Since opening its doors in 1999, Eden Ibiza has become a cornerstone of Ibiza's rich nightlife scene, known for its pioneering events that champion both established and upcoming artists, and a venue that welcomes every walk of life.

The San Antonio mega-club offers a diverse musical lineup, catering to both underground aficionados and the mainstream, showcasing a wide range of genres including house, tech, drum & bass, trance, garage, EDM, and the Spanish rap sensation, reggaeton, throughout the week in summer.

Its varied musical offerings and dedication to pioneering sounds have solidified Eden's status as a go-to spot for those seeking to explore new musical landscapes and witness the rise of future stars in the industry, and for 2024 their weekly musical roster is a myriad of worlds genres.

MONDAY

Zazu & Worried About Henry (WAH)

Zazu, a newcomer to Ibiza's lively club scene, is poised to make a splash at Eden during the early part of the 2024 season. Running for six dates, from May 6 to June 10, Zazu has reeled in an exciting lineup featuring some of the most prominent figures of the ascending Afro house scene. Attendees can anticipate thrilling performances from renowned artists like Da Capo, Enoo Napa, and Caiiro.

Following Zazu's energetic kickoff, Worried About Henry (WAH), a powerhouse in drum & bass, will take the reins for the remainder of the season every Monday night, starting June 17 and concluding with a grand finale on September 30. 

Drawing from past experiences with DnB luminaries such as Chase & Status, Andy C, and Wilkinson, Hybrid Minds, Sub Focus, this season promises to be nothing short of spectacular.

TUESDAY

Reboot Presents Outset

Originating from Ireland, a country with a deep-rooted connection to dance, Outset has made a significant mark on the electronic dance music scene, through its record label, party series and DJ agency. Taking place every Tuesday from 4 June until 3 September, Reboot Presents Outset Ibiza 2024 will occupy a 14-week residency at Eden.

After a dark horse run last season, with acts such as LaLa, Hannah Laing and 999999999 to name a few, Outset Ibiza will bring the best of this burgeoning dance genre to the heart of San Antonio throughout the summer.

WEDNESDAY

One Night Stand

One Night Stand makes a highly anticipated return to Eden Ibiza with an impressive 20-date residency, taking place every Wednesday from May 8 to September 18, 2024. Back after a five-year hiatus, One Night Stand is celebrated for its exploration of the island's raw, underground nightlife culture and minimal music scene.

Spearheading this revival is Game Over, a team renowned for their influence on dance music with events like Carl Cox's Music Is Revolution, WILDCHILD, and LiFT. Previously, One Night Stand left its mark on venues such as DC-10, Amnesia, and Pacha from 2018 to 2019.

Championing the sounds of the underground, their summer 2024 roster has just been announced, and it is quite frankly, huge. From Dr Banana, Burnski, Black Loops, Laidlaw, Lauren Lo Sung, Voightmann, Rossko, S.A.M, Dennis Quin, and Lockead to a host of names who are on the cusp of stardom. They've covered the whole spectrum of this burgeoning genre.

THURSDAY

One More Time

After mesmerizing crowds and igniting the dancefloor with its authentic homage to old-school nostalgia during its previous summer residency, One More Time Ibiza returns triumphantly in 2024. This residency has swiftly established itself as a pivotal event for retro dance enthusiasts,  serving as a portal to the cherished late '90s and early 2000s — widely hailed as the golden age of trance music. 

The lineup reads like a who's who of the legends who crafted the soundtrack of a generation. With returning headliners such as Tall Paul, Seb Fontaine, Slipmatt, and Dave Pearce, the event guarantees an authentic journey back in time.

FRIDAY

Space

Space Ibiza - the iconic club, curated by Pepe Rosello, shut its doors in 2016 after reigning supreme for 27 years as a pinnacle of electronic music and club culture. Now, it has selected Eden as its new home, heralding a revival that pays homage to both its storied past and a commitment to innovation.

Space will commence a whopping 24-week residency, running from April 26 to October 4, 2024, with a brief break on August 2.

Consider the illustrious names that graced the revered club during its nearly three-decade reign on the island. While we can't guarantee Carl Cox's return, we're certainly in for a lineup of incredible talent.

SATURDAY

Peaches

Bringing a completely different vibe to Eden's weekly roster, is Peaches. A brand new edition to the lub, every Saturday night from 25 May until 31 August, Eden will transform into a paradise of reggaeton, hip-hop, and dancehall.

With a lineup that boasts international chart-topping sensations such as Jason Derulo, Stefflon Don, Tion Wayne, Russ Millions and more, the stage is set for unforgettable performances throughout the peak season.

SUNDAY

ABODE

Closing out the week on a high, is leading London-born, tech house trojan, ABODE. Throughout the summer, ABODE will reign supreme on Sunday nights from May 26 to September 29, 2024. 

The residency promises a curated lineup of esteemed DJs delivering electrifying tech house beats, featuring luminaries such as Yousef, Detlef, Alisha, Steve Lawler, Richy Ahmed, Max Dean, and more. Attendees can expect an unforgettable experience crafted by this tight-knit roster of the brand's favorite talent.

Eden Ibiza 2024 Residencies

Dive into the beat with Jonas Saalbach, the maestro behind the decks and the brains behind Radikon, where melodic techno meets house music with a fresh twist. Jonas goes beyond just playing tracks; he creates a unique and bold sound that energizes dance floors and dominates streaming charts. Radikon isn't just a label; it's Jonas's baby, a playground where the underground gets a spotlight, and new sounds get to bloom.



In a candid chat, Jonas spills on what makes Radikon tick, his green heart in a not-so-green industry, his adventures into uncharted musical territories, and many more exciting projects. Amidst the whirlwind of beats and basslines, Jonas stays rooted, fueled by the electric energy of the crowd, the camaraderie with fellow artists, and those quiet moments that spark creativity. Let's dive in!



With your label Radikon, what new directions or innovations are you hoping to explore in the electronic music scene?

Our mission with the label is to release contemporary and a bit edgy melodic techno and house music that we like to play ourselves. We don't have to reinvent the wheel with every release, but we make sure that the songs we sign are not like 100 others on the market. We put a lot of thought into the releases. Radikon is an absolute heart project and I think we have found our sound over the years.



Are there any emerging artists on Radikon that you're particularly excited about? Can you share why?

Arude is one of our artists who has been with us for a long time and makes extremely good and innovative music. A mix of bouncy tech house and melodic techno. And always very groovy. Every track tears up the dancefloor. An underrated artist and I hope that more people will take notice of him. Another talent is Eze Ramirez from Buenos Aires. To be honest, I am often jealous of the ideas he brings to his songs :)

Environmental consciousness seems important to you. How do you incorporate sustainability into your music production or tours?

Yes, I love nature and I think it's important to respect it. However, as a touring DJ, I'm not a role model when it comes to this topic. Nevertheless, I try to be mindful in my everyday life. Little things like always taking the train when I can or minimizing animal products are important to me.



Have you considered exploring other genres or musical styles in your future work? If so, which ones?

Yes, absolutely. During the pandemic, I had a bit more time and released a Lofi EP under a different name. As for my main project, I'd like to explore other areas as well. My next six-track release, Acceleration, will have the sound people know me for, but I'm currently working on a slightly different sound. Since this is still a work in progress, I think it's too early to talk about it. In any case, it will be dance floor-oriented.



What role do you see virtual reality or new technologies playing in the future of electronic music performances?

I think they play a big role. We can already see that large visual productions are very successful and the DJs themselves are playing a smaller role. Artificial intelligence will also have an impact on the market. It is already possible to produce really good-sounding music with AI. As a producer, this can certainly cause some concern, because the question of whether you can be replaced by technology in the future is certainly justified. Nevertheless, I take things as they come. I'm always optimistic about the future and think that a producer's unique musical signature can't be replaced so easily. Perhaps innovations will come onto the market that I find helpful and inspiring. It's an exciting topic in any case!



How do you stay inspired and motivated in the fast-paced world of electronic music?

just love the essence of electronic music. I love to dance to it, produce it, enjoy the vibe at parties, tour, and meet new like-minded people. That motivates me to keep going at a time when, as a producer and DJ, you have to devote at least as much time to marketing via social media. Making music is also really my space where I can slow down and escape the relentless pace. Actually, I'm about to release a mini album called Acceleration in May, which addresses this topic. When I was writing the songs, I thought a lot about my personal little cosmos and how I deal with the increasing acceleration in my daily life.



I’m about to release a mini album called "Acceleration" on May ’24th, which deals with the topic. It's not about evaluating infinite growth. When I was writing the songs I just thought a lot about my little cosmos and how I deal with the increasing acceleration in my daily life.

Can you share one piece of advice you've received that has significantly impacted your approach to music?

My Radikon partner, David Guzy, once commented on some new demos I had just produced: 'It sounds like you're pretending to sound like someone else.' He was right. So, I decided to make the next tracks absolutely authentic. In my mini album Acceleration, I tried not to be influenced by current trends, but to write the pure Jonas Saalbach sound—melodic, melancholic, uplifting, and a bit happy.



If you could perform a back-to-back set with any artist, living or deceased, who would it be and why?

I would like to play a B2B with Julya Karma from New York. I like her very much as a person and as an artist. I think this could be a pretty good set ☺

If your music could be the soundtrack to any movie or TV show, which would you choose and why?

I would ideally like to make music for a film that has an atmosphere like Interstellar. Or something completely different. A film to which I could create old-school hip-hop beats. An old passion of mine.

Imagine you're stranded on a deserted island but have all the equipment needed to create music; what's the first song you'd produce?

In that case, it wouldn't matter whether the song was released and would be a 10 or 20-minute jam with a big, dreamy soundscape.

Dialing Into the Future: A Chat with Jonas Saalbach

Since its inception in 2017, state-of-the-art super-club Hï Ibiza, helmed by The Night League, has reigned supreme on the pristine shores of the White Isle, securing the coveted number one spot in DJ Mag's Top 100 Clubs poll for two consecutive years, in both 2022 and 2023.

Beyond its sleek exterior and branding, each night at Hï Ibiza promises an exploration of diverse musical genres, ranging from the soulful rhythms of deep and tech house, the dark corners of techno, to beats of dance music. Every night during peak summer, from 23:00 to 06:00, Hï Ibiza hosts residencies from quite literally the biggest DJs in the world.

As it strides into 2024, the club embarks on its most ambitious summer yet. Whether you're drawn to the euphoric beats of a particular artist or eager to explore new sounds, there's something for every discerning musical palate.

MONDAY

Eric Prydz and Patrick Topping

From June 24 through to September 9, Pryda label-head Eric Prydz invites you into the [CELL]. Last summer marked the first time that the Swedish superstar has held a residency on the island since 2017, and it went exactly how we all expected - extraordinarily.

Prydz has found the perfect incubator for the exciting new chapter in his audio-visual experimentations, as he moves from his HOLO concept into [CELL], taking place in Hï’s pioneering Theater.

Not only will there be the excitement of Prydz and probably some very special guests joining him throughout the summer, but for 12 exclusive Mondays, the Club Room will also be under the control of British DJ and producer Patrick Topping.

This Monday link-up from June 24, to September 9 allows you to glide between both the club’s impressive dance floors and experience two completely different genres in one evening.

TUESDAY

The Martinez Brothers

The self-named residency by The Martinez Brothers takes place every Tuesday, as they use their charismatic pull factor to attract crowds in their thousands to the streets of Playa den Bossa, June 18, to September 24..

The trendy dyad takes on The Theatre each week, usually performing for 3 hours (03:00 - 06:00), and invites a HUGE roster of DJs to join them each week. Last summer saw the likes of Marco Carola, Kerri Chandler, Chris Stussy, Jaden Thompson, Louie Vega, Loco Dice and more. And that’s just The Theatre!

If one room wasn’t enough, Ibiza veteran Paco Osuna takes over Hï's Club Room each week with his revered Now Here imprint, serving up his 10/10 tech house beats alongside a specially curated line-up chosen by the Spanish powerhouse.

WEDNESDAY

Fisher

Chart-topping DJ and Australian tech-house producer FISHER returns to the white isle this summer, for the third season of his very own residency at the award-winning super-club, commencing June 5.

Throughout the 2024 clubbing season, the grammy-nominated sensation will once again take over the club's Theatre each and every Wednesday from June 5 to September 25. If you’re an avid follower of The Fish, you will know that he announced on his IG that Patrick Topping will be taking his place in The Theatre on June 19 and July 10, as his lovely wife Chloe is due to give birth! However, he will be extending the residency to October 2 to make up for these lost dates.

Once again, the Club Room will be hosted by Brazilian heavyweight, Vintage Culture. Showcases of his signature bass-driven melodic house, those looking to bust a move will find his mix of alluring vocals and warm, rolling low ends irresistible. Expect world-class special guests and even some exclusive b2b performances.

THURSDAY

Afterlife

Returning to Playa d’en Bossa, Tale of Us' famed party Afterlife arrives once again at Hï Ibiza, running from June 27, to August 22.

Committing to two full rooms for the whole season, The Theatre will feature the progressive house and techno of the italian duo whilst The Club hosts darker techno.

Guests in previous years have seen the likes of Stephan Bodzin, Kevin De Vries, Amelie Lens, Massano, Rüfus Du Sol, Mind Against and more!

FRIDAY

Future Rave

A name that needs no introduction, Grammy-award-winning American DJ and producer David Guetta teams up once again with respected Danish selector MORTEN to present Future Rave every Friday at Hï Ibiza, from June 7 to October 4, 2024.

Guetta oversees selections in Hï Ibiza’s state-of-the-art Theatre, where you can expect supercharged dark-leaning beats, and explosive drops, along with new guest DJs every week.

As the pair take us on a journey into the darker side of music, Future Rave bosses also brought along a string of talent in previous summers including Idris Elba, Vintage Culture, Arielle Free, Miss Monique, Tchami, ARTBAT, and more.

SATURDAY

Black Coffee

Holding the prestigious title of being the first EVER Hï Ibiza resident, Black Coffee continues this reign in 2024 as he’s back with his weekend slot on Saturday’s.

The GRAMMY-nominated superstar takes over Hï's Theatre each week, where he often invites some aristocratic guests including fellow countrymen Da Capo, Culoe de Song and Themba, as well as scene dignitaries such as Loco Dice, Jamie Jones, The Blessed Madonna, Keinemusik, and DJ Tennis. 

All carefully selected to build-up to the main event that is Black Coffee's cutting-edge soundtrack. Oh, and this seems to be the night that A-List celebs like to attend - Travis Scott, Drake and Alisha Keys, and the world’s best footballers have all been spotted at Hï partying with Coffee.

Over in the Club Room, Damian Lazarus ventures away from unique settings like the jungle, beach and mountains, as he takes the throne of the venue's intimate underground setting every Saturday. A dedicated champion of new talent, many of his guests will be making their Ibiza debut, as well as revered legends of house music.

SUNDAY

Glitterbox

2024 marks the 10th anniversary of Glitterbox as it returns home to Hi Ibiza on Sunday’s, from May 5 to October 6.

Glitterbox calls on the world’s most respected DJs in disco and house such as Kenny Dope, Jayda G, Bob Sinclar, Dimitri From Paris, Honey Dijon, Purple Disco Machine, Horse Meat Disco, Moodymann, Folamour and more. 

Each room will feature iconic performers, dazzling dancers and the signature Glitterbox sound, which captures the essence of nu-disco, vocal house and classic dancefloor anthems.

Hï Ibiza 2024 Residencies

Since the early 2000s, Soul Clap has been carving a path through the electronic industry with their distinct approach and sound. Their early edits, despite initial controversy, became summer anthems all throughout the 2000s and 2010s, ushering in a prolific career. Hailing from Boston, Charlie Levine and Eli Goldstein journeyed through Brooklyn, blossomed in Berlin, and now in Miami and New York, respectively, command the electronic funk scene. Whether it’s through Soul Clap Records, their imprint/touring party EFUNK, or the slew of collaborations, you never know what’s next for the duo.

Now, going into 2024, Soul Clap is set to release their new EP, EcoSystemS, marking a return to joint projects after a year of advocacy. Whether it’s Eli’s graduate studies in climate policy or Charlie’s work in coral reef construction, Soul Clap is consistently dedicated to sustainability and environmental stewardship, working closely with several organizations like DJs for Climate Action and GenZero Action. The new project will be released alongside an eco-conscious tour, epitomizing their combined commitment to music and the planet. Ahead of their EP launch, I had the privilege of sitting down with Soul Clap earlier this week to explore the evolution of their sound and how environmental advocacy plays a role in their music.



Where are you right now, and what’s in store for release week?

Charlie: I’m in the Japanese countryside surrounded by beautiful traditional art (gesturing to his green screen background). No, I’m actually in my studio in Miami right now, preparing for Miami Music Week. We’ve been playing it consecutively since 2001!

Eli: I’m at my home in upstate New York, about to head down to Miami for all of our shows and parties to celebrate the release of the EP. This is my first time going down there to play in a while!

This month marks twenty-three years of Soul Clap. Having founded Soul Clap Records and House of EFUNK while working with a pantheon of artists, what are some of your favorite memories of collaboration?

SC: Earlier this year, we lost a close friend and collaborator, Amp Fiddler. Amp was a positive presence who taught us so much both inside and outside the studio. Performing with him in Detroit with a full band will always be a cherished memory. He also opened many doors, and is the reason we were able to work with more legends like George Clinton and Nona Hendryxs.



From funk compilations with XL Middleton and Detroit legends for EFUNK006 to emerging minds like Tatie Dee, how do you approach working with such a large variety of artists through your label?

Eli: The overall ethos came from the earliest days of working with Wolf + Lamb. We found this inherent belief that if you’re going to release music with someone, you have to form a relationship and know them on a deeper level than just their sound. This has manifested in all of our releases so far, as we’re close friends with our collaborators and the artists showcased on EFUNK.

Your most recent single, “Extravaganza,” from the new project, is a remake of your anthemic Jamie Foxx edit from ten years ago. How do you choose what to update while still preserving the nostalgia it carries?

Charlie: Many of our early edits that became popular were very bootleg-y and pieced together. Most of the updating is done through the large number of new synthesizers, drum machines, and samplers we’ve amassed. For that song specifically, we used a new Moog patch for the bass and processed the drums a lot more.



Eli: The recording with Life On Planets was done at House Under Magic Studios in Brooklyn and took a lot of time to capture the energy of the original.

Charlie: It was mixed by Tom Ruijg in Amsterdam, who makes his own music under the moniker Tracey, and then sent to Moustache Mastering in California to get the final product.

The second collaboration with Life on Planets on the EP, “Rick Fredkin,” takes your funky sound in a new uptempo and breaky direction. Was this a natural evolution of your typical house sound?

Charlie: First, I’ll explain the meaning behind it. The song is named after our close friend, Rick, the son of digital theorist Edward Fredkin. Ed, who passed away recently, worked in the beginnings of artificial intelligence and pioneered a theory that the universe could function like one giant computer. Rick has followed in his footsteps as a bright technological mind but still parties and raves alongside us all the same. In a hectic digital world, this was our dedication to him, trying to say, “It's in your hands.”



Eli: Regarding the track's sound, jungle and breakbeats were a massive part of how we got into music. When we were growing up, raves and parties would always have multiple rooms, each with different genres to enjoy, so we were listening to everything. I used to mix drum and bass often, but as the Soul Clap project took off, I transitioned out of it and focused more on funk and house. I think one of the songs of our earliest project has the essence of a jungle song, just really slowed down.

Charlie: I think if you listen to our sound over the years, you can definitely see the influences. We’ve always tried to mix the sounds of classic breakbeat, like specific bass patches or ethereal pads. What may seem like a departure to our listeners feels more authentic to us internally.

Can you name some of your favorites who inspired the breakbeats?

Eli: A lot of the Brazilian jungle and breaks like DJ Patife and DJ Marky. I recently played “Sambassim” by DJ Patife at a party. Other than that, I love Creative Source and Marcus Intalex, a powerhouse from the UK that we lost a few years ago. Rest in Peace.



Eli, you took some time in 2023 to focus on your thesis and further your work with DJs for Climate Action. What are some of your biggest takeaways from the surveys and research, and how did that factor into the new project?

Eli: In June 2023, I completed my Master's in Climate Science and Policy and published my thesis on climate action in the electronic music industry. It was incredible to see the sense of action needing to take place, and it allowed me to collaborate with new organizations focused on making a positive impact. Overall, the biggest takeaway that manifested inside and outside of the music was the sense of helping people remember that we are all nature.



Can you describe studying coral reef reconstruction in Tulum? Do you try to bring any of the experiences or emotions from your joint activism into your music?

Charlie: I’ll leave the science behind it to the researchers to describe, but what I can tell you is that we experienced taking biotic field recordings of active coral reefs on the Florida coast. In these recordings, you get to hear all of the sounds of a healthy ecosystem, like little pops from shrimp and other life forms, in comparison to the dead and bleached reefs, which are just silence. The soundscapes don’t really have audible calls or vocalizations as you would expect, but they sound almost like white noise, very atmospheric and buzzing. On tracks off of the EP, like “On and On,” we incorporated these sounds by recreating their energy and emotion and trying to inject the track with the essence of the healthy ecosystem.



Eli: Overall, we’ve been trying to incorporate more natural sounds into the music. Most recently, we were in Mexico, and the area where the studio was located had a bunch of chickens outside. The chickens fit into the overall rhythmic structure of the song, so we went outside, field-recorded them, and added them in. All of the field recordings bring a new sense of life and capture the

What goes into planning an environmentally sustainable nationwide tour? Is there any sense of limitations, and subsequently, can you balance them with delivering an event of a similar or higher caliber than you’ve given to fans in the past?

Charlie: There’s definitely some sense to deliver after we’ve been throwing events for so long, but we turned to venues and promoters who we have relationships and experience with, so we know they’ll share our values and be able to deliver the same quality of events.

Eli: Some limitations come up, but overall, the sustainability makes the parties better. For example, I’m taking the West Coast leg off because I can’t get there by car or train and decided not to use air travel. Because of that, I’m focusing more energy on the events close to home. Having plastic-less parties also makes the dance floor cleaner and more enjoyable space for everyone involved, and playing in more diverse spaces allows us to learn more and connect with new people.



Earth Night 2024 is set to retake place globally in cities like New York, Amsterdam, Berlin, Lisbon, Paris, and Barcelona. Are there any exciting details you can share about this year's celebrations?

SC: This is our seventh year in a row playing Earth Night, and this year, we have around thirty events taking place worldwide. This year, DJs for Climate Action is primarily focused on this idea of “regenerative” celebrations, or leaving the space we choose to take up better and more nourished than when we arrived. This means working on location with even more teams and local organizations than ever before. We’re super excited for next month.



2024 feels like a breath of new life, with Eli returning for “EcoSystemS.” After this EP, what's next for the label? What do you want to share with the fans?

Eli: For the labels, we have a whole variety of new music coming out. Our first British artist, the London-based afro-beat duo 2fox, will have a project releasing soon under Soul Clap. Other than that, we have another FSQ album, and also releases from a new supergroup, “Choosy Lover,” made up of all-stars from the Soul Clap Records family. We know that the last five years have been tumultuous, with the pandemic leading into numerous conflicts. It’s been an unstable time in our lives, and we’re now choosing to connect more with our fans and push more emotion into our music.



Charlie: Going into this tour and the EP's release, we really just want to remind people that the “ecosystem” isn’t just about animals or nature. We are all part of the ecosystem, play a role, and should be conscious of our decisions.

Eco Grooves: Exploring Soul Clap’s Environmental Mission

Ushuaïa Ibiza, an adults-only playground, emerges as the luxurious beachfront mecca amidst the vibrant sands of Ibiza's renowned party enclave, Playa D'en Bossa. 

For the uninitiated, this establishment owned by The Night League transcends your standard hotel complex, as it transforms into a globally-renowned party destination that hosts festival-style events every day of the week.

Covering a broad musical spectrum from mainstream to the underground, we're here to provide you with an overview of Ushuaïa's jam-packed residency program for 2024. So, you'll know exactly what to expect upon arrival at the expansive open-air venue, whichever day tickles your fancy.

Monday

David Guetta - F*** ME I'M FAMOUS

French-American extraordinaire David Guetta, also known for his long rein as the world's number one DJ, returns to the sun-drenched dance floor of Ushuaïa Ibiza with his legendary F*** ME I’M FAMOUS! residency from Monday June 3 for a whopping 18-week residency through to October 7. 

Guetta is no stranger to hosting epic parties in Ibiza, as FMIF confidently strides into yet another year, alongside his Future Rave residency at the sister venue, Hï Ibiza, every Friday night.

While Guetta himself is the star attraction of this iconic party, each week he is joined by some of the biggest names in electronic music. Though the full lineups are yet to be unveiled, if the past few years are any indication, attendees can anticipate performances from renowned artists such as Cedric Gervais, Afrojack, Lost Frequencies, Jonas Blue, Joel Corry, Martin Solveig, Hugel, Purple Disco Machine, Sigala, and Robin Schulz.

Tuesday

Defected

After much anticipation and discussion during the off-season, Defected has unveiled Ushuaia Ibiza as its new island home for 2024! This shift to Playa d'en Bossa marks one of the boldest moves yet under the new leadership of Wez Saunders. 

Coinciding with this major relocation, this year also marks the 25th anniversary of the label, renowned party series, and artist management powerhouse, dubbed for summer as Defected XXV.

The inaugural 22-week residency spans from Tuesday May 7th, to Tuesday October 1st, and promises pure house music excellence. Covering all corners of the genre, the emphasis is on the sounds and talent of tomorrow, as well as underground favorites, established pioneers, and respected tastemakers.

Summer headline highlights include Armand Van Helden, The Blessed Madonna, Butch, Cajmere, Carl Craig, Catz 'N Dogz, Dennis Ferrer, Disclosure (DJ Set), Floorplan, Folamour, Gorgon City, Groove Armada (DJ Set), Hugel, Idris Elba, Kerri Chandler, Masters at Work, MK, Oden & Fatzo (Live), Roger Sanchez, Shermanology, Todd Edwards, Todd Terry, and more special guests to be announced.

Wednesday

Tomorrowland

Pioneers of the global EDM festival scene, Belgian duo Dimitri Vegas & Like Mike, make a triumphant return to the magical island with Tomorrowland for an extended season in 2024.

Commencing with an unprecedented opening party on Wednesday May 15th, a full month earlier than usual, the festivities will grace the open-air venue of Ushuaïa Ibiza until October 2nd (excluding July 24th, August 14th, and September 4th).

For the first time ever, the stage design for Tomorrowland events will harmonize with the overarching theme of 'LIFE,' the focal point of Tomorrowland's Belgium festival for 2024.

Special guests such as Afrojack, Lost Frequencies, Steve Aoki, The Chainsmokers, and Timmy Trumpet will join the brothers this summer, along with Alok, Chapter & Verse, Joel Corry, John Newman, Marlon Hoffstadt, Regard, and more, all gracing Ushuaïa's stage facing thousands throughout the season.

elrow's outdoor extravaganza is also set to take place over three dates at Ushuaïa. The three Wednesday dates in 2024 are 24 July (Delusionville), 14 August (El Rowcio) and 4 September (Dance With The Serpent).

Last year, Paco Osuna, Ilario Alicante, Vintage Culture, Manda Moor, Cloonee, Wade, Bastian Bux, De La Swing, and Tini Gessler played across the shows.

Thursday

Martin Garrix

Rolling into Ushuaïa Ibiza for more EDM goodness, four-time World Number #1 DJ Martin Garrix makes a triumphant return for another scintillating summer season, gracing the stage every Thursday from June 20 to September 26, 2024.

With a connection forged over many years, Martin Garrix's bond with the Ushuaïa Ibiza dancefloor remains unparalleled. The Dutch maestro enthralls his fans with his distinctive EDM sounds and style, that often incorporate a selection of his own chart-topping hits.

In past years, Garrix has been accompanied by acclaimed artists such as Acraze, Disciples, Dubvision, Ferreck Dawn, Jax Jones, Kungs, Lost Frequencies, Martin Solveig, Otto Knows, and even engaged in an impromptu b2b set with Fisher. So, keep your eyes peeled for the big-name surprises lined up for 2024.

Friday

Calvin Harris

Calvin Harris is confirmed to make yet another epic comeback to Playa d’en Bossa for 2024, with his chart-topping hits and timeless classics, infused with club anthems and beloved crowd favorites, every Friday, from May 31st to September 13th.

Joining forces with Harris for all Ushuaïa dates this summer is none other than American DJ and producer Marc Kinchen, also known as MK. With a track record of sold-out shows of 7,000 people each week, this dynamic duo is poised to deliver yet another unforgettable summer.

Saturday

ANTS

The Night League’s renowned in-house underground event ANTS has been an unstoppable force in Ibiza's clubbing scene since 2013. Now they're gearing up for their biggest season yet at their home base of Ushuaïa Ibiza, marking over a decade of being one of the island's most esteemed underground gatherings.

Saturday May 4th, ANTS kicks off with a spectacular day-to-night extravaganza spanning both Ushuaïa and Hï Ibiza, with the same the following weekend.

Renowned Swiss house music veteran Andrea Oliva has become a fixture in the ANTS Ibiza season, alongside Nic Fanculli, and joining them is an esteemed lineup of tastemakers including Adam Beyer, Alan Fitzpatrick, Alisha, Archie Hamilton, Boris Brejcha, Chelina Manuhutu, Cloonee, Eats Everything, Franky Rizardo, HoneyLuv, Ilario Alicante, Jaden Thompson, John Summit, Kölsch, Nic Fanciulli, Nicole Moudaber, Paco Osuna, Paul Kalkbrenner, Rossi., Solardo, Syreeta, Toman, Wade, Wheats, and many more!

Gray Area Tip: If you’re just joining the ANTS colony, don’t forget to wear your wear your best all-black attire!

Sunday

Swedish House Mafia

Following sold-out performances in 2023, 2022, and 2019, Axwell, Sebastian Ingrosso, and Steve Angello otherwise known Swedish House Mafia extend yet another invitation to dance with them at their beloved island casa, Ushuaïa Ibiza in 2024.

This summer, you can experience the electrifying presence of Swedish House Mafia every Sunday from July 21st to August 25th.

Individually, each member of Swedish House Mafia holds headline status, but when they come together, they create pure magic. 

Picture yourself beneath the Ibiza sunset, hearing one of their globally renowned anthems like 'Don't You Worry Child' or 'Save The World'. The group offer up a nostalgic experience that resonates with everyone!

Ushuaïa Ibiza 2024 Residencies

On Friday, March 22nd, Femme House hosted their second event during Miami Music Week at the prestigious W Hotel in South Beach. The event was a panel discussion focused on education and mentorship in music.

Femme House is committed to creating opportunities for women, gender-expansive, BIPOC, and LGBTQIA+ creatives in the technical and behind-the-scenes areas of music. The organization is developing the future producers, mixers, engineers, DJs, artists, and executives of the industry by providing education, scholarships, cultivating community, furthering visual representation, and amplifying the voices of marginalized communities.



Current Artist Fellows of Femme House include Hai-Life, Zora, Chloe Batelle, Senaerya, and Joanna Magik. They had the opportunity to network directly with the panelists, connect, and pitch them their projects.



This conversation featured Femme House Co-founders Hermixalot and LP Giobbi moderating the conversation with a dynamic lineup of panelists such as Ronny Ho (Head of Dance and Electronic Development at Spotify), Heather Church (Vice President, Talent & Marketing at Club Glow, Echostage, Soundcheck), Stephanie Karten (A&R Director at Armada Music US), Julia Fugazy (General Manager at Bedouin Music Inc), and Bailey Greenwood (Booking Agent at WME).



Attendees had the unique opportunity to hear insights from artist managers, premier agents, music industry professionals, and labels on what they look for in emerging artists. Here are some of the key insights shared by the panelists:

Ronny Ho from Spotify emphasized the importance of building and cultivating your own fan base first. She mentioned, “Playlisting on Spotify isn't everything. It's equally important to make sure you have a robust artist profile with music.” According to Ho, Spotify wants to hear as much music as they can.

Stephanie Karten, A&R Director at Armada Music US, shared her perspective on what she looks for in artists. She focuses on the music, wanting to hear something unique that stands out from the pack. She also values an artist who is working on building a community and fan base, and who has a clear vision of where they see themselves in five years.



Bailey Greenwood, Booking Agent at WME, believes that an artist's story is what gravitates her to work with them. She emphasized not putting a timeline on what you're doing and the importance of looking beyond music when building an artist's brand.

The panel resonated with the idea that "it takes hustle" to succeed in the music industry. Building a strong fan base, having unique and standout music, and cultivating a community were all highlighted as essential elements for up-and-coming artists.



We were able to chat with Hermixalot about Femme House.

What was your inspiration and the importance of having these types of panels during Miami Music Week?

“I think that the initial thought for us was there's just not very much for folks to do that aren't men at Miami Music Week, you know? The other thought was, it can be such a party, you know? Which is super fun. What we learned last year, we didn't think that people would come. There's so many parties and there's a lot of fun stuff. When we had such a great turnout, we realized that people were sort of hungry for these conversations to take place and ways to come together, during the day and not at a bar, you know what I mean? That there was real space being created for queer people and BIPOC people and women and gender-expansive folks, who just wanted to come together and be at Miami Music Week, but also feel seen and like together and with the community.”



What does it mean to you to have the fellowship program for the creatives?

“This is our first year doing it. What we hope is that we bring more and more folks every year and that we just sort of use our juice in the room to take them places. We took them earlier to the Meta Women's Brunch. We are taking them after to a Spotify party. We want them to meet people and build community and build relationships. It can be hard; Miami Music Week can be very overwhelming. It can be very taxing. It can be a lot of things. It could be a lot at once. On a base level, we just want to help people feel comfortable, you know, this is their first time here. And it's easier, I think, to have your first time when you know somebody and somebody can vouch for you and, you know, help you, introduce you to people and, you know, it just feels better.



It's support anyway. I think that's important, for folks, you know, the more marginalized among us in the dance music community like to come together and just feel safe together, get to know one another. Right? There's power in numbers and there's power in community and support and that's all we're up to.”

Any future plans for Femme House? Have you all already thought about a panel for next year?

“We hope to expand this next year and bring more fellows. To provide them hopefully with some performance opportunities. As for Femme House's future, it's about to get crazy. That's all I can say.”



There were many more invaluable insights talked among the panel and opportunities given to audience members to share their experiences and ask questions. As Femme House continues to champion diversity and inclusivity in the music industry, events like these play a crucial role in empowering the next generation of music creators and professionals.

Femme House's Impactful Event at W Hotel for Miami Music Week

In the heart of the UK's underground music scene, Mason Talbot is a name that’s quickly become synonymous with fresh beats and wet sets. From Leeds to the bigger stages, Talbot has crafted a space for himself where garage meets tech house, and every track tells a story. It all kicked off with those tech house edits on SoundCloud and local gigs around Leeds, but it wasn’t long before his track "Cocaina'' caught fire on Lee Foss's South of Saturn imprint, turning heads and moving feet worldwide.




Talbot's journey is as real as it gets. Starting from humble beginnings with a love for music, he found his groove in electronic beats and never looked back. This exclusive chat dives deep into how he lays down tracks, starting with those crucial drum patterns and keeping distractions at bay to keep the creative vibes flowing. He shares tales from behind the decks, like that unforgettable night at Lab 11 in Birmingham, where the connection with the crowd was just magic.




But it’s not all about the big moments. Mason gets real about the grind, from shaping the unique vibe of his own label, Redefy, to juggling the many hats artists wear today. He’s all about creating a space for his music and lifting up the talented friends around him. Plus, he’s not shy about the challenges and the highs and lows of staying inspired in a scene that’s always on the move.




Talbot’s also got the scoop on what’s next, from new tracks ready to drop to dreams of spinning in new cities and bringing his sound to fans across the globe. And with plans to dive deeper into melodic territories, it’s clear he’s just getting started.




Mason Talbot's latest belter, "Fuck You," dropped on House Hats Records, and it's been activating the dance floors since it’s release. The track showcases Talbot's knack for blending cheeky energy with deep, driving beats, making it a standout hit that resonates with crowds worldwide. Collaborating with House Hats again proves Talbot's ability to find a home for his dynamic sound, connecting with an audience eager for his next move.




If you're chasing the latest in house music, Mason Talbot is the name to remember. He's got fresh tracks lined up that promise to keep the scene lively and genuine. Mason's not just spinning records; he’s part of what it means to be at the heart of house music today.



How do you approach the creative process when starting a new track, and how do you know when it's complete?


I usually start my track with drums, as to me, they're the most crucial element of any track. I always try to draw inspiration from the dance floor and music that I love. A big part of my creative workflow is making sure I'm in the right mindset to create and getting rid of distractions like my phone, etc. Knowing when something is finished can be difficult; a big part of my workflow is testing new music and making sure it works live, and to me, if it does, it's pretty much there.



Can you describe a moment or experience when you felt you truly connected with your audience during a live set?


I think the most connected I've felt to an audience during a set was during my set at Birmingham's Lab 11 when I headlined their Afta Dark event. The energy in that place is truly special, and I felt like the crowd was very open to the different styles of music I was playing. It went off!



What was it about Lee Foss’s South of Saturn that made it the right fit for "Cocaina," and how has your relationship with the label evolved since then?


Lee Foss has always been a massive inspiration to me, and he keeps his eye on the scene very closely. He DM'd me as he saw the track on an Instagram page, and from there, the conversation started about him signing the track. I have now released on three of Lee’s labels, and it has always been an amazing experience. I will always be grateful to Lee and the Repopulate Mars team for all of their support on my sound.



In what ways do you think playing at different venues across the UK has shaped your approach to DJing and production?


Playing at different venues such as Mint Warehouse, Lab 11, TANK, and Egg London has really changed how I DJ and make music. Each city and event can have a different vibe to it, which has definitely made me more versatile as a DJ. A big goal of mine now is to start taking my sound abroad to different countries.





Could you share more about your vision for Redefy and how you plan to differentiate it in the crowded music label industry?


I think at the start, the main goal with Redefy was to have an outlet for my music that didn’t fit any other labels. Moving forward, I want it to have its own distinctive sound for me to showcase not only my own music but also other talented producers' work, and to have a clear aesthetic and sound for the music and visuals. I have lots of exciting plans with the label and some events where I will be showcasing the label's sound coming this year.



How do you stay inspired and avoid creative burnout, especially with the pressures of the industry?


I think avoiding burnout in this industry can be quite hard. I've got ADHD, which makes it sometimes overwhelming with how many different jobs you need to do to be a successful artist today. I've recently been able to go full time with my music, and this has definitely helped me manage my time better.





You recently released your third track “Fuck You” with House Hats Records. What is it about that team that keeps you coming back? Why did you release it on their imprint instead of your own?


House Hats Records has truly been an amazing team to work with, always providing a space for creative freedom and collaboration that feels like a second family. The team's constant support and shared excitement for pushing the boundaries in electronic music make them the perfect fit for my work. Dropping "Fuck You" with House Hats lets me reach a wider audience and connect to their network in America, which really pushes my sound.



How do you see your music evolving in the next five years, and are there any new labels you hope to release on?


In the next five years, the main goal would be to release a lot more longer projects and potentially a full album of tracks that flow together. I have a lot of label goals definitely. I would love to release on Hottrax, Belief, and Heavy House Society, among many more in the future.



What has been your most challenging project to date, and what did you learn from it?


I think my most challenging projects are the ones I am working on now. In the last few months, I have been making a lot of new music that has a lot more melodic elements than some of my older tracks, and they are starting to become a lot more detailed and complex, especially on the mix down side of things. I love challenging myself with new ideas and think enjoying the process is a big aspect of creating music and learning to be patient with new ideas sometimes.



If you could only play one more set, what three tracks would definitely make the playlist and why?


Kerri Chandler - You Are in My System. Probably my favorite house track of all time; it would have to make the playlist.


Danny Bond vs. Human Resource - Dominator (Extended Mix). This is just one of their tracks that always goes off no matter what; every time I have played this tune, it just gets everyone moving.


JIZZ, Oscar Silva - Back To Funk (Di Chiara Brothers Remix). Another track that has been in a lot of my sets over the past couple of years. I love this style of UKG-inspired minimal house.



Got any exciting upcoming releases or projects fans should be looking forward to?
I definitely plan to release a lot of new tracks this year. I have multiple EPs set to be released on Redefy and a remix of Kai Rodriguez's new track coming out in March, the first to LewRaz’s label NoHassle. I have lots of new music ready to share and have been focusing on taking my sound to the next level.



If you were stuck on an island and you could only bring three records with you, which ones would they be?


1. Hot Natured - Different Sides of The Sun


2. Instinct - 05


3. Chris Stussy - Midtown Playground

From Local Gigs to Global Hits: Mason Talbot's World

One could argue that Amnesia Ibiza offers the epitome of the Ibiza clubbing experience, serving as the stage for countless unforgettable musical moments on the island that beacon around the world.

Since its opening in in 1976, the club's been home to some incredible residences such as Marco Carola's Music On and Sven Väth's Cocoon. For 2024, the powerhouse residencies continue as Amnesia is set for its most extensive and action-packed season yet, featuring a full seven-day-a-week lineup throughout the summer. 

So, we thought we’d simplify things for you, providing a day-by-day overview of the music you can expect at the mega club, so no matter when you arrive on the party island, rest assured that incredible DJs are at your fingertips.

MONDAY

Amnesia Presents - by Sonny Fodera & Danny Howard

Amnesia Presents kickstarts the week on Monday nights, and is a party spearheaded by the UK’s award-winning Sonny Fodera and long-reigning king of BBC Radio 1 Danny Howard. 

Since its inaugural season 2022, this fresh Ibiza series has quickly become a hit. For the last two years, UK powerhouse duo Gorgon City has been the third righteous party in demand, however for 2024, the focus is now on Fodera and Howard, as they welcome a wide range of guest artists to perform alongside them in The Terrace each week.

This summer, they’re also opening up the clubs second dancefloor, the Main Room, with a rotating lineup of headliners including Interplanetary Criminal, Sammy Virji, and Girls Don’t Sync! 

On The Terrace, the boys will be joined by a host of industry talent, including both established and exciting upcoming names, and will run from June 17 to September 30, 2024. Keep your eyes peeled for further line-up announcements, as this is the pair’s biggest summer yet.

TUESDAY

Claptone Presents The Masquerade 

Claptone returns to where it all began at Amnesia Ibiza this summer with his magical and mysterious The Masquerade, every Tuesday from June 25th to September 17th.

This move to Amnesia's Terrace on Tuesday's marks a significant moment for the island, and not only this, but The Masquerade will be in collaboration with underground powerhouse events brand HE.SHE.THEY, as they join forces to define a new era of house music. 

The Club Room will transform into an inclusive safe-space of underground luminaries, with fresh artists, HE.SHE.THEY staple production, and theatrical elements inspired by Ibiza's rich history. We didn’t see this collaboration coming, but we are here for it!

Pioneers such as Kerri Chandler, Pete Tong, and modern tastemakers such as Hannah Wants and John Summit have all graced The Masquerade with their presence in past seasons, making it a true celebration of authentic house music. So, who's in store for us this summer?

WEDNESDAY

Paradise

Wednesday’s at Amnesia offer up a lil’ slice of Paradise.

Jamie Jones and Amnesia have forged an irresistible partnership in just two seasons, and we have the privilege of experiencing this synergy once again this summer, every Wednesday, starting from June 19 and concluding on October 2.

Centered around the signature sound of Jamie’s OG label Hot Creations, Paradise consistently draws a crowd of passionate music enthusiasts from around the world. 

True to its name, Paradise offers a haven for house and techno aficionados each week with its exotic themes, from last year's Night of The Jaguar, to this year's focus, Temples Of The Sun. Enticing!

In addition to Jamie Jones himself, last year's lineup featured an impressive array of talent, including Joseph Capriati, Richy Ahmed, Enzo Siragusa, Apollonia, Seb Zito, Archie Hamilton, Chris Stussy, East End Dubs, Loco Dice, Hot Since 82, Fleur Shore, Nicole Moudaber, tINI, Rossi., and many more.

THURSDAY

Do Not Sleep & BRESH

Since 2014, the relentless force known as Do Not Sleep brought to you by the Electric Ibiza crew represents Ibiza's modern underground, and is back with a bang for 2024, hosting five early summer parties at Amnesia, on three consecutive Thursdays from May 16 to May 30, and the first two Wednesdays in June.

Last year featured names Richy Ahmed, Prunk, Eats Everything, Mason Collective, Jackmaster, Ben Hemsley, Solardo, and many others, so you know only the best will come through for 2024.

Taking the reins of the latter half of the summer on Thursdays, will be the Argentinean phenomenon event brand that is BRESH.

Originating in Buenos Aires, it quickly spread across Argentina, making its mark throughout both the Americas and Europe, but most importantly of all, it’s touching down once again in the music capital of the world, Ibiza.

With a music policy centered around Reggaeton and other Spanish-language rap genres, Bresh embodies the epitome of the vibrant energy and infectious rhythms of its native.

Currently, the festivities are a staple at some of the world's largest festivals, and is scheduled for a whole four months at Amnesia, from June 6th to September 12th.

FRIDAY

Methane Presents NEO & Joseph Capriati Presents Metamorfosi

Brand new for 2024, Mathame unveils NEO, the latest performance spectacle from the Italian sibling duo, set to debut at Amnesia Ibiza on June 7.

This groundbreaking show will unfold over 8 Fridays during the summer and will later expand into a global series of events starting in autumn 2024. Details about 'NEO' remain scarce, with the only insight provided by the duo hinting at a transformative and spiritually resonant experience.

The residency, scheduled for Fridays on June 7, 14, 21, 28, July 5, September 13, 20, and 27, will captivate audiences at Amnesia Ibiza's famed Terrace, building upon their acclaimed AV:SHOW, which culminates at Tomorrowland on July 19, 'NEO' promises to be an exceptional evolution of Mathame's artistic vision.

Taking over the latter half of the summer season, Metamorfosi, curated by the ever-evolving Joseph Capriati, delves deep into the intricate layers of his evolving sound, and is back for its biggest season yet.

Scheduled to kick off on July 19 and culminate on September 6, this year's residency is expanding from five to eight. Each week, Capriati will curate a diverse lineup of guest DJs spanning across house, techno, and everything in between, not only in the Terrace, but the Club Room too.

From his early days playing Amnesia's Terrace for the likes of Sven Väth's famed Cocoon and Marco Carola's Music On, Capriati really does goes hand in hand with the famed dancehall. It just makes sense.

SATURDAY

Elrow

elrow celebrates the wild and audacious, mixing the best electronic music currently on the scene with garishly thematic, creative and fantastically executed productions, making it one of the club's busiest nights of the week. 

elrow music usually falls within the tech house region with a solid bunch of regulars such as Adam Beyer, Alisha, Archie Hamilton, Ben Hemsley, Dennis Ferrer, Eats Everything, Ewan McVicar, Fatboy Slim, Franky Rizardo, Joris Voorn, Sidney Charles, Solardo and Syreeta all represented last summer.

Exaggerated street theatre, outlandish props, crazy costumes, inflatables, confetti and over-the-top make-up are all part of the fun. It's a guaranteed night of fun.

SUNDAY

Pyramid

Amnesia's in-house underground night Pyramid is the end of the week party that's become one of Ibiza's most respected house and techno parties of all time. 

Pyramid recaptures the essence of early Ibiza parties with its focus on standout headliners, all night long dances, and cutting edge technology.

It features vast line-ups that bring not just one headliner but many different top-level talents to the world famous club and is well known for its legendary opening and closing events and regular sets from international DJ's of the underground including Four Tet, Ricardo Villalobos, Skream, Deborah De Luca, Marco Faraone, Maceo Plex, Sonja Moonear, Luciano, Ben Klock, Bicep Live, Nina Kraviz and more.

Amnesia Ibiza 2024 Residencies

Miami-born and Orlando-refined, Mateo Acosta, or Slugg as the dance floor knows him, is the real deal in a scene that never sleeps. Kicking off his journey into beats at just 15, Slugg has always had his finger on the pulse of what makes a crowd move. Drawing deep from the wells of 90s hip-hop, his music is a fresh mix of nostalgia and new-school cool, a blend that's earned him nods and playtime from the big guns in the house music scene.




When Slugg packed up from Miami to Orlando, it wasn't just a change of scenery. It was there he linked up with the House Keepers collective, a move that sparked a whole new level of game for him. Not one to just ride the wave, he launched his own label, Getbusy, a playground for his own releases and a spotlight for emerging talent that's starting to make some serious noise in the scene.




From epic festival sets that people can't stop talking about, like his unforgettable nights at Okeechobee, EDC Orlando, and his international debut in Costa Rica at BPM, to starting his own label, Slugg's story is about doing what you love and letting that drive take you places.




In an up-close chat, Slugg spills on everything from those early Miami days that lit his fire, the evolution of his sound from hip-hop-infused beats to a more refined vibe, the art of DJing that's got him hooked all over again, and the highlights that have made this ride unforgettable. Plus, he shares the scoop on Getbusy, the label born from a dream to do things his way and shine a light on the next wave of house music heroes.




What first got you into DJing and production? Was there a particular artist, track, or show that sparked your interest?




What got me into DJing and music production was definitely my love of music overall. My music taste has varied all my life, but once I got into house music, I knew this was the one I wanted to rock with. In particular, there was one event, “AMF” Miami, which was an all-ages event back in 2010 (I was 14 years old, having no business being there), and ended up seeing a bunch of Miami legends. This really sparked my interest in the scene, and I started producing music shortly after that.




Your sound has definitely evolved over the years. How would you describe your style now compared to when you first started?




My style before was definitely taking old hip-hop records and trying to replicate that feeling of when I first heard those boom bap beats in hip-hop records. Got to have that bounce! Now, I’d say it’s definitely matured a bit, with sound/instrument choice. I’ve come to terms that not everything has to be a #1 hit.




Balancing the DJ and producer roles must take some juggling. Which do you find is more your creative outlet these days?



It started with production because my gigs were not rolling in yet. Once I started getting some recognition for my releases and I started headlining events, it really made me fall back in love with the art of DJ'ing.



There’s nothing like blending some songs together and throwing different effects/acapellas on top of those and making a whole new meaning to the music. Seeing the people react too it is an INSANE feeling.




Looking back, any festival sets really stand out as career highlights so far? What made that moment so epic?




My first Okeechobe festival set was definitely a game changer and very memorable. I was the headliner on the House Keepers takeover at Incendia, and a larger act had just wrapped up at the main stage. Within 15 mins of my set, I had a crowd of over 2,000 people. I still get goosebumps thinking about it. 

My biggest crowd at a festival to date. For the duration of my set, I was able to hold the crowd and converted a lot of fans that night. My other two memorable ones I’d say would be opening up Neon Garden at EDC Orlando for Factory93 & my first international gig at BPM COSTA RICA. I’d say those are my top three for sure!




Moving cities was a big change. How'd you get linked up with House Keepers collective in Orlando?




Moving from Miami to Orlando was a HUGE part of my success. You would think me leaving Miami for a smaller city like Orlando would be counterproductive; it was legit the complete opposite. I was attending the HK events because of the talent they were bringing through the city and eventually got introduced to Austin Hammer, who took a shot on me by signing my music to the label, which in turn got me playing the parties. From that point forward, there was no looking back. I owe my success so far to the scene in Orlando.




What led to the decision to start your own label, Getbusy? Was it important to have that creative control? What are you hoping to achieve this year with your imprint?




Starting my label, Getbusy, was definitely something my partner Leo and I have dreamed of doing for a very long time.



I started gaining some hype around the Slugg project, and we thought it’d be right to start the brand/label early in my career so that I could let it grow with me from the early stages. This year, our focus is on quality and showcasing emerging talent, not only in the US but internationally as well. We are very excited about the music that is already signed, and our BUSYTOOLS (free download/edits) series has been making a lot of noise with the most recent releases.




Which artist that released on Getbusy is someone we should keep an eye out for?




It’s hard to choose one artist; this is like choosing your favorite kid as a parent. But I’ll give you three artists that I think everyone should be on the lookout for: Nate Chapman, Gian Carlos, & Brayden Terzo. Big stuff coming from these guys. Productions from them are always top-notch.




There are so many legends in the game - any producers, past or present, who still give you inspiration?




There are so many producers that give me inspiration; to name a few, I’d say Rossi., Inland Knights, DJ Premier, RZA, BUTCH, Jesse Perez, Phil Weeks, DJ SNEAK, GUTI, the list can go on forever.




You’ve played a lot of sick venues these past couple of years. Which one has been the most memorable and why?




The sickest venue and by far my favorite to play every single time is Floyd Miami, the basement right under Club Space. There’s something about that room that brings the best out of me every single time. Smaller, intimate room and phenomenal sound… I can't go wrong with that!




Which city has the best crowd energy?




This might be biased because I’m from there, but Miami has to be my favorite crowd to play so far. Maybe it’s just because every time I play down there, it’s like a homecoming. I see all my friends from when I was growing up down there. Energy is always at an all-time high.




If you could spin back-to-back with anyone, dead or alive, who would it be?




MARCO CAROLA is the only answer for this haha.




If music wasn't your path, what other career path would you take?




To be completely honest, I have no idea what I would do if I wasn't in music. I’ve been taking an interest in the kitchen lately, so maybe a chef? Haha, who knows.




Without fail, what's the one track that is considered your secret weapon?




I have a couple, but definitely Ben Williams - Drop It Like It’s Hot. Please go look that up and thank me later. Been in rotation since I started my career in music.




If you could revive one classic from the 90s hip-hop era, what album are you bringing back?


ENTER THE 36 CHAMBERS BY WUTANG, without a doubt!

Groove Master Slugg: Spinning Stories and Records

What do you get when genres blend and cultures converge? You get tracks rich in substance, echoing across the globe's most scenic locales, and you get Wakyin. A name that has carved its niche with an unmistakable sound that bridges the vibrant rhythms of his Dominican and Puerto Rican heritage with the global appeal of contemporary music. Christian Rivera-Joaquin, the rising star behind the moniker, has seen a meteoric rise in the music scene, not just for his addicting beats but for his ability to tell a story through his melodies, a talent that has garnered him over 2 million Spotify streams and a dedicated following on TikTok.





Wakyin's journey into music, starting from humble beginnings with a jailbroken version of FL Studio on an iPod touch to a full-fledged career that refuses to be boxed into a 9-5 lifestyle, demonstrates that the young artist is fully committed to his career, pushing forward with serious momentum. His recent collaboration with Gordo, a massive name in house music, and a successful tour have only solidified his place in the music world, showcasing his talent on international stages and proving that his music resonates across borders.




His latest album, "Caras," is a culmination of years of exploration and inspiration, drawing from a wide array of influences, from classic Caribbean artists to modern-day icons. It's a project that not only represents his versatility as an artist but also his depth, with each track offering a glimpse into the different facets of his identity and musicality.




In this exclusive interview, Wakyin opens up about his musical journey, the inspirations behind his unique sound, and the experiences that have shaped him as an artist. From his first exhilarating encounters with dance music to the serene moments of peace he finds in nature and music, Wakyin's story is one of relentless pursuit, creative fusion, and the unifying power of music. Join us as we explore the thoughts of an artist who isn't just creating ripples in the music scene but is shaping the future of music, one beat at a time.




When did you get started with music, and at what point did you start taking it seriously?




I began making music around 10 years ago. I started with a jailbroken version of FL Studio mobile on my iPod touch and eventually was given a laptop with a copy of FL Studio 10. It has been an on-and-off journey, as I would always treat music as a “plan B,” even though I knew it was my passion. I think finishing my undergrad at the University of Central Florida lit the fire I always had for music, and starting a career as a Teacher/Coach made me realize quickly the 9-5 lifestyle was not for me.




How do you blend your Dominican and Puerto Rican roots with different music styles to create your own sound?




I think it all stems from the inspiration I get from listening to music from my culture. I am always crate digging and listening to classic Caribbean artists like Wilfredo Vargas and Frankie Ruiz, but also grew up listening to 80’s freestyle, thanks to my pops. I’ve always loved Afro-Latino percussion, from Congas and Tamboras to Timbales and Campanas, so I make sure to incorporate those elements into the music I create.




Can you describe an experience that made you realize you wanted to pursue music professionally?




An experience I remember vividly that influenced my desire to pursue music was my first Electronic concert when I was 16. Thanks to a close friend of mine, Tristan, I was introduced to Steve Aoki. We went to his concert at UCF, and I remember arriving late to meet up with my friends. As I walked into the Arena, Aoki’s “Pursuit of Happiness” remix started playing, the crowd was roaring, the music was blaring, and the light show was absolutely insane. 



I remember standing at the top of the seats, completely forgot I was supposed to meet with my friends, and was soaking in the moment. Seeing Steve Aoki throwing cakes and jumping on stage with a sea of people going crazy made me realize, I wanted a moment like that with me on stage and hundreds singing one of my songs.




How do you stay connected to your roots while appealing to a global audience?




I believe that continuing to be true to myself and creating music I genuinely enjoy will attract those with similar tastes as me. Also, I’m Latino… Latin is Pop… Pop is worldwide ;)




What was it like sharing a stage with Gordo, and how has he influenced your music and career?




Sharing a stage with Gordo is nothing but surreal. I went from seeing him GA at Taraka Orlando last year to going b2b with him in a cave in Ecuador a year later. Gordo has always been an inspiration, especially being an Afro-Latino DJ, playing and producing the music HE enjoys on some of the world's biggest stages made me feel like if he can do it, so can I.




Aside from Gordo, which artists have you drawn inspiration from?




I’ve drawn inspiration from so many artists; if I were to list them, this would be a never-ending list haha. But some artists I get inspiration from currently have to be Keinemusik, Caleb Calloway, Pablo Fierro, Maz, and Vxsion.




How has the success of your songs on TikTok impacted people noticing your music?




TikTok is such a powerful platform to post on. People are dedicated to finding songs once they are teased and will generate traffic to all other socials. My previous songs' streams have significantly gone up, and I’ve created new fans from older music of mine.




With over 2 million Spotify streams, how do you plan to leverage this success for your future projects?




It is definitely cool to look at and monitor the progress, but I try not to let that number get to my head. I now have millions watching and know it’s important to make my fans happy with releasing songs they will enjoy. Having millions anticipating future releases definitely creates some pressure, but I'm confident my fans will enjoy what’s next. I don’t see it so much as leverage but as an indicator to stay consistent and continue to put in the work.




Can you share a memorable moment from any of your sets or the parties you played that made you love what you do even more than you already do?




There are so many more memories to make, but one that will always stand out was spinning at Attic Nightclub with one of my best friends, @LESSAINTT, during EDC Orlando mini music week. We had a flawless night, the club was packed, the energy was like no other, and the people were singing the songs all night. 



I remember we played “Don’t You Worry Child,” and when it dropped, the CO2 cannons came out, and we were jumping up and down with smiles from ear to ear as if we were playing Ultra MainStage. Those moments being shared with people you love and creating memories for others that go out to have a good time is what keeps me going.




What’s the backstory behind the album you dropped in 2023? How long were you working on ‘Caras’ for, and where did you draw inspiration from?




Caras has been an album concept of mine since 2018. I’ve been journaling ideas I've had for my album since, jotting down genres and song titles. During COVID, I hit a rut and wasn’t making much music, but the little bit I did turned into samples and concepts for Caras. I started arranging the album in 2021 and dedicated my free time from fall of 2022 to summer of 2023 to finish it all. I would work on my album in-between my athletes' baseball games and even in the classroom on days my students wouldn’t have “outside days.”



“Caras,” which is Spanish for “Faces,” is about the faces I wear in relation to my music. It incorporates inspiration from Reggaeton to Afro-beat and even uses my own vocals in the majority of the album. Every song has its own unique “Face” or vibe that progresses from getting into my car and heading to the beach (Amanecer Intro) into a sunset (Midsummer Interlude) onto the late-night drive back from it all, questioning “Am I Enough”. My album takes inspiration from Drake, Bad Bunny, and Rauw Alejandro, while paying homage to Reggaeton and the Afro & Latino Culture.




Out of all the tracks you have out, which one is your favorite?




They are all my babies, but it would have to be between “Am I Enough?” or “Pa Que Goce.” Both on my album Caras. “Am I enough?” was the question I would ask myself redundantly during the process of choosing a career or music; it's also the only song I have ever made a music video for. “Pa Que Goce” has a mixture of two of my favorite genres, Reggaeton and House, and is a complete vibe. They both use my vocals, I was always insecure about, but it's been amazing seeing how people respond to those in particular.




In what ways do you engage with your fans, and how important is this interaction to you?




I try to engage with my fans as much as I can on social media. It gets difficult at times because I get so many notifications from all platforms that I don’t want to live on socials but make sure when I get the chance I reply to them and even give some advice when they ask because I know what it's like trying to be seen by artists you admire.




Are there any artists or producers you dream of collaborating with in the future?




I dream of collaborations every day, definitely not limited to, Drake, The Weeknd, Rauw, Bad Bunny, Tainy, Feid, Rosalía. If you can put me on to any of these, don’t hesitate to reach out haha.




If you could only listen to three tracks for the rest of your life, which ones would it be and why?



Major Lazer, Dj Snake, MØ - Lean On (such a feel-good song and reminds me of some great times)

The Weeknd, Drake - The Zone (Two of the goats, need I say more?)

Dimension Latina - Llorarás (I always have this song stuck in my head for some reason; it's obviously a classic and a banger)




When do you feel the most at peace?




I feel the most at peace when I am home, sitting on my patio, soaking up some rays from the sun while writing or listening to new music. Nature and music are my peace.

Wakyin in Conversation: Exploring the Fusion of Cultures in Music

The Birth of Pacha 

In 1967, Ricardo and Piti Urgell, the visionary brothers behind Pacha, opened their first venue in Stiges, near Barcelona. Six years later, drawn by the vibrant hippy movement, they set their sights on Ibiza - a haven for artists and bohemians, which was undergoing a hedonistic transformation. 

The name "Pacha" was born from a whimsical conversation between Ricardo and his wife, reflecting their aspiration to live like kings or 'pachas' as their clubs flourished. And how fitting it is...

Ibiza's Dance Revolution 

In 1973, Pacha Ibiza opened its doors, coinciding with the transition from disco to house music. The island became a melting pot for the evolving electronic music scene, influenced by North America and fueled by the UK's acid-house raves. Pacha embraced this eclectic spirit, offering an open-minded and laid-back atmosphere that set it apart.

By the 1990s, Pacha had evolved into a super-club, with a capacity of 3,000 people. The once simple farmhouse underwent multiple transformations, introducing superstar DJs, high-tech dance floors, and cutting-edge lighting and sound systems. 

Despite the upgrades, Pacha maintained its commitment to providing a space for people to forget their woes and have a good time, with go-go dancers remaining a staple from the beginning.

The Global Expansion

Pacha's success has led to a global expansion, with venues in cities worldwide, making it a pioneering brand that transcended clubbing norms. Residencies featuring top DJs like David Guetta and Swedish House Mafia solidified Pacha's status as a global nightlife institution. 

Now, the club play's host to their in-house and day-one staples Pure Pacha and Flower Power, as well as a number of top residencies throughout the summer including CamelPhat on Tuesday's, Marco Carola's Music On on Friday's, and Solomun on Sunday's.

The iconic double-cherry logo became synonymous with the brand, representing its heritage, music, and glamorous approach to clubbing.

In recent years, Pacha has transformed into a lifestyle brand, extending its influence into restaurants, hotels, fashion, and perfumes. The group's diversification includes the upscale Pacha-owned hotel, Destino, also in Ibiza.

Casa Pacha, a low-key beach hotel, also opened in 2021 on Ibiza’s sister island of Formentera, showcasing a commitment to preserving the Balearic culture. 

Pacha also opened a brand new club also located in Formentera, Pachacha, that boasts incredible DJs throughout the week including a residency from Italian Techno thoroughbred Ilario Alicante.

A Legacy Unmatched

Pacha Ibiza's journey from a small farmhouse in the 1970s to a global phenomenon is a representation of its founders' vision and adaptability. As the brand continues to evolve, embracing new trends and technologies, 

Pacha remains a symbol of hedonism, glamour, and musical excellence. With an unwavering commitment to its values, Pacha stands as the unofficial global ambassador for Ibiza clubbing, a jewel in the crown of the worldwide nightlife scene.

Pacha Ibiza: From Hippy Hideaway to Global Icon

From Greek Life to Nightlife Giants: A Sit-Down with Link Miami Rebels’ Coloma Kaboomsky

Pepe Roselló, born on the vibrant island of Ibiza in 1936, emerged as a visionary businessman and a legendary figure in the realm of entertainment and nightlife. His life thus far, unfolding against the backdrop of the Civil War's challenges, paints a captivating journey marked by calamities, unlikely anecdotes, and an unwavering amount of dedication to the nightlife scene.

Growing up in the suburb of San Antoni de Portmany, Pepe witnessed the transformation of Ibiza during his early years. Ultimately becoming a forerunner of the Ibiza nightlife scene, his ventures in the entertainment industry began in the early 1960s, with groundbreaking clubs like Playboy in San Antonio, and Playboy 2 in the late 1970s.

However, it was in 1989 that Pepe Roselló achieved worldwide recognition by taking over the iconic Space Ibiza nightclub in Platja d'en Bossa. For over 27 years, under Pepe's constant dedication, Space Ibiza became the most awarded club globally. The success of Space Ibiza, even after its closure in 2017, is a testament to the passion and enthusiasm invested in the project, drawing unconditional support from a dedicated audience year after year.

Notably, the club hosted significant international DJs and emphasized excellence and continuity with its residents, including the legendary Carl Cox. After stepping down from the club, Cox decided to move on, but not before playing a nine-hour final set in September 2016.

Pepe's latest venture, Space Eat&Dance, opened its doors in July 2022, housed in an old restaurant built in the 1950s. Positioned next to the sea in the historical San Antonio, it serves as a time tunnel, transporting visitors back to the sunsets and magic of the mythical bay, combining haute cuisine with the authentic 'chill out' and 'sunset' culture.

In 2024, Pepe Roselló expands the Space legacy with the opening of Space Riccione in Italy, a "new generation club" aiming to redefine the clubbing experience. With distinct areas like the Arena, Garden, Terrace, and Lounge, this venue promises to be a haven for club culture enthusiasts, pulsating with energy from morning till night.

And guess who's opening the new Italian job up? Of course, Carl Cox!

Pepe Roselló, expresses his delight at continuing the Space Ibiza history in Riccione, stating, "We are happy to continue 27 years of Space Ibiza history here in Riccione, an iconic place that represents entertainment." His unwavering belief in the guiding principles of love for music and mutual respect remains at the core of the Space Riccione experience.

Pepe Roselló's influence extends beyond clubbing, as evidenced by his collaboration with Neverdogs on their 2023 dance floor ready track titled 'Ibiza'.

Additionally, the book '25th Anniversary Space Ibiza. The story of the best club in the world. 1989-2014.' chronicles the experiences of Roselló in the initial stage of his influential career, showcasing the important role played by various individuals and events in the success of Space Ibiza and the Pitiusas islands' leisure model.

Ibiza's Pepe Roselló: A Life of Innovation and Entertainment

Max Dean's name has been ringing off the charts in the music industry, catapulting from a fresh-faced newcomer to a sought-after powerhouse in what feels like the blink of an eye. Since his first release, "Back To You," in 2021, the London-born artist has been releasing on some of the most renowned labels, playing on the most prestigious stages, and collaborating with big league names.



From his early days as a self-taught producer to becoming a name that's buzzing across continents, Max's journey is nothing short of inspiring. He credits his rapid rise to the mix of hard work and belief drilled into him by his dad, alongside his fearless approach to music that's caught ears and hearts worldwide. With the US tour on the horizon and his label, neXup, lifting up new artists, Max is all about stepping outside the norms in house music and bringing fresh sounds to the forefront.



We're diving deep with Max Dean, getting into the groove of what makes him tick, his vision for the future of house, and how he keeps it real in an industry that always has its finger on the pulse of the next big thing. 



Your productions blend various genres like house, techno, and hip-hop. What inspires these crossover influences in your music?

From a young age, I’ve always been inspired by different types of music. Sometimes it’s down to what I’m listening to at the current point of time in my life.

As a self-taught producer, what have been some of your biggest learnings along the way? Any tips for aspiring producers?

One tip, I always make sure I reiterate is that you need to be fearless to be successful not worry about what other people think, and never give up.



You've achieved success so early in your career. What would you attribute your rise to prominence to?

My dad was one of the core foundations of my success. He instilled in me from an early age, that hard work and self-belief will get you far.



What's one idea or track you're working on currently that you're particularly excited about?

I recently made a remix to a huge deep house era record named “Reckless with Your Love” by Azari & III. This record is a big inspiration of mine and influenced my music massively. So, to be able to be doing a remix for them is huge.

You've toured extensively in Europe and now Australia/Asia - any new regions you're looking to break into next?

I am coming over to the States next month and I cannot wait.



Your label neXup focuses on emerging artists. How do you select which artists to work with?

When I contact a new emerging artist, I like to make it more personal, by exploring their music and building a relationship with them. Keep an eye on what they’re doing and what music they’re making. And if I’m supporting their music in my set, I look to see if I will sign it. And if I sign them, I’ll book them for my party.



In a perfect world, what's one new technology you'd like to see shape the future of house music?

No world is perfect. The house music scene is fine as it is. Whatever adds to the music scene in the future is a bonus.



If you couldn't be a DJ/producer, what other career would you enjoy?

Before I was trying to be a DJ/producer, I was pursuing a career in professional football however, I decided to stop that and become a DJ.

What's the biggest misconception people have about life as a touring artist?

Tour life is amazing, and I absolutely love it, however, it’s not for the weak. Lots of traveling, lack of sleep, and lots of unhealthy diet. Sometimes touring means not really, seeing the new cities you visit. It’s mainly just in and out. 



Your passions seem to extend beyond just music - what else inspires you creatively?

Traveling and seeing new places inspires me creatively. I recently just went to Egypt and coming back from there, I wanted to sample some of their traditional music in some of my music.

There's a lively underground scene in London - got any upcoming favorite local DJs we should check out?

Most definitely! Here are a few I am really enjoying seeing grow at the moment! GIGSTA, JAMIE ARAMAYO, TOMMY PHILLIPS. 



If you could play a dream show anywhere in the world, where would it be?

Glastonbury for sure, I’d love to be able to play there one day.

What's the funniest thing that's ever happened to you on tour?

My girlfriend got absolutely drenched by a group of young kids in a small town in Ecuador, during carnival with a wheelie bin full of water. At the time it wasn’t the funniest but looking back on it, it was hilarious.



Did you have a mentor growing up in the music scene or anyone you looked up to that sort of navigated you?

My manager Ross! He has always been there for me and guided me! Very grateful to have him as my manager.

In your opinion, what’s one thing the house music world is missing nowadays that it needs more of?

Today’s generation of ravers do spend a lot of the night filming and on their phones, this is great for keeping memory, however, in small doses, it’s important to be present during the rave and I think the house is it needs more of that.



If you could jam with any artists, dead or alive, who would be your dream collaboration?

Hot natured for sure! You can’t beat their music and era. What they cultivated is timeless.

And finally, outside of music, what's a passion or hobby of yours that your fans might be surprised to learn about?

I enjoy cooking and I’d like to say I can make a banging pasta :)

From the Ground Up: A Chat with Max Dean

HUMBLE BEGINNINGS

Yann Pissenem, the mastermind behind The Night League, a pioneering and multi-award winning nightlife and entertainment company, emerges as a luminary in the French-born landscape of the music industry. Hailing from a quaint village in the far northeast of France, Yann's formative years were shaped by parents who instilled a deep appreciation for education and fostered a spirit of creativity.

From the tender age of 10, Yann displayed an early penchant for event hosting, organizing his inaugural party with borrowed spotlights from his uncle in his bedroom. Unbeknownst to him, this early foray into his love for hosting would foreshadow an extraordinary journey in the world of entertainment.

THE START OF SOMETHING SPECIAL

The turning point in Yann's career occurred with his migration from Barcelona, where he threw parties for over a decade, to the enchanting shores of Ibiza.

Originally envisioning a simple beach bar, Yann's dreams evolved upon witnessing the pristine beauty of the white isle. 

Ushuaïa, a beach club named after Patagonia's town, materialized as Yann's ambitious endeavor, marking the initiation of his conquest of Ibiza's vibrant party scene. Ushuaïa swiftly ascended to prominence, hosting iconic day parties with the world's leading DJs, captivating a global audience.

FROM ONE SUPER CLUB TO THE NEXT

Not one to rest on laurels, Yann expanded his realm with the inclusion of Hï Ibiza, a venue resurrected from the legendary Space nightclub. The meticulous renovation retained the venue's heritage while integrating state-of-the-art design elements, securing Hï Ibiza the title of DJ Mag's World's Best Club in 2018, 2022, and 2023!

Juggling the demanding schedule of managing both Ushuaïa and Hï Ibiza, Yann orchestrates over 280 events and collaborates with more than 2,000 artists annually, with both venues fostering 7 days a week summer programmes.

Now The Night League is a global powerhouse within the nightlife industry, overseeing not only Ushuaïa and Hï Ibiza, but the newly opened Playa Soleil, which is also just a stone throw away from his two mega clubs, along with renowned parties ANTS, Palmarama, and Children of The 80’s.

Yann's meticulous attention to detail and unwavering commitment to delivering unparalleled customer experiences has set a new standard in nightclub design around the world. 

His influence also extends beyond Ibiza, with The Night League engaging in collaborative ventures with Apple Music and exploring opportunities in Asia, the Middle East, and America.

Yann Pissenem's narrative stands as a role model to overcoming challenges through passion, ingenuity, creativity, and relentless hard work. From the humble setting of a broken-down car on the docks of Ibiza to becoming the creative force steering two of the world's premier nightclubs, Yann's journey serves as an inspirational tale of resilience and triumph in the ever-evolving realm of entertainment.

Ibiza's Yann Pissenem And His Groundbreaking Events Empire: The Night League

Two Lanes emerges as a duo that not only bridges the gap between classical and electronic realms but also hooks them with their deeply personal and innovative sound. Born from a creative household, with a mother who's a painter and a father who was a jazz musician, Leo and Rafa Schmid have harnessed their diverse musical backgrounds to forge a path that is uniquely theirs. From their early days, where a spontaneous jam session marked the birth of Two Lanes, to the intricate creation of their debut album Duality, their journey is nothing short of remarkable.




Leo's classical training at Juilliard and Rafa's self-taught mastery in electronic production have culminated in a sound that is both avant-garde and introspective, resonating with audiences worldwide. Their approach to music-making—whether starting with the piano to lay down the emotional foundation of a track or experimenting with electronic beats—highlights their adaptability and openness to the creative process.




The duo's first headline tour played a role in shaping their album Duality, with live performances offering immediate feedback and a deeper connection with their audience. Memorable interactions, like meeting a 70-year-old couple who expressed their love for Two Lanes' music, underscore the universal appeal of their sound. Despite the evolution of their technical skills and a deeper understanding of their musical direction, at their core, Leo and Rafa remain true to the essence of their initial collaboration: creating music that feels right.





Join us as we delve deeper into the world of TWO LANES, exploring their artistic journey, the creation of Duality, and the lessons learned along the way. Through their eyes, we see the landscape of electronic music in a new light, one that is rich with possibility and the timeless beauty of collaboration.




How do your mother's painting and your father's jazz background influence the aesthetic and sound of Two Lanes?

Leo:

Growing up in a creative household and being exposed to all kinds of music and art is deeply influential and has certainly shaped the way we perceive music. We have also experienced a lot of support from our family for what we are doing. All these emotional experiences from our past are woven into our sound.





Leo, how has your classical training and experience at Juilliard shaped the way you approach electronic music composition?



Leo:

When you study music at University you get a profound knowledge of music theory and your instrument. This has shaped my approach to how to create our own musical language. In our live set we try to create space for those moments where I play the piano, inviting the audience to experience these improvisational moments.





Rafa, could you describe a breakthrough moment in your sound design or beat-making that significantly influenced a Two Lanes track?



Rafa:

When I started producing electronic music, I had this tendency to add too many elements to a track. Over time I realized that less is more. Instead of stacking layers upon layers, I learned to focus on modulating just a few key elements. Now when we're finishing up a song, we always ask ourselves: 'What elements are really essential to make the idea work?' and 'What can we strip away?' It's all about finding that perfect balance.



The creation of your debut album "Duality" seems like a journey of blending your musical backgrounds. Can you share a story about how one of the tracks from the album was born?

Rafa:

We really enjoy going through old track ideas to experiment with arrangements or tempo adjustments. When we first started working on 'Belong,' it had a faster tempo but the track was missing that special something. One day, we revisited the idea and decided to slow it down by 20 BPM and started transposing the track up and down to find the perfect key- and suddenly everything fell into place. Sometimes it really helps to play around with already existing elements and see if something new sparks.




How does the dynamic of starting a track on the piano differ from beginning with an electronic beat, and how does this affect the final piece?

Leo:

Starting a track on the piano is a great tool which allows us to find the right progressions, voicing, melodies and so forth. However, not all the ideas that ‘work’ on the piano can be translated into the realm of electronic sounds. Sometimes we branch out quite a bit from the initial idea. The creative process can be unpredictable and it is important to stay open for interesting musical possibilities that present themselves on the way.



Throughout your first headline tour, how did the live performances feed back into the studio work for‚ “Duality"?

Rafa:

Playing our first headline tour had a big impact on the creative process of Duality. We often play tracks live before releasing them - it gives us a deeper understanding of what is needed in terms of arrangement and how to build up the energy. Being on stage allows us to feel the pulse of each song, to see how it moves and connects with people in real-time. When we are back in the studio we try to incorporate all of these impressions into the tracks.



Can you describe a memorable fan interaction from your tour that left an impact on you or your music?

Rafa:

One time, after a show in California, we met a 70-year-old couple who told us they loved listening to our music. It was such a sweet moment because it truly shows that music transcends age or location.




How has your way of making music together changed since you first started?

Rafa:

Honestly, not much has changed in how we make music together since we first started. We've picked up more technical know-how over the years of producing and we've got a better understanding of the kind of vibe we're after - but at the core, it's still about jamming out on the piano or synths and seeing what feels right.



What's the most unexpected source of inspiration you've encountered in your musical journey?

Leo:

It is always inspiring to listen to music while being occupied with something else. We love listening to some unfinished demos while taking a walk or driving, so you are emotionally open to take in the overall vibe of the music but you don’t pay too much attention to little details.



Imagine you're hosting a dinner party and can invite three musicians, dead or alive. Who would be at the table and why?

Leo:

J.S. Bach, Chet Baker and Rick Rubin. Bach because he was probably the one of the most influential composers of western music, Baker because of his controversial and restless life, and Rubin because he is an inspiring voice in the present.




Can you share an insight or a lesson learned from your tour that you believe will influence your future music or performances?

Rafa:

When we perform live, there are always things that we can't predict. During our shows, I control the arrangement and effects of the tracks, while Leo plays the piano and some other synths. At some points, I transitioned to a new track too early, surprising Leo, which required him to improvise. In retrospect, these moments are always the most special ones, and we're striving to create more of these truly 'free' moments in our upcoming shows.



Reflecting on your journey so far, what advice would you give to artists who are trying to merge different musical styles and backgrounds?

Leo:

I recently read something interesting where someone talked about musicians who can be put into two categories: explorers or farmers. The farmers find something that works for them and they fully immerse themselves into a certain concept or vision they have. The explorers on the other hand constantly feel the urge to evolve and move on to new musical territories. I think it is interesting to visualize this thought and try to ask yourself - ‘is this what I would like to keep doing or shall I keep digging until I find something I would like to hold onto’?

Piano Keys and Digital Dreams: A Candid Chat with Two Lanes

Meet wAFF, an artist with steez., energy, groove, and production wizardery who keeps the dance floors jumping. From the gritty dance floors of Leeds and Hull to the most eminent stages of the world's most iconic festivals, wAFF made a name and carved out a superb niche for himself. With a personality that's as radiant as his tracks and a spirit that's as free as his mixes, this journey is nothing short of a rollercoaster ride through the realms of house, tech house, and everything in between.



In an industry where it's easy to get lost in the shuffle, wAFF stands out—not just for his music, but for his unapologetic embrace of spirituality, environmentalism, and, well, life itself. He's the kind of guy who finds inspiration in the everyday and turns it into something extraordinary, whether it's through his label, NATURE, or his own festival in Comuna 13, Medellin.

Yet, for all his success, wAFF keeps it real. He's the first to admit that the journey from DJ to label owner wasn't all smooth sailing. But with a bit of creativity, a dash of perseverance, and a whole lot of grooves, he's managed to keep the beat going, stronger and fresher than ever.



So, what's the secret sauce in the UK music scene that you won't find in the States? How does one juggle beats, nature, and a bit of gaming on the side? And just who would wAFF invite to his dream dinner party? Dive into our exclusive interview with the man himself, where he spills the beans on everything from his musical evolution to his future projects—and, of course, a few laughs along the way.



You've rocked from the local scenes in Leeds and Hull to massive stages across the globe. How has this wild ride shaped the way you create and perform your music?

Well, at the start of my career, I really didn't know how to play any other way than to just play big room tech house tracks one after another, and although I still have that style in my sets, I have learned through the years to play very differently for certain environments/parties. I always love high energy in my sets, but I feel that from all this time playing around the world on so many different stages, I've learned to become a better DJ. I can and do play all different styles of house now, and I feel just the whole experience has built me to become a better DJ as a whole.





As for when I create music, I think I still have my wAFF style in all my music, but I'm making very different styles of house, tech house now than I did before. I have a lot of influence in my productions now from so many different styles, and I feel the music I'm making is in a really good place right now where it feels fresh again and something a little different.



You juggle spirituality, environmentalism, and beats like a pro. How do you keep it real and make sure each passion shines through in your work?

Hmm, good question, ha… well, I don't think my spirituality or environmentalism side comes through in my music. I mean, everything is energy, so I'm sure there are some connections to my spiritual side in my music, as sometimes when I make certain tracks, I do feel a certain energy about them. You get a feeling, and you may try to add more of that into your music, but I feel that for me, it's all its own thing. 



But of course, with my label, we always make sure that with the music we put out and the money we make, we put back into the world by helping animals or by other means, so it does all connect, but for myself and my productions, it's just always an expression of me as an artist, so I don't feel like I juggle them around, I guess it all just works out… I think, ha.



Do you have any cool stories or lightbulb moments that sparked the idea for your label, NATURE?

It just came about during COVID, having so much time to myself for the first time in 10 years, it was a great experience for me as I suddenly started getting all these new ideas of creativity. Making a label was one of them. I always had that in my mind that one day I would like to have my label and start my events, but I just never felt the mental space to even think fully about it. But yeah, COVID life gave me that, so I went down the rabbit hole of figuring out what my label would be named, what it would mean, and what I could do to stand out amongst all the other amazing labels I look up to.



So after a lot of back and forth with the label name, I kept coming back to Nature as I love nature, it's important to me and it's part of who we are as humans, and the planet, so it felt like nature would be a perfect name, although I didn't like the name nature for my label, ha! So it took a long time for me to get comfortable with keeping the name, and what I found through the creative process of Nature being the label name, was that if I could somehow create something I almost like its character, then maybe the word Nature could become its own thing, its own identity. 



I don’t want people to associate the word nature with just what we know of nature. I didn't want animal prints, or people thinking of a forest or something, ha, I wanted people to see nature and see this amazing creative character I had created. So that's when I started coming up with all the artwork and branding. Having a kind of Crash Bandicoot mask logo for the A in nature so it has some character to it. Then the artwork stood out and was vibrant and creative, which took a long time to get right, but now I feel so happy with what I managed to create from it all. I feel that I have achieved the overall vision/goal I had in mind with the label in terms of how it looks and feels. Then it made complete sense with my other idea to use my platform with the label to help the planet in some way, so the name Nature felt perfect in the end!



Jumping from spinning tracks to running a label is huge! What bumps did you hit on that road, and how did you keep your groove going through it all?

It was just a huge challenge the whole way through as when you start a label or a huge project like this, you most often start with a blank canvas and just try to figure it out through endless ideas that never work out, but maybe there's just one thing that you get some glimmer of inspiration from and then go again from there. So, it wasn't easy to get the label up and running, but it was a very enjoyable creative process at the same time. 



The only thing I think I could have done better for myself was I didn't release any music for those two years during COVID as I worked on my label, so I saved all my music for Nature, but I think that kind of hurt my career slightly as everyone was putting out new music over COVID and still building their profiles where I guess I went quiet and waited, so looking back, I should have been releasing music still whilst working on my label instead of just holding onto it all. It wasn't anything major that affected me, but yeah, I feel I didn't keep my groove going as you said, ha, I could have done more. But I've got my groove going again right now with all this new music I've made recently!!



You've hit up some legendary spots for your gigs. What are your top three venues and what makes them stand out for you?

Ah, this question is always impossible to answer as there have just been so many amazing moments, and memories in so many different places, but the ones that have stood out that meant a lot to me are DC-10 at my very first show there. It was one of my first-ever gigs and it was DC10 which was pretty insane, I had all my best friends there with me at the time, so that was a very special moment I won't ever forget.



Comuna 13 in Medellin where I do my festival there now, is something very special to me and unique as it's never been done there before, and I created this whole thing on my own in a place that was once the most dangerous place ever to go which has now been turned around to become this amazing tourist attraction for people to go and visit. It has a lot of history there, so to have the opportunity to create my event there is special and it just blows me away every time. And I have to say Burning Man is another. There is just simply nothing else like this place on Earth, it’s Earth being on another planet for one week and the experiences I’ve had playing there I don’t think anywhere would ever top it off. I know these aren't exactly venues, but they are three places that have impacted my life in a very special way.



Ever had one of those 'wow' moments during your career that just stuck with you or changed your game?

Well, yeah, playing DC10 was 100% at that moment. Also, I remember playing for Cocoon at Amnesia in Ibiza many years ago, and I had that WOW moment there too, as that was always a dream. Also, I played for elrow at Zurich Street Paradise many years ago, and there were one million people there, so I played to an endless sea of people, which completely blew my mind. To be honest, there have been many moments like these, but yeah, I could go on forever talking about just how many there are.



The dance scene and Mother Nature – how do you think we can get them to jam together even better?

I think some really cool events combine these two things. Day Zero in Tulum, Damian Lazarus’ festival, really feels like they have the perfect combo. Many other events have this connection with the earth and music, of course. I mean, every festival is pretty much located in nature, but the nature element doesn't really stand out. But Day Zero really feels like you are entwined with music and nature for sure. Which is something I aim to bring to my Nature events this year too.



You've seen the beats evolve over the years. Any fresh trends or new faces in the scene that have caught your ear lately?

Yeah, the sound has changed a lot over the past couple of years. House music has come back around; I mean, it's never left really, house music is always the root of our music, but different trends always come and go. But right now, this deep/tech/minimal sound has become really popular, and I really love it. Many amazing new artists are just becoming so big right now from this sound like Chris Stussy, East End Dubs, ANOTR, Archie Hamilton, Rossi., Max Dean & Luke Dean, to name a few. But some so many amazing new young artists are making the sickest music on the scene right now, which is really exciting and fresh… I dig it a lot, and my new music and how I play are heavily influenced by this new sound at the moment.





What's cooking in your studio? Are any exciting collaborations or projects on the horizon that you can give us a sneak peek into?

So, I recently just finished about 15 new tracks that are all ready to be sent out to labels, and some music I'm keeping for my label too. I have been putting out a lot of clips and previews on my Instagram page for everyone to check out, which has been exciting to see how much engagement people have been showing and excitement on each track, so I'm very excited for the music to come out this year. I'm working on a lot more too; I hope to land some releases on labels like No ART, Eastenders, PIV, Solid Grooves again, Microhertz, Crosstown, Vatos Locos, and others, so I've got a lot of goals and music getting cooked up for all that to happen. 



But I've recently agreed to do a collab with Rendher and another with Wheats, so that's something we just discussed recently. I have a remix due to come out on Mahony’s Take Notes label for Mene sometime soon. Another remix I'm about to take on for Illario Allicante’s label ‘Sound D’Elite’. I have been working on more of a commercial house/garage track with a sick vocalist, Rahh. I started this maybe two years ago and really was struggling to get somewhere I was happy with, but I'm going to try to get this off the ground this year. So, there's a handful of exciting new music to look forward to.



What's the special ingredient in the UK music scene that you just don't find in the States?

I would say right now, this new deep tech/house sound that I talked of before is the UK sound right now. I don't know how much of this is popping off in the States at the moment, but I have seen that it seems to be popular over there now; I guess I will find out when I and Max Dean come over for our tour, which I can't wait for.



If you were stuck on an island, and could only bring three records with you, which would they be? Also, which three people in your life are you bringing with you?

Ahhh, this is impossible to answer as I don’t have a clue what the names are of any tracks anymore, ha. I don’t even have one favorite track, and even if I do, I don’t know the name of it, ha. I never listen to music unless I'm DJing making it, or downloading it for my sets, but in my spare time, the last thing I ever want to listen to is music. But on the occasion, I do, then I listen to some random stuff. I would have to bring Enya’s album; I love Enya. Which is random, I know, as it's like classical emotional music; I don't even know how to describe it, but I love it. I would bring Slipknot’s Iowa album probably as I love Slipknot, ha. And something like The Kooks' Album ‘Inside In / Inside Out’ as I just loved that when I was growing up and still do. Or maybe Kings of Leon's albums.



Any of them will do, ha. As for people, well, I'd take two of my best friends, and just find the hottest girl I could find that I could somehow convince to come and get stuck on an island forever, she would have to be sound though, and not a nightmare; otherwise, we would just have to build a raft and kick her out to sea, but we wouldn't want to do that because then we're all fucked! Ha. Oh, I would need my PS5 and VR with me at all times; that would be the last thing; otherwise, I'd just jump face-first off, the tallest tree and just end everything, ha.



Imagine you're hosting a dinner party and can invite three musicians from any era. Who makes the guest list, and what's on the menu?

Ah, another hard one… Probably Michael Jackson because why would you not want to have dinner with him, that would be mental but amazing too. Then maybe John Lennon because it would be so sick to just meet him and talk about life, plus he's a Scouser from Liverpool and all my family are Scousers, so we would get on. And he was spiritual, so I reckon we would get along. The last one would be… Snoop Dogg maybe as he's just sick and seems like he's such a cool guy and good laugh. That would be a sick dinner and some very interesting chats. As for the food, well, who knows because I can't cook for shit, but probably would be a banging spicy Indian curry, maybe vindaloo as that's one of my favorite meals. The dessert would be vegan vanilla cheesecake with ice cream…banging.



If you could wake up tomorrow and be a pro at any other skill, unrelated to music or the arts, what would it be and why?

Well, I have been wanting to learn the violin, so I would love to be a pro at that and be in some orchestra band and make music for movies or games. Either that or be a pro game developer. I've currently been learning how to make games for the past year and have managed to make a couple so far (not completed), but I've got a pretty decent horror VR game on the go. It's so difficult to learn coding and everything else that I'd love to just wake up and know everything and be a pro overnight.



What is one thing that makes you smile?

Seeing people happy <3

Booming Basslines and Banter: A Chat with wAFF

DJ Susan has been reigniting dancefloors and energizing the house music community for years with his spark and skills behind the decks. He was hooked from his first event and has been a driving force in the scene ever since. As a kid, Susan got his would throw crazy house parties in the hood for him and his friends while his dad was flying planes for work. These parties lived by their own rules of community and love - an ethos that later inspired the name of Susan's label, Hood Politics Records.



Susan started Hood Politics Records to give emerging artists a chance to shine outside of the usual industry politics. The label has grown into a true family, where collaboration is king in a world that can get cutthroat. Susan spots new talent simply by being a genuine fan of the music first- with some of his notable signings including names like John Summit, Franky Wah, Chapter & Verse. Balancing DJing, producing, running the label and creating social content might sound crazy, but for Susan it's all about the love of house.

Whether laying down gritty basslines in the studio or keeping the party rocking from the decks, Susan's resilience has shone through challenges over the years. His choice of "Welcome to the Jungle" spells it out - he's got an indomitable spirit perfect for this scene. Join us to dive into Susan's passionate commitment to house, his vision for Hood Politics, and support for the next generation of stars.


What initially drew you to the house music scene, and how has your style evolved since you started? 

The love I felt within the community was something that really drew me in, and it all started on the dance floor of my first house music event almost a decade ago. I had never felt anything like it, and I knew at that moment that the house music community is where I was supposed to be. My style since day one has been relatively consistent; I have always prioritized energy in my sets, and although I may play different styles of music these days, the foundation of my sets and my presence in the scene will always remain consistent around that energy.



Can you share the inspiration behind the founding of Hood Politics Records? 

Building a community that is valuable through supporting artists and each other by releasing music independently, creating our own path, and not taking no for an answer. I, along with my good friends who built the label with me, were tired of waiting for people to put us on, so we decided to start putting ourselves on.



How do you approach discovering and supporting emerging artists through your label?

I will always be a fan first, so I'll hit up artists that I really respect musically. I also have our demo submission link always active and a relentless A&R team at work, so anyone can have the chance; we don’t discriminate based on years of experience. If the music's good, it's getting signed.



What has been one of the most rewarding moments in running Hood Politics Records? 

Creating a family that admires collaboration over competition. Building a community of like-minded artists and individuals who want to see each other succeed. I haven’t seen anything else like it.

How do you balance your roles as a DJ, producer, and label head? [Also creating fun content for socials] 

I love what I do! It’s easy!



In your opinion, what makes a house track truly stand out? 

A good tech house track, to me, is defined by the bassline. You know I like those rollers.

What challenges have you faced in the music industry, and how have you overcome them?

I have faced countless adversities in my career, some were almost career-ending; but if it wasn’t for my foundation and the community I built myself, I would have given up.



If you could only play one of your tracks for the rest of your career, which one would it be and why?

My remix of “Welcome To The Jungle.” It perfectly defines the rockstar that I am.

The Hood Politics of House with DJ Susan

Dalt Vila, the captivating fortified ancient town of Ibiza, otherwise viewed as the island's capital, sits atop a small mountain, providing breathtaking views of the surrounding Mediterranean and Ibiza town.

In contrast to other Ibiza venues covered for partying, the Dalt Vila UNESCO World Heritage Site may be a far cry away from a mega club, but is in fact host to the largest music event of the year in Ibiza - International Music Summit (IMS) Grand Finale.

Taking place typically the last weekend of April each year, IMS Dalt Vila marks the end of the annual summit, but the start of the highly-anticipated summer season here on the island. 

Due to UNESCO protection, only a select few events are permitted here annually, placing it in the company of global wonders like the Great Wall of China, Australia's Great Barrier Reef, and the Taj Mahal in India. 

This international recognition acknowledges its historical, cultural, and architectural significance, making it the best-preserved coastal fortress in the Mediterranean.

Among the exclusive events within these historic walls are the Ibiza Jazz Festival in August and the Medieval Fair held during the second weekend in May. Additionally, during Sundays in the summer season, Dalt Vila hosts a traditional local crafts market, known as "El Rastrillo," in Plaça de la Vila.

Inside the walls, every corner offers surprises and fantastic photo opportunities, with its vast blend of history, ancient structures, and walls that invite you to explore on foot, but preferably in sensible shoes! 

Wind through the narrow, steep, cobbled streets, enjoying magnificent views from breaks in the high ramparts and vast terraces at each level, as well as restaurants, bars, art galleries and charming shops, transforming your stroll along the cobblestone streets into a complete experience.

The declaration of Ibiza as a World Heritage site has effectively promoted the island's thousand-year-old culture and rich biodiversity. Besides being the global hub for clubbing, Ibiza has witnessed a surge in cultural, rural, and sporting tourism in recent years, solidifying its diverse appeal for the future.

No trip to The White Isle is complete without a day getting lost on these stunning cobbles.

Ibiza's Fortified Capital: Exploring Dalt Vila

The underground house scene is gaining a rising star in the Netherlands. Keep him on your radar - Stef Davidse. Still pursuing his studies, the young artist is rapidly making his name known and achieving success through his music while balancing a full course load.



Signed to respected labels like No Art and WYLD Records, pushing over two million Spotify streams on a collab with ANOTR, and constantly getting hit up in his comment section for more heaters to drop, it's clear that Stef is poised to break through as a next-generation superstar in house music. 



Playing major parties across Europe, like Guerrilla, WYLD, Viva La Vita, and now looking forward to his upcoming show at Birmingham's renowned nightclub, Lab11, Stef’s plate is full as he juggles laying down heat on the dance floor while maintaining his studies.



Blending influences from his deep roots in hip-hop with rolling basslines and soulful vocal house grooves, Stef has carved a distinctive sound. Inspired in his early days by big names like East End Dubs and Archie Hamilton, the producer cites constant evolution and keeps his music pushing.



Having released on massive labels like Micro Hertz, WYLD, and now a very exciting EP on Eastenderz, Stef’s “new” sound continues to precede his reputation. Big things are on the horizon for the Dutchman.



Alongside his rising DJ career, Stef remains a dedicated student. Studying Leisure & Event Management, he utilizes his academy's creative network through the project "Electrolyte," which fuses art and clubbing. Meanwhile, Stef still finds time for the sports that help maintain his productive workflow.

Now it's time to drop some knowledge on Stef Davidse’s story – let’s dive into this exclusive interview!



How did your early experiences with music shape your current sound?

Since I was a kid, I've been into all sorts of music, especially with the radio always on at home. My taste in music has gone through different phases over the years, particularly within the realm of house music. Even today, I still enjoy listening to various sub-genres of house.

The mix of music styles has influenced my music. None of my tracks sound the same because I always try to draw inspiration from other songs. I aim to incorporate that blend of influences into my music, so each track has its unique sound.



What drew you to house music specifically in 2018, and how has your style evolved since then?

In 2018, I noticed the music scene in the Netherlands was on the rise. I delved into the world of house music by watching videos of Luuk van Dijk at the Strafwerk Festival, and I was immediately captivated. Around that time, I decided to visit my sister in Ibiza, where she lived at the time. There, I found myself surrounded by house music – it played on the radio, at parties we attended, it was everywhere. I couldn't get enough of it.



While I dabbled in producing a bit of hip-hop as a hobby back then, my desire to create house music grew immensely after that trip. I started fully focusing on producing house, and it became more and more serious. During that period, I also started going out more, especially to events where house music took center stage. These experiences greatly inspired and encouraged me to fully dedicate myself to making house music.



Was there a specific experience you had where you realized you wanted to stick to house or minimal music?

I remember my first electronic festival, DGTL, where Archie Hamilton was playing. It was the first time there was nice weather in the Netherlands, and his entire set was just amazing, and kind of a magical moment. Apart from that specific moment, there are so many reasons why I wouldn't want to do anything else.

I've been to parties of different genres, but there's nothing I enjoy more than house parties. They are so unique and provide the perfect experience for me. Because of my passion for this music, I continue to produce it. I could never create something I don't enjoy.



If there is any, can you describe the influence of hip-hop on your house music productions?

For me, it's mainly that I regularly listen to hip-hop alongside house, and that's why I incorporate it into some of my tracks. For example, the rhythms you hear in hip-hop occasionally make their way into my music, along with certain sound effects. Additionally, I often use vocals from old hip-hop songs. In many of those songs, there's talking, or things being shouted at the beginning. I enjoy using this in my music by sampling it.



What is your process for selecting vocals and percussion in your tracks?

I believe that a strong vocal can beat a lot of instruments. A good vocal can make your track distinctive, and that's why I'm always on the lookout for it. Sometimes it can be a challenge because searching for the right vocal can slow down your workflow. Therefore, it's good to have already found a vocal before or know where to look. Combining a good vocal with clean percussion, in my opinion, can result in the perfect track.



Can you share your experience working with ANOTR and the journey to achieving over 2 million Spotify streams?

It all started when I had been producing for less than two years. I had the track “Burnin” ready, but it didn't sound exactly how I wanted it to. Although the chords, vocals, and a small part of the arrangement were fine, the rest wasn't quite up to par. So, the track took a back seat for a while. 

Until ANOTR posted on Twitter asking for promos. My good friend Suleiman messaged me immediately and said, ‘Send Burnin.’ Initially, I thought: No, this track is not good enough to share. Eventually, I sent the track, and within a day, I received feedback. They liked the track, but something was missing. I tried to improve it, but at that time, my production skills were not as advanced. I even remember sending the track to them multiple times for feedback, while my entire track was in stereo.



In the end, ANOTR also took on the track. They elevated it to a higher level, and it eventually became a sort of collaboration. Once the track came to life and started playing on the airwaves, we both knew it had to be released. Especially in England, the track was already popular before its official release. People kept asking me when it was coming out in DMs, and some even offered a substantial amount to buy it before the release. The contact with the guys from ANOTR was pleasant from the beginning; they even invited me for a studio session. They are smart guys who know what they're doing.



I'm still happy that they believed in that track; it was a fantastic experience. Since the track was released, the streams have been surpassing my wildest expectations. I knew ANOTR's reach was significant, but I could never have dreamed of this. Since reaching 1 million streams, I even got the cover tattooed on my arm. Not just because of the stream count, but also because the track and everything around it taught me a lot and propelled me forward.

What was it like releasing music on Archie Hamilton's label, Micro Hertz?

Archie Hamilton has always been one of my favorite artists. I'm a fan of both his old and new productions. When I saw him at DGTL in 2018 or 2019, which happened to be my first electronic music festival, I was completely captivated. His sound resonated with me so much that he became one of my major sources of inspiration, a sentiment that still holds true. It felt like an honor to release music on his label.



The EP on the label is a collaboration with Ryan Resso, my preferred collaborator. We have a great understanding and can be honest about our creative desires. We've been working on tracks together since we first met, and there's more to come. Witnessing Archie play the two tracks in Australia got us excited; the audience went wild. Archie immediately expressed interest in signing the tracks. It couldn't have been better.



How significant is the upcoming EP release on East End Dubs' label, East Enderz, for your career?

I still don't know what this will mean for my career, but what I do know is that this EP means a lot to me personally. It provides additional confirmation that things are getting serious now and that it's heading in the direction I've dreamed of. The fact that East End Dubs wants to sign four of my tracks has taken away a lot of uncertainty. This helps me create more tracks and send them out.

East End Dubs has also been a major source of inspiration for me in recent years, especially in how he innovates and remains highly relevant with few releases. Eastenderz seems to be the label of this era; they release both established and new talent, and every release is of high quality. The events they organize at various locations also look impressive. The four tracks I'm releasing on Eastenderz represent my 'new' sound. I struggled for a long time to find my sound, and with these tracks, it finally feels like it fits me.



Are there any artists or producers you particularly admire or draw inspiration from?

Besides the above-mentioned artists, I also appreciate L.P. Rythm and Gaskin. These guys are machines. The series of great tracks they are making this time is very inspiring. They cleverly managed to combine a mix of old and new elements.

Furthermore, I think Ryan Resso is very talented. He has found his recognizable sound, which is evident in his tracks. He regularly sends me great tracks that energize every set I play them in. I also get a lot of inspiration from One Over's tracks. Although I only recently discovered him, I'm finding fat tracks on his SoundCloud and Bandcamp. Everything I've heard so far is powerful, energetic, and has a unique character.



What are you excited about and what are your goals with WYLD Records now that you will be working with them more often?

WYLD has given me some great opportunities. Since my first release, “Love Yourself Anthem,” on the label, I've had a lot of contact with them. I share many tracks with Ryan Resso (the founder), and we collaborate on songs. The sound that WYLD promotes is innovative, and their active approach resonates with me.



They've recently taken over my UK bookings, and I hope to play there often. So far, every show I’ve had in England has been fantastic. I feel that my sound is more popular there than in the Netherlands, and I'm more appreciated. The music scene in England is, in any case, more passionate and more extensive; I sense that in every aspect. I'm looking forward to March 9th, when I play for their 4th anniversary at Lab11 in Birmingham. It's an amazing venue with a great sound system, and besides that, the lineup that day is fantastic, featuring names like Rossi, L.P. Rythm, and Azaad.



How do you balance your music career with your studies at the art academy?

Honestly, it can be quite challenging at times. I find myself getting too engrossed in producing when I should be focusing on school, and the weekend trips abroad don't help with staying on track academically. So far, I've been managing well, and if I dedicate a bit less time to producing, I can easily keep up. However, the passion for producing is just too strong.

I'm pursuing a degree in Leisure & Event Management, and I believe it complements what I'm already doing perfectly. I get to meet a lot of people in the event scene, and my school is filled with creative individuals I can collaborate with. Besides benefiting my network, I'm also making new friends with whom I've started a project called 'Electrolyte.'



Can you tell us more about your project Electrolyte and its aim to combine nightlife and art?

The concept of Electrolyte was born with friends from my studies, and fellow students from my studies. With Electrolyte, we aim to integrate art into nightlife. We do this by organizing club nights and exhibitions, mainly with artists from our academy.

Art and nightlife are two worlds that are strongly intertwined; art transforms the nightlife experience and nightlife also causes art to be experienced differently. During our first event, we already saw that people were getting more involved with art. We are currently busy with exciting plans for 2024 and are looking forward to our first club night in March, where we will be working a lot with audiovisual art.


What has been your most memorable performance in Europe so far, and why?

I think my UK debut last year at the club Lab11 is the one I remember best; the whole experience of the club was so different again for me than in the Netherlands and the B2B with Gaskin was also great. I felt like I could totally do my own thing and the venue completely flooded during the show. Later in the night, I did another B2B with Ryan Resso in a slightly smaller after-club, where we kept going until we were fed up, which is something I had always wanted to do.



Looking forward, what are you most excited about in your music career and evolving as an artist? Is there anything you’re scared of?

I'm very happy that I finally have a certain sound in mind that suits me best. What I do worry about is continuing to produce relevant tracks. I haven't been comfortable for a while now and I haven't made much music in a few months, which I think is super important to do to stay heard. I hope I can teach myself a certain workflow that will always work for me, but this is still developing.



If you could collaborate with any artist, who would it be and why?

I think I'll go for Rossi. then, his sample choice in terms of vocals along with the other elements in a track of his feels to me like the perfect mix for a good track. I also find the way he stays unique and interesting, his recognizable sound from a few years ago became too repetitive for my liking, but he handled it well and made sure his sound stays diverse.

What's the funniest or most unexpected thing that's happened to you during a performance?

I don't think there has been a specific special moment that stands out. However, many funny and naughty things have obviously happened during my nightlife adventures, which I can't always talk about. But what we can discuss is when I saw someone standing in the crowd with a dog in her arms. Or when I saw a security guard tripped over all the wiring, causing all the power to go out. I hope many more fun experiences come my way because I always love adventure.



What’s been the hardest part about producing music? What’s the most rewarding part?

For me personally, the most challenging part of producing is when I'm working on a track and get stuck in the loop I've created. This happens quite often: I create something I'm happy with, but it's always missing that one element that completes the whole track. These are the most frustrating hours in the studio, and they sometimes make producing less enjoyable.

Fortunately, there are always days when you find the right sounds you are looking for. When that happens, I can get so happy. Then I usually pretty much finish the track right away, no matter how long it may take. Some days I invite friends into the studio to just come and chill. We make music and always have fun during the process. These moments made me realize repeatedly that producing is a great hobby for me and let me see only the positive side of the whole process.



Which country has the best rave/festival scene?

I haven't unlocked many countries yet, but among the places where I've played, England stands out. The folks there know so many artists, and I often sense the passion when I perform at a good gig. You can see in them that they light up from a fantastic party, and that uplifts me.

If you could describe this past year in three words, what would they be?

Change, work, and learning.

What’s something you enjoy doing during your free time? (Aside from music and school).

Naturally, I love going out; it's attending great events that got me into all of this in the first place. So, I shouldn't forget what my biggest source of inspiration is. Additionally, I have a strong passion for sports. It may sound cliché, but engaging in sports helps me find rhythm and achieve goals. I always feel that when my fitness routine is on track, everything else falls into place as well.

Magazine