Enzo is Burning

It’s hard to box in Enzo is Burning, the minimal-leaning tech house producer who’s quickly becoming a name to know on the global club circuit. In just over a year since launching the rebrand, he’s stacked performances with Defected, elrow, Kaluki, and ABODE, hit major festivals like Hideout and Boardmasters, and sold out his own headline at Night Tales London.

He first turned heads with bootlegs—namely a widely played rework of Aaliyah’s “Give It Up” and a viral flip of Alan Fitzpatrick’s “On My Mind.” These tracks moved him from the home studio to regular rotation in clubs, but his recent original work has taken it even further. His music is now being heard at iconic venues like fabric (London), Amnesia (Ibiza), and Space Miami, and with tours booked in the U.S. and Australia, he’s crossing new borders.

Before this project, Enzo studied music theory and production in Brighton and worked across genres—playing in punk and neo-soul bands as both a vocalist and guitarist. That experience feeds into his productions today, which stand out for their depth and sense of movement. Feedback from his listeners and peers points to a style that doesn’t follow trends but rather builds its own lane.

His tracks have landed in the sets of some of the biggest names in house and techno right now, including Marco Carola, FISHER, Peggy Gou, Joseph Capriati, and Sosa. Combined with his strong DJ calendar, it’s clear that Enzo’s not just here for a moment.

Looking ahead, Enzo is working on a new live concept and visual experience tied to his own values—built around storytelling, social causes, and deeper audience connection. It’s a direction that reflects how he’s always treated music: as a space to communicate meaningfully, not just move a dancefloor.

Whether it’s behind the decks or in the studio, Enzo is Burning stands out by staying rooted in what matters most—feeling, purpose, and intent.