Massano's Eternal Sound Has Expanded the Sonic DNA of Melodic Techno

Massano’s Humble Emergence into Dance Music

5 Massano Tracks You Should Know

Bringing his dynamic and intricate sound to the ever-growing community of melodic techno artists, 

 is on the fast track to carving a unique niche.

Coming from the outer edges of Liverpool, one of the world’s understated yet rich and plentiful dance music communities, Massano made immediate waves with his debut releases on the notable melodic label 

The Feeling

Both EPs garnered considerable and widespread support from major forces in the dance sphere, with the legendary Pete Tong tapping him for a mix on BBC Radio 1, an opportunity that Tomorrowland also offered him on their globally syndicated radio program, 

At only 23 years old, the Liverpool-based artist has already achieved impressive success and has cemented himself as a name to watch. With a combination of his aggressive sound design of hypnotic grooves and melodies, Massano's rapid rise in the melodic techno scene continues to accelerate.

The 20 Of 2023 - Massano by Tomorrowland

With his music now in the ears (and hearts) of eager dancers everywhere, all eyes have been on Massano, patiently waiting and watching as his slots get closer to the top of major lineups and the stages he plays on get bigger and bigger.


He is now releasing music on the most prominent labels in the melodic soundscape, adding his name to the hypnotic catalog of Fur Coat’s Oddity and the genre-defining roster of Afterlife from Tale Of Us.

, was a smash hit success. On top of getting played out by some of the biggest names in house and techno, it was a chart-topper as well, hitting #1 on the Beatport Releases chart, while the cut from the EP, “Drown” reached the top 10 on the Overall chart and all four tracks went into the top of five of the Melodic House & Techno chart.

With so many accolades to his name in such a short time, it’s no wonder Tale Of Us, Mind Against, Camelphat, Fisher, Above & Beyond, David Guetta, Oliver Heldens, Vintage Culture, and Meduza have all supported Massano. It’s even less of a wonder he’s played major events like The World Cup, Afterlife Tulum & Printworks, Wembley Arena, Creamfields, Circus, HI & Ushuaia Ibiza, Warung, Fabric, Crobar, and more!

United Kingdom

Massano

Sweden

Eric Prydz

Germany

Paul Kalkbrenner

United States

Maceo Plex

Kevin de Vries

Syreeta

Spain

Ushuaïa Ibiza

Ushuaïa Ibiza Opening Party

CamelPhat

Italy

Agents Of Time

Pacha Ibiza

Camelphat Opening at Pacha Ibiza

Camelphat

Tale of Us

Ukraine

Woo York

Hï Ibiza

Tale of Us present Afterlife

Afterlife

David Lindmer

Amiti

Gray Area's new venture, "Debut," aims to bridge the international house music community by bringing established and emerging artists to cities they've never performed in. This initiative seeks to expand artists' fan bases and provide fans with fresh, exhilarating musical experiences. Having played a role in introducing major artists and brands like elrow and Awakenings to new audiences in the past, Gray Area believes in the magic of first-time experiences. By promoting artists in new venues and cities, they hope to cultivate a thriving, unified house music ecosystem. Debut is not merely a marketing strategy but embodies Gray Area's commitment to fostering collaboration, unity, and musical discovery.

Debut

The Room at Superior Ingredients

Debut: Massano First New York Performance

Ivana Spagna

Floating Points

Yousef

Felix Cartal

Miss Nine

DVS1

Jonny Rock

Mason Maynard

Tomas Station

Skepta

 looked up to melodic techno figureheads such as 

as distant role models. Today, the Liverpool producer and DJ counts them among his close peers.

Look no further for evidence than what transpired at Afterlife Madrid in March 2023. Not only did Massano (real name Sam Rose) share the stage with Afterlife bosses Tale of Us, but the duo tested out his cinematic single, “Shutdown,” during their set.

“Madrid felt extra special to me. I’d had a month off before that, so it was a big show to test all this new music,” Rose says. “To get such great reactions was confirmation that it had been a good month of producing.”

Support from major acts and crowds in the tens of thousands is now a common occurrence for Rose. Prior to the pandemic, though, it seemed a remote possibility.

Sam Rose first discovered dance music as a child. His father would play it around the house and even brought him to a Faithless concert when he was only 11 years old.

“I remember looking around and seeing people enjoying the rave and just being like, ‘What is going on?’” he says. “It seemed like chaos at the time, but now it seems really normal.”

Massano Ibiza Club System Hot Mix for Pete Tong BBC Radio 1

Massano Hot Mix for Pete Tong BBC Radio 1 - 24.06.2022 by Massano

This initial exposure didn’t evolve into a career ambition overnight. “I wasn’t super into it from that stage — that’s just my earliest memories it,” Rose says. “I think around the time I started going to house parties was when I started getting really into electronic music and found a love for discovering new music and making playlists to share it with people.”

By Rose’s first year of university in Lancaster, the music industry started to beckon. In this nascent stage, though, he still hadn’t set his sights on DJing and producing.

“I started thinking about what I wanted to do long term in life, and what interested me the most was this music stuff that I was doing. I didn’t necessarily think ‘I want to be a DJ.’ I just started thinking about what I could do to get into the music industry in any way because I hadn’t really had experience with any of it.”

Sam Rose started applying for management internships with brands like Universal Music Group. As luck would have it, they only wanted candidates 

 experience. Around the same time, he started teaching himself how to produce and play music as a hobby. Not long afterward, he began to pursue it in earnest.

“I was aimlessly doing it and not really putting much energy into it. I’d say I was producing maybe twice a week at that stage, and then DJing just for fun occasionally,” Rose says. “But then, I started thinking, ‘I’m actually really enjoying the producing and the DJing,’ so I thought that it might actually be what I wanted to do within the music industry.”

He continues: “After my second year of university, I started pushing myself to do as much as I could and spend as much time as possible on it. I moved to London for an internship where I was working with Vodafone in a marketing role. But whilst working for Vodafone, I was also pushing myself to spend as much time as I could on the music.”

Rose suffered from homesickness, having yet to make new friends in London. In the long run, this worked to his advantage. Relegated to his bedroom studio on the weekends, he gave music his undivided attention. It didn’t take long for this to come back to him in the form of opportunities.

“In the six months after that, I got to a point where I was ready to start releasing music,” Rose says. “I’d try and work from home as much as I could, keeping the laptop from work open on one screen while I worked on music on the other screen. That’s when I made my biggest track, ‘The Feeling,’ — and ‘Velocità’ was also in that six months.”

Rose released his music under the name Massano from the beginning. “I brainstormed and made anagrams of my name. I thought about which ones I liked the most, and in the end, I went with Massano,” he says. “Not often do people stick with the first project, so I figured I didn’t need to think too much about it. I love the name now especially, as it’s got a lot of meaning to me.”

A lot of Afterlife artists co-signed Massano early on — perhaps most notably Mind Against. The Italian duo played his tracks at 

“I didn’t even have an Instagram,” Rose admits. “The next morning, the label manager from Running Clouds told me, “You need to make an Instagram now because people are looking for you. I made one, and within the first couple of days, I had, like, a thousand followers already.”

Timing was not on Massano’s side, however. Two months later, the World Health Organization declared COVID a pandemic, preventing him from leveraging his newfound popularity toward gigging.

In My System EP

Over the next year and a half, Rose stocked his proverbial shelves with new music and then opened for business once nightlife resumed. “Things went from zero to 100 because I’d grown so much without really DJing,” he says. “I’d DJed in friends’ house parties and smaller local clubs for university, but never anything properly as a Massano show. So then after COVID, I went from having not so much gig experience to getting booked every weekend.”

Massano has continued to gain momentum ever since. He has performed throughout Europe and South America, landing on the lineups of such festivals as Time Warp Brazil and Kappa FuturFestival in Italy. 2023 also marked his first US tour dates, including a headline billing at NYC club Superior Ingredients.

“What’s great about the shows is it’s noticeable how much if you work at it in different markets, the shows keep getting bigger and you keep engaging more fans. It’s nice to see the your effort pay off,” Rose says.

Cliquing up with his heroes doesn’t mean he’s reached his destination in the music world. Far from it, in fact. The road up to now offers a mere glimpse at what lies in store for Massano as he’s only begun to explore the depth of his sound.

Mind Against

Only a few short years ago, Massano looked up to melodic techno figureheads such as Tale of Us and Mind Against as distant role models. Today, the Liverpool producer and DJ counts them among his close peers.




Look no further for evidence than what transpired at Afterlife Madrid in March 2023. Not only did Massano (real name Sam Rose) share the stage with Afterlife bosses Tale of Us, but the duo tested out his cinematic single, “Shutdown,” during their set.

“Madrid felt extra special to me. I’d had a month off before that, so it was a big show to test all this new music,” Rose says. “To get such great reactions was confirmation that it had been a good month of producing.”




Support from major acts and crowds in the tens of thousands is now a common occurrence for Rose. Prior to the pandemic, though, it seemed a remote possibility.




Sam Rose first discovered dance music as a child. His father would play it around the house and even brought him to a Faithless concert when he was only 11 years old.




“I remember looking around and seeing people enjoying the rave and just being like, ‘What is going on?’” he says. “It seemed like chaos at the time, but now it seems really normal.”




This initial exposure didn’t evolve into a career ambition overnight. “I wasn’t super into it from that stage — that’s just my earliest memories it,” Rose says. “I think around the time I started going to house parties was when I started getting really into electronic music and found a love for discovering new music and making playlists to share it with people.”




By Rose’s first year of university in Lancaster, the music industry started to beckon. In this nascent stage, though, he still hadn’t set his sights on DJing and producing.




“I started thinking about what I wanted to do long term in life, and what interested me the most was this music stuff that I was doing. I didn’t necessarily think ‘I want to be a DJ.’ I just started thinking about what I could do to get into the music industry in any way because I hadn’t really had experience with any of it.”




Sam Rose started applying for management internships with brands like Universal Music Group. As luck would have it, they only wanted candidates with experience. Around the same time, he started teaching himself how to produce and play music as a hobby. Not long afterward, he began to pursue it in earnest.




“I was aimlessly doing it and not really putting much energy into it. I’d say I was producing maybe twice a week at that stage, and then DJing just for fun occasionally,” Rose says. “But then, I started thinking, ‘I’m actually really enjoying the producing and the DJing,’ so I thought that it might actually be what I wanted to do within the music industry.”




He continues: “After my second year of university, I started pushing myself to do as much as I could and spend as much time as possible on it. I moved to London for an internship where I was working with Vodafone in a marketing role. But whilst working for Vodafone, I was also pushing myself to spend as much time as I could on the music.”




Rose suffered from homesickness, having yet to make new friends in London. In the long run, this worked to his advantage. Relegated to his bedroom studio on the weekends, he gave music his undivided attention. It didn’t take long for this to come back to him in the form of opportunities.




“In the six months after that, I got to a point where I was ready to start releasing music,” Rose says. “I’d try and work from home as much as I could, keeping the laptop from work open on one screen while I worked on music on the other screen. That’s when I made my biggest track, ‘The Feeling,’ — and ‘Velocità’ was also in that six months.”






Rose released his music under the name Massano from the beginning. “I brainstormed and made anagrams of my name. I thought about which ones I liked the most, and in the end, I went with Massano,” he says. “Not often do people stick with the first project, so I figured I didn’t need to think too much about it. I love the name now especially, as it’s got a lot of meaning to me.”




A lot of Afterlife artists co-signed Massano early on — perhaps most notably Mind Against. The Italian duo played his tracks at Afterlife Tulum 2020, and then again during their Cercle set later in January.




“I didn’t even have an Instagram,” Rose admits. “The next morning, the label manager from Running Clouds told me, “You need to make an Instagram now because people are looking for you. I made one, and within the first couple of days, I had, like, a thousand followers already.”




Timing was not on Massano’s side, however. Two months later, the World Health Organization declared COVID a pandemic, preventing him from leveraging his newfound popularity toward gigging.




Over the next year and a half, Rose stocked his proverbial shelves with new music and then opened for business once nightlife resumed. “Things went from zero to 100 because I’d grown so much without really DJing,” he says. “I’d DJed in friends’ house parties and smaller local clubs for university, but never anything properly as a Massano show. So then after COVID, I went from having not so much gig experience to getting booked every weekend.”




Massano has continued to gain momentum ever since. He has performed throughout Europe and South America, landing on the lineups of such festivals as Time Warp Brazil and Kappa FuturFestival in Italy. 2023 also marked his first US tour dates, including a headline billing at NYC club Superior Ingredients.




“What’s great about the shows is it’s noticeable how much if you work at it in different markets, the shows keep getting bigger and you keep engaging more fans. It’s nice to see the your effort pay off,” Rose says.




Cliquing up with his heroes doesn’t mean he’s reached his destination in the music world. Far from it, in fact. The road up to now offers a mere glimpse at what lies in store for Massano as he’s only begun to explore the depth of his sound.

Massano

Past events

Other artists