The Martinez Brothers Week 3

United States

latin house

afro house

tribal house

tech house

Malóne Morez

deep disco house

house

minimal tech house

minimal techno

The Martinez Brothers

spanish techno

Paco Osuna

german techno

techno

Loco Dice

dutch tech house

Toman

Spain

Hï Ibiza

canadian electronic

electro house

electronic trap

fidget house

turntablism

A-Trak

Bastian Bux

italian electronica

melodic techno

microhouse

DJ Tennis

deep groove house

pop dance

uk dance

James Hype

Ky William

LP Giobbi

uk house

Melé

Sosa

Thunderpony

latin tech house

Tini Gessler

ChaseWest

deep tech house

Cuartero

deep house

uk funky

Dennis Ferrer

Dennis Quin

Jaden Thompson

Kellie Allen

M-High

bass house

Ranger Trucco

Sidney Charles

elrow

Factory Town

elrow Miami Music Week: RowsAttacks! 2024

dark techno

raw techno

schranz

swedish electronic

swedish techno

Adam Beyer

Anfisa Letyago

brazilian techno

electra

ANNA

dark disco

Avision

indie soul

la pop

Channel Tres

Hint of Lavender

Hot Since 82

J. Worra

Monoky

Phoenix Jagger

organic house

Serge Devant

AMÉMÉ

Shmitty

Sinopoli

SOHMI

dance-punk

danish indie

electronica

experimental pop

WhoMadeWho

Will Clarke

melodic house

Ben Böhmer

canadian house

Bob Moses

Caleb Dent

Carlita

Chelina Manuhutu

Cloonee

progressive electro house

progressive house

Eric Prydz

Green Velvet

HoneyLuv

Slugg

TSHA

Will Renuart

Yokai

Orlando Amphitheater

Skyline Orlando 2022

Blank Sense

Tony Romera

Crusy

funky house

Easttown

soulful house

Coco & Breezy

disco house

Monty Kiddo

Brothers Macklovitch

GENESI

Pacha NYC

elrow NYC: Dance With The Serpent

progressive trance

trance

ZOYA

MANTi

Cut Snake

Nigeria

afrobeats

afropop

nigerian pop

SPINALL

stutter house

Disco Lines

Kenzii Scott

modern jungle

Virgil Abloh

chillwave

indietronica

vaporwave

Com Truise

Italy

Christian Mantini

minimal dub

nu gabber

Héctor Oaks

Miami-based DJ and producer Malóne has been a key fixer in the Miami house scene for the past few years, throwing parties and putting out releases under his Hurry Up Slowly brand. With 

 Afro house charts, his rise looks set to continue. We called him up to hear about his journey so far and what’s coming next. 

Malóne’s earliest musical memories, growing up in Miami in the ’80s and ’90s, reflect his Cuban roots. “Salsa was always a huge thing in our household,” he tells us. “It was literally every day, the only thing I’d listen to. Salsa and the Bee Gees, because my mother listened to the Bee Gees and only the Bee Gees when we were in the car.” 

These twin threads of disco and Latin dance music were woven together thanks to an uncle, who introduced Malóne to DJing when he was still a kid. 

“My uncle was a DJ in the ’90s in Miami and he had the first Visiosonic DJ software. He taught me how to use it when I was 10 years old and I fell in love with the idea of mixing music. He would book little parties, like high school dances and kids’ parties. He would play the Spanish styles of music and I would play hip-hop and contemporary stuff.” 

Bana - BLOND:ISH Touch Edit (Radio Mix)

In the late ’90s, Malóne discovered the US trance scene, going to all-age raves and daytime foam parties at the Miami institution, 

. But it wasn’t until the early 2000s, after college and a stint playing professional baseball, that he became immersed in electronic music. 

 when I was 23,” he says. “It was the early years of the EDM boom and all the Miami clubs started booking these massive headliners.” 

Space reopened, and the Miami scene started to carve out its own identity. “Since then, it’s just built,” says Malóne. “And Space has always been at the heart of it. I think it’s the best club in the world.”

More Life - After Hours Mix

The club has played a significant role in Malóne’s journey. In early 2014, he wrangled a set in the ground floor room at Space, his first major DJ gig. “I showed up with my 

 because I had never even played on CDJs before. It was the first time I actually played at a club and I was nervous as shit, but it went well. Then fast-forward eight years to a few months ago, I had the chance to play the terrace [the main room] at Space. I jumped on about 3:30am and the next thing I know it’s 7am. I ended up playing until 9:30 am. It came full circle for me, playing my first show at Space eight years ago and then playing a six-hour peak time set in the main room. That made me realize how far things had come.”

Malóne’s productions have also found their crowd. His latest track, 

 has just come out on Oscar G.’s label, 

, and hit #1 on the Beatport and Traxsource Afro house charts. 

“It’s my first number one and that’s a huge moment for me,” he says. “It’s a collaboration with two Cuban artists called 

. They’re still in Cuba, like lots of my family, and everyone there is dealing with some really difficult circumstances.” Having found each other via Twitch, they worked on the track for two months, sending stems back and forth over Cuba’s creaky internet. “It was amazing to collaborate with these two local artists. I’m very humbled to see that happening, and very proud, too.”


Muy Bien

Twitch streaming brought Malóne’s music and DJing to a much wider audience during the pandemic, thanks to a hook-up with 

 crew. “A few weeks into the first lockdown, I wrote my track 

“I was kind of depressed, like everyone, and the track was a lot deeper and more melodic than my usual sound. I sent it to BLOND:ISH because I knew a guy who was doing video work on her livestreams.” BLOND:ISH put it out on ABRACADABRA and asked Malóne to become a resident on her Twitch channel. 

“That year and a half of the pandemic, when nobody was able to do anything and everything was closed, I was able to join this amazing, beautiful community of ABRACADABRA and play with them every week. My career took off in a really positive way. It was just because of that one track, which was influenced by that one moment. Music is a beautiful thing.” 

, has just come off a huge party series during Art Basel Miami. “We did almost 10,000 people over four days, with Guy Gerber, Marco Carola, Rony Seikaly, and Diplo.” He says. “The brand is growing and we’ve got a lot of big things coming up."

“It’s one of my favorite labels of all time,” he says. “And I’ve got pretty close to Nic. Just to be able to work with a legend like that who’s been around for so long, that’s a huge thing for me. I’ve just been amazed at how quickly everything’s grown in the past couple of years.”

Miami-based DJ and producer Malóne has been a key fixer in the Miami house scene for the past few years, throwing parties and putting out releases under his Hurry Up Slowly brand. With his latest release sitting at the top of the Beatport and Traxsource Afro house charts, his rise looks set to continue. We called him up to hear about his journey so far and what’s coming next. 

Malóne’s earliest musical memories, growing up in Miami in the ’80s and ’90s, reflect his Cuban roots. “Salsa was always a huge thing in our household,” he tells us. “It was literally every day, the only thing I’d listen to. Salsa and the Bee Gees, because my mother listened to the Bee Gees and only the Bee Gees when we were in the car.” 

These twin threads of disco and Latin dance music were woven together thanks to an uncle, who introduced Malóne to DJing when he was still a kid. 

“My uncle was a DJ in the ’90s in Miami and he had the first Visiosonic DJ software. He taught me how to use it when I was 10 years old and I fell in love with the idea of mixing music. He would book little parties, like high school dances and kids’ parties. He would play the Spanish styles of music and I would play hip-hop and contemporary stuff.” 

In the late ’90s, Malóne discovered the US trance scene, going to all-age raves and daytime foam parties at the Miami institution, Space. But it wasn’t until the early 2000s, after college and a stint playing professional baseball, that he became immersed in electronic music. 

“I went to my first Ultra when I was 23,” he says. “It was the early years of the EDM boom and all the Miami clubs started booking these massive headliners.” 

Space reopened, and the Miami scene started to carve out its own identity. “Since then, it’s just built,” says Malóne. “And Space has always been at the heart of it. I think it’s the best club in the world.”

The club has played a significant role in Malóne’s journey. In early 2014, he wrangled a set in the ground floor room at Space, his first major DJ gig. “I showed up with my Traktor S2 controller because I had never even played on CDJs before. It was the first time I actually played at a club and I was nervous as shit, but it went well. Then fast-forward eight years to a few months ago, I had the chance to play the terrace [the main room] at Space. I jumped on about 3:30am and the next thing I know it’s 7am. I ended up playing until 9:30 am. It came full circle for me, playing my first show at Space eight years ago and then playing a six-hour peak time set in the main room. That made me realize how far things had come.”

Malóne’s productions have also found their crowd. His latest track, “Muy Bien,” has just come out on Oscar G.’s label, Made in Miami, and hit #1 on the Beatport and Traxsource Afro house charts. 

“It’s my first number one and that’s a huge moment for me,” he says. “It’s a collaboration with two Cuban artists called PAUZA. They’re still in Cuba, like lots of my family, and everyone there is dealing with some really difficult circumstances.” Having found each other via Twitch, they worked on the track for two months, sending stems back and forth over Cuba’s creaky internet. “It was amazing to collaborate with these two local artists. I’m very humbled to see that happening, and very proud, too.”


Twitch streaming brought Malóne’s music and DJing to a much wider audience during the pandemic, thanks to a hook-up with BLOND:ISH and her ABRACADABRA crew. “A few weeks into the first lockdown, I wrote my track Bana,” he says. 

“I was kind of depressed, like everyone, and the track was a lot deeper and more melodic than my usual sound. I sent it to BLOND:ISH because I knew a guy who was doing video work on her livestreams.” BLOND:ISH put it out on ABRACADABRA and asked Malóne to become a resident on her Twitch channel. 

“That year and a half of the pandemic, when nobody was able to do anything and everything was closed, I was able to join this amazing, beautiful community of ABRACADABRA and play with them every week. My career took off in a really positive way. It was just because of that one track, which was influenced by that one moment. Music is a beautiful thing.” 

Malóne’s label, Hurry Up Slowly, has just come off a huge party series during Art Basel Miami. “We did almost 10,000 people over four days, with Guy Gerber, Marco Carola, Rony Seikaly, and Diplo.” He says. “The brand is growing and we’ve got a lot of big things coming up."

Malóne also a release coming up on Saved Records, Nic Fanciulli’s label. 

“It’s one of my favorite labels of all time,” he says. “And I’ve got pretty close to Nic. Just to be able to work with a legend like that who’s been around for so long, that’s a huge thing for me. I’ve just been amazed at how quickly everything’s grown in the past couple of years.”

Malóne Morez

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