Name: Circoloco Opening 2022
Start: 2022-05-02T16:00:00.000+02:00
End: 2022-05-03T07:00:00.000+02:00

To all the destination ravers out there, time to add one more country to your list: Israel. For decades, a thrumming dance music scene in Israel has churned out some vital offerings to global dance music culture.




Venues like Haoman 17 in Tel Aviv regularly host European favorites like Adriatique and Henrik Schwartz, while larger festivals and outdoor events also have a strong presence. Damian Lazarus hosted his famed Day Zero party in Masada back in 2019. The Netherlands staple festival, DGTL, has also produced an iteration in Israel as far back as 2017, bringing artists like KiNK and Jayda G.




But in Israel, like with any scene around the world, the lifeblood is the artists, and along with the impressive events, Israeli artists have been championing unique dance music sounds for years. Check out five Israeli artists who are making waves in house and techno.


1. Red Axes

Dori Sadovnik and Niv Arzi of Red Axes are internationally known for their fluid approach to dance music. On tracks like “The Phone Call,” they flex the sample chops of the most revered hip-hop producers, but their knack for different grooves, as heard on their albums like 2020’s self-titled effort, makes them a shoo-in for headlining slots at any type of party. Whether DJing or manning the hardware for one of their epic live sets, they demonstrate the kind of widespread musical influence enmeshed into Israel’s scene.


2. Guy Mantzur

The landscape of Israel is generally one of desert. Within the long stretches of sand lie scattered oases wherein this dance music culture lies, but due to the sweeping nature of the country, many artists, like Guy Mantzur, hone to a cinematic, mysterious sound.



Actively releasing music since the mid-’00s, Mantzur has shared the sonics of his home country in all the notable dance music hotspots from London to Chicago to Ibiza and even to new sprouting markets like India. Put on tracks like “Tremolo Man” and let the wispy synths and tight-groove basslines soundtrack an imaginary journey across an Israeli Desert.


3. Sahar Z

Sahar Z is a resident of the aforementioned Tel Aviv nightlife establishment, Haoman 17, so he’s one of the artists playing a deciding role in the sounds of the country. But at the same time, he only decides his own sounds in the moment.




Having won DJ of the year three times in a row (decided by Israel’s most popular music magazine), his talent for curating bespoke musical journeys is widely celebrated, and his own tracks represent this versatility as well. One of his most celebrated, “Zikaron,” channels the mystical energy that punctuates the traditional dance music of Israel, but a keen ear will also hear an interpolation of the oft-sampled Incredible Bongo Band track “Apache.”











4. Jenia Tarsol

Jenia Tarsol is a relative newcomer, but major players in the scene are already paying attention to him for a reason. The most prominent example is undoubtedly Tale of Us, who signed two of his tracks, “Panic Attack” and “Do You See It Yet?” to their momentous record label, Afterlife, back in 2021.




What’s intriguing about Tarsol’s career is that he has developed a couple of consistent production partners. The Afterlife cuts were made in concert with the Greek rising star Echonomist, and Tarsol also frequently works with another Israeli-born artist named Chaim, as he did on their joint single, “Lazy Evil.” It seems as fast as he’s rising, Jenia Tarsol is committed to bringing his friends up with him.


5. Lonya

If there is still any doubt about the vitality of the Israeli dance music community, consider the veteran artist, Lonya, who has over 400 production credits to his name. No one could achieve that kind of statistic without an unshakable work ethic, and with that kind of statistic, there is no chance his catalog is anything less than eclectic.




Frequently working with Israeli-born record labels like Asymmetric Recordings and labels helmed by Israeli artists like Guy Mantzur’s Plattenback, this consistent stream of music touches on organic house, melodic techno, deep house, and everything in between.



5 House and Techno Artists Making Waves in Israel

United Kingdom

Massano

Only a few short years ago, Massano looked up to melodic techno figureheads such as Tale of Us and Mind Against as distant role models. Today, the Liverpool producer and DJ counts them among his close peers.




Look no further for evidence than what transpired at Afterlife Madrid in March 2023. Not only did Massano (real name Sam Rose) share the stage with Afterlife bosses Tale of Us, but the duo tested out his cinematic single, “Shutdown,” during their set.

“Madrid felt extra special to me. I’d had a month off before that, so it was a big show to test all this new music,” Rose says. “To get such great reactions was confirmation that it had been a good month of producing.”




Support from major acts and crowds in the tens of thousands is now a common occurrence for Rose. Prior to the pandemic, though, it seemed a remote possibility.




Sam Rose first discovered dance music as a child. His father would play it around the house and even brought him to a Faithless concert when he was only 11 years old.




“I remember looking around and seeing people enjoying the rave and just being like, ‘What is going on?’” he says. “It seemed like chaos at the time, but now it seems really normal.”




This initial exposure didn’t evolve into a career ambition overnight. “I wasn’t super into it from that stage — that’s just my earliest memories it,” Rose says. “I think around the time I started going to house parties was when I started getting really into electronic music and found a love for discovering new music and making playlists to share it with people.”




By Rose’s first year of university in Lancaster, the music industry started to beckon. In this nascent stage, though, he still hadn’t set his sights on DJing and producing.




“I started thinking about what I wanted to do long term in life, and what interested me the most was this music stuff that I was doing. I didn’t necessarily think ‘I want to be a DJ.’ I just started thinking about what I could do to get into the music industry in any way because I hadn’t really had experience with any of it.”




Sam Rose started applying for management internships with brands like Universal Music Group. As luck would have it, they only wanted candidates with experience. Around the same time, he started teaching himself how to produce and play music as a hobby. Not long afterward, he began to pursue it in earnest.




“I was aimlessly doing it and not really putting much energy into it. I’d say I was producing maybe twice a week at that stage, and then DJing just for fun occasionally,” Rose says. “But then, I started thinking, ‘I’m actually really enjoying the producing and the DJing,’ so I thought that it might actually be what I wanted to do within the music industry.”




He continues: “After my second year of university, I started pushing myself to do as much as I could and spend as much time as possible on it. I moved to London for an internship where I was working with Vodafone in a marketing role. But whilst working for Vodafone, I was also pushing myself to spend as much time as I could on the music.”




Rose suffered from homesickness, having yet to make new friends in London. In the long run, this worked to his advantage. Relegated to his bedroom studio on the weekends, he gave music his undivided attention. It didn’t take long for this to come back to him in the form of opportunities.




“In the six months after that, I got to a point where I was ready to start releasing music,” Rose says. “I’d try and work from home as much as I could, keeping the laptop from work open on one screen while I worked on music on the other screen. That’s when I made my biggest track, ‘The Feeling,’ — and ‘Velocità’ was also in that six months.”






Rose released his music under the name Massano from the beginning. “I brainstormed and made anagrams of my name. I thought about which ones I liked the most, and in the end, I went with Massano,” he says. “Not often do people stick with the first project, so I figured I didn’t need to think too much about it. I love the name now especially, as it’s got a lot of meaning to me.”




A lot of Afterlife artists co-signed Massano early on — perhaps most notably Mind Against. The Italian duo played his tracks at Afterlife Tulum 2020, and then again during their Cercle set later in January.




“I didn’t even have an Instagram,” Rose admits. “The next morning, the label manager from Running Clouds told me, “You need to make an Instagram now because people are looking for you. I made one, and within the first couple of days, I had, like, a thousand followers already.”




Timing was not on Massano’s side, however. Two months later, the World Health Organization declared COVID a pandemic, preventing him from leveraging his newfound popularity toward gigging.




Over the next year and a half, Rose stocked his proverbial shelves with new music and then opened for business once nightlife resumed. “Things went from zero to 100 because I’d grown so much without really DJing,” he says. “I’d DJed in friends’ house parties and smaller local clubs for university, but never anything properly as a Massano show. So then after COVID, I went from having not so much gig experience to getting booked every weekend.”




Massano has continued to gain momentum ever since. He has performed throughout Europe and South America, landing on the lineups of such festivals as Time Warp Brazil and Kappa FuturFestival in Italy. 2023 also marked his first US tour dates, including a headline billing at NYC club Superior Ingredients.




“What’s great about the shows is it’s noticeable how much if you work at it in different markets, the shows keep getting bigger and you keep engaging more fans. It’s nice to see the your effort pay off,” Rose says.




Cliquing up with his heroes doesn’t mean he’s reached his destination in the music world. Far from it, in fact. The road up to now offers a mere glimpse at what lies in store for Massano as he’s only begun to explore the depth of his sound.



Established label owner and eclectic producer DJ Tennis worked a healthy dose of leftfield melodies, space-age samples, and psychedelic basslines into his set for the most famous bathroom in dance music: HÖR. Mixing house into breaks and indie, he upheld his reputation as an unpredictable and expansive selector.










Manfredi Romano – aka DJ Tennis – grew up tour-managing punk bands and organizing music events in Italy around the turn of the millennium. He also played in bands but confesses that he wasn’t a great singer or guitarist.




“I’m completely self-taught, and I have a weird approach,” he explains in an interview with Beatportal. “I have a very uneducated way of using a guitar, tuning the guitar strings so it sounded very noisy… [but] I think the fact that you don’t have musical instruction, in an academic sense, allows you to be more personal.”




After finishing university, he launched DAZE, Italy’s first booking agency solely committed to electronic music. Two decades later, in 2010, Romano established himself as a DJ in his own right.




His mission was to re-introduce ‘psychedelia’ to the dancefloor, which he describes as “a dimension that is between reality and a dream, between imagination and reason. And I wanted to use vocals, but not classic soulful vocals like in house music.”




Romano is also the founder and A&R of Life and Death, the label responsible for showcasing some of Tale Of Us and Mind Against’s earliest tracks. Carmine Conte and Matteo Milleri of the former ran the label with Romano in the early days, along with Thugfucker’s Greg Oreck, with DJ Tennis providing them with significant guidance in the earliest stages of their careers.



When producing, Romano fuses his past relationships with post-rock into the realm of the electronic. The same is true in curating his label, which has welcomed indie electronic acts like Clockwork into the fold in the past decade. As a DJ, he strives to be varied and spontaneous. “I don’t like to meet expectations, and I like when people are surprised…normally my sets are never the same.”




Today, when he’s not touring, Romano splits his time between Miami and Barcelona, where he enjoys riding motorbikes, collecting vintage action figures, and building upon his vinyl collection - which now numbers over 11,000 strong.




DJ Tennis will step behind the decks at Smartbar in Chicago, StereoBar in Montreal, SXM Festival Saint Martin, and beyond.























































































































DJ Tennis Brings a Healthy Dose of Psychedelia to HÖR

It’s every producer’s dream to hear one of their favorite acts playing their track out in the wild. If you’re lucky, you have fellow DJs that continue to champion your music throughout your career. This is exactly what happened to Dutch DJ and producer Colyn, who was at a festival in his hometown of Amsterdam when he realized his idols Tale Of Us were playing one of his songs during their set. It caught him by surprise, as he hadn’t sent them music and was barely two years into releasing music as Colyn. He’d been making waves in the rich local scene, but could this be his big break?



He gathered the courage to introduce himself to the Italian duo, and the conversation didn’t exactly calm his nerves.


“I was in Amsterdam at a festival and they played a track of mine. I had nerves up to my ears and I tried to talk to them. I told Matteo, ‘Hey, you played a track of mine.’ He’s like, ‘I didn’t play it, Carmine played it. You should ask him.’ I was like oof. So I asked Carmine and he said, ‘Ohh, you’re that guy. That’s cool man, but we need to catch a helicopter to go to our next show.’ I was like, ‘Holy fuck, these guys.’ I asked how we can stay in touch and he gave me his phone number,” Colyn told Beatportal in 2022.



From there, Colyn started sending them music—a lot of music, about 35 tracks, including “Amor” the first track of his to drop on Afterlife. "Amor" was put out as part of the Afterlife Realm Of Consciousness Pt. IV compilation album in 2019, with his first stand-alone Afterlife release, the dark and driving four-track Resolve EP, dropping just a few months later.



In Tale of Us, Colyn found advocates for his fresh brand of dark melodic house and techno. And that stamp of approval from the kings of the genre meant releases on their label and track placement in their sets leading to his music reaching many more ears. “Amor” was supported by Afterlife regulars Mind Against, Mathame, and Joris Voorn, and the Resolve EP track “Eriador” saw heavy rotation from Tale Of Us in 2019.


“The EP was definitely a pivotal moment in my career. ‘Amor’ was my debut release on Afterlife, which did really well. But if you put out a debut and there’s no follow-up, it’s going to be difficult to keep your momentum going. Resolve perfectly followed up ‘Amor’ and I guess it’s also a bit of luck and timing that everything comes together. We had the right music ready to follow up and Tale Of Us also thought so. We got a massive response from that EP, which really launched my career and pushed me from upcoming local DJ to starting international DJ,” Colyn added.

Tale Of Us released two more of Colyn’s EPs, Patterns in 2020 and Oxygen Levels Low in 2022. And while it took some time to gain their trust and build a rapport, they’ve become close friends and mentors of his, something that still blows Colyn’s mind.



“At this point, I’m really good friends with all the guys, which is amazing,” Colyn said. “At the start, it’s a bit scarier because they’re helping you make your first steps in your career, so you feel like you’re walking a bit more on eggshells. Now, it’s a good friendship and we can talk about everything. It’s all open for discussion, which is super cool position [to be in].”

How Tale Of Us Playing Colyn's Track Led To Multiple Afterlife Releases

While much of the world recently celebrated another holiday season, the dance music community mourned. December 23, 2022, was marked by the devastating news of Faithless co-founder Maxi Jazz’s peaceful passing at age 65.



The British singer, DJ, multi-instrumentalist, and songwriter first made himself known in the 80s club scene, DJing on pirate radio. His first group, Maxi Jazz and the Soul Food Café System, blended hip-hop with funk. He took that sound further when he formed Faithless with keyboardist Sister Bliss, singer Jamie Catto, and producer Rollo in 1995. Their hypnotic rhythms and his unmistakable vocal grew to levels of international acclaim as tracks like “God Is A DJ” became worldwide hits and pioneered dance group sounds.







The generational talent of Maxi Jazz and Faithless left waves of impact still felt by artists today. Today, we reflect on that impact by sharing Maceo Plex’s contemporary reimagining of Faithless’ globally recognized tune, “Insomnia.”



“Insomnia 2021” rewrites an anthem with a truly raucous twist. Maxi’s original vocals still command the will of the listener, only now warped with an ominous energy courtesy of Maceo Plex’s techno-tilted proclivities. Pounding percussion trades hits with jagged synths turning this tune into a spine-tingling carnal cut that will send even the most timid of dancers into a tizzy.



The passing of Maxi Jazz spurred a deluge of commemoration by artists and fans, including Armin van Buuren, Pete Tong, Boy George, and countless others. Jazz’s musical output and appetite spanned an impressive spectrum that only contributed to the scope of his reach in music. Hip-hop, however, was his first real muse.



In a 2017 interview, Maxi recalled, “When I discovered hip-hop, particularly Straight Out The Jungle by The Jungle Brothers, I realized I could make hip-hop, too, and write lyrics. Mike D and Afrika Bambaataa… their lyrics are playful, funny, intelligent and wise, and all that stuff I realized I could do. I realized there was a niche I could at the very least pop my toe into.”



Maxi Jazz is no longer with us, but his influence on music as we know it will not soon be forgotten.

Maceo Plex Reignites Faithless’ Global Hit with 'Insomnia 2021'

Peru

Bastidas

There's never anything overnight about success. The paths we follow to our most treasured goals are often long, winding, and include switchbacks and detours. Peruvian tech-house DJ, Bastidas (né Jose Guerrero Bastidas) has been obsessively consuming everything about music and production for over 20 years. After years of hard work, he's not only writing infectiously lucious Latin-tinged records, he’s uplifting and supporting the South American music community in an effort to pay back the immense support his community has given him.




Bastidas grew up in Lima, Peru with an insatiable appetite for music. His parent’s weren’t musicians, but he cites his uncles’ massive music collection as an early inspiration.









“I was into every type of music, I loved to collect music,” Bastidas said when I spoke to him over Zoom. “I remember having a little notebook, and when I was looking at music videos that was my addiction, just writing the names of the songs and musicians.” It wasn’t long before Bastidas—affectionately nicknamed Basti—discovered electronic music.




After moving to Miami with his family at age 11, Bastidas began an obsession with dance music, much ado to his influential older brother. He bought his first bit of DJ gear when he was 12, and a fire ignited. It was the early 2000s, and the Miami club scene was just about the explode.




But before he could headline the Miami clubs, young, ambitious Bastidas had to hone his craft. He played house parties and high school events before he was old enough to go clubbing. Even from these tender early years, Bastidas was a hustler. “I remember when I was 15, I used to play everything. Sometimes I used to play in restaurants too. Anything, you know, because it was like a hustle.”






He could've waited until he was old enough, but the pull was too great. So, as soon as found a good enough fake ID, he started exploring the local club scene.




Bastidas regularly visited Club Space in Miami, a mecca for dance music lovers craving marathon raves in the Sunshine State. The reggaeton and Latino influence on Miami’s dance music was palpable, especially during one of Erick Morillo’s sets. Morillo wore his Columbian heritage on his sleeve during his sold-out sets at Club Space, and young Bastidas was intrigued. He saw this merger of house music and Latino culture as vitally influential and widely underrated. Those Morillo sets at Space helped shape Bastidas’ trajectory for the next decade.




By 2010, Bastidas was orchestrating his own showcases at Club Space with big-name South American artists and producers (Jean Pierre, and Patrick M, for example). These early iterations of his label and project From the South already had a fully formed ethos: to celebrate and uplift Latino music and producers.




“When I created [From the South] I was like, let's see if I can push more artists from over there that really they keep working hard and producing 24/7,” he said. “Obviously, they sometimes cannot fly because (getting a) visa is difficult for them. But they're such talented people all around.”




The label’s premiere single “Vinotinto” features Bastidas and two other grade-A Latino producers, Luciano and Carloh. Five days after its release, “Vinotinto” was cruising steadily in the #1 spot on the Beatport charts.




Though a debut single reaching #1 is impressive, the pièce de résistance of Bastidas’ career thus far is undoubtably his pop-up shows in Comuna 13 in Medellin, Columbia. Most famously known as Pablo Escobar’s old neighborhood–that was once rampant with drugs, poverty, and violence–Comuna 13 is now a slowly blossoming community. One day, Basti and British producer wAFF, decided to throw a block party in Comuna 13.




“We planned out everything in one day,” he said. “When we started playing, we didn't know what was going to happen and we didn't know if the cops were going to come shut us down. So it was crazy.”




The cops didn't shut them down. Instead, they created a moment of pure communal support and joy. With rented decks on a small rooftop, Bastidas and wAFF converted Comuna 13 into a happy house playground. Children ran playfully through the dancefloor, and local mothers opened their homes (and restrooms) to the guests.


“Everyone was so happy,” Bastidas recalled. They made you know so much money for their families and the community. It was a mix of everything, so it was beautiful.” After a successful rerun of the block party in 2022, Bastidas now hopes to turn the event into a festival.




With such an impressive work ethic, it’s no surprise that Bastidas is keeping one foot in the future. With a successful new record, a blossoming record label, and a passionate purpose driving it all, Bastidas only has one question for himself. “Nobody expect this, you know. When ‘Vinotinto’ was released, we saw the love from the people. It was so organic. Now we're just preparing for the future. ‘So what's next?’”




On Friday, December 9, 2022, Perry Farrell—Jane's Addiction frontman and Lollapalooza founder—debuted his new underground party series, Heaven After Dark, with Maceo Plex headlining. Heaven was brought down to the historic Los Angeles club Catch One, its four programmed rooms filled with house and techno. A troupe of lively dancers decked in creative, DIY looks, including cloud bras, neon rainbows, wings, and laser-lined gloves, pranced around the club, adding a fun dose of '90s rave energy to a black-clad mostly male, mostly not dancing crowd. Ahead of the event, Farrell chatted with the dancers and other organizers about what heaven means to them and encouraged them to take on characters, bringing the energy of live theater to the club.



Surprises included a cotton candy machine tucked downstairs to offer guests a sugar rush with a heavenly texture and, most importantly, Farrell singing and riffing along to Maceo's set.



While the underground surely showed up for Maceo, there were also a lot of people there for Farrell. "It's Perry fucking Farrell, you guys!" a girl exclaimed during the set, turning to her friends with a wide grin.



Before the event, we caught up with the rock legend to learn more about Heaven After Dark. He offered poetic musings on house music, house parties, money, heaven, and the divine.



"I love the affects and results of a great house party—I'm thinking late '80s, early '90s house parties. They were also very freeing, happy occasions, a chance for people to get together and sing and dance," Farrell said when asked about the inspiration for the new event series.



"As things develop in life and people see there's money involved in it, the character of the occasion starts getting off of its original intention. I mean, everything is always transcending—that's a good word to use for [Heaven After Dark]—music is transcendental, and some of the best transcendental music comes from house music. I see house music as a place to go to get away from the material world, it can be that."

He goes on to share that he used to play records in his backyard for friends in elementary school to cheer himself up and gather friends with dance and good music. To him, this is the essence of house music.

"I've seen a lot of money go into [house music]—I'm thinking about the agencies that represent the DJs. I've seen the DJ go from making $500 to $1000 to $100,000 and sometimes even more than that. There's nothing wrong with that. I think it's amazing that we honor these digital producers.

But like most things, when money gets in the way, you loose the spiritual elements of it. So with Heaven After Dark, I'm shooting for heaven. I want to have [on] earth a place where God exists amongst us. I'm trying to draw heaven down to earth with a house party."

Fittingly, the venue was Jewel Thais-Williams' house, (for years, she lived directly above the club in what is now its green room) Catch One. From 1973 to 2015, the club was Jewel's Catch One, named after its groundbreaking Black lesbian owner who served decades of local queer and POC communities. In 2015, she sold it to Los Globos owner Mitch Edelson, who kept much of the original club's signage and spirit, and it remains an independent venue to this day.

It's important to Farrell to support and work with independent venues, organizers, and promoters, as well as underground talent. And with Heaven After Dark, he has a vision to support underground dance culture in a vehicle inspired by house music's early days.

Before we moved on to the second question, the "Jane Says" singer asked to talk a bit more about money.

"We're all going to have to start looking at life sublimely. We're about to enter the era of sublimation and redemption. Even things we thought were evil, like money. If you really look at money sublimely, it could actually save the world," he muses. "We can do some really hateful things [with it], or we can take that money and help out the poor, the sick, the needy, which would make the world amazing.

In order to do this [event], I had to start from the purest place. It's not about money. It's about kindness, about heaven. So I'm starting the whole process with the underground dance culture, because there's not a lot of money there, but there sure is a load of inspiration and love and community. It's a perfect place to begin this fantastic journey."



Speaking of money, the ticket price for the event was notably reasonable, especially for one headlined by Maceo. The early bird tickets were $25, and a week before the event, the second release tier was still available, at $36, with the last tier topping out at $50.

One of the event's partners is an LA event brand inspired by Berlin afterhours, NXT Entertainment. It was founded in 2018 by local techno DJ MANTi, who was throwing down in the main room when we arrived. He passed the decks over to KCRW dance music champion and host of the beloved independent station's longtime Saturday night show, Jason Bentley.

Maceo came on a little behind schedule, around 1:30. The crowd packed in as Bentley kept the energy high with his stellar selections until he passed the torch. The Heaven After Dark dancers made their way through the crowd to the stage, dancing with the most enthusiastic of the revelers. A few tracks in, the "Solitary Daze" producer dropped his euphoric remix of the Chromatics' "Shadow," and soon after, Farrell made his way on stage to sing to the lovely Groove Armada remix of his track "Shekina," as the dancers shot their lasers from their silver gloves into the crowd. Perry continued to sing over Maceo's banging selects, including Maceo's official 2020 remix of Farrell's "Let's Pray For This World."



The pair clearly was excited to collab together live on stage. Farrell told us, "I hold Maceo Plex in high regard…his vibe is transcendental, positive, artistic, and there's a little room for me to get on there and throw some evocation out to the audience… I'm going to let my heart sing." And that he did. Maceo made a charming Instagram post with photos of each of them in the '90s and a caption reading, "Somehow this nerd crossed paths with rock royalty & legend @perryfarrellofficial."




At one point, Farrell echoed "May may Maceooo" into the mic while smoking. Legendary. During Maceo's 2020 track "Nu World," he sang, "It's going offff!" Facts. When I left a little after 3, with just enough energy to carefully stomp by disco platforms down the stairs and drive myself home, Perry was still going!




It's incredible to see a massively successful artist and event producer like Farrell share his resources and platform with champions of the local underground house and techno scene, along with an American king of the underground, Maceo. The event has a ton of potential, and Farrell hopes to collaborate with more talent and producers in other cities around the globe next year and throw more events in LA.




Catch One is a large space to fill. It would've been cool to see some fun art and decorations transporting the space to the heavens. Farrell says he's planning on working with local fine artists for Heaven After Dark, which will be fantastic to see.




Heaven After Dark was initially supposed to happen in 2020, so the first "beta" version ended up taking place in March 2022 at Los Angeles' Belasco Theater, a live music rendition with Farrell and his wife Etty Lau Farrell's Kind Heaven Orchestra performing. They loved connecting through music and performance with a much more intimate crowd, but Farrell explained it was too expensive to tour with the orchestra, so the underground rave version came to life. He posits that "The orchestra can change shapes, its transcendental," and he's thinking about working with local musicians as they take it around the world. He's also keen to bring conversation, important current events, and philanthropy into the events in a way that keeps things fun and mindful.




Heaven is the limit!

Perry Farrell on His Underground Rave-inspired Event 'Heaven After Dark' 

The Keinemusik staple casts a tribal light on this new electronica staple













One of dance music’s defining traits is its inherent ability to unite. It unites people of different races, ethnicities, religions, and sexual orientations. This week’s Track Of The Week traverses generational lines as its artists combine years of cross-genre experience with invigorating new energy to create a deeply powerful experience that’s felt as much as it heard.



“Impossible,” an electronica-focused single, was released earlier this year by Röyksopp and Alison Goldfrapp. Goldfrapp and the Röyksopp duo of Torbjørn Brundtland and Svein Berge first came to prominence at the turn of the century with the rise of electronica and electro-pop. Two decades later, both talents are still actively contributing to the musical landscape while partnering with fresh forward-thinkers like German producer, &ME.



& ME’s reimagining of Röyksopp and Goldfrapp’s “Impossible” finds its way to us this week for its dream-inducing tribal take on the buzzing mid-tempo original. Sustained synths and organic percussion build over rumbling bass as Alison’s siren song beckons to love, feeling, and pensive euphoria. This is nine minutes of meditative empowerment.



& ME’s production talents are recognized by the most prominent names outside of dance music as well, having just registered production credits on the latest Drake album, Honestly Nevermind. &ME is also one of the founding members of the prolific German label and collective, Keinemusik. The group, made up of Rampa, Reznik, Adam Port, David Mayer, and Adre Boadu (aka &Me), grew from independent label to cultural tastemaker as their reach expanded from events at Ibiza’s DC10 to collaborating with global brands like Nike and Converse on exclusive footwear. 




The Keinemusik event series is now a global happening, with events taking place from Zurich to New York, Istanbul to Mykonos, even joining the transformative fun on the playa of Burning Man. Their bi-weekly radio show has also become a can’t-miss stream for any lover of house and techno.

&ME Delivers a Dream-Inducing Take on Röyksopp and Goldfrapp’s 'Impossible'

Turkish-Italian DJ and producer Carlita served a spellbinding set for Cercle in Rome’s Cinecittà. Nestled in Europe’s largest movie studio and the hub of Italian cinema, imposing replicas of ancient roman temples surrounded the decks. Evolving from classy house to spellbinding melodic techno and beyond, Carlita succeeded in blending a variety of different emotions into her memorable performance.

Carlita packed her set full of unreleased heaters, including a stunning collaboration between herself and andhim, as well as tracks from LP Giobbi, Jasper James & Wallace, and more. Carnival vibes came courtesy of Sean Finn, DJ Wady & MoonDark, while a classic 80s spirit flowed from the likes of Arno Cost & Norman Doray. The set also featured the stunning lead track from Carlita’s most recent EP, Bon Trip.




To calm her nerves, Carlita always meditates for five minutes before she steps behind the decks. And unlike most of her other shows where she never preplans a set, she chose to prepare her tracklist in advance for her Cercle debut. The results speak for themselves: a crowd ecstatic and bubbling with life from start to finish. “The people were just amazing,” she explains. “It was very, very special.”




Born in Istanbul, Carlita is a classically-trained musician and multi-instrumentalist. First learning piano at the age of three before moving on to cello, bass, drums, and electric guitar, she experiments with a mix of live and electronic instruments in her productions. She first fell in love with DJing while studying at the Royal Academy of Music in London. From Israeli pop to 90s rock, Turkish psychedelia, and more, her musical influences continue to be broad, diverse, and exploratory.




In the coming months, Carlita will play at an array of clubs and festivals, including Brunch-In the Park #14 in Barcelona, Paradiso in Amsterdam for ADE, and III Points 2022 in Miami.




Follow Carlita on Instagram | Soundcloud | Spotify











































































Carlita Delivers a Cinematic Cercle Debut

We’ve made it to the weekend, and you know what that means: time for Gray Area’s Track Of The Week. This time we’re starting your weekend off with something raunchy and ready for the dance floor—Michael Bibi’s new remix of Guy Gerber and Albertina’s “Bocat.”



Gerber has served as one of the leading tastemakers in Israel for two decades. The myriad moods and melodies that make up his expansive library set him apart as an almost mythical figure in dance music. His eclectic tastes have led him to work with artists blazing their unique trails, artists like Albertina. The British/Caribbean artist has proven herself to be a Swiss army knife of music, a wiz behind both the mic and the board.



When it comes to beats, you know Bibi’s got you covered. The UK-based DJ and producer is among the best in the business and regularly shares some of the sauciest sounds via his respected label, Solid Grooves. This rework takes a digital knife to Albertina’s vocals weaving them amongst spacious percussion, deep acid lines, and pounding kicks, all while allowing Gerber’s delicious guitar riff to wind and skate through the air above.



This new remix comes courtesy of Guy Gerber’s label, Rumors. Bibi is joined on the Bocat (Remixes) EP by a deeply powerful reimagining by Tel Aviv up-and-comer OMRI.




If you’re vibing with Bibi’s prowling take on this exotic cut, you’ll surely want to make an effort to attend one of the stops on his traveling event series, ELOVATE. The British beat smith traverses the globe sharing some of the most robust rhythms in the game from London to Tulum and Buenos Aires. Get a taste of what’s to come by streaming Michael Bibi’s carnal new remix of Guy Berber and Albertina’s “Bocat” below.



Michael Bibi Gets Guy Gerber’s 'Bocat' Fit For The Dance Floor

The experience of dancing for the last time inside the super clubs of Ibiza is a singular experience. The last week of September and the beginning of October brings the final call for many of the most popular residencies at Ibiza's top venues. And while there are many closing parties to choose from, we're bringing you the ones you can't miss out on.




Sven Väth presents Catharsis | Club Chinois | Tuesday, September 27

The founder of Cocoon, Sven Väth, will take the stage at the brand-new Club Chinois for one exclusive night this Tuesday. The German artist has heavily influenced Ibiza's dance circuit over the years. This season he has brought unique musical experiences through Catharsis (the name of his thirteen-track album) to the most essential venues playing every party as if it were his last. This will be the final chance to connect with the Ibiza legend this season, don't sleep. Buy tickets to enjoy the last Catharsis show by Sven Väth in Ibiza at Club Chinois.




Follow Sven Väth on Twitter | Instagram | Soundcloud







The Martinez Brothers Closing Party | Hï Ibiza | Tuesday, September 27

The superstar brothers from the Bronx, Chris, and Steve Martinez, conclude their first-ever residency in Ibiza this week. The Martinez Brothers have led one of the hottest nights on the island this summer with their trademark sound that expertly blends techno and house with a distinct New York edge. Next door in the Club Room, Paco Osuna has offered exquisite and forceful techno sounds. Paco and the Martinez Brothers were accompanied by a carefully curated selection of talented DJs, making Tuesdays at Hï Ibiza a must-visit for all dance lovers. For Kerri Chandler, Guti, and Renato Ratier, join them for the final outing alongside a special guest to create a memorable grand finale.

Get tickets for The Martinez Brothers' closing party at Hï Ibiza.




Follow The Martinez Brothers on Twitter | Instagram | SoundCloud







FISHER Closing Party | Hï Ibiza | Wednesday, September 28

From the start of the season, it was obvious FISHER's headlining slot at

the #1 club in the world (as voted by DJMag) was going to be one of the greatest debuts in Ibiza this summer. The Aussie DJ and producer knows how to throw a party, and we have all danced to some of his tracks like "Losing it" or his latest "It's A Killa" (with Shermanology). FISHER will play all night long in the Theatre Room at Hï to conclude the season, while Vintage Culture drops an extended set next door in the Club Room.

Enjoy FISHER's last show at Hï this season




Follow FISHER on Twitter | Instagram | SoundCloud







Afterlife Day & Night | Hï & Ushuaïa Ibiza | Thursday, September 29

Italian music duo Tale Of Us present a final glorious show across Ushuaïa and Hï Ibiza this Thursday, kicking things off in the open-air at Ushuaïa at 5 pm. The melodic techno pair play two headline sets in both venues (offering a b2b with Maceo Plex outdoors before midnight) and will be joined by Stephan Bodzin (live), Dixon, Mind Against, Sven Väth, Ben Klock B2B Marcel Dettmann, and many more. Purchase combined or separate tickets for Afterlife Grand Finale.




Follow Afterlife on Twitter | Instagram | SoundCloud







Solid Grooves Closing Party | DC10 | Thursday, September 29

Solid Grooves, the much-loved party and label with a distinctive deep tech soundtrack wraps up its first DC10 season this Thursday. Founder Michael Bibi joins label mates Dennis Cruz, PAWSA, Ben Sterling, and ANOTR and secret guests. The iconic underground venue DC10 has proven to be the perfect match for the groovers crew, so head over to the Salinas club and enjoy the last Solid Grooves of the year! Purchase your ticket for Solid Grooves Motel Closing party




Follow Solid Grooves on Twitter | Instagram | SoundCloud







Defected Closing Party | Eden | Friday, September 30

House music giant Defected is ready to close a fantastic season at San Antonio hotspot Eden. Defected has been at the forefront of the clubbing scene for more than 20 years and culminates its longest-ever season on the last day of September with Simon Dunmore, Mambo Brothers, Low Steppa, and many more. Head over to Defected closing party if you are looking for classic house music and uplifting vibes before the party season finally ends! Purchase your ticket for the Defected closing party at Eden.




Follow Defected on Twitter | Instagram | SoundCloud




elrow Closing Party | Amnesia | Saturday, October 1

elrow presents a new theme to close the busiest night at Amnesia properly. For the first time, elrow will present its most artistic and avant-garde theme: DELUSIONVILLE, a concept curated by the American contemporary artist Ron English. Metamorphic landscapes and anthropoid animals come to life exclusively at elrow's closing party. Amnesia and elrow have chosen one of the greatest representatives of clubbing culture to headline the show on the terrace, Fatboy Slim, alongside Eats Everything and elrow resident DJs Bastian Bux and Tini Glesser. The Main Room, renamed elrow City, will be occupied exclusively by Kölsch all night long. Dare to join the last elrow event of the summer in Ibiza and discover their new world! Buy your tickets for the elrow closing party and discover its newest theme.




Follow elrow on Twitter | Instagram | SoundCloud




Storytellers Pangea Closing Party | Cova Santa | Sunday, October 2

A day trip by Storytellers (the team behind WooMooN) finalizes the season with Pangea. The closing is the last opportunity to take an active role in the fairytale world they've created while dancing to an extended set by Red Axes and Audiofly b2b Deer Jade. The event begins outdoors at 6 pm at Cova Santa and follows indoors from midnight till sunrise. Get tickets to enjoy Pangea by Storytellers at Cova Santa.




Follow Storytellers on Instagram | SoundCloud















Ibiza Selects (September 26 – October 2)

LP Giobbi’s come-up might be the hottest of the year. The momentary pause on her launch two years ago due to the Covid-19 pandemic is now just a speck in the rear view mirror. In fact, her domination of Twitch streams throughout the pandemic may have even accelerated the process.




The Femme House leading lady has been on a tear in 2022 taking her brand on tour nationwide, gracing main stages worldwide, and releasing a slew of new singles and remixes. Recently, LP achieved another career milestone signing her first record to the prominent independent record label, Ninja Tune, via their Counter Records imprint.



“All In A Dream” is the deep-rooted dance track you never knew you needed with a piano-laden groove that only LP can provide. This foundational piece took on new life with a bit of help from her friends, as LP shared in a statement:



“All in a Dream came together in such a fun and fluid way. I started working on the idea of the track with one of my favourite producers, Le Chev (Michael Cheever) and I was in Miami with Sofi Tukker, and they walked into the studio and heard the record and Tucker immediately said ‘I have this vocal sample that would be perfect.’ I threw it in the session and it was in the same key and fit perfectly. I eventually played it for DJ Tennis and Ashworth, and Tennis suggested we record live drums for it so we spent a joyous day in the studio trying out all sorts of beats with a live drummer. Tennis and Ashworth then ran the track through outboard gear that made me want to crawl into the frequencies of the piano and never leave.”



This hybridization of organic instrumentation with synthesized enhancements culminates in a track just begging to be rinsed on a warm summer’s evening while soundtracking the setting sun.



Follow LP Giobbi on Facebook | Instagram | Twitter

LP Giobbi Captivates With Powerful New Single 'All In A Dream'

Miami native Nala – aka Stefania Aronin – merges deep house, indie dance, electro, and breaks influences into new textures and forms. A resident DJ at the notable after-hours Los Angeles event series, Lights Down Low, Aronin’ has also collaborated with Dirtybird Records’ founder, Claude VonStroke, who also actively manages her career.







A deftly skilled selector, Nala is the perfect choice to curate Set of the Week. Aronin chose a Boiler Room set from Tel Aviv duo, Red Axes, which closed out the 2019 edition of Present Perfect Festival in Saint Petersburg. Sparking up a lively atmosphere within seconds, the set is as multi-faceted as Aronin’s own productions.



Present Perfect Festival: https://www.instagram.com/presentperfectfestival/

 

“This is one of my favorite DJ sets from Tel Aviv artist Red Axes,” Nala told Gray Area. “It's a perfect blend of rock, dance music, and 90s rave. Red Axes' forward-thinking productions are a hit on the dance floor, and they aren't following any sort of formulaic trend. There isn't anyone else like them!”



Catch Nala in the coming weeks at Discopussy in Las Vegas, Beach House in San Diego, and It’ll Do in Dallas.





Follow Nala on Twitter | Instagram | Soundcloud







Follow Red Axes on Soundcloud | Facebook | Instagram









































































Nala Selects a Unique Gem from Tel Aviv Duo Red Axes 

Acclaimed international DJ, producer, activist, and Web3 entrepreneur Vivie-Ann Bakos—aka BLOND:ISH—has become a leading voice for climate consciousness across various mediums while paving new paths between artists and fans within the digital space. Last week, Bakos blazed a new trail unveiling a pioneering partnership for her Bye Bye Plastic Foundation during International Music Summit Ibiza, the premier forum for electronic music.



This Summer, Bye Bye Plastic will partner with Web3 platform, Socialstack, to launch the $BYEBYE social token, a cryptocurrency that can only be earned through environmental actions. It offers unique redemption opportunities such as limited NFTs, membership, and real-world experiences. Celo, a carbon-negative blockchain, powers this first-of-its-kind impact-driven social token.



But how is such an innovative program made possible with so many moving pieces?


Bye Bye Plastic is the inaugural grant recipient of Socialstack’s Climate Action Social Token Fund. This groundbreaking initiative comes in collaboration with Celo’s Climate Collective to fund and provide infrastructure to cultural and brand leaders for the development of Web3 communities addressing the climate crisis. 




The $75K grant will allow Bye Bye Plastic and Socialstack to run the first-ever Impact To Earn (I2E) campaign in the Web3 space, with $25,000 in CELO tokens rewarded to those who take positive actions. This aims to capitalize on the notable rise in popularity of Play To Earn (P2E) gaming. 




BLOND:ISH shared her intentions for the token format, saying, “The sustainable and circular economy still needs to appear stimulating and incentivizing in our everyday lives in order to win the tide of climate change. With a token that rewards environmental actions, we aim to not only gamify but also effortlessly change the culture that will shape a plastic-free and more regenerative world.”



And why is a fledgling space like Web3 such an exciting new vehicle for this kind of climate-conscious movement? Craig Wilson, CEO of Climate Collective, shares, “Reversing climate change is a problem that is best suited to Web3. Climate is a mass coordination problem, and Web3 is a mass coordination tool.”



Web3 describes decentralized online ecosystems based on the use of blockchain technologies. For further explanation of blockchain-based projects and their use in the music industry, check out our insights in 10 Dance Music Led Blockchain Projects.



$BYEBYE will launch at the end of Summer 2022. For more info, visit byebyetoken.com





Connect with BLOND:ISH on Instagram | Facebook | Twitter

Connect with Bye Bye Plastic on Instagram | Facebook

Connect with Socialstack, Celo, and Climate Collective for more info

BLOND:ISH Launches Innovative Climate Conscious $BYEBYE Token 

Chloé Caillet

Chloé Caillet has turned house music into her travelog. The DJ, producer, and multi-instrumentalist just touched back down in Ibiza after two weeks on tour. From her mini farmhouse home in the middle of a forest, she sits on the floor for a chat with Gray Area while her cat lounges behind and her husky pup Cosmo orbits next to her. 

“I spend my life on the road touring, meeting people. I’m around lots of different types of energies and noise.” Caillet explains. “It’s loud, which I love so much about my job. But I find when I’m able to come back and retreat to a place where there’s nature and you wake up to birds and trees. I feel a little bit more clarity, and I definitely sleep better.” 

It’s not exactly what dance music fanatics think of when they imagine Ibiza, but she enjoys a balance of the busy summers and quiet winters. Having grown up around major cities with heavy dance music scenes, she appreciates the diversity the island has to offer. 

Caillet was born and raised in New York City and moved to Paris at 11 years old. Her journey as a musician began when she was seven with classical piano lessons. By 16, she knew for sure she wanted to pursue music. So, she studied jazz piano at a conservatory in the UK for high school. 

Her passion is crystal clear: “I was so determined. There was nothing else. It was just music every day, all day. Whether it was listening to records, going to shows, playing in a band, writing songs, learning a new instrument, hanging around artists – everything was about music.”

“I sort of got expelled from school,” Caillet continues nonchalantly. The rebellious teenager taught herself guitar and songwriting while stuck at home. “It drove my parents nuts to the point where they were like, ok, that’s all she thinks about. That’s the only thing we’re going to do. Convincing your parents you’re going to be a musician isn’t an easy thing,” she says. 

At 19, she went back to New York for college and joined prog-rock bands playing keys. After graduating university, she worked in A&R at Universal Records. She launched a creative agency as she searched for her place in the industry before finally leaping into being an artist. 


Caillet remembers thinking, “I know a lot of DJs, I know a lot of bookers, I know a lot of club owners. I’m just going to start DJing because it’s something I can do.” Before she even gained the skills to DJ, Caillet had already booked her first gig.  


“I basically picked up a set of decks, brought them home, called a friend and said, ‘hey can you come over and teach me? I got a gig next week,’” she says coolly.  


Caillet’s initial entry to electronic music was through a DJ friend who showed her the minimal house sound coming out of France. “I grew up in Paris around the Ed Banger music scene. I used to listen to drum & bass and dubstep and house music. I remember being blown away [not just] by the simplicity of it but how strong it was.” She later moved to Bristol, a city steeped in bass music culture. Her life was flooded with D&B and dubstep. 


Daft Punk’s Homework was the defining album for Caillet. She always loved French touch and, to this day, is impressed with the underrated music coming out of the strong yet intimate Paris scene. 


“I was brought in by friends but then I always did my own research, went to raves, bought CDs, downloaded music, watched YouTube videos… I digested all of it,” she says. 


Three years ago, she dove into Ableton, considering it sample-friendly and full of dope stock plugins. Whether laying down a melody on live instruments or hearing a perfect funk sample, Caillet almost always starts a track in a different place. The depths of her knowledge allow her to improvise and feel the freedom that comes with trusting her musical instincts. 


“I’m investing in hardware and running it through really good preamps – really focusing on nailing the sound before it even hits Ableton. That’s what makes you special: when you have specific synths you fuck with… that’s how you build your sound,” Caillet says. 

She records samples on the go, carrying a Zoom H2N recorder to collect the urban soundscape of traffic, the ocean, or a conversation in a different language. Caillet says, “Every city has its own sound. Every taxi has its own honk.” 

House music culture is all-encompassing in how it touches on art, fashion, and community. They collectively build upon spaces and sounds that allow LGBTQI+ and people of color to feel at home. Caillet says, “Let’s be honest – gay crowds for me are the best. Queer parties so far have been some of my favorite gigs because I feel safe and included.” She also lets her girlfriend lead her creative direction.


Five years ago marked the beginning of PVBLIC XCESS, a collective with Josh Ludlow. Their first EP releases in April. Her ethos is simple: create the best parties ever. 

“There’s nothing better than a good dance party where everyone is united,” Caillet says. 

Caillet released the deep house single “LOVE AIN’T OVER” and a subsequent remix EP for this satisfyingly groovy track that invites you to the dancefloor. As PVBLIC XCESS, Caillet and Ludlow just dropped “Don’t Wanna (Get Down)” featuring Pat Kalla on their outlet XCESS Records. The collab sizzles with elements of disco, funk, and acid with melodic vocals that are playfully rhythmic. 

Caillet doesn’t take this lifestyle for granted. “We were so fortunate to live such amazing lives and travel the world and do what we love. You have to also take care of your body and your mind. And there’s a lot of depression, there’s a lot of anxiety in the music industry that is unspoken about,” she says. 

Caillet immerses herself in sound baths and uses techniques like tapping and meditation to reset her internal rhythms and achieve better mental health. Most of all, she reminds herself, “Don’t be afraid. Do what you want to do.” 

Interview by Ryden (@officialryden) / Words by Aurora Zboch (@symphette)




Desert festivals might be some of the hardest to come by, and not just because those barren spaces are few and far between. Raving in 100-degree weather is just something that most people wouldn’t dream of, and it might seem even more improbable in such a remote location. So, why do ravers take to these arid sandscapes to dwell in the desert for days on end?

Despite the unforgiving environment, desert landscapes make for some of the best festivals in the world. Often without any towns or cities within earshot for miles, the lack of noise licenses allows for larger than average sound systems with no time constraints. Deserts also provide a completely blank slate meaning they can play host to any kind of creativity or blueprint, whether stages, art installations, or campsites. After dark, once the heat settles over the planes or dunes, it’s high time to let loose, and party as the dry daytime air subsides, creating the perfect starlit setting for any eager raver.

So, with that, let’s dig into some of the best desert festivals across the globe - and no, it’s not just Burning Man!




Monegros Desert Festival, Spain



We’re kicking off this list in Europe - an unusual spot considering the continent’s vast greenery. In the dusty region of Aragon, Northern Spain, a growing community sets up shop in the Monegros Desert, where the eponymous festival takes place. By day, festival-goers take shade under enormous fairytale-esque mushrooms, later lit up by trance-inducing lights transforming the space into a psychedelic oasis. Monegros Desert Festival is known for its prodigious lineup too. Promising one of the most exciting performances of the year as Wu-Tang Clan take to the stage in July 2022, accompanied by a slew of DJs including Adam Beyer, Charlotte De Witte, Seth Troxler, Maceo Plex, and more. This year’s event falls on July 30 for a full-frontal 24 hours.

Website | Instagram | Tickets







Transahara, Morocco



Over in the Sahara Desert, early summertime event Transahara kicks off this year on May 13th-17th deep in the barren zone amongst the “mythical dunes of Merzouga.” With a traditionally psytrance lineup, this South Moroccan festival is a great escape for fans of higher-tempo tunes. Yet, previous lineups have included house and techno artists whose soundscapes fit for the mystical desert environment like John Aquaviva, Nitin, Matt Caines, and D-Nox. Due to the fragility of the ecosystem surrounding the venue, the festival is capped at 1500 and accommodations in one of five hotels and camps nearby. Accommodations are quite reasonable ranging from $30-80 a night. Transahara beautifully fuses art, music, and culture for a grand celebration under the starlit sky every spring. 

Website | Instagram | Tickets




Burning Man, Nevada

Photo Credit: Michael Holden



Of course, this list wouldn’t be complete without Burning Man. It might be the first one that comes to mind when you think of desert-based festivals, but many don’t know the full ins and outs of this unusual event. As thousands of people - 80,000 to be exact - make the pilgrimage each year to Nevada’s Black Rock Desert, festivalgoers land in the barren metropolis of Black Rock City surrounded by art installations, burning structures, adventurous outfits, and a heck of a lot of bicycles. Black Rock City doesn't have traditional stages, the music is instead hosted by sound camps that each add their own artistic aesthetic to the dusty environment. Soundcamps like the fire-laden Opulent Temple, Debouchaerous day party Distrikt, and Carl Cox led Playground have hosted some of the biggest names in house and techno, including Carl Cox, The Martinez Brothers, and Joseph Capriati.

Website | Instagram | Tickets




Ragasthan, India

Previously dubbed ‘India’s craziest music festival’, Ragasthan has a lot to live up to - and it does. The three-day camping event takes place in the medieval trading town-turned-desert of Jaisalmer, Rajasthan, just off the border of Pakistan. Boasting a lineup of both electronic and indie music, India’s top-tier festival also includes cinema screenings and fly-by art on top of late-night DJ sets from the likes of Christ Burstein, Bemet, and more amongst the mystical landscape. Ragasthan takes place each year in February to ease away those winter blues.

Website | Instagram | Tickets




AfrikaBurn, South Africa



Burning Man's sibling festivals are called regional burns. Founded on the same 10 Principles of Burning Man (Radical Inclusion, Gifting, Decommodification, Radical Self-reliance, Radical Self-expression, Communal Effort, Civic Responsibility, Leaving No Trace, Participation, and Immediacy) they give the worldwide community a chance to relish in its spirit closer to home.

Afrikaburn is the second largest regional event after its sibling festival Midburn in Israel. And it's a worthy contender. Originally taking place on Stonehenge farm, AfrikaBurn later moved to South Africa’s Quaggafontein, where it sets up a similar event with the same ethos as Burning Man. The experiencial festival is said to be a ‘playground without politic’ bringing together the South African Burner community. This year’s event kicks off in the Western Cape province on April 25th until May 1st.

Website | Instagram | Tickets




Desert Daze, California



California’s Desert Daze Festival has consistently had one of the better lineups over the past few years in the arid, mountainous destination of Lake Perris. Though more a beach than a desert festival, this dry setting has previously hosted the likes of Floating Points, Boards of Canada, Flying Lotus, plus a few pop, rap, and rock numbers. Desert Daze takes place annually toward the end of the year to avoid peak summertime heat, but with a lake just metres away, there’s always room for a quick dip. Expect some more magic in the desert this year from September 30th until October 2nd.


Website | Instagram | Tickets




Sandbox, Egypt



Sandbox is a once-in-a-lifetime event taking place mid-summer. As the sun hangs low over the Gouna Red Sea next to Egypt’s El Gouna desert, almighty lineups including Folamour, Palms Trax, Mella Dee, Sweely, and more play to intimate crowds. The desert plane hosting Sandbox sits next to the turquoise waters of the red sea, making it the perfect respite for anyone seeking some time away from the unforgiving heat. This year’s dates are currently unconfirmed, although you can bank on a glorious weekend somewhere in mid June.

Website | Instagram

Day Zero, Israel



Finishing off our selection is Israel's Day Zero festival hosted in the UNESCO World Heritage Site of Masada, not to be confused with the festival’s second event held in the jungle of Tulum. As termed by the festival itself, Day Zero is ‘a convergence of mysticism, music, natural wonder and apocalyptic sentiment’, set amongst the scenic desert space in the heart of Israel. Here, you can find a bill of impressive house and techno artists from all over the globe with previous residents including DJ Tennis, Black Coffee, Four Tet, and Dennis Cruz amongst others. Day Zero celebrates 10 years this year kicking off on September 23rd, 2022.

Website | Instagram | Tickets



Desert Festivals to Visit Around The World

Upon returning from Tulum this week, the Gray Area office was buzzing with new music recommendations. Among them was Argy's "Tataki," a chunky techno anthem that ignited the dancefloor during his set at the Afterlife showcase. The UK-based artist's set was a highlight of the lauded imprint's showcase in the jungle. He played alongside the label's head honchos Tale of Us, Mind Against, Stephan Bodzin, and Recondite.

The track's chugging low-end thump, and a meditative chant are entrancing. And as "Tataki" opens up, it expands into a psychedelic patchwork of sweltering synth swells and hip-shaking vocal edits. 

Greek-born Argy has spent the last decade releasing genre-spanning music on labels like Cocoon, Cuttin' Headz, Crosstown Rebels, Play It Say It, and Archie Hamilton's Moscow Records. The dynamic producer is also a masterful selector. He was a resident at Berlin's Panorama Bar at the tender age of 20 and has since rocked the decks at countless clubs, including residencies in Ibiza at Amnesia, Space, and Pacha. The consummate crate digger is consistently ahead of the curve and revealed the talents of artists like the Martinez Brothers and Solomun in the early '00s, years before they dominated the dancefloor.

Follow Argy on Instagram | Soundcloud | Facebook



Track of The Week: Argy Unleashes 'Tataki' at Afterlife Tulum

2021 was yet another tumultuous year. A year that constantly highlighted the fragility of the everyday. As lock-downs eased, a late-stage festival season emerged like nothing we've seen before. And as new variants surged, our plans with family and friends were once again thrown into the blender. We learned to understand that the only constant is change. 

We experienced euphoric dance floor reunions and the hope of a reunited house and techno community. The clubs, festivals, and playlists exploded new talent, the dancefloor bustled with new fans, and veterans observed a rediscovered spirit that reflects the storied days of the 90s.


And as artists shared their quarantine anthems, we learned that dance music could be many things. It's always fun, always danceable, but it can also be deeply personal, emotionally transcendent, and a revelation and reflection of our deepest desires. 


It was an unprecedented year of growth for house and techno worldwide. And the Gray Area team took the time to dig through the crates and pull out the songs that exemplified the year best. So here are our best house and techno tracks of 2021.

WEISS, Sharlene Hector - Lift Me Up

Now that house music has wriggled its way into the mainstream, we’ve seen a surplus of house bangers filling up the charts. An old-school house-styled cut like "Lift Me Up" stands out among the rest not only for its nostalgic sounds and production but because  Sharlene’s fervent vocals captivate and inspire. Her resounding, soulful vocals combined with Weiss’ masterful house production form one of this year’s most compelling piano house tracks—one that could easily be heard in a set by Marshall Jefferson or Paul Johnson back in the day. -Melissa Yuriar

KREAM, Dan Caplen - Roads (feat. Dan Caplen)[VIP Remix]

Norwegian electronic dance music duo KREAM has a penchant for producing deep house cuts with emphatically heartfelt lyrics. "Roads," released earlier this year, is a saccharine dance track driven by poignant vocals from classically trained musician Dan Caplen. He cites Bill Withers and John Legend as vocal inspirations. Though Caplen’s heart-rending vocals remain at the forefront of the reworked deep-house tune, they appear to have a more pronounced sultry finish. The VIP remix is a bouncy, enthralling remix of the original that feels timeless.  -Melissa Yuriar


Gorgon City, DRAMA - You've Done Enough

Gorgon City’s distinct bass-driven house music is immediately recognizable, having amassed over 1.5 billion streams to date on all their records combined. Their latest album Olympia, released in June, features incredible collaborations with Sofi Tukker, Hayley May, and Jem Cooke. The self-deprecating love ballad “You’ve Done Enough,” features vocals from Rosa of the Chicago-based duo DRAMA. Powered by an infectious, oscillating bassline and sweetly sung lyrics that form a compelling story many resonate with. 

“It’s been said that if you become the best version of yourself that it’s easier to find someone to love you for who you truly are, as opposed to someone who loves you for who they think you are or will become,” said Rosa about the song’s meaning to Genius. “Know that you deserve nice things, like people loving you.”  -Melisa Yuriar

Shaolin Cowboy, manon - Réveiller (feat. manon)

Rising London producer Shaolin Cowboy is one to watch. Last year he released several singles on Bandcamp and his acclaimed debut EP, Catch Feels Get High. While his production features plenty of lofi-grooves, textures, and breaks, he’s demonstrated his fearlessness in experimenting with various tempos and elements from multiple genres. His latest EP, 21 Hours, amalgamates several elements plucked from sound system genres–UK garage, breakbeat, acid, and house–and contains the stunning breakout single, "Réveiller." The tune is an upbeat lofi-house club track that features alluring vocals by upcoming French songstress, manon. Shaolin Cowboy’s production on the tune is one of the most interesting we’ve heard this year. Don’t sleep on this unbelievably underrated house tune.  -Melisa Yuriar

Sofia Kourtesis - Nicolas

Peruvian tastemaker-producer Sofia Kourtesis' brand of house music is distinct. Much of it centers around distorted or looped vocals and splintered film samples that she expertly weaves into emotive and buoyant beats. "Nicolas," off her latest EP, Fresia Magdalena delivers house-realness with its driving bassline, lofi textures, and shimmery fills—the enchanting song is a potent cut with infectious energy. Sofia’s adeptness in sound design and mixing is nothing short of sensational. - Melisa Yuriar








Dom Dolla, Mansionair - Strangers

Australian house producer Dom Dolla collaborated with electronic-indie artists Mansionair on one of the most stirring house tracks of the year. Mansionair’s Jack Froggatt lent his impassioned vocals while Dom showed off his production prowess with driving basslines and atmospheric melodies that ebb and flow throughout. 

The song’s narrative deals with themes of longing and impulsivity with sweeping strings and a heart-rending delivery from Froggatt. Catch this and many more house hitters from Dom this year as he tours across the United States and the United Kingdom, Netherlands, New Zealand, and Australia next year. Mansionair recently announced the forthcoming release of their sophomore album; they'll be touring the US early next year.   -Melisa Yuriar


TSHA - Power

Awarded BBC Radio 1’s “Future Artist” title, UK-producer TSHA is having an incredible year. Her latest EP OnlyL, which contains the stand-out single “Power,” received broad support from Annie Mac, Zane Lowe, Bonobo, and publications like Fader, Resident Advisor, Mixmag, XLR8R, This Song is Sick, and Dancing Astronaut. 

"Power," released on Ninja Tune, is one of her best releases this year. The song features oscillating instrumentals, uplifting vocal samples, and a delicate piano loop that exudes warm, jubilant energy. Her hip-shaking club bangers and production style are inimitable. We can't wait to hear what this rising talent has in store for us next year.  -Melisa Yuriar










J Worra feat. Little Boots - Wasteland 

This tune is a straight banger with signature bass heavy-hitting beats by J. Worra. The vocals by Little Boots add the right element to the track to make this tune straight up sassy and sexy.  -Alicia Baron

Alinka- Glimmer 

This full-throttle-house track has no shortage of texture and soundscapes that keep you energized. With a fun nod to 90's Eurodance in the hook. The pumping bass mixed with euphoric glimmering synth packs so much multidimensional punch.  -Alicia Baron

Nala- Psychic Attack

This track has taken dancefloors by storm. An ecstatic blend of indie electro and house, wonky beats, and a fat groovy bassline. Nala's voice adds an element of ethereal with her signature lyrics as she dives into the topic of mass media manipulation of the mind.   -Alicia Baron







Disclosure- Observer Effect 

Disclosure mixes their signature house shuffle adds heavier synths than we're used to from the boys. It's gritty analog sounds are fundamentaly face-melting.  -Alicia Baron

Joshwa, Lee Foss - My Humps

"My Humps" combines a blissfully nostalgic throwback with the thumping speaker-freaker sound. It easily viral even before its release combining rampant energy and a new take on Fergie's 2005 smash hit of the same name.   -Alicia Baron

Maceo Plex, Liberty City - You Know What I Got

Maceo Plex's swirling melodies and Liberty City’s infectious vocal are a match made in heaven. This track is a fresh take on the 1995 classic featuring soaring leads, fluctuating synths, and warped vocals, which is nothing short of epic.   -Alicia Baron

Kevin Knapp - Dancing with the Devil 

This track kicks off in Kevin Knapp's usual fashion - with big fat beats, heavy drums, and powerful synths. This track has a hard edge with echoing vocal samples to deliver a fast-paced drive throughout.   -Alicia Baron

Sacha Robotti - Fuck the Pain Away

A remake of Peaches’ iconic track Robotti delivers punching bass throughout. The infectious percussion arrangement offers a fierce dance floor groove under the infamous vocals redone by BabyGirl. This is a true Robotti classic.     -Alicia Baron

Jayda G - All I Need 

GRAMMY-nominated Jayda G has beautifully emerged from the underground onto the stages of Boiler Room, Dekmantel Festival, and Aluna’s upcoming all-Black Noir Fever New Orleans. Her track “All I Need” premiered on the coveted DJ-Kicks series and garnered rave reviews by the likes of Rolling Stone, NYLON, as well as being placed on Pitchfork’s electronic and regular top songs of 2021. Jayda G brings back vintage house feels in this ultra groovy tune, even including clips of an old rave in the accompanying music video.  -Arielle Lana LeJarde


TOKiMONSTA - Say Yes (feat. VanJess)

Los Angeles producer, DJ, and record label owner TOKiMONSTA first received a GRAMMY nod in 2019 after her personal Lune Rouge album. "Say Yes” is a rework of Floetry’s 2002 track by the same name. R&B duo VanJess and TOKiMONSTA reimagined it into a sexy, soulful house tune that you can’t help but groove to. When venues started opening up again, it was rare to find a house set this wasn’t rinsed in. -Arielle Lana LeJarde

Gemi - Talk

Gemi is one of London’s hidden gems who describe their music as “nukg shithousery.” And precisely as advertised, “Talk” is a UK garage track that showcases playful percussion, dreamy vocals, and shimmering synths that make you feel like you’re floating. 
-Arielle Lana LeJarde

Rome In Silver - Fill Up My Soul 

Multi-faced Rome In Silver never sticks to one genre, and that’s why he can be found on esteemed labels ranging from Monstercat to bitbird to Quality Goods Records, as well as supporting a wide range of names from CloZee to Dabin. In a turn of events, Zeds Dead's label Deadbeats released Rome In Silver’s latest track of the year, “Fill Up My Soul.” The song is a funky disco tune that seamlessly blends in bass elements and stays true to the label's sound. The soulful adlibs and vocal chops throughout the track truly take you back in time.  -Arielle Lana LeJarde


Make Me Feel - John Summit

John Summit announced himself on a global scale with 2020’s song of the year, "Deep End." Although many artists would be satisfied with that accomplishment, John did not take a day off. "Make Me Feel" is just one of many hit songs John Summit dropped in 2021 to continue his ascension. The track majors in John Summit’s signature low-end bassline, with a satisfying female vocal loop to keep feet moving on the dancefloor. It maintains hype without sounding too radio-friendly, a lane that John seems to manage regularly. -Jonah Flint

Do It - Sohmi

A classically trained pianist, and vocalist, Sohmi refuses to be defined. One of the breakout stars of 2021, the Korean-American has turned heads with her unique blend of dark minimal house, techno, left field, breaks, and funk. "Do It" encapsulates her work, a stunning release on Yotto’s label Odd One Out. Utilizing her sultry vocals, the track takes listeners on a journey through her unique take on techno with a monster synth line and punchy bass. -Jonah Flint



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Alter Ego - Duke Dumont

Duke Dumont is no stranger to big hits. He has been a headliner for years now, although the last few have regularly seen him raise the bar. Returning to his club sound, "Alter Ego" is infectious. Calling upon the budding star Channel Tres for his iconic vocals, the track is a club-ready banger that can put a groove in your step walking down the street or at 4 am in a dark room during a night out on the town. -Jonah Flint


Ahora Todo Va - Josh Butler & Dennis Cruz

When two veterans get together, you can expect brilliant results. "Ahora Todo Va" is a track that Josh Butler was sitting on for months until he enlisted the assistance of Dennis Cruz. Together, the two crafted a Latin-influenced tech house track that is relentless. Spanish vocals, lively drum patterns, and a lengthy build-up give this track the energy to fit any size of the room. Coupled with a monster remix by Gorgon City, ‘Ahora Todo Va’ is one of the year’s best tracks.  - Jonah Flint

The Best House and Techno Tracks of 2021

Ultra’s return to historic Bayfront Park in Miami gets a touch sweeter today with the announcement of the Resistance lineup. The underground house and techno off-shoot of Ultra has a well-documented reputation for curating forward-thinking lineups. And next March 25-27 they’ve upped the ante with an impressive array of world-class talent that spans the expansive diversity of the underground community.


The Resistance lineup gives some context to some of the incredible artists already announced on the Phase 1 lineup.  Melodic techno duo and Afterlife Records head honchos Tale Of Us join progressive titans CamelPhat, veteran and legend Dubfire, and Resistance champion Carl Cox who debuts his all-new three hours hybrid performance exclusively for Ultra Miami 2022.

What’s truly striking is the diversity in the rest of the lineup. The representation of fantastic women in house and techno can’t be undersold. And this year’s lineup includes venerated acts alongside exciting rising stars. Amelie Lens, ANNA, Anfisa Letyago, Nina Kraviz, Sama’ Abdulhadi, Ann Clue, Georgia Anjuli, and Nala will all take the stage.



The lineup is also diverse in sound with a broad sonic footprint, from the grooving bassline of Dom Dolla and John Summit to the sweeping melodics of Hannes Beiger’s live performance. The pounding beats of Adam Beyer to the sun-soaked Beatport topping tech house of Solardo and the legendary progressive sonics of Sasha | John Digweed. The Resistance lineup overflows with talent. There’s so much there that you’ll never have to leave the revamped Resistance area of Ultra Miami.



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Resistance will take residence in a new section of Ultra’s fabled home on the park's northern perimeter. The new location allows house and techno fans to spread amongst multiple areas, including the Carl Cox megastructure and an all-new concept called The Cove. Beneath the palm trees overlooking Biscane Bay, Resistance fans will feel a hint of nostalgia for 2019’s Resistance Island.

Tickets on sale now at https://ultramusicfestival.com/tickets/miami/

Ultra Miami Unveils the Resistance Lineup for 2022


Gray Area makes another step in its mission to “unify and strengthen the House Music community around the world,” today by partnering with Spotify for an official editorial playlist on the streaming platform. Gray Area Guest List launched with over five hours of house and techno from the forward-thinking and creative voices that are defining the myriad sounds of underground dance. 



Spotify’s Guest List playlists allow noted brands and artists to take over an official editorial playlist curating it from top to bottom precisely to match that brand’s unique footprint. And the Gray Area list is lovingly selected to reflect the future of dance music.



Included are songs from Gray Area Spotlight featured artists QRTR, LP Giobbi, Vintage Culture, and Will Clarke. Alongside bonafide legends like Ricardo Villalobos, Miss Kittin, Maya Jane Coles, Anja Schneider, Guy Gerber, Steve Bug, The Martinez Brothers, Joseph Capriati, Jamie Jones, Louie Vega, Pig & Dan, Royksopp, and Maceo Plex. 2022 GRAMMY Award nominee Black Coffee, Repopulate Mars boss Lee Foss, Drumcode front-man Adam Beyer, and Godfather of House Frankie Knuckles are also featured.


The Gray Area Guest List is a great way to get familiar with the sweeping sonic footprint of house and techno. Too often, we get stuck in our own lane, and the beauty of dance music is that it encompasses an array of shifting moods and aural textures. So take yourself on a journey through the expanse of underground dance music, turn up the volume and Let There Be More House Music.




Gray Area Takes Over Spotify's Official Guest List Playlist

After an unforeseeable two-year hiatus, the world’s leading indoor techno festival makes its monumental return to the states. On November 19th and 20th, Time Warp US will transport attendees to another dimension with its otherworldly attributes and spellbinding soundscapes spanning two modernized dance floors in a brand new Brooklyn location. 

Recognized for its entrancing lineups packed with techno’s finest, and cutting-edge audio and visual production design, this industrialized area in the city that never sleeps hosts the perfect underground environment for a beaming techno-infused celebration of this caliber. 

Time Warp US never ceases to astonish, but this year’s highly-anticipated production welcomes some extraordinary b2b performances and live acts that will add an unusual touch to the already alluring festival. 

What makes Time Warp so special is its unwavering devotion to techno, consistent authenticity, and sense of community throughout each installment. If you’re planning on attending next weekend, read on to gain more insight on seven Time Warp US b2b sets and live acts you don’t want to miss!

 

Ben Klock b2b Marcel Dettman

 

German techno titans Ben Klock and Marcel Dettman will bring a taste of that true Berlin sound everyone just can’t seem to get enough of. The Berghain club mainstays and resident DJs never fail to stir up a crowd with their flawless chemistry on the decks, always fusing their slightly distinct approaches to techno in the most harmonious manner. After catching a glimpse of their recent b2b set at Secret Project Festival during ADE last month, there’s no doubt this upcoming performance will leave attendees begging for more. 

 

 

Seth Troxler b2b Jamie Jones 

 

Fans were already thrilled for a Seth Troxler solo set since he was announced on the lineup in phase one. A few weeks ago, the festival curators unveiled that he would be playing alongside Welsh Hot Creations label boss Jamie Jones, an unexpected—yet welcome— surprise. After living in dance music-savvy cities like Detroit, Berlin, London, and Ibiza, Troxler has established himself as one of underground house and techno’s most iconic artists. Combined with Jamie Jones’ innovative soundscapes, this is one dynamic duo you won’t want to skip out on. 

 

 

 

 

 

Mink b2b O.Bee




Brooklyn native Mink has made a name for himself across NYC’s thriving music scene with his groundbreaking performances and all-encompassing compositions. Slated to take the stage next to Istanbul-born Brooklyn-based O.BEE, the two talented musicians will enlighten festival-goers with their rebellious, forward-thinking sounds during their unified Time Warp US debut. Both known for incorporating classic New York flavor into their sets, there’s a reason these two flourishing acts were enlisted for the festival this time around. 

 

Ricardo Villalobos b2b Craig Richards

 

Ricardo Villalobos has been fond of all things music from a young age, and it displays on every single note and melody he shares with fans across the globe. Born in Chile but raised in Germany, the acclaimed DJ and producer is inspired by both countries’ musical histories and is now acknowledged as a leading pioneer of the minimal techno genre. The Time Warp veteran returns alongside nightlife prodigy Craig Richards, whose diversified musical background and captivating techno ensembles mesh perfectly with Villalobos’ exotic beats. While it’ll be hard to top their 2019 b2b set, we’re excited to see these two live in action again.

 

KiNK (Live)

 

Bulgarian artist KiNK wears various hats within the industry but is particularly praised for his state-of-the-art, experimental live performances. The blooming DJ, producer, and beatmaker uses intricate analog machines in conjunction with CDJs when performing on stage, and each performance portrays his impressive sound mixing capabilities and musical expertise in the most alluring manner. KiNK will bring his passion for mixing and his live futuristic techno sounds to Brooklyn as he debuts at Time Warp next weekend!

 

 

Reinier Zonneveld (Live)

 

Reinier Zonneveld is living proof that you can turn your dreams into reality if you give it your absolute all. The self-taught Dutch musician’s decision to drop everything and dedicate all of his time and effort to solely creating techno has surely paid off. Zonneveld’s mesmerizing sonic elements are influenced greatly by his never-ending love for classical music and life-changing warehouse rave experiences, and he brings these devotions to life exquisitely during each live performance. Only he can master intertwining deep and melodic tones with heart rate-inducing acid techno in a live setting. 



 

 

 

Stephan Bodzin (Live)

 

Always humming to the beat of his own drum, Stephan Bodzin has established his own uniquely curated corner of techno. The renowned instrumentalist has headlined some of the world’s most influential venues and festivals, always captivating fans with his ethereal, mind-altering soundscapes. For those who’ve witnessed any of his live sets, it feels like you’re in a dream. A true storyteller on the dance floor, Bodzin portrays his authenticity and impassioned artistic vision flawlessly through each hypnotic melody and live performance. 

 

Aside from these peculiar b2b sets and live acts, all the other remarkable artists on this year’s Time Warp US lineup have a story of their own to tell through their individual mind-bending sounds, so make sure to indulge in as many different performances as possible throughout the festival. There’s a reason why Time Warp made its way across the Atlantic to New York City a few years back, and we’re just as thrilled as you are for its massive return!

For more information on Time Warp USA including time slots, full lineup, and tickets visit their website. 




Catch These Stunning B2Bs and Live Sets at Time Warp USA

We’re just days away from Miami’s infamous iii Points Festival. Since its debut in 2013, it’s won praise for its musical diversity, cultural art collaborations, and eye-popping art installations. iii Points offers a wide range of musical acts from hip-hop, pop, mainstream/ rock, and dance. Here are picks for the top house and techno artists to catch while you're in Miami.







Jamie xx

A forward-thinking beatmaker and producer helped shape the sound of the late 2000s and beyond with his English indie group the xx. As a solo artist, he tempered the restraint of his other work with his reverence for dance music's power to move bodies and hearts. His artful blend of kinetic and atmospheric is equally innovative and evocative.




Nicola Cruz

Latin American DJ and producer has always been captivating. His creative process involves a careful curation of life, nature, and sound to form a unique vibey rhythm that speaks to his roots. Intertwining the siku into his melodies, a wind instrument of Andean origin, is highly symbolic in ancestral rituals. Cruz continues to expand his vision towards new stories and other cultures as sources of inspiration. 







Black Coffee 

The South African DJ and producer built his career gradually over nearly two decades crafting a unique jungle house signature sound inspired by his cultural heritage and a love of house music. On the decks, he’s a perfectionist and delivers a euphoric performance each time he steps on stage. In 2010, he attained the Guinness World Record for longest-ever DJ set with a non-stop 60-hour set. As a producer, he’s collaborated with a wide range of artists including Usher, Diplo, Elderbrook, and David Guetta. He’s led the charge for an influx of talented artists from Africa and is arguably the continent's largest dance music export.










Peggy Gou

Hailing from South Korea, DJ and producer one of the leading ladies in house and techno. Gou became internationally renowned for her energetic sets and acclaimed tracks such as “It Makes You Forget (Itgehane),” “Starry Nigh”, and “I Go.” Her vibrant, joyous productions echo vintage deep house and post-disco without sounding like throwbacks.




Maceo Plex

A legend in the techno scene, Eric Estornel has produced and performed under numerous aliases like Maetrik and Mariel Ito. It’s under his Maceo Plex moniker that he is most well known for. The Miami-based DJ and producer played at countless iconic festivals and released a slew of records, singles, projects, and is the owner of Ellum Audio. His sound is dramatic and elegant, an aesthetic you can hear on the ambitious “Solar,” named after his son. He’s adept at mixing dark, more sci-fi-influenced tones with moving melodies. A true master of the craft who always performs with quality.




Patrick Topping

Hailing from England, the savvy DJ and producer has contributed a constant flow of positivity to the music scene he loves so dearly. He’s known for vibrant tech-house tracks such as “Be Sharp Say Nowt,” “Forget,” “Rocket Fuel,” and the infamous collab with Green Velvet “Voicemail.” Equally talented as a DJ, Patrick has attained international status as a headline act. His illustrious discography, blossoming label TRICK, and affiliation with party brands such as elrow prove he is at the top of his game. As he continues to inject his energy into refining his craft and building his crew of talented acts, Patrick is entering a new level of artistry.




Cristoph 

Inspired by the progressive sounds of musical legends like Sasha and Digweed, Christoph has developed his take on melodic house that’s as emotional as it is dance floor ready. He mastered his craft on vinyl and then developed a sound that gained the notice of Eric Prydz. In the last few years tracks like “Sleepless Nights,” “Out of Reach,” and “Breathe” with Camelphat have catapulted him to the top of the charts. He continues to release more music along with his radio show Consequence of Society. 




Michael Bibi

A certified icon of the underground scene, the English producer has crafted countless killer tracks. His raw passion for music began at a young age. Bibi has carved out and established a distinct signature sound translating into support from some of the industry’s biggest names. He’s also got a signature haircut that’s often imitated, but never quite duplicated. Bibi's unique production style and off-the-wall vocals are the keys to his success. 




Fjaak 

The German duo is known for their driving, energetic tracks ranging from house to storming warehouse techno. They are also known to toss in an occasional U.K. garage, dub, or breakbeat hardcore tune for good measure. The weed-loving duo consists of Felix Wagner and Aaron Röbig, who commonly perform in dark dungeonous settings, so iii Points will be a unique opportunity to experience a slice of rave in the sunshine. Filled with grit and sensuality, their tracks are all composed entirely on analog equipment. 







Danny Daze 

The Miami native is known for mixing classic electro, Detroit techno, and funk with glistening 80s-90s vibes. Daniel Gomez makes raw and authentic tracks supported by many of the other pristine techno artists who will also be playing at the festival. His radical approach to preserving music’s integrity while breaking its boundaries may seem volatile, but it’s not random. 






Get Familiar With the House and Techno Artists of iii Points Festival

On Saturday, October 23 Gray Area takes over Diplo’s Revolution on Sirius XM to host an eight-hour journey into the many realms of house and techno. The show pops off at 12 noon ET and thumps until 8 PM. OCHO features eight distinctive talents from the many reaches of house and techno including Luciano, Diplo, Blackchild, Tini Gessler, Vintage Culture, Will Clarke, Chelina Manuhutu, and AMÉMÉ.

OCHO marks the first time Gray Area will dive into the world of broadcasting. It exemplifies Gray Area's mission to unite the international house music community connecting the lines between its rich sub-cultures.

“Sirius XM plays an integral role in building the house music community in North America – which happens to also be Gray Area’s mission – by programming this genre of dance music on Diplo’s Revolution. We are very proud to collaborate on Ocho, a program featuring 8 hours of non-stop exclusive sets representing different sub-genres of house music played by both rising and established international artists, and look forward to other collaborative projects with our friends at Sirius XM to spread the love of house music across North America. Let there be MORE house!” says Michael Julian, founder of Seers – the dynamic venture behind Gray Area and other projects in the world of electronic music and live events.

Joey Sutera, Head of Live Entertainment adds, “We are committed to unifying house music culture around the world.”

Ocho airs on SiriusXM on Saturday, October 23, 2021. Listen here.



The Acts

Diplo

Leading the charge is global music icon, ferocious underground champion, and colorful personality Diplo. The ubiquitous and influential producer has touched every genre of music in his well-documented career. Diplo brings an expert level of curation and an encyclopedic knowledge of the culture of dance music to every set.

Luciano

Chilean-born, minimal techno kingpin Luciano has long been one of the genre’s most influential figures. His enchanting sets are informed by his Latin American heritage and always enliven the spirit.

Blackchild

Rising Italian DJ and producer Blackchild’s releases on Solid Grooves and Hot Creations have are supported by Fisher, Todd Terry, Marco Corolla, and Kenny Dope. He expertly blends the sticky funk of classic house with the low-end thump of tech house.

Tini Gessler

Relative newcomer Tini Gessler has made a sharp impact on the Spanish scene with her pumping deep tech house. She's earned vital residencies with Pacha Barcelona and Elrow. And she's flexed the legendary systems of Space and Pacha in Ibiza. Over the last year, she’s firmly asserted herself as a sought-after producer dropping records with the likes of Toolroom, Cr2, and Desert Hearts.

Vintage Culture

Vintage Culture has catapulted himself into the hearts of millions in recent years with a sound that brilliantly straddles the line between underground and mainstream. The Brazillian artist’s music has dominated dancefloors and radio with hits like “Slow Down,” “In The Dark,” and his remix with John Summit of Sofi Tukker’s “Drinkee” all streaming in the millions.



Will Clarke

Will Clarke’s move from Dirtybird Player to techno titan was a natural progression for the veteran English producer and DJ. His taste-making label All We Have Is Now bridges the gap between the nostalgia of the old-school and the intensity and weight of the new.

Chelina Manuhutu

Dutch-born Chelina Manuhutu brings with her the influence of a musical family. Her father was part of the Latin funk band Massada. Her chunky tech-house is full of stuttering percussion, brilliantly funky basslines, and the bubbling effervescence of a summer-time pool party.



AMÉMÉ 

West African-born AMÉMÉ transports his cultural heritage into all that he does. The leader of One Tribe, a global dance community, seamlessly blends compelling melody, sultry soul, and the driving rhythms of his homeland.



You can tune in to OCHO on SiriusXM here. For updates on set times, follow Gray Area on Instagram | Twitter | Facebook

Gray Area Partners With Diplo's Revolution for OCHO

Hispanic artists have played a prominent role in dance music since its inception. Their contributions to the culture can’t be understated. Dance music history is synonymous with the rise of Latinx producers in mainstream music. And as music has evolved, those artists have continued to be the backbone of the culture growing into global superstars.

 Hispanic DJs played a vital role in developing dance, hip hop, and pop acts. People like DJ Charlie Chase paved the way for the DJs of today. He was a member of the Bronx hip hop crew The Furious Five. Led by legendary DJ Grandmaster Flash, they were architects of the hip hop movement in the late 70s and early 80s.

David Morales, the DJ turned super-producer, helped change the face of remix culture with his multiple credits for Mariah Carrey. His work on "Fantasy" earned him a GRAMMY. He was one of the first producers to work in parallel with an artist on a remix, completely reworking their music. Before Morales, it was unheard of to have the remixer in the studio with the original artist.

In celebration of Hispanic Heritage Month, we'd like to shine a light on the icons who continue to influence house and techno.

 

Louie Vega 

Bronx-born Luis Ferdinand Vega Jr. was born into a musical family. His dad was a jazz saxophonist, and his uncle was a singer in a salsa band. “Little” Louie started DJing at 13, and over three decades changed the face of dance music countless times. He held residencies at New York institutions like the Sound Factory and Studio 54. Vega was also one-half of three-time Grammy-award-winning duo Masters At Work with Kenny Dope. They became sought-after remixers when dance music was still in its infancy and worked with Michael Jackson, Donna Summer, Earth Wind & Fire, and Madonna. He continues to etch his mark on global dance music culture today. His 2020 release, “Let It Go,” is the perfect example of the Nuyorican Soul sound he established with Kenny Dope in the mid-90s. A masterful blend of classic soul, Latin sensibilities, and house music.

 

 

Oscar G 

Award-winning DJ and producer Oscar G’s sonic footprint has endured for over three decades. The Cuban-American artist kicked off his career as one-half of the group Liberty City. Tracks like "Some Lovin,'" and Interceptor's, "Together," on their label Murk quickly found their way into the sets of Danny Tenaglia and Junior Vasquez. The four-time ASCAP songwriting award winner has officially remixed pop icons like Madonna and Jennifer Lopez. He continues to educate dance floors on the intersection of Latin American music and dance with residencies at Space Miami and Pacha, where he regularly transports dancers on 12-hour marathon journeys. 

 

Rebolledo 

Mexican-born, multimedium artist Rebolledo is noted as a forward-thinking artist and self-described Experience Creator. His creativity expands beyond his bass-forward psychedelic beats. As one of the creative minds behind the Burning Man art car, the Mayan Warrior, he exhibits how music, visual art, and cross-continental collaboration coalesces in one epic ode to movement and sound. He also brings a unique slant on music as part of Pachanga Boys with German producer Superpitcher. Their lilting tribal beats are the perfect engine for sunrises over the Playa. In 2014, FORBES Magazine named him one of 50 Mexican creatives with the most worldwide influence.   

 The Martinez Brothers 

The Martinez Brothers were born for a life of performance. Their father instilled a love for a diverse set of influences early on. He put Steven and Chris in church bands and encouraged them to collaborate with older musicians. Growing up inspired by house, disco, salsa, and soul, their musical selection is always ahead of the curve and versatile. They were noticed early on by New York legend Dennis Ferrer, who became a mentor and signed them to his label Objektivity. In 2011 they began their decade-long residency at DC-10 in Ibiza. They have become fashion icons, producing music for Givenchy and starting their own line with Seth Troxler, Tuskegee. In 2014 they did percussion for the Nile Rodgers album, It’s About Time. They were the only artists not associated with Rodgers band Chic invited to contribute.

 

Luciano

Luciano was born in Switzerland but moved to Chile when his parents divorced at age 11. He carved the path for dance music to flourish in Chile. When Luciano began DJing in the late 90s at 16 years old, rock music was the sound of the clubs. He worked tirelessly to legitimatize techno in Santiago. In 1999 he moved to Europe, just after he DJed for Chile’s installment of Love Parade, proving his years of hard work paid off. His work is heavily influenced by his Hispanic heritage. He incorporates the rhythmic sensibilities of traditional Chilean music into his music, be it minimal techno or tech house. 

 

DJ Sneak

Dj Sneak may be a polarizing figure in house music, but the Puerto Rican artists’ contributions to the culture are clear. Sneak was one of the many Chicago legends who worked the counter at Gramophone Records. He met Cajmere—aka Green Velvet— while working there. He helped launch his career as part of the second wave of house music makers in the Windy City. Sneak has released over 10 albums since 1996. He was name-checked on Daft Punk’s 1997 record, “Teachers.” And went on to write the lyrics for their 1997 release, “Digital Love.” His rapid-fire mixing skills continue to make him a crowd favorite around the world. His infamous I’m A House Gangster brand is all about bringing house music back to its roots and drawing the focus away from the sounds of commercial dance music.

 Ricardo Villalobos

Ricardo Villalobos is a Chilean-born DJ and producer who came up in the early 90s in Germany. While he never envisioned himself as a musician, he eventually forged a path that saw him travel the world studying percussion, a skill he applied to his expansive music. Known for his winding compositions, his gorgeously minimal tracks stretch and swell, incorporating influences of his home country and organic worldly soundscapes. His 2006 single “Fizheuer Zieheuer,” is a 37-minute long epic based on a horn sample from a Roma folk song “Pobjednički Čoček" by Serbian group Blehorkestar Bakija Bakić. It’s evidence that Villalobos is one of the few in dance music to push the envelope. Renowned for melting the dancefloor into a mass of liquid minimal bliss, he was selected as Resident Advisor’s top DJ of the year in both 2008 and 2010.

 

 Hernan Cayetano 

The Colombian-born DJ founded BAUM nightclub in Bogota. Before it closed its doors in 2020, it was Bogota's premiere spot for house and techno. Built in an old home that sat abandoned at the center of the capital city, Cayetano envisioned a nightclub and community building project. The tree growing through the middle of the house became the central focus of the DJ booth. And the community that coalesced around the club was truly unique. Despite the club's closure due to increasing residential complaints, Cayetano continues to produce BAUM Festival, which returns to Bogota on May 21, 2022. As a musician, he blurs the lines between house and techno. He can be found on the exclusive circuit of global festivals captivating dancers with his compelling sound.  

Kenny Dope 

Kenny Dope came up in the 80s DJing for block parties in Brooklyn under the name Masters At Work. He famously let Todd Terry borrow the name to record two releases. Todd returned the favor by letting Kenny borrow a drum machine and introducing him to “Little” Louie Vega. It sparked his career as a producer. His 1994 release under the moniker the Bucketheads, “The Bomb! (These Sounds Fall into My Mind),” is an iconic piece of house music. But his career stretches beyond one hit. He was among the first dance music DJs to be commissioned for remix projects from the major labels and helped pave the way for the remix culture that persists today. His expansive catalog includes remixes for Luther Vandross, Daft Punk, Geroge Benson, and Tito Puente.

Nicola Cruz

Ecuadorian artist was born in France and spent his first three years there until he moved home to Quito. His parents encouraged his musical leanings and gave him a drum kit when he was 12. At 25, he collaborated and toured the US with the iconic Nicolas Jaar. His interest in the oral traditions of his ancestors and the rituals of native South Americans inform his explorative music. Highly organic, intensely creative, and strikingly beautiful, Cruz melds the worlds of the traditional with modern sound design masterfully. His blinding creative output saw him release five albums in the last five years while touring regularly. At only 33 years old, Cruz has a lot of musical experimenting ahead of him. 

Circoloco Opening 2022

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