Amnesia Ibiza 2024 Residencies

Lithuania

Greta Levska

United Kingdom

house

uk dance

uk tech house

Danny Howard

pop dance

Sonny Fodera

future garage

Gorgon City

Spain

Amnesia Ibiza

Amnesia Presents

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Danny Howard is an undeniable tastemaker of his generation. The producer, DJ, presenter, and radio host is widely respected as one of the world’s leading broadcasters in dance music. His hit BBC Radio show just celebrated 10 years on the air, and his imprint Nothing Else Matters just went fully independent in 2019. It’s fair to say, dance music wouldn’t be what it is today without Danny Howard.

Back in Lancashire, England, Howard attended Edge Hill University, where he studied exercise science. Outside of class, however, he was also playing a residency at the UK's biggest nightclub, The Syndicate, in Blackpool. This simple foreshadowing of Howard’s work-ethic and sheer talent would follow him through to the present day. After he graduated college, Howard took a brief stint playing for the multimedia entertainment brand Ministry of Sound in Egypt. Though this gig was short, his big break was right around the corner.

In 2011, Howard competed against five other mega-talented DJs in the BBC’s Radio 1 Superstar DJ competition. After he won the title, it ignited his career in a fanfare he never imagined. The next year, he not only released his first single “Twenty Nine” on the legendary label Spinnin’ Records but he was also offered his own show on the BBC’s Radio 1. His primetime slot would bounce around for the next few years. Most notably, his 11 pm - 1 am Friday night slot coincided with a time when dance music was dominating the commercial charts. With his ear to the ground for the finest new talent, Howard helped launch the careers of global superstars like Martin Garrix, Duke Dumont, and Rudimental.

Howard still maintains his weekly radio show–now the host of Radio 1's Dance Party on Fridays from 6 - 8 pm–while also releasing hot house tracks on his label Nothing Else Matters. As a self-proclaimed proponent of club culture, Howard has a distinct sound he showcases in everything he does: “back-to-back pure fire!”

Arielle Free

Jansons

United States

John Summit

LP Giobbi

Eden Ibiza

Defected Presents Radio 1 Dance

ukg revival

salute

Amnesia Presents Week 3

bass house

tech house

Chris Lorenzo

garage house

uk garage

Todd Edwards

Amnesia Presents Closing Party

old school bassline

Sammy Virji

breaks

experimental house

Interplanetary Criminal

Amnesia Presents Week 11

DJ EZ

2-step

Oppidan

Amnesia Presents Week 9

Sweden

dark techno

minimal techno

raw techno

schranz

swedish electronic

swedish techno

techno

Adam Beyer

ALISHA

Belgium

acid techno

belgian techno

electra

Amelie Lens

Ammara

drum and bass

jungle

uk dnb

Andy C

Argy

uk house

Ben Hemsley

Germany

german house

german techno

high-tech minimal

Boris Brejcha

deep tech house

progressive house

CamelPhat

dancefloor dnb

Chase & Status

Chloé Robinson

Netherlands

dutch tech house

Chris Stussy

melodic house

Cristoph

France

big room

dance pop

David Guetta

belgian dance

belgian edm

dutch house

electro house

progressive electro house

Dimitri Vegas & Like Mike

Duke Dumont

Each August Bank Holiday weekend, the Daresbury Estate in Cheshire transforms into the epicentre of the UK's electronic dance music scene. Creamfields, an event now synonymous with world-class DJs, groundbreaking production, and an unparalleled high-energy atmosphere, draws vast crowds from across the globe. Widely regarded as the nation's premier electronic music festival, its journey spans over a quarter-century, reflecting the evolution of dance music culture itself.

The festival's origins are inextricably linked to Cream, the legendary Liverpool nightclub founded in 1992 by James Barton, Andy Carroll, and Darren Hughes. Cream rapidly became a cultural phenomenon, instrumental in establishing Liverpool's clubbing credentials and fostering the rise of the superstar DJ. Leveraging this powerful brand identity, Creamfields was launched in 1998, not in Liverpool, but as a one-day event in Winchester, Hampshire, attracting 25,000 attendees with acts like 

. Its immediate success necessitated expansion, leading to a move in 1999 to its "spiritual home" at the Old Liverpool Airfield, doubling capacity and solidifying its connection to its roots.

A pivotal moment arrived in 2006 when, having outgrown the Liverpool site, Creamfields relocated to its current, expansive home in Daresbury. This move was transformative, providing the physical space required for exponential growth. It facilitated the crucial introduction of camping around 2008-2010, shifting the event from a day or two-day gathering into the immersive, multi-day experience it is today. The festival's duration steadily increased - becoming a two-day event for its 10th anniversary in 2008, expanding to three days from 2011, and eventually settling into its current four-day format, typically running Thursday to Sunday over the bank holiday. Daily attendance figures swelled correspondingly, now reaching capacities of 70,000 to 80,000.

Musically, Creamfields remains dedicated to the electronic spectrum. While born from house music, its numerous stages now host everything from mainstream EDM, techno, and trance to drum and bass, hardstyle, and more. This sonic diversity is matched by a relentless commitment to cutting-edge production. Creamfields is renowned for investing heavily in spectacular light shows, pyrotechnics, and powerful sound systems. Over the years, it has debuted iconic, often record-breaking stage structures like the colossal Steel Yard, the visually stunning Arc Stage, the immersive Runway/Halo concepts, and most recently, APEX - billed as the world's largest indoor festival superstructure with a 30,000 capacity.

The festival consistently attracts the titans of electronic music. Line-ups feature a blend of global superstars (such as 

), and leading figures from various sub-genres (including 

), alongside platforms for emerging artists.

Creamfields' evolution also included significant international expansion, with events staged across the globe. Domestically, a notable strategic development occurred in 2022 with the launch of 

 in Chelmsford, running alongside the original Daresbury event (rebranded Creamfields North) for its 25th anniversary. While this dual-festival format ran for a couple of years, recent indications point towards a consolidation back into a single, unified large-scale event at the Daresbury site.

From its nightclub origins to its current status as a globally recognised, four-day festival institution, Creamfields' journey is one of continuous adaptation and growth. Its enduring success stems from its ability to consistently deliver world-class line-ups, push technological boundaries in production, cultivate an electric atmosphere, and evolve in response to the dynamic landscape of electronic music, cementing its legacy as a cornerstone of UK festival culture.

Danny Howard

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