house genres founded by Stefano Noferini. After receiving the DJ awards for best label in 2019, the appreciation for Deeperfect has only grown worldwide.



Together with the Amsterdam based organization Guerilla, the innovative pairing will take you to church this year at the Koepelkerk on Sunday October 22. The unique 17th century domed monument features nearly 1,000 square meters of flexible event space, with a sweeping 450 square meters Koepelroom, complete with Bätz organ and domed ceiling.

This Sunday is not for resting, as the line-up is filled to the brim with both upcoming names in house music and some established playing alongside the founder, Stefano Noferini. (A-Z) Bassel Darwish, Daniel Orpi, Joe Vanditti, Manu Gonzalez, Rayzir, Rendher, Vidaloca, wAFF and Yaya will all gather to repent for their sins in this breathtaking venue. What a way to round off an incredible week.

Gray Area’s Top 10 Parties of ADE

Last week was a whirlwind of amazing closing parties, but it’s not quite over yet!

We’ve got less than a handful of parties to go before the official end of the season, so here’s our roundup for you to dig your teeth into.

Will we see you on the island this weekend?

Music On Closing Party | Pacha Ibiza | Friday, October 13

Marco Carola is preparing for a final fiesta at Pacha Ibiza on Friday, October 13. Alongside Carola, techno legend Paco Osuna, and the incredible Cloonee will bring a mix of techno and tech house to the island’s oldest super club.

Since its inception in 2012, Music On has become an integral part of Ibiza's nightlife, with Pacha providing a fitting venue for its underground vibe since 2019. This closing party not only celebrates the end of the Music On parties for 2023, but also showcases the enduring appeal and evolution of the electronic music scene led by seasoned artists.

Online tickets are sold out, so make sure to get down there early to secure entry at the door.

Don’t miss out on the final Music On of the season.

Follow Marco Carola on Facebook | Instagram | Soundcloud

Amnesia Ibiza Closing Party | Saturday, October 14

Ending the summer on a high note, Amnesia’s closing party lineup features some incredible talent from the techno and house scene, including Charlotte de Witte, Deborah De Luca, Danny Howard, Jamie Jones, Joseph Capriati, and Nina Kraviz among others, across both the Main Room and the Terrace.

The party celebrates a mammoth season for the iconic Amnesia, who this year collaborated with world-renowned brands like Paradise and Elrow, each bringing a unique essence to the season's events.

Get your tickets to the closing parties of closing parties.

Follow Amnesia Ibiza on Facebook | Instagram

Solomun +1 Closing Party | Pacha Ibiza | Sunday, October 15

Not only does this closing party mark the end of the Solomun +1 residency in 2023, but it is also the final event of Pacha Ibiza’s 50th anniversary year.

Flor the closing Solomun and his guest Dixon will be gracing the decks, showcasing the very best in techno music.

The duo will start with solo sets, eventually merging into a back-to-back set, a tradition that has become the hallmark of Solomun +1 nights.

Don’t miss out - this will be one for the memory books!

Get there early to secure a ticket.

Follow Solomun on Spotify | Instagram

UNA MÂS | Club Chinois Ibiza | Monday, October 16

Throughout October, Club Chinois is inviting outdoor promotors the opportunity to have a branded night in their opulent club. 

On Monday, October 16, Ben Klock, Fell Reis, Marina George, Tony Castello, Sarahrey, and Fabrice will be giving us one more chance to have a dance on closing party weekend.

The question is, can you handle one more party?

Book your tickets to this one-off party.

Follow Ben Klock on Facebook | Instagram | Spotify

If you are lucky enough to be on the island for another couple of weeks, there are still some great parties to attend.

Club Chinois is hosting a 2-party closing party for Trip, on October 28 and November 4, featuring Apollonia, Ricardo Villalobos, and Sonja Moonear among others, as well as their Halloween party named ‘Shadows’ on October 31.

Playa Soleil also have a Halloween bash on October 31, with Rock Nights in charge for the evening.

Akasha Ibiza are starting their winter series of events, including Burning Man fundraisers, Summarians, and Ethereal. The vibe at Las Dalias is unmatched, so make sure to head there if you’re on the island in the off-season.

And that’s it! It’s been an absolute pleasure to highlight the very best in parties across the island this summer, and we cannot wait to do it all again next year.

See you in approximately 197 days!

This Week in Ibiza (Oct 13 - Oct 16)

In 1996, nestled within Amsterdam's vibrant landscape, a new chapter in electronic music was being written: the inception of the Amsterdam Dance Event (ADE). This initial event wasn't the large-scale festival we recognize today but a more intimate gathering focused on the business side of the Dutch music industry. Hosted in a single hotel on the Vijzelgracht, ADE began as a platform for industry insiders to connect and share.

Founded by former Director Richard Zijlma, who is now the head of Conservatorium Haarlem, and the Buma/Stemra Foundation, ADE was developed to champion the rights of composers, lyricists, and music producers across the Netherlands. The collaboration's strength and vision for ADE were evident from its early success. 

By its second iteration in 1997, the event had expanded to De Balie for its daytime conferences. By night, 30 DJs provided the soundtrack for attendees at Amsterdam's iconic venues: Paradiso, Escape, and Melkweg.

But ADE was never just about music; it aimed to capture the ethos of dance culture from its earliest days. Dance music has its roots in underground movements and served as an anthem for protests against mainstream norms and as a celebration of diverse cultures, notably black, queer, and trans communities. ADE sought to amplify these roots, providing a voice to the often voiceless in the world of electronic music.

The conference element of ADE has always been its backbone. It serves as a global meeting point for the electronic music industry. The event's reach expanded dramatically, drawing attendees from all aspects of music production, from DJs and producers to brand managers.

Over the years, Amsterdam's DeLaMar Theatre became a primary venue for these interactions, hosting myriad conferences, lectures, and workshops.

As the years went by, the Amsterdam Dance Event Foundation took the reins in 2018, overseeing the festival's growth into an even larger entity. From its singular venue in 1996, ADE exploded to feature over 1,000 events across nearly 200 venues by this time. Such expansion bore witness to ADE's evolution from a local industry event to a global phenomenon in electronic music.

Each ADE also brings the unveiling of the DJ MAG Top 100, a ranking initiated in the '90s. With votes from around 350,000 fans annually, this list has seen legends like Tiësto, Armin van Buuren, and David Guetta rise to the top, emphasizing ADE's central role in the dance music arena.

In summary, the Amsterdam Dance Event's history is a journey of passion, vision, and continuous growth. From its modest beginnings to its present-day stature, ADE remains a pivotal moment on the electronic music calendar, reflecting the genre's evolution and the city of Amsterdam's enduring commitment to the arts.

Echoes from the Canals: The Rise of ADE

Who’s ready for a big weekend of closing parties in Ibiza?

The buzz on the island is unmistakable, we are at peak closings and the crowd on the island is here for just one thing - the clubs, the music, and that iconic Ibiza vibe!

There are so many events to choose from, so we’ve put together a selection of the very best for you to enjoy this weekend.

Music On | Pacha Ibiza | Friday, October 6

The penultimate party is upon us! This Friday, Pacha Ibiza is set to host the penultimate Music On party of the summer season, with Marco Carola of course, filled with techno and house music.

Alongside Carola, talented DJs Wade and Chelina Manuhutu will take the stage, keeping the energy high from midnight until the early morning hours.

Known for its dedicated fanbase and being a staple Friday night event, Music On at Pacha has carved out its reputation as a prime destination for underground music enthusiasts on the White Isle. You’ve simply got to be there.

Online tickets sold out. Some will be available on the door.

Follow Marco Carola on Facebook | Instagram | Soundcloud

The Vortex | Ushuaïa and Hï Ibiza Closing Party | Saturday, October 7

If you’re on the island this weekend, you’re probably not going to stop hearing about The Vortex. 

Playa d’en Bossa giants Ushuaïa and Hï Ibiza have joined forces for a mammoth closing party double-header, very much like they did for their opening fiesta back in May.

Kicking off at 1pm, the likes of Peggy Gou and Bicep will headline the al-fresco portion of the party. 

Then, when nighttime falls, Hï Ibiza will open its doors and we’ll be partying all the way through to sunrise and beyond.

This is going to be one for the books!

One last chance for tickets.

Follow Ushuaïa Ibiza on Facebook | Instagram

Follow Hï Ibiza on Facebook | Instagram

WooMooN Closing Party | Cova Santa Ibiza | Sunday, October 8

WooMooN closing takes place on Sunday and is the last date of Cova Santa’s summer season.

If you haven’t had the pleasure of experiencing WooMooN yet; it’s a unique blend of music, art, healing, and fun, with live performances, interactive areas, and even a market with local crafts.

It’s the perfect day-to-night party. Top tip: make sure you’re there for golden hour because the place really transforms at sunset.

The party starts outside at 5pm and transitions down to the club from midnight until 5am.

Don’t miss out, get your tickets for the final event at Cova Santa.

Follow Bora Uzer on Facebook | Instagram | Spotify

Circoloco Closing Party | DC-10 Ibiza | Monday, October 9

It’s one of the biggest closing parties of the season, and it’s right around the corner.

The Circoloco closing party at DC-10 has, quite frankly, an incredible lineup, including the likes of Seth Troxler, Tania Vulcano, Adriatique, ANOTR, Bedouin and so many more!

Kicking off at 6pm, there’s a 12-hour stomping session ready and raring to go. 

Plus, new for 2023, Circoloco have launched an event on Tuesday, October 10, named ‘The Day After’. No lineup has been released as yet, but it will run from 9pm - 5am. We just know that this is going to be epic.

Get your tickets and celebrate with Circoloco.

Follow Circoloco on Facebook | Instagram | Soundcloud

Moon Harbour | Club Chinois Ibiza | Tuesday, October 10

The head honcho of Moon Harbour returns to Ibiza on Tuesday, October 10, for a night of strong underground vibes at Club Chinois. 

Matthias Tanzmann will be playing B2B with Davide Squillace, both supported by Milou. 

It’s the 2nd in the series of late-season parties by the Marina Botafoch club, and if Moon Harbour’s pre-season showcase was anything to go by, this is an unmissable event.

Purchase tickets and experience Club Chinois.

Follow Matthias Tanzmann on Facebook | Instagram | Spotify

The Ritual with Anané & Louie Vega Closing Party | Club Chinois Ibiza | Wednesday, October 11

The Ritual is a unique event curated by the celebrated musical duo Anané and Louie Vega, where genres are blended and a fusion of music, culture, and spirituality brings all kinds of people together on the dance floor.

The closing party is taking place on Wednesday, October 11, and Anané and Louie will be joined by some special guests who are yet to be announced.

Get your tickets to this mid-week closing.

Follow Louie Vega on Spotify | Facebook | Instagram

This Week in Ibiza (Oct 6 - Oct 12)

We're definitely feeling the shift in energy on the island as we dive deeper into the closing party season! There's excitement in the air, happy faces all around and and the clubbing calendar is looking busier than ever!

We’ve cherry-picked the best of the best for the next 7 days, so let’s get down to business with our selections:

Defected Closing Party | Eden Ibiza | Friday, September 29

21 parties have passed and we are left with just one more chance to enjoy the ‘back-to-basics’ parties by Defected at Eden Ibiza. 

Low Steppa, Hannah Wants, Darius Syrossian, Monki, and Sam Divine will all be taking to the decks - Defected regulars we all know and love.

There’ll be a queue around the block for this one so make sure to get your tickets and get down there early.

Remember, “It’s all about House!”. No frills, good vibes, and a pure house music policy.

Finish the season strong at Defected. Get your tickets.

Follow Low Steppa on Facebook | Instagram | Spotify

Elrow Closing Party | Amnesia Ibiza | Saturday, September 30

Are you ready to Dance With The Serpent?

The closing party brings a brand new theme from Barcelona-born elrow - which is a collaboration with Austrian artist Nychos. From what we can tell, it looks like it’s going to be an incredible explosion of color, slithering serpents, and, as always, incredible confetti explosions and inflatable drops.

Topping the bill is Adam Beyer, and joining him on the Terrace are Joris Voorn, Sarah Story, Bastian Bux, and Toni Varga, promising a night of tech-house fun. Ilario Alicante will be playing in Elrow City (the Main Room) all night long.

One last chance to enjoy elrow in Ibiza in 2023.

Follow Adam Beyer on Facebook | Instagram | Spotify

Pyramid | Amnesia Ibiza | Sunday, October 1

There couldn’t be a better way to end your weekend than witnessing The Chemical Brothers at Amnesia. Just like last year, the duo is back for a one-off performance for the home-grown party Pyramid, and we’re even getting one more hour of fun as, for this Sunday only, the doors open at 10pm.

The Chemical Brothers will be joined by Eats Everything and Marco Faraone on the Terraza, while Kobosil, Fatima Hajji, and Reinier Zonneveld (live) make up the roster in the Main Room. 

It’s going to be a busy one!

Don’t miss out, get your tickets before they disappear.

Follow The Chemical Brothers on Facebook | Instagram | Spotify

D4 D4NCE Closing Party | O Beach Ibiza | Monday, October 2

There’s nothing better than a Monday in Ibiza. 

Your social media feed may be full of people getting ‘back to the grind’ but we’ve got a better option for you. 

Defected-owned D4 D4NCE is having its closing party at the iconic O Beach Ibiza, headlined by none other than house music legend Roger Sanchez. 

It’s a day-to-night party full of feel-good vibes, high energy, and, of course, the famous O Beach performers.

Get your tickets or VIP beds here.

Follow Roger Sanchez on Facebook | Instagram | Spotify

Camelphat Closing Party | Pacha Ibiza | Tuesday, October 2

Camelphat’s first-year residency at Pacha comes to a close on Tuesday, so make sure to get down there if you haven’t had a chance to yet this season.

Joining the Grammy-nominated duo for the final hurrah are electronic music maestros Stephan Bodzin, who’ll be treating us to a live set, and Mita Gami, a rising star with a unique sound that the island has loved this summer.

Pacha’s 50th anniversary celebrations this year have echoed through all the residencies, and this closing party will be very much the same.

Purchase tickets to this epic closing party.

Follow Camelphat on Facebook | Instagram | Spotify

Paradise Closing Party | Amnesia Ibiza | Wednesday, October 3

The Paradise closing party at Amnesia is going to be an unforgettable end to a strong summer series of events.

Jamie Jones, the mastermind behind the event brand, will be joined by techno and tech-house icons Joseph Capriati and Hot Since 82, as well as the incredible Marshall Jefferson and Wheats on the Terrace. 

Ilario Alicante, Richy Ahmed, William Djoko, Alisha, and Dateless will all be bringing their sound to the Main Room.

This season's Paradise parties, celebrating a decade of Jamie Jones’ label, Hot Creations, have been the talk of Ibiza, and this grand finale is going to be one for the books.

Buy tickets to Paradise and get ready to party.

Follow Jamie Jones on Facebook | Instagram | Spotify

Tale of Us present Afterlife Closing Party | Day and Night | Ushuaïa and Hï Ibiza | Thursday, October 5

If there’s one thing that Playa d’en Bossa has going for it, it’s the fact that Ushuaïa and Hï Ibiza have absolutely mastered the double-header opening and closing parties.

Techno label Afterlife is bringing an epic day-to-night fiesta to Ibiza, full to the brim with some of the best DJs and producers from around the world today. Legendary doesn’t quite cover it.

Buy tickets to this sell-out event before they all go.

Follow Tale of Us on Facebook | Instagram | Spotify

This Week in Ibiza (Sept 29 - Oct 5)

Closing parties are well and truly upon us, so it’s been difficult to choose just one party per day for our weekly round-up. 

But we’ve done our best to choose the best, so let’s waste no time and dive right into ‘This Week in Ibiza:


Defected | Eden Ibiza | Friday, September 22

San Antonio’s number one party is back this Friday with their penultimate event of the summer. 

Defected is pulling out all the stops with this week’s lineup which includes DJ EZ, Idris Elba, Amine Edge & DANCE, Groove Armada, David Penn, and a B2B set between Rio Tashan and Paige Tomlinson.

There’ll be queues out the door so make sure you get down there early and experience the party that’s all about house.

Start your weekend right, get your tickets now.

Follow DZ EZ on Facebook | Instagram | Spotify

Black Coffee | Hï Ibiza | Saturday, September 23

A couple of weeks ago, Black Coffee was a special guest at Afterlife. 

Now, Saturday is the date when that favor gets returned. Tale of Us join the weekend party as special guests in the Theatre alongside Trancemicsoul, with Anthony Middleton and Airrica joining Damian Lazarus in the Club Room.

Expect afro beats, beautiful decor, stunning visuals, and a crowd that are definitely making the most of the weekend in Ibiza.

Get your ticket to Black Coffee’s penultimate party of the season.

Follow Black Coffee on Twitter | Instagram | Spotify

Solomun +1 | Pacha Ibiza | Sunday, September 24

Following his yearly free party in the port of Ibiza on Wednesday 20th, Solomun heads back to Pacha Ibiza on Sunday to continue his +1 residency. 

With 4 weeks still remaining, you’ve still got time to enjoy the Diynamic label boss’ night, but you don’t want to miss out on this week’s special guest, DJ duo Âme.

With the +1 guest getting an equal amount of time to shine, it’s the perfect opportunity to enjoy elongated sets full of deep, melodic sounds.

Get tickets and experience Sunday vibes on the island.

Follow Solomun on Facebook | Instagram | Spotify

Amnesia Presents Closing Party | Amnesia Ibiza | Monday, September 25

House music’s best DJs, producers, and selectors are back for one final party at the iconic Amnesia Ibiza on September 25 for Amnesia Presents. 

From 11pm to 6am, you’ll be able to enjoy the perfect blend of feel-good house music, iconic anthems, and fresh tracks from Greta Levska, Danny Howard, Sonny Fodera, and Gorgon City.

Get your tickets to this Monday night party.

Follow Gorgon City on Facebook | Instagram | Spotify

The Martinez Brothers | Hï Ibiza | Tuesday, September 26

It’s a special Tuesday at Hï Ibiza, as The Martinez Brothers go back to back with Hot Creations label boss Jamie Jones. 

With only a couple more parties left in their summer residency, The Martinez Brothers are pulling out all the stops, bringing in Mason Collection and Salomé Le Chat to the Theatre. 

Veteran techno DJ, Paco Osuna will be holding the fort in the Club Room as always, supported this week by Melanie Ribbe and Fer BR.

Get your tickets to see a special B2B at the world’s number-one club.

Follow The Martinez Brothers on Facebook | Instagram | Spotify

El Cielo Closing Party | 528 Ibiza | Wednesday, September 27

In celebration of Pacha Ibiza's 50th anniversary, the iconic club partnered with 528 Ibiza for a series of five outdoor parties, dubbed El Cielo. 

The closing party, scheduled for Wednesday 27 September, will be headlined by the rapidly rising Amsterdam-based duo ANOTR and their label No Art. 

This is a unique event not to be missed, marking a fitting end to the El Cielo series and hinting at more to come in 2024.

Get your tickets to this unforgettable al fresco party.

Follow ANOTR on Facebook | Instagram | Spotify

Sven Väth presents Catharsis Closing Party | Akasha Ibiza | Thursday, September 28

Finally, join us for the grand finale at Akasha Ibiza as legendary German DJ, Sven Väth, delivers the last chapter of his sell-out event series, Catharsis. 

Starting at 7pm in the garden of Las Dalias before transitioning to Akasha's intimate indoor vibes, you’ve got one more chance to immerse yourself in Väth's iconic sets which span genres and decades.

Don’t miss out - get your tickets.

Follow Sven Väth on Facebook | Instagram | Spotify

This Week in Ibiza (Sept 22 - Sept 28)

If you’re heading to Ibiza this weekend, you are in for a treat!

The island’s energy is at an all-time high, the parties are still in full swing and we are gearing up for an incredible end to an iconic season on the White Isle.

But, before the big closings roll around, we’ve got a selection of parties over the next 7 days that you shouldn’t miss out on.

Let’s dive in.

Music On | Pacha Ibiza | Friday, September 15

We’re kicking off the weekend with the 19th Music On of the season. And if the past few weeks are anything to go by, you are going to want to snap up tickets quickly. 

Marco Carola’s Friday night stomp session has sold out online for at least the past month - but not to worry - some tickets will be available on the door if you don’t manage to get them online.

On Friday, September 15, Carola will be joined by Swiss DJ and Music On alumni Andrea Oliva as well as Italian DJ and producer Ale De Tuglie, who has toured with Marco Carola throughout 2021 and 2022.

Start your weekend right, get your tickets now.

Follow Marco Carola on Facebook | Instagram | Spotify


ANTS | Ushuaïa Ibiza | Saturday, September 16

10 years in and ANTS is showing no signs of slowing down. Since the party first hit the White Isle in 2013, it’s become one of the best underground events on the island. It’s popular with the workers on the island, as well as holiday-makers, every week filled with an up-for-it crowd.

This Saturday is headlined by Paul Kalkbrenner, who will be treating us to a live set. Completing the lineup are Ushuaïa resident Raul Rodriguez, Maze & Masters, Maya Jane Coles, and a B2B set from Kölsch and Joris Voorn. Get there early to enjoy the intimate sets at the back of the club before the main stage opens.

Get your ticket and join the colony.

Follow Paul Kalkbrenner on Facebook | Instagram | Spotify



Franky Wah presents SHÉN Ibiza | Club Chinois | Sunday, September 17

Franky Wah has been making waves in the music scene as one of the most talented DJs and producers to appear in recent years, and he is set to light up Club Chinois once again this Sunday, joined by Cristoph, Made By Pete, and Artche.

Franky has certainly made a mark in his first Ibiza residency, not only wowing crowds week in, week out, with his ability to command the dance floor and keep the energy high, but also by the calibre of guest DJs on the lineups.

The music, decor, and visuals blend seamlessly with Franky’s vision for the SHÉN series, pulling together his Chinese heritage, ethos, and sound.

Get tickets and experience clubbing luxury.

Follow Franky Wah on Facebook | Instagram | Spotify



Funky Aura Ibiza | Akasha Ibiza | Monday, September 18

Funky Aura is back on Monday, September 18, at Akasha Ibiza with none other than Grammy Award-winning producer David Morales alongside island favorite, Willie Graff.

It’s a night where you can relive the magic of Ibiza's past, when there were no phones, no VIP, and no worries! Funky Aura celebrates the island's authentic and creative spirit that's often overshadowed by commercialization, exactly how it was back in the early 2010s when the original Aura club was in full swing.

Formerly a celebrity hotspot, the original club attracted the likes of James Blunt, Cara Delevingne, and Charlotte Tilbury, and now, after a decade of closure, it finds a fresh home at Akasha.

Get your tickets to this Monday night party and extend your weekend.

Follow David Morales on Facebook | Instagram | Spotify


Camelphat | Pacha Ibiza | Tuesday, September 19

Liverpudlian DJ duo Camelphat are heading into the last few weeks of their first summer residency at Pacha Ibiza on September 19, an event series that has proven to be incredibly popular throughout 2023.

For this installment, German producer and composer Henrik Schwarz will be treating us to a live set at the island’s oldest superclub, with Italian DJ and producer Ivory rounding up the lineup.

Get your tickets for Camelphat at Pacha.

Follow Camelphat on Facebook | Instagram | Spotify


FISHER | Hï Ibiza | Wednesday, September 20

We love it when things come full circle in Ibiza. After co-headlining the incredible Bodyworks residency at Hï Ibiza in 2019, FISHER and Solardo are coming back together in 2023 at the very same spot. The Theatre will also experience incredible sonic selections from Lauren Lo Sung.

Meanwhile, in the Club Room, Beltran, Jackson, Yotto and Vintage Culture will be proving the beats - the latter 2 in a B2B set.

It’s the penultimate FISHER party of the season, make sure to get down there.

Get your tickets to this midweek masterpiece.

Follow FISHER on Facebook | Instagram | Spotify


All Day I Dream Closing Party | Cova Santa Ibiza | Thursday, September 21

On September 21, Lee Burridge's All Day I Dream of Ibiza Magic will take over the enchanting Cova Santa Ibiza for its 2023 closing party, blending dreamy tunes with the island's magical energy from 7pm until the early hours.

Cova Santa always creates a mesmerizing experience, and ADID is no exception. Complete with flowing drapes, lanterns, and melodic house music, the closing party will capture the essence of Ibiza alongside Burridge's signature sounds.

Don’t miss out - get your tickets.

Follow Lee Burridge on Facebook | Instagram | Spotify

This Week in Ibiza (Sept 15 - Sept 21)

From the hustle and bustle of New York City to the grandeur of the Grammy stage, CID has carved a unique path in the music industry. Once an accounting student, CID's passion for the art of sound led him away from the ledgers and into the studio. Despite the potential comforts his educational background might have provided, CID ventured into uncharted waters, making history by remixing Lana Del Rey's "Summertime Sadness" to Grammy-winning acclaim. But his journey didn’t stop there. 

His transition from producing for others to establishing his unmistakable sound has been both stirring and brilliant. CID’s ability to turn any song into a club anthem showcases his innate talent, and his continuous evolution promises that the best is yet to come. His venture, Night Service Only, demonstrates his oath to spotlight emerging talent, further solidifying his reputation as not just a master producer, but as an industry vanguard. Dive deeper into the world of CID, as we explore his musical journey, the influences that have shaped him, and his vision for the future.

How has your musical journey evolved since your Grammy win in 2014?

That was a real turning point for me as an artist. At the time I was producing mostly for other people, and still not very confident in myself as a producer. After winning the Grammy, I said to myself, ‘Okay, I’m good enough, and I’m going to make it back to the Grammys.’ I was able to do just that in 2017 for my remix of LSD (Labrinth, Sia, Diplo) - “Audio”. 

Being a good producer is only part of the puzzle. Trying to find yourself as an artist is a lot harder. Early on I had a lot of success producing specific styles for other people, but when I made it for myself even though it was just as good, it just didn't have the same impact. It took me a few years of trying different stuff to finally figure out the sound I wanted to make and play live in my DJ sets. 

How do you think your academic background has influenced your approach to your music career?

Specifically, from an academic point of view, I don't think my degree in accounting has helped my career much haha. I did it mostly because as a first-generation American, it was important to my parents for me and my brothers to get our degrees. I don’t regret it, and in the back of my head having something to fall back on alleviated some stress early on in my journey.

Could you elaborate on the current projects that you're working on?

I’m always making new music and have some exciting tracks I’ve been teasing out. My focus is still club tracks, but I’ve got a few that are a bit more vocal-driven coming soon, that I’m excited about. Other than that, I’ve been really focused on growing my label Night Service Only. There are so many amazing producers out there, and I feel like I’ve finally gotten myself, and the label to a point where I can give artists a real platform for their music!

Since founding Night Service Only, what has been the most rewarding aspect of running your own label? What has been the most challenging?

The most rewarding is discovering someone who might be a smaller artist, giving them a platform, and watching them grow. The most challenging is for sure the time it takes to really run a label and handle all the admin things that come along with it. Luckily now I’ve hired someone to handle some admin stuff and that lets me focus more on the A&R side, listening and signing the music.

What advice would you give to aspiring house artists?

I tell everyone who's starting out to BE PATIENT and not rush into things. Perfect your craft, find something in your sound that makes you stand out from everyone else. When I was starting to get noticed, there weren't as many producers as there are today and it wasn't as easy to make things sound good. At the time, that’s what helped me stand out.



But now, everyone has figured out how to make it sound good from a technical point, so the actual idea is way more important. I listen to hundreds of demos and music for my radio show every week, and the number of tracks that follow the same formula and jump on the next trend quickly is crazy. They all start to sound the same. BE UNIQUE BE DIFFERENT, but also make sure there’s an audience for it and a group of bigger DJs who can champion your music and play it in their sets.

How has your Spanish heritage and the diverse musical influences of your upbringing continued to shape your music style?

I grew up engulfed in Spanish culture. I spent my childhood going to Spain every summer, and that opened me up early to what was happening in Europe musically. I think the best example of how it directly shaped my music came later in life haha. There’s this chant drinking song my friends and I would sing during fiestas in our town.

It goes ‘alcohol, alcohol, alcohol, alcohol, alcohol, hemos venido a emborracharnos el resultado nos da igual.’ During the pandemic, I missed my friends in Spain and thought they would get a kick out of it if I sampled that melody for a track. That turned into my track “Carnaval De Paris” which came out on Fisher’s label.

I had no idea that it was a song that was chanted at futbol games in every country in Europe, and seeing the reactions and people singing to the melody in so many different languages was really special.

Could you talk about your creative process when it comes to producing a new track? Has it changed over the years?

As the touring and DJing has gotten busier, being able to stay focused in the studio has gotten harder. There is a lot of pressure to consistently deliver great music, but I always try to remember why I started doing this in the first part, and to just have fun in the studio while I'm making music. If it's something that I'm genuinely excited about, that usually shows when I’m playing it out and usually has a better chance of resonating with other people. 

My focus the last couple of years has been ‘Is this something I will want to play in my live sets?’ As a producer, you sit in a room alone for countless hours, trying to stay confident in an idea, but also doubting if people are going to like it. There's no better feeling than playing an idea out for the first time and seeing the crowd reacting to it.

What was the most memorable moment for you during a live set?

There have been a lot of amazing moments over the years. Do Lab at Coachella last year was really special. Knowing how many amazing artists were playing at the festival at the same time, and seeing that stage fill up for my set gave me goosebumps.

Can you tell us a memorable moment you have shared with a fan?

It’s always special to show up at a set and see a fan out in the crowd who took the time to make a totem, banner, or bracelet specific to me. I played Electric Forest earlier this summer and did a set at the Honeycomb stage which had a 360 DJ booth, and the whole set people kept handing me bracelets and pins and it was amazing! Also, to the fans who made and gifted me a pin with my dog Quincy’s face on it haha..I was blown away.

Are there any artists, producers, or industry figures who have significantly influenced your career in recent years?

I’ve been lucky to get the support of a lot of big DJs over the years. Kaskade really gave me my first shot and opened the doors for me to stand on my own two feet as a touring DJ. More recently I would have to say, Lee Foss. I made a conscious effort to focus on a clubbier house/tech house sound in 2019. Lee really gave me a platform to showcase my music on Repopulate Mars which really helped things grow for me post-pandemic.

How do you approach collaborations with other artists? Are there any dream collaborations on your list?

I think collaborations are a great way to grow and not only open yourself up to new fans, but also push yourself and learn new things in the studio. The key for me has always been. If I am the smaller artist trying to get a collab with a bigger artist, first, having some kind of relationship with them (even if it’s just over DM’s) makes things easier and more personal.

Also, if you are the smaller artist, make sure you are coming up with a great idea that they will get excited about. On the flip side, if I am collaborating with a smaller artist, I am looking for a standout idea that I can build off and help make better. As far as dream collaborations, I would love to get in the studio with Jamie Jones. He’s been my favorite DJ for a long time, and he just has an incredible ear for music as a DJ, producer, and A&R.

Outside of music, what are your passions or hobbies?

This is always a hard one to answer! Music has been my main passion my entire life, I was just one of the lucky ones able to make a career out of it. It's tough to have a balanced life outside of music, but I really enjoy spending time with friends, loved ones, and my dog Quincy when I am home. When I have the time, I am an avid gamer. There’s still nothing like it to really get my mind off things and the chaos going on around me haha.

What's the strangest or funniest thing you've seen a crowd do while you're on stage?

What happens at a CID show stays there haha. There's definitely been some outrageous things that happen at shows. Sometimes it's the crowd, sometimes I drink more than I should and I'm the culprit haha.

Imagine you're in a high-speed car chase. What track are you blasting in the car to fuel the adrenaline rush?

I’d probably crank Firestarter by The Prodigy.

If you had to create a dance track inspired by your favorite food, what would the track be called and what kind of vibes would it have?

Well, my favorite food is Pulpo a la Gallega which is octopus. So, it would probably have to have a summer vibe and be super vibey.

If your favorite sports team was heading into a championship game and they asked you to write their hype-up song, what would it sound like?

Well, I guess I kind of already did! My favorite team is Deportivo de la Coruña. Even though they are terrible now haha, but I would love to see the crowd getting pumped up to “Carnaval De Paris.”

Beyond the Grammy: How CID Swapped Spreadsheets for CDJ’s

Another week - another incredible list of parties for you to head to while you're in Ibiza.

We've whittled our choices down to the very best over the next 7 days, so read on to find out the creme-de-la-creme of Ibiza events this coming week.

HE.SHE.THEY Closing Party | Amnesia Ibiza | Friday, September 8

Inclusive party and record label, HE.SHE.THEY is back for one final party at Amnesia Ibiza on Friday, September 8, with an epic list of DJs providing the soundtrack. You’ll be treated to a B2B set from Felix da Housecat and HoneyLuv, alongside solo sets from Heidi, Horse Meat Disco, and Maze & Masters.

Designed for everyone, irrespective of gender, race, or sexuality, HE.SHE.THEY. offers one of the most inclusive parties on the island. So, dress up or down, experiment, and get ready for a fun-filled night.

Get your tickets for this incredible party.

Follow Felix da Housecat on Facebook | Instagram | Spotify

Black Coffee | Hï Ibiza | Saturday, September 9

Black Coffee is back for week 16 of his summer residency at Hï Ibiza, bringing with him Marco Carola and Ms. Mada to The Theatre. As always, Crosstown Rebels founder, Damian Lazarus will be hosting the Club Room, joined this week by Dennis Cruz and Francesca Lombardo.

It’s the most popular Saturday night party on the island, where you can expect afro beats, captivating visuals, and an atmosphere that can only be described as electric.

Black Coffee was Hï’s first resident DJ in 2017, and we can’t see him leaving anytime soon.

Discover Hï Ibiza - buy your ticket now.

Follow Black Coffee on Twitter | Instagram | Spotify

Solomun +1 | Pacha Ibiza | Sunday, September 10

The concept is simple. Solomun plus one special guest at Pacha Ibiza each and every Sunday. And this Sunday is no exception. The Bosnian-German DJ and producer will be joined by British DJ, producer, and record label owner Midland on September 10.

Solomun’s +1 concept has been a staple at Pacha since 2013, and since then has become one of the club's most successful parties. Don’t miss out!

Get tickets to this iconic Ibiza party.

Follow Solomun on Facebook | Instagram | Spotify

Circoloco | DC-10 Ibiza | Monday, September 11

Mondays and Circoloco at DC-10 go hand in hand. We’re already at week 20 of its 24-week residency this summer, so if you haven’t hit up this party yet in 2023, this is your sign!

Circoloco is deep-rooted in the party history of Ibiza, from the iconic after-parties in the late 90s and early 2000s to the 12-hour stomping sessions that it has become today, each week brings a mind-blowing lineup of underground, house, and techno DJs ready to take you on a musical journey like no other. 12 hours of no-frills music. Just the way we like it.

On September 11, Skrillex joins the lineup with a B2B set with Ahadadream, as well as sets from WhoMadeWho, Adam Port, Mano Le Tough, Sossa, and many more.

Get your tickets to this sell out event

Follow Circoloco on Facebook | Instagram

Do Not Sleep | Cova Santa Ibiza | Tuesday, September 12

The San Jose hills will come alive with tech house and underground vibes from 7pm until 5am on September 12 with the final installment of Do Not Sleep and Richy Ahmed’s Four Thirty Two label.

Outdoors you’ll enjoy sets from Richy Ahmed and Ashoju, and later on in the club, you’ll be listening to sounds from Jansons, Seb Zito, and another set from Richy Ahmed.

Remember, make sure to get there before sunset to see Cova Santa morph from day-party mode to night rave. It’s epic!

Get tickets to experience the final Do Not Sleep at Cova Santa in 2023.

Follow Richy Amned on Facebook | Instagram | Spotify

Bedouin present Saga | Pacha Ibiza | Wednesday, September 13

Bedouin are back at the island's oldest superclub on Wednesday, September 13, with their party Saga.

Originating in Heart (now Club Chinois) in 2017, Saga has gained a mass following which was proven more so than ever last year when it moved over to Pacha.

Returning for its second chapter this year, you can expect to be immersed in Middle-Eastern ambiance, adorned with drapes, incense, evocative dancers, and ethno-vocals alongside bewitching deep, desert, and shamanic house sounds from Bedouin, AMÉMÉ and Guy Gerber.

Get your tickets to this midweek masterpiece.

Follow Bedouin on Facebook | Instagram | Spotify

Tale of Us present Afterlife | Hï Ibiza | Thursday, September 14

Unless you’ve been living under a rock, you would have seen that Tale of Us’ Afterlife at the number 1 club in the world has been absolutely epic this year.

And it’s about to get more epic, as they’ll be joined by special guest Black Coffee on September 14.

From the music to the lighting to the visuals, Afterlife is a must-do event on the White Isle. The Theatre room leans more toward melodic, progressive techno sounds, while the Club generally hits hard with a tougher, Berlin-style techno.

Which one will we find you in?

Don’t miss out - get your tickets.

Follow Tale of Us on Facebook | Instagram | Spotify

This Week in Ibiza (Sept 8 - Sept 14)

Yep, it’s real. Your eyes do not deceive you. We are officially in September.

What does that mean for those of you who want to party in Ibiza this month?

Well, luckily for you (and us), even though there are a few closing parties coming up, the September party calendar is still jam-packed with events, every single day of the week.

Here’s our selection of must-do’s between the 1st and 7th of September.

Defected | Eden Ibiza | Friday, September 1

Kicking off the weekend and a new month is San Antonio’s favorite party, Defected. It’s back on Friday with Waze, Riva Starr, Low Steppa, Shermanology, and Alex Mills.

September 1st will be week 19 of its mammoth 23-week residency, and its popularity isn’t dwindling one bit.

Expect queues that stretch down the road and a dance floor packed front to back. Make sure to get there early, it’s going to be busy!





Get your tickets for this incredible party.

Follow Defected on Facebook | Instagram

El Cielo Diynamic Outdoor | 528 Ibiza | Saturday, September 2

September 2nd is the 2nd Diynamic Outdoor event at 528 Ibiza, headlined by the label’s co-founder, Solomun. 

He’ll be joined by Rafael Cerato, Gorgin, and ANTHY for a day-to-night party that you don’t want to miss out on.

Dynamic is well known for its legendary showcases and residencies worldwide, as well as their history on the island, from their Neon Nights parties at Sankeys to events and showcases at DC-10.

Now, they’re taking over 528 Ibiza and offering an unforgettable al fresco experience.





Discover 528 - buy your ticket now.

Follow Solomun on Facebook | Instagram | Spotify

Franky Wah presents Shén | Club Chinois Ibiza | Sunday, September 3

Closing off the weekend is Franky Wah’s Shén at Club Chinois. 

His residency this year has been a massive success and on September 3rd he’ll be joined by the legend that is Sasha as well as Yotto.

If the lineup on the night isn’t enough to convince you, the allure of Club Chinois might. Incredible sound system, 360-degree immersive visuals, and an amazing energy that you don’t find anywhere else on the island.





Get your tickets now and end your week right.

Follow Franky Wah on Facebook | Instagram | Spotify

Eric Prydz presents HOLO Ibiza Closing Party | Hï Ibiza Ibiza | Monday, September 4

Monday is your final chance to see Eric Prydz’s unbelievable HOLO show at Hï Ibiza. The Swedish superstar has wowed thousands and thousands of Ibiza party-goers so far this season, and now we have come to the closing party.

As always, he’ll be joined in the theatre by the legendary techno DJ and founder of Drumcode Records, Adam Beyer, and UK-based Cristoph.

The club room will see Josh Micky, DJ Boring and Sally C take to the decks before co-resident Patrick Topping takes control of the room.

If there’s one reason to extend your weekend - this is it!





Don’t miss out on the final chance to see HOLO in Ibiza this year.

Follow Eric Prydz on Facebook | Instagram | Spotify

Mystik by Ida Engberg | Club Chinois Ibiza | Tuesday, September 5

Ida Engberg is still shaking up the Ibiza club scene with her first solo residency, Mystik, at Club Chinois. 

The first female solo residency in Ibiza, ever, and she has definitely gone all out this summer, further solidifying her influence in the industry.

On September 5th, she’ll be joined by the legend that is Sasha, who is no stranger to the White Isle, having had a residency at Space as well as playing all over the island.





Purchase your ticket to this groundbreaking party

Follow Ida Engberg on Facebook | Instagram | Spotify

Paradise | Amnesia Ibiza | Wednesday, September 6

Midweek means just one thing, Paradise at Amnesia Ibiza.

Its move from DC-10 to Amnesia proved to be an amazing leap for Jamie Jones and the Paradise crew, with the party becoming an iconic clubbing event.

Known for its house and techno vibes, Paradise has consistently been one of Amnesia's top nights, attracting a massive music-loving audience.

This week, Jamie Jones will be going B2B with Loco Dice, with Alan Fitzpatrick, Chris Stussy, and Pirate Copy filling out the roster on the Terrace.

The Music Box (Club Room) sees wAFF, Luuk van Dijk, Manda Moor, and Joshwa take to the decks.





Get your tickets before they sell out.

Follow Jamie Jones on Facebook | Instagram | Soundcloud

Sven Väth presents Catharsis | Akasha Ibiza | Thursday, September 7

Legendary German DJ, Sven Väth, returns to Akasha Ibiza for the 4th installment of his sell-out event series, Catharsis. 

A titan in the techno world, Väth's immersive sets are famed for their diversity, traversing genres from minimal to techno, electro to ambient, with him pulling inspiration from his four-decade-long career.

The evening starts in the garden of Las Dalias from 7pm until midnight, before moving indoors to Akasha, where the three-time DJ Awards winner will continue spinning vinyl until the early hours.





Don’t miss out - get your tickets.

Follow Sven Väth on Facebook | Instagram | Spotify

This Week in Ibiza (Sept 1 - Sept 7)

It’s officially the last week in August and I’m not entirely sure how I feel about it.

Is time going too quickly? Is the end of summer just around the corner?

One thing that is making me feel better is the calendar of incredible parties that are happening in Ibiza this week. Here are my daily top picks as we roll forward towards September.

Music On | Pacha Ibiza | Friday, August 25

The Friday night roadblock is back at Ibiza’s first superclub, with Marco Carola being joined by Amsterdam-based duo ANOTR and Spanish-born Cuartero on August 25.

Music On was born in 2012 and its parties were held for many years at Amnesia Ibiza. The move to Pacha took place in 2022, much to the surprise of the brand’s loyal fans - but over to Pacha they went, and we haven’t looked back since!



Don’t miss out on this sell-out party.

Follow Marco Carola on Facebook | Instagram | Spotify



ANTS | Ushuaïa Ibiza | Saturday, August 26

Since the party first hit the White Isle in 2013, ANTS has become one of the best underground events on the island. It’s popular with holiday-makers, workers, and locals, and this year it’s celebrating its 10-year anniversary. 

This Saturday, Nic Fanciulli will be playing back-to-back with a special guest who has yet to be announced. Who could it be? 

The rest of the lineup is made up of Manda Moor, Alec Monopoly, and Dunmore Brothers.



Get your tickets and party day to night.

Follow Nic Fanciulli on Facebook | Instagram | Spotify


Ben Hemsley Pool Party | Ibiza Rocks Hotel | Sunday, August 27

UK rising star Ben Hemsley has been making waves in Ibiza this summer with his pool-party residency at Ibiza Rocks. 

Since his debut single "Caress Me" absolutely sky-rocketed, Hemsley has consistently delivered hit anthems including the incredible "Erase Me," and his residency at Rocks, in partnership with Electric Ibiza and Bebé Recordings, is a daytime fiesta full of tech-house, Balearic house, techno, trance, and SO much more.



Book your tickets or beds for this incredible experience.

Follow Ben Hemsley on Facebook | Instagram | Spotify


Pyramid Carry On | Cova Santa Ibiza | Monday, August 28

There’s nothing more Ibiza than a carry-on party. And that’s exactly what’s happening at Cova Santa this Monday. 

Amnesia’s home-grown party Pyramid are holding a follow-on event from 7pm until 6am at the al-fresco San Jose venue. 

Luciano and Ricardo Villalobos have been teased online as being on the lineup, but as with anything by Pyramid, you know that you’re not going to be let down, whoever is on the bill.



Don’t miss out on this exclusive event.

Follow Pyramid on Facebook | Instagram


CAMELPHAT | Pacha Ibiza | Tuesday, August 29

Liverpudlian DJ duo CAMELPHAT are back for week 15 of their 20-week summer residency on Tuesday, August 29, joined by WhoMadeWho, who will be delivering a hybrid set at Pacha on the night. 

Finishing up the lineup is Josh Gigante, who has collaborated with Camelphat on a 2-track EP this summer. 

The 50th-anniversary celebrations from Pacha are showing no signs of slowing down just yet, so extend your long weekend and get down to the party.



Purchase tickets and dance the night away.

Follow CAMELPHAT on Facebook | Instagram | Spotify


FISHER | Hï Ibiza | Wednesday, August 30

It might be unlucky for some, but not for chart-topping DJ and producer, FISHER, who is rolling into the 13th installment of his summer residency at Hï Ibiza on August 30. 

This summer has been an absolute scorcher for this popular mid-week rave, and this one will be no exception as FISHER will be joined by none other than Basement Jaxx and Ashibah in the Theatre. 

Little side note; there will be no set from Vintage Culture in the Club Room this week, instead you’ve got Loco Dice and HoneyLuv taking charge.



Get your tickets before they sell out.

Follow FISHER on Facebook | Instagram | Spotify


Music On Daytime | Destino Ibiza | Thursday, August 31

We end the week similarly as we started. With another Music On party, but this time it’s the Daytime edition at Destino. 

It’s the last in the series so expect this one to be packed! 

Italian techno maestro Marco Carola will be joined by some very special guests who are yet to be announced, as we dance from day to night at the stunning Destino Pacha. 

The party kicks off at 5pm and runs through until midnight. The question is, will you choose to carry on the party afterward?



Experience the last Music On Daytime of the summer.

Follow Marco Carola on Facebook | Instagram | Spotify



And that's it! There's my round-up for this week. Which ones will you be heading to?

This Week In Ibiza (Aug 25 - Aug 31)

Boris Brejcha, renowned for his signature Venetian-joker mask and high-tech minimal genre, has an influential history shaping his music. With anticipation building for his 2024 album, Brejcha's single "Vienna ft. Malena Narvay" offers viewers a dynamic visual story.

The contrasting imagery of a lifeless robot (representing Boris) and a flourishing Malena symbolizes the nature of love and connection. “The robot, leading a mundane life, only blossoms with joy when wound up like a music box.”

The video's atmosphere shifts from melancholic Vienna streets to an energized vibrancy, highlighted by the symbolic red heart balloon, representing the essence of life and love. The red mask signals that we are all the same in the end. Boris opens up about his challenging past, notably the Ramstein air disaster, emphasizing how music became his healing refuge. His tracks encapsulate euphoria intermingled with poignant reflections.

Boris's trademark joker mask, initially an attempt to differentiate himself, has evolved into an emblematic representation of his atmospheric sound. His upcoming album teases a harmonious mix of traditional and innovative elements. Despite achieving overwhelming popularity, with his Tomorrowland performance garnering a record-breaking 95 million views, Brejcha remains humble, prioritizing genuine emotion in his music over technology's allure.

His long voyage, characterized by tenacity and genuineness, serves as inspiration to emerging artists. Beyond his music, Boris connects with fans through idiosyncratic events, like urban duck hunts, embodying his playful side. As he continues to redefine musical frontiers and consumes immense amounts of caffeine in the process, Boris underscores the importance of authenticity and zeal in the craft. His profound message to fellow artists and fans alike? Understand the music. Such a career does not happen overnight.

Can you tell us a little bit about your childhood and how it shaped your music career?

My childhood was good. Except for the accident with Ramstein. This accident was significant for the fact that I came to music at all. After this accident I had almost no friends. I withdrew more and more, until I finally ended up producing music. The music gave me strength and was something like my doctor. With it I could express myself and gradually felt alive again. At the end of the day, it was a positive turn.

How has the experience from the Ramstein air disaster influenced your perspective on life and music?

In terms of music, I would say that my music always sounds very deep. It often has melodies that sound sad and euphoric at the same time. Which is what I like very much. In terms of life, nothing can really shake me. After such an experience you become relatively hard.

So, I often can't understand when people get upset about things that are irrelevant in my eyes. Something bad must happen for me to become agitated. I have learned to appreciate life and enjoy the smallest things. For example, being the first one awake in the morning, sitting in the garden with a coffee and just enjoying the peace and quiet. That is life. Priceless.

Beyond its iconic look, what deeper meaning does your joker mask hold for you, especially when blending your life with art?

To be honest, nothing at all. Using the Joker mask was just a joke at the beginning of my career. I just wanted to stand out and stand out from everyone else. It also doesn't have anything to do with my accident in the slightest. But it has become my trademark over the years. I don't want to have to do without it anymore. Together with my music, it's a great atmosphere.

What inspired the title and theme of your upcoming album in 2024?

The title of my album is something like a new start for me. Or rather, I'm production-technically arrived at the point that satisfies me 100%. It will be an album, which shows all my facets. New ideas, but also up to the old classic Boris from way back. A mix of everything.

How does this new album differ from your previous work?

It makes it so different because it's a mix of old and new.

Can fans expect any surprise collaborations or features on the album?

There will be no big surprises. As usual and loved there will be songs together with Ginger. These songs are always great. Then there will be the extended version of "Vienna" and one more feature, which is still secret.

"Vienna ft. Malena Narvay" is set to release on August 18th. Why did you choose to release this song out of the rest to celebrate the announcement of the album?

It's a strong song and I like it very much. Moreover, it fits very well into the festival season now. Also, it's a little bit different way of my production style. Such new things always deserve to be heard.

The interaction between you and the girl seems to revolve around the concept of being "awakened" or "activated." What was the idea behind this dynamic?

We wanted to create a total contrast. Malena is a very bright person from the ground up. It was obvious that she should represent the flourishing life in this video. On the other side then the robot, which has rather a boring life. Only when he is wound up like a music box, then life and joy blossom in him.

Can you explain the significance of the empty car and the heart balloon tied to its mirror?

About the empty car there was never any meaning. We only took the car as a goodie. Because it fits super to the city of Vienna. The balloon, on the other hand, symbolizes love and the joy of life.

The mask worn by the girl in the later scenes adds a mysterious element. Why was it included, and what does it signify?

The red mask symbolizes that we are all the same in the end and that everyone can be sad, lazy or cheerful.

The interplay of colors, especially red, seems intentional. How does color symbolism play a role in conveying the video's emotions?

The color red is the main signal color. For this concept only red came into question. Red like love. Malena in red clothes as an ambassador of a flourishing life.

Your genre, "High-Tech-Minimal," is unique and has garnered you a lot of attention. What was the process behind its creation?

I don't know if that is still relevant today but in the past, fans often wanted to put an artist into a music genre or identify him with it. I could never put my music into a music genre. I thought I would just create my own. When I started producing music, "minimal", it was very popular. 

I also produced that back then. After a while it became too boring for me and since I used to produce a lot of trance music, I thought it would be cool to combine everything. The name "High-Tech Minimal" was born. The base of "minimal", with a lot of other elements so it's a further development.

You've achieved so much since your first performance in 2006. Looking back, which moment would you say was your turning point?

It was the moment when I played for Cercle for the first time in 2017. That's when I realized that the career is slowly growing. A year later came the recording of Tomorrowland and that was groundbreaking. It's currently the most watched Tomorrowland video by an artist, with 95 million views. Then in 2019 came the second Cercle set in Paris. Those were all milestones.

What is something you haven’t accomplished in your musical career, that you are looking to achieve in the future?

An official remix for Depeche Mode or Hans Zimmer would be unbeatable. Otherwise, I have currently achieved everything that makes me happy.

You often hide squeaky ducks in cities for fans. Which city's duck-hunt was the most memorable for you and why?

One thing in advance. This is really a lot of fun and the fans are so happy about it. That was in Argentina, and it was so wild that we had a chase across the city. We couldn't get rid of the fans and then we decided that the driver would let us off quickly on a busy street. We thought that the fan, who was traveling alone, would not just park his car in the middle of the street. However, that's exactly what he did and ran after us. That was so incredibly funny.

How do you see the future of electronic music evolving?

Good question. Currently I have the feeling that everything has slowed down a bit. By that I mean we currently have everything in sounds and music machines. There is just a little new stuff that is groundbreaking. But I don't think that's bad and I'm also confident, especially in terms of the new era of AI. Let's see where that will lead. I can imagine that an AI can accomplish a lot. But it will never be able to interpret real feelings.

In a world with rapid technological advancements, how do you incorporate new tech into your upcoming album?

You're asking the wrong guy haha. I am still very “oldskool”. Currently I have all the equipment I need to make good music. It's not the technology to produce good music. The best technology is your brain and your emotions. That's how you make successful and beautiful songs. I know some people who have such great new stuff but lack ideas.

From your fashion brand to your music, everything you do seems to have a personal touch. How important is authenticity to you in this digital age?

I think that's very important because fans like to identify with it, just like the Joker duck. For me personally, a milestone. That just came to me spontaneously which is so good.

Lastly, what advice would you give to young artists starting their journey in music?

That's always hard to say but people ask that all the time. Most of the time I tell them to learn an instrument. E.g., drums or keyboard, just to be able to understand the music better. Or to write beautiful melodies. You also need a lot of stamina. Such a career usually does not happen overnight. It takes a lot of time. As an example: I released my first single in 2006. But the real breakthrough didn't come until 2017. This is 11 years of processing the career. It’s also important to produce music that you love.

Decoding High-Tech Minimal: An Interview with Boris Brejcha

In the dynamic world of music, few artists encompass the range and depth of experience that Hannes Bieger brings to the table. From his early days playing guitar in bands to his profound love for the oceans and possible alternate life as a marine biologist, Hannes has journeyed through a kaleidoscope of musical and personal adventures. As he dives into his collaborations, studio work, and even the challenges of navigating creative roadblocks, this interview offers a unique window into the mind of an artist who seamlessly marries technical prowess with raw passion. In our exclusive Q&A, we delve deeper into the life and thoughts of Hannes, revealing facets that many might not know.

Have you ever found musical inspiration from something totally unexpected?

Inspiration is precious. Having worked as an artist for so long, I know that you can't just turn inspiration on like flicking a switch. Sometimes it's about whether inspiration chooses to find you. While you can foster inspiration, I believe it's valuable to seek it outside the studio and the immediate musical context. Electronic music nowadays can feel self-referential. Some labels, which used to showcase a broader range of music, now limit their selections to specific genres, leading to a streamlined feel.



While I'm not immune to this trend, I always aim for originality. For a period, I named my tracks after volcanic terms because of my fascination with our planet and nature. These metaphors inspired me. I'm drawn to nature, whether it's by, on, or in the water. Amidst the technical environments I frequent, like studios or venues, I treasure connecting with nature. It's a profound source of inspiration for me, whether it comes expectedly or unexpectedly.



How do you keep your technical side and creative side in harmony when making music?

The technical and creative aspects are two sides of the same coin. With my extensive experience as a producer and musician, both for myself and for clients, my primary goal is to make the technical side nearly invisible. I thrive when creation feels like a fluid, natural process, where I can immerse myself without overthinking.

There are sessions where I dive deep into creation and, hours later, resurface, realizing I neglected basic needs because I was so engrossed. During these moments, I'm not preoccupied with which EQ or synthesizer I'm using; I simply create. This effortless approach stems from experience and familiarity. However, technology can also inspire. A new synthesizer, for instance, can spark fresh musical ideas as I explore its capabilities. While I don't always aim to sideline technology, during the creative process, I think in musical terms, not technical ones.

Can you share a story of a challenging project that really pushed you to the limit?

There are two ways to answer this. Sometimes you have tracks where you fight to finish them. Most of the time, the fight isn't worth it. Usually, when something's good and you feel inspired, you can almost complete the track in a day, and everything flows naturally.



One good decision led to the next. But the tracks where you struggle often have a problem that can't be solved by struggling more. However, there are also tracks where you know you have a great idea, and it could be fantastic, but only if you don't mess it up in the process. This can be a challenge, especially when you've found a diamond in the rough and aim to refine it without damaging its essence.

Have the places you have played at influenced your sound in any way?

In the places I've played, the environment certainly influences me. It might not be the venues or shows directly, but my love for nature and the planet plays a part. I've always been interested in technology, geography, wildlife, and more. One of my first releases when I resumed music-making in 2017 was on Audiofly's label.

The track La Selva was part of a project where each invited artist was to create a track inspired by a country. I was in Colombia on the Caribbean Coast when they reached out. Given my location, I chose Colombia as my inspiration. Sitting in the jungle, I made recordings of the local wildlife — frogs, birds, crickets, and other night creatures. But instead of using these raw sounds, I wanted to recreate them. I sometimes find direct use of natural atmospheres in tracks a bit clichéd.

So, back in the studio, I recreated these animal sounds. Recapturing the immersive soundscape of countless frogs in the jungle was particularly fun, using a modular system and ample reverb. Experiences like being in the Egyptian desert or flying over the Andes at sunrise leave lasting impressions. They inevitably find their way into my music in some form.

How do you keep up the enthusiasm and creativity in the face of the music industry pressures?

This is a relevant question, given the intense pressures of the industry. Sleep deprivation can be overwhelming, and there's always an underlying competition — who has more shows, who gets better slots at festivals, whose name is bigger on posters. Such comparisons can be soul-crushing if you lose focus. Some days, everything seems to go wrong: organizational chaos, blackouts, delays in set times, and more. In these moments, you may just want to quit.



But then you step on stage, play that first note, and suddenly, all worries dissipate. The energy from the crowd reminds you of the reason you're in this. It's a roller coaster, but the key is to not take yourself too seriously and to remember why you started. For me, it's the joy of making music. If it ever stops being fun, I might reconsider. But as of now, I've been quite productive and thoroughly enjoy making music. That passion largely drives me forward.

Have you had a track that didn’t get the attention you thought it would? What did you learn from that?

Yes, this can happen. Sometimes it's hard to identify the exact problem. It could be that you have different tastes than the general style out there at any given moment. To me, there's no guarantee. I see it the other way around: when something goes especially well, it's a gift. You can't plan for it unless you invest a lot of money and maybe play a bit dirty. But if you do it organically, you can't plan it.

Sometimes the stars align, sometimes they don't. Once you've experienced the feeling of having a number one, you want to repeat it. But it doesn't work that way; you can't decide today that you're going to make another number one and expect it to happen. Maybe the less you push yourself and the less you plan for it, the more likely it is to happen.

How do you like to work with other artists - face to face or remotely?

I come from a band background. My first instrument was the guitar, and I began playing in bands when I was around 12 or 13 years old. For me, making music is deeply intertwined with being in a room with others, discussing life, the world, or even just having dinner. I cherish collaborations that involve spending time together. However, I recognize there are limitations to this approach, and a lot of collaboration happens remotely.

This method can be more focused at times, and I'm open to both, but I prefer meeting other artists in person. To add, I run my studio business, and the preference remains the same. Before COVID, more clients would attend sessions in person, but during and post-COVID, remote collaborations became more common. Still, if a client wishes to visit, I'm always happy to welcome them to the studio.

As an analog lover, what’s your take on AI-generated music?

Yes, I'm an analog lover. Honestly, I haven't been deliberately exposed to A.I. generated music. I've played with image generators, which I found fascinating. However, when it comes to A.I. generated music, I lack experience. We're at the beginning of this journey, and soon it'll be a reality we can't ignore. The music industry will inevitably have to adapt, and I'm certain it will bring significant change.

What’s the best piece of advice you would give to someone starting out in electronic music?

To quote Rick Rubin, though I'll paraphrase his recent Instagram post, it's vital to create music for an audience of one: yourself. When you make music for labels, audiences, or another DJ, it risks not coming from your heart. Instead, it might seem like a tool crafted to achieve a specific goal. It's best to focus on what you genuinely want to express musically. By immersing in your unique sound and believing in it, you'll naturally reach and resonate with others. Don't get caught up in comparisons, especially at the start. It's crucial to give yourself time to develop.



Today, it's easy to produce something and share it instantly. But remember, you only get one chance to make a first impression. It's not about remaining secluded in your studio, but about recognizing the right moment to share. George Orwell, and I'm paraphrasing again, once said that the absence of limitations can hinder art. It's important to face challenges and boundaries; they help you grow as a musician. Nowadays, everyone can have a recording studio on their laptop, removing technological limits. Sometimes, imposing certain restrictions on yourself can guide your creativity, leading to a more meaningful output.

Have you ever had a powerful or memorable experience during a live performance?

There are countless memorable experiences, too many to mention specifically. While not every night is one for the books, when it is, it's profoundly beautiful. Having so many people in one room, sharing the same energy through music, is one of the primary reasons I do what I do.

If you could create music with any artist, who would you choose and why?

I've been fortunate to work with many of the artists I admired when I started out. One notable collaboration was with Ursula Rucker on "Poem for the Planet." I've dreamt of working with her since hearing her voice in the mid-90s.

Another artist I deeply admire and would love to collaborate with is Róisín Murphy, the former Moloko singer. I've always respected Moloko as a band and particularly her voice, attitude, and overall presence. I'd be thrilled to create a track or write a song with her.

When you hit a creative roadblock, how do you get over it?

Creative roadblocks are tough. I've taught many workshops and masterclasses about this topic, and I could probably talk about it all day. To keep it brief, it's crucial to know when to push through and when it's better to just step back. Sometimes, it's more beneficial to do something else and avoid further frustration. At other times, you can find ways around the roadblock.

For instance, you could organize your sample libraries or look for new sounds. As you go through your samples, you might stumble upon one that sparks inspiration. Before you know it, you might be building a track. Or, by focusing on sound design for individual elements, you could suddenly have a collection of sounds that come together to create a vibe. Add a bass drum, and you're off to the races. However, if you feel it's not working, it's best not to push too hard.

Lastly, a fun one - if you weren’t a musician, what other job would you want to do?

I've held a variety of roles throughout my career. I've written for music production magazines as a technical editor and worked as a photographer for many years. Both professions are areas I could easily pursue further. However, if I were to think outside of these experiences, I've always been fascinated by the idea of becoming a marine biologist. My interest in water, oceans, and wildlife draws me to it.

I understand that much of the job involves observing vast bodies of water, waiting for specific wildlife that may never appear. Interestingly, as a touring musician, I often find myself waiting around for extended periods, so the waiting aspect wouldn't be new to me. Ultimately, a profession connected to nature, travel, and wildlife, whether as a marine biologist or perhaps even a volcanologist, would be compelling to me.

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