Get Familiar With the House and Techno Artists of iii Points Festival

FJAAK began as a quartet, then they were a trio, and now they are two - Aaron Röbig and Felix Wagner. Their twin passions - tecno and weed - tell us much of their conspicuous identity in dance music. Building their image around these two passions has worked for the pair on social media, displaying their millennial fluency with self-deprecating captions and goofy weed-bro pictures to go along with the promotion of their music and overall brand. The German artists have proven irresistible and have no doubt grown from the underground scene into one of the most in-demand techno acts.

Based in Berlin, the pair has been producing thumping techno as FJAAK since the late 2000s. Using a studio brimming with analogue gear and two minds that synergize harmoniously, they produce pulsing, energetic dance tracks. Their sound oscillates between grandiose warehouse techno, reflective power house, and occasional U.K. garage, dub, and breakbeat hardcore. The FJAAK’s, as they’re sometimes called, first release was the 2012 “Introduction EP” on Baalsaal Records, followed by their first official vinyl releases in 2013, “Remember Me” on Klasse Recordings and “Mind Game”s on Baalsaal once again. A major breakthrough came for the electronic duo in 20124 with the release of their certified club hit, “Don’t Leave Me”.

In the years following, FJAAK continued building a career for themselves with 2017’s self-titled album on Modeselektor’s Monkeytown and 2018’s “Havel” on their own FJAAK imprint. Along with the FJAAK label, the duo created Spandau20, a second imprint to support likemind artists and friends such as Nikk, Fadi Mohem, Balas, Schöning, Rifts, J.Manuel, and Dajusch. Ever since launching the latter, Aaron and Felix feel even more committed to help emerging artists of diverse backgrounds in an attempt to close gaps in a heavily white, male dominated industry The two also pay close attention to the lineups they are requested for to avoid playing for ‘whitewashed’ parties, and instead prioritize contributing to events that celebrate different genders, sexuality, race, and culture.

Germany

raw techno

FJAAK

United States

deep disco house

house

minimal tech house

minimal techno

The Martinez Brothers

Netherlands

dutch tech house

ANOTR

United Kingdom

uk house

TSHA

acid house

canadian electronic

detroit techno

microhouse

techno

Richie Hawtin

Sweden

dark techno

schranz

swedish electronic

swedish techno

Adam Beyer

Belgium

acid techno

belgian techno

electra

Amelie Lens

KILIMANJARO

Denmark

danish electronic

danish techno

deep euro house

melodic techno

Kölsch

Benin

afro house

AMÉMÉ

deep tech house

progressive house

uk dance

CamelPhat

Italy

italian tech house

melodic house

Fideles

Hot Since 82

Jaden Thompson

Joris Voorn

electronica

german techno

leipzig electronic

Paul Kalkbrenner

ambient techno

float house

future garage

intelligent dance music

shiver pop

Daniel Avery

Australia

australian experimental

HAAi

afrofuturism

Jeff Mills

Juliet Fox

jazz house

Barry Can't Swim

The Blessed Madonna

garage house

Honey Dijon

Eliza Rose

ukg revival

salute

Craig Richards

Christian AB

 has carved a significant space in London's electronic music landscape, becoming synonymous with top-tier underground house, techno, and electronic sounds. More than just a series of performances, this festival offers an immersive experience, highly praised for its exceptional sound quality and its distinctive, atmospheric setting. The brand has a strong and well-defined identity within the competitive festival scene, appealing to those who appreciate a curated, less mainstream electronic music experience.

The festival's origins lie in the vision of its founders, driven by a deep passion for electronic music and a desire to fill a perceived gap in London's festival offerings. Their aim was to recreate the energy and spirit of London's renowned club culture in an open-air environment. This core principle of prioritizing the music has been central to the festival's growth, influencing everything from artist selection to the intricacies of its production. Initially, Junction 2 focused heavily on techno, aiming to bring the intense and immersive atmosphere of London's underground nightlife to a larger festival scale. This clear musical direction in its early years was crucial in establishing its identity and attracting a dedicated following.

Musically, Junction 2 is primarily celebrated for its deep exploration of house and techno. These genres form the foundation of the festival's sonic identity, consistently featuring prominently in its lineups. This unwavering commitment has cemented its reputation as a key destination for fans of these specific electronic music styles. While house and techno remain central, the festival has also shown a willingness to explore a broader spectrum of electronic music, occasionally incorporating genres such as drum and bass and more melodic forms of electronic music. This gradual expansion indicates an effort to appeal to a wider range of electronic music tastes while staying true to its foundational principles.

Over the years, Junction 2 has welcomed an impressive roster of internationally acclaimed DJs and live acts, solidifying its position as a major player in the global electronic music scene. The festival has consistently drawn some of the biggest names in the industry, including influential figures like 

. Beyond these established legends, Junction 2 has also been recognized for its dedication to showcasing emerging talents, creating a dynamic platform that celebrates both the pioneers and the future of electronic music. This blend of established and rising stars ensures a vibrant and forward-thinking atmosphere for attendees.

Since its inception, Junction 2 has undergone a significant evolution in its scale and duration. Starting as a smaller, one-day event, it has grown into a multi-day festival, reflecting its increasing popularity and ambition. This expansion has allowed for a more extensive lineup of artists and a more immersive overall experience for festival-goers.

Throughout its history, Junction 2 has consistently been held at Boston Manor Park, a location that has become intrinsically linked with the festival's identity. A particularly distinctive feature of this location is the presence of the M4 motorway flyover, beneath which one of the main stages, often referred to as "The Bridge," is situated. This unique integration of urban infrastructure into the festival setting has become a defining characteristic of the Junction 2 experience.

The atmosphere at Junction 2 is frequently described as open and welcoming, with a strong sense of community among electronic music enthusiasts. Despite attracting a dedicated and often "cool" crowd, the overall vibe is one of shared enthusiasm for the music and a celebratory spirit. Contributing significantly to this immersive experience are the festival's renowned staging and production elements. Beyond the iconic "Bridge" stage, Junction 2 has introduced various creatively designed areas, such as "The Woods" and "The Warehouse," each offering a distinct visual and sonic experience. More recently, stages like "The Grid," "The Quad," and "The Blackout" have further enhanced the festival's unique aesthetic. A consistent emphasis on cutting-edge sound systems ensures that the music is delivered with power and clarity, creating an unforgettable auditory experience.

Junction 2 stands as a significant and continually evolving force within the electronic music festival landscape. Its unwavering commitment to showcasing quality underground music, coupled with its distinctive atmosphere and innovative production, has cemented its place as a must-attend event for electronic music enthusiasts seeking an authentic and immersive festival experience. The festival's journey reflects a dedication to its core values while embracing growth and adaptation, ensuring its continued relevance and appeal within the dynamic world of electronic music.

FJAAK

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