
Gray Area makes another step in its mission to “unify and strengthen the House Music community around the world,” today by partnering with Spotify for an official editorial playlist on the streaming platform. Gray Area Guest List launched with over five hours of house and techno from the forward-thinking and creative voices that are defining the myriad sounds of underground dance. 



Spotify’s Guest List playlists allow noted brands and artists to take over an official editorial playlist curating it from top to bottom precisely to match that brand’s unique footprint. And the Gray Area list is lovingly selected to reflect the future of dance music.



Included are songs from Gray Area Spotlight featured artists QRTR, LP Giobbi, Vintage Culture, and Will Clarke. Alongside bonafide legends like Ricardo Villalobos, Miss Kittin, Maya Jane Coles, Anja Schneider, Guy Gerber, Steve Bug, The Martinez Brothers, Joseph Capriati, Jamie Jones, Louie Vega, Pig & Dan, Royksopp, and Maceo Plex. 2022 GRAMMY Award nominee Black Coffee, Repopulate Mars boss Lee Foss, Drumcode front-man Adam Beyer, and Godfather of House Frankie Knuckles are also featured.


The Gray Area Guest List is a great way to get familiar with the sweeping sonic footprint of house and techno. Too often, we get stuck in our own lane, and the beauty of dance music is that it encompasses an array of shifting moods and aural textures. So take yourself on a journey through the expanse of underground dance music, turn up the volume and Let There Be More House Music.




Gray Area Takes Over Spotify's Official Guest List Playlist

Germany

Steve Bug

Carl Cox Invites

Spain

DC-10

Steve Bug would not be alone in saying he's involved with dance music for the love and the passion. It's a culture that inspires, enchants, ensorcells, and otherwise intoxicates nomadic individuals to love any and all with every fiber of their being.

What makes Bug unique is his universal application of that love and passion. For nearly 30 years, the Berlin-based polymath has served as a producer, DJ, event curator, and label head to a plethora of different imprints. 

Steve Bug on tour with Ritter Butzke | at Staatsoper Berlin

@Steve Bug performing at Staatsoper Berlin
Enjoy ;)

PS: 
We are sorry if you see a lot of ADs. We have no influence on that and we don't earn money from that. It's just because there is music from 3rd parties in here and that's why the video might be monetized automatically. If its bothering you too much, maybe consider using an AD-Block or check the set on our Facebook (link below) or Soundcloud. Just sayin'

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Live Set Playlist:
https://www.youtube.com/watch?v=oS-8bZnVri4&list=PLD2o0D40Hr3xOXg2aYRsMjyFurGH-COAh

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In the mind of Bug, none of these activities are mutually exclusive. They all embody the same thing. If he is going to do one, he will do them all because that is how he can best represent dance music as a human being.

"To me it's all a big thing. I'm either in it 100 percent or I'm not," Bug says, dialing in from his studio in Berlin. "I don't think I could just be a DJ or just be a producer or just a label guy. To me it has to be the whole thing. I want to do everything because I love it so much. This is what brings me joy."

Preeminent physicist Isaac Newton's third law of motion states that "For every action, there is an equal and opposite reaction," and Steve Bug proves this rule via his introduction to dance music. His first authentic experience was an evening at Hamburg's now-legendary Front Club in the late '80s.

"My friend said I should come with her to Front Club in Hamburg where they play this house sound. I didn't know anything about it. I hadn't heard anything about it," Bug says. "So I went to a record shop and basically found two records. The 

and one other compilation that I don't remember right now to know what was going on. So I went home and listened to those records and I really enjoyed what I was listening to, but I didn't know what to expect from the club."

Front Club Hamburg 1988

Short excerpt from German tv show "Tanz House" on Dec.8, 1988 showing the legendary FRONT club in Hamburg. Boris Dlugosch being the DJ and spinning some Acid House.

Front club Hamburg 1988

Bug proceeded to "dance his ass off all night," in this mecca for dance music culture surrounded by people expressing themselves without inhibition. But what truly sparked Bug's attention was the nonstop music.

"Before DJs in the discotheques weren't really mixing records together. It was just one track one by one. Music stopped and they played the next track," Bug says. "I was enjoying the music nonstop. That was really blowing my mind."

Bug took action through attending Front Club that one fateful evening and the equal and opposite reaction was a complete and utter passion for dance music.

Soon after Front Club, Bug completed his DJ set up with two turntables and a mixer. He started working with others to produce music before building out his own studio, and after that, he started running his own record labels. That was over 25 years ago, and throughout that time, Bug has proven himself an innovator in all three of those areas (his activities within dance music go far beyond DJing, production, and record labels as well).

As a DJ, Bug has a dedicated fanbase worldwide, playing regularly at hotspots like Miami Music Week and festivals like Germany's Fusion, Saint Maarten's 

, and BPM. His production catalog spans seven full-length albums and dozens of singles and EPs. Along the way, he has run a variety of record labels, including Raw Elements, Dessous, Traffic Signs, Sublease Music, and 

SXM Festival 2022

Happy Bay

Steve Bug @ Rodriguez Jr. & Friends Rooftop 2018 (BE-AT.TV)

Steve Bug laying it down at The Gates Diagonal in Barcelona. Rodriguez Jr & Friends are bringing the Mobilee crew out to play as we get Off Week 2018 started.

Watch more from Rodriguez Jr. & Friends Rooftop 2018:

GHEIST: http://bit.ly/RJRFriendsRooftop2018_GHEIST
Rodriguez Jr. & Liset Alea: http://bit.ly/RJRFriendsRooftop2018_RodriguezJr

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. These are the two we're focusing on. The others I prefer to say they're asleep instead of saying we definitely put them away, and that's not ever going to happen again," Bug says with a laugh.

Raw Elements was Bug's first label. He adopted a genre-spanning approach from 1997 to 2000, releasing various styles from disco house and electro to Detroit techno. After discovering that so much diversity on one label wasn't necessarily viable paired with some issues with their distributor, Bug put Raw Elements to sleep and started Poker Flat Recordings in 1998.

Poker Flat Recordings is Bug's most prominent and longest-running label. Over the last 23 years, he's put out over 300 different releases on Poker Flat from artists like John Tejada, TRENTEMØLLER, Tim Engelhardt, Alex Niggemann, and Francesca Lombardo, as well as his own productions, all while being sure to maintain the label's integrity; remaining true to the off-kilter and eerie approach to minimalism regardless of whatever sound is the trend of the day. 

"Integrity is not about setting trends. Music to me and I think for a lot of other independent label owners is about passion and about something you personally feel. It's not about what other people like out there, and if a trend is shifting, it's not a smart move to shift with a sound financially, and in the long run, you keep your integrity, Bug says. "It's who we are. I can't do it differently. This is how I do it, and I think this is true for all people who run these sorts of labels, no matter if it's dance music or any other sort of music. Independent labels are basically driven by passion."  

Bug is still driving the culture forward with that passion. He is signing exciting new artists to Poker Flat like Ausilio Jo (whom Bug discovered through a track feedback session at SINEE Electronic Music Production School), he's curating more "reduced, hypnotic, and raw sounds" through Sublease Music, he's producing his own music (Bug had the final release on Poker Flat in 2021) and tours are coming soon as well.

With Bug's love and passion, even a global pandemic couldn't stop him from being in dance music 100 percent.

Gray Area Spotlight: Steve Bug

Steve Bug would not be alone in saying he's involved with dance music for the love and the passion. It's a culture that inspires, enchants, ensorcells, and otherwise intoxicates nomadic individuals to love any and all with every fiber of their being.

What makes Bug unique is his universal application of that love and passion. For nearly 30 years, the Berlin-based polymath has served as a producer, DJ, event curator, and label head to a plethora of different imprints. 

Read the full Spotlight: https://grayarea.co/artists/steve-bug

▪️Follow Steve Bug▪️
Instagram - https://www.instagram.com/steve_bug
Twitter - https://twitter.com/steve_bug
Facebook - https://www.facebook.com/stevebug
Spotify - https://open.spotify.com/artist/4SoC2HfA0nGk3xCJ3hRG3J?si=Td1GR_XjQDOUoBNWlDN0yQ
Soundcloud - https://soundcloud.com/stevebug
Beatport - https://www.beatport.com/artist/steve-bug/1782

Connect with Gray Area:
Instagram - https://www.instagram.com/entergrayarea/
Twitter - https://twitter.com/enterGrayArea
Facebook - https://www.facebook.com/entergrayarea
TikTok - https://www.tiktok.com/@entergrayarea
Spotify - https://spoti.fi/3nGJIfQ
Website - https://grayarea.co

Gray Area's mission is to build a bigger house music community in North America by helping fans discover exciting house music artists, event brands and festivals that are new to them.

Timestamps:
0:00:00 - Early beginnings with music/clubbing
0:01:38 - Discovering house music
0:10:00 - How his production process changed
0:16:50 - Mixing & Hannes Bieger
0:18:56 - Releasing music
0:21:40 - Finding joy in running a label
0:29:55 - How many labels he's working on
0:32:59 - Poker Flat Recordings
0:37:57 - Independent label integrity
0:44:20 - Labels surviving the pandemic
0:52:41 - Giving artists a platform
1:04:58 - Upcoming music/events
1:09:58 - Speed round

#grayarea #stevebug #housemusic

Gray Area Interview: Steve Bug

Steve Bug would not be alone in saying he's involved with dance music for the love and the passion. It's a culture that inspires, enchants, ensorcells, and otherwise intoxicates nomadic individuals to love any and all with every fiber of their being.

What makes Bug unique is his universal application of that love and passion. For nearly 30 years, the Berlin-based polymath has served as a producer, DJ, event curator, and label head to a plethora of different imprints. 

In the mind of Bug, none of these activities are mutually exclusive. They all embody the same thing. If he is going to do one, he will do them all because that is how he can best represent dance music as a human being.

"To me it's all a big thing. I'm either in it 100 percent or I'm not," Bug says, dialing in from his studio in Berlin. "I don't think I could just be a DJ or just be a producer or just a label guy. To me it has to be the whole thing. I want to do everything because I love it so much. This is what brings me joy."

Preeminent physicist Isaac Newton's third law of motion states that "For every action, there is an equal and opposite reaction," and Steve Bug proves this rule via his introduction to dance music. His first authentic experience was an evening at Hamburg's now-legendary Front Club in the late '80s.

"My friend said I should come with her to Front Club in Hamburg where they play this house sound. I didn't know anything about it. I hadn't heard anything about it," Bug says. "So I went to a record shop and basically found two records. The House Sound of Chicago and one other compilation that I don't remember right now to know what was going on. So I went home and listened to those records and I really enjoyed what I was listening to, but I didn't know what to expect from the club."





Bug proceeded to "dance his ass off all night," in this mecca for dance music culture surrounded by people expressing themselves without inhibition. But what truly sparked Bug's attention was the nonstop music.

"Before DJs in the discotheques weren't really mixing records together. It was just one track one by one. Music stopped and they played the next track," Bug says. "I was enjoying the music nonstop. That was really blowing my mind."

Bug took action through attending Front Club that one fateful evening and the equal and opposite reaction was a complete and utter passion for dance music.



Steve Bug DJing in the 90's



Soon after Front Club, Bug completed his DJ set up with two turntables and a mixer. He started working with others to produce music before building out his own studio, and after that, he started running his own record labels. That was over 25 years ago, and throughout that time, Bug has proven himself an innovator in all three of those areas (his activities within dance music go far beyond DJing, production, and record labels as well).

As a DJ, Bug has a dedicated fanbase worldwide, playing regularly at hotspots like Miami Music Week and festivals like Germany's Fusion, Saint Maarten's boutique island experience SXM, and BPM. His production catalog spans seven full-length albums and dozens of singles and EPs. Along the way, he has run a variety of record labels, including Raw Elements, Dessous, Traffic Signs, Sublease Music, and Poker Flat Recordings.

"We're doing Poker Flat right now and Sublease Music. These are the two we're focusing on. The others I prefer to say they're asleep instead of saying we definitely put them away, and that's not ever going to happen again," Bug says with a laugh.

Raw Elements was Bug's first label. He adopted a genre-spanning approach from 1997 to 2000, releasing various styles from disco house and electro to Detroit techno. After discovering that so much diversity on one label wasn't necessarily viable paired with some issues with their distributor, Bug put Raw Elements to sleep and started Poker Flat Recordings in 1998.

Poker Flat Recordings is Bug's most prominent and longest-running label. Over the last 23 years, he's put out over 300 different releases on Poker Flat from artists like John Tejada, TRENTEMØLLER, Tim Engelhardt, Alex Niggemann, and Francesca Lombardo, as well as his own productions, all while being sure to maintain the label's integrity; remaining true to the off-kilter and eerie approach to minimalism regardless of whatever sound is the trend of the day. 

"Integrity is not about setting trends. Music to me and I think for a lot of other independent label owners is about passion and about something you personally feel. It's not about what other people like out there, and if a trend is shifting, it's not a smart move to shift with a sound financially, and in the long run, you keep your integrity, Bug says. "It's who we are. I can't do it differently. This is how I do it, and I think this is true for all people who run these sorts of labels, no matter if it's dance music or any other sort of music. Independent labels are basically driven by passion."  

Bug is still driving the culture forward with that passion. He is signing exciting new artists to Poker Flat like Ausilio Jo (whom Bug discovered through a track feedback session at SINEE Electronic Music Production School), he's curating more "reduced, hypnotic, and raw sounds" through Sublease Music, he's producing his own music (Bug had the final release on Poker Flat in 2021) and tours are coming soon as well.

With Bug's love and passion, even a global pandemic couldn't stop him from being in dance music 100 percent.





