Lee Foss Has an Ear for a Good Song

Bristol-based DJ and producer Eli Brown has become widely known in the world of house music for his sound that simultaneously channels the vivacity of the nightlife scene and interweaves unexpected nuances that keep audiences guessing. In addition to the fanbase he’s amassed due to his unique sound, Brown’s illustrious career has been bookmarked by a whirlwind of support from some of the industry’s top names, beginning with the iconic Oliver Jones, more commonly known by his onstage moniker, Skream, who shared Brown’s EP ‘Can You Feel It/Acid Test’ to his label Of Unsound Mind in 2016.

Since then, Brown has been behind a prolific amount of work, sharing a long list of singles and EPs and collaborating with the likes of Solardo—for 2019’s “XTC,” among others—Oliver Heldens, Green Velvet—for 2020’s “Unapologetic Raver,” Lee Foss, Anabel Englund, and Calvin Harris. In fact, Brown was even the first to join forces with Harris under house and techno-based side project, Love Regenerator, with the release of the EP ‘Moving’. Adding to his star studded list of collaborators, Brown has also shared remixes for artists including Dom Dolla, Tchami, Malaa, GW Harrison, Orbital, and more, and has been remixed by MK, Miane, Radio Slave, Sosa, and others.

Eli Brown has been selected twice by BBC Radio 1’s Annie Mac as the “Hottest Record in the World,” and has also garnered props from artists like Alan Fitzpatrick, who has shared Brown’s tracks on his labels We Are The Brave and Defected Records. This support and the sound he’s cultivated have led him to performances at some of dance music’s top venues, like London’s fabric, Ibiza’s Eden, and Miami’s Treehouse. He’s also been invited to play sets at festivals like Exit Festival, HARD Summer Music Festival, and Creamfields South, in addition to being a regular booking at Insomniac Events’ popular Factory 93 series.

United Kingdom

house

tech house

uk dance

Eli Brown

Sweden

electro house

pop dance

progressive electro house

progressive house

Eric Prydz

Patrick Topping

dark techno

minimal techno

raw techno

schranz

swedish electronic

swedish techno

techno

Adam Beyer

Ukraine

Korolova

United States

SHADED

Spain

Hï Ibiza

Eric Prydz presents [CELL] Closing Party

Eric Prydz [CELL]

Italy

italian techno

Marco Carola

Germany

swiss techno

Lilly Palmer

Switzerland

afro house

Black Circle

South Africa

south african house

Caiiro

Calussa

Denmark

danish electronic

Christian Nielsen

Greece

Da Mike

funky house

funky tech house

Earth n Days

Netherlands

circuit

dutch tech house

Franky Rizardo

France

IRENEE S

Kawtar Sadik

Brazil

melodic house

Maz (BR)

Notre Dame

chillhop

japanese chillhop

lo-fi beats

Saib

Sebjak

Simo Jettou

Morocco

Zakem

Taghazout Bay

Otium Festival

Cristoph

Hannah Laing

Eric Prydz Holo Opening Party 2023

electronica

german techno

leipzig electronic

Paul Kalkbrenner

danish techno

deep euro house

melodic techno

Kölsch

Eli & Fur

Ushuaïa Ibiza

ANTS Week 21

ANTS

progressive trance

trance

uplifting trance

Above & Beyond

pop nacional

slap house

Alok

future garage

Gorgon City

Belgium

acid techno

belgian techno

electra

Amelie Lens

Benin

AMÉMÉ

jazz house

Barry Can't Swim

2manydjs

ukg revival

salute

alternative dance

big beat

Basement Jaxx

Beltran

Ben Böhmer

german house

high-tech minimal

Boris Brejcha

dancefloor dnb

drum and bass

Chase & Status

bass house

melbourne bounce

Chris Lake

Chris Lorenzo

Chris Stussy

deep disco house

uk house

Damian Lazarus

latin tech house

Dennis Cruz

Desiree

Disco Dom

stutter house

Disco Lines

microhouse

Dixon

swiss house

Jimi Jules

DJ Gigola

Francis Mercier

Indira Paganotto

Keinemusik

nyc club

Layton Giordani

Mau P

deep techno

Mind Against

Massano

Pete Tong

dark disco

electro-pop francais

french indietronica

Polo & Pan

old school bassline

Sammy Virji

Sara Landry

Curaçao

dutch house

Shermanology

minimal tech house

The Martinez Brothers

Loco Dice

Tinlicker

Tiësto

brazilian edm

Vintage Culture

russian techno

Yulia Niko

Coachella Valley Music and Arts Festival, commonly known as 

, is one of the most renowned music festivals in the world. Held annually at the Empire Polo Club in Indio, California, it has grown from a niche gathering to a global cultural phenomenon. The festival was founded in 1999 by Paul Tollett and Rick Van Santen of Goldenvoice, inspired in part by a 1993 Pearl Jam concert at the same venue. That show proved the site’s potential for hosting large-scale events outside the grip of major ticketing companies, paving the way for what would become one of the most influential festivals in modern music history.

Coachella’s first edition in 1999 featured an eclectic lineup including Beck, The Chemical Brothers, and Rage Against the Machine. Despite critical success, it struggled financially and took a year off before returning in 2001. Over the next few years, the festival gradually built its reputation, expanding its duration, scale, and audience. By the mid-2000s, it had become a must-attend event, attracting headliners such as Red Hot Chili Peppers, Daft Punk, and Radiohead. Its continued success led to its expansion to three days in 2007 and later to two consecutive weekends in 2012, offering identical lineups to accommodate growing demand.

The festival’s appeal lies not only in its diverse musical programming, which spans rock, pop, indie, hip-hop, and electronic music, but also in its dedication to visual art and immersive experiences. Large-scale art installations and sculptures are a signature part of the event, creating a surreal atmosphere that enhances the festival experience. Over the years, Coachella has hosted some of the biggest names in music, with iconic performances from Beyoncé, who delivered a historic headlining set celebrating Black culture, Paul McCartney, Lady Gaga, Kendrick Lamar, and Swedish House Mafia, among many others. The festival is also known for surprise guest appearances and once-in-a-lifetime collaborations that make headlines worldwide.

Coachella has built a reputation as one of the premier destinations for electronic music, with several stages dedicated to showcasing a wide range of sounds, from festival anthems to underground beats. The Sahara Tent is the biggest and most recognizable space for electronic music at the festival, featuring massive LED screens, immersive lighting, and world-class DJs delivering high-energy sets. Over the years, Sahara has expanded to accommodate growing crowds. For those who prefer a more intimate, underground club feel, head to the Yuma Tent. Known for its sleek, low-lit atmosphere, Yuma offers a more curated experience, with deep house, techno, and minimal sounds taking center stage.

Beyond these two powerhouses, electronic music is spread across other key stages. The Mojave and Gobi Tents frequently feature electronic acts, blending them with live performers and crossover artists pushing the boundaries of genre. The Quasar Stage was introduced in 2024 as an outdoor venue specifically designed for extended DJ sets, allowing artists to create deeper, more immersive sonic journeys. Then there’s the Do LaB, one of the most unique and beloved spaces at Coachella. Run by the creative Do LaB collective, this stage is famous for its interactive art installations, spontaneous surprise sets, and a lineup that includes house, bass, techno, and experimental sounds. Unlike the festival’s bigger stages, Do LaB thrives on spontaneity, often bringing out secret guests and creating an atmosphere that feels more like a community gathering than a traditional festival set. With these diverse electronic spaces, Coachella continues to be a mecca for dance music fans, offering something for every taste, from the biggest EDM acts to the deepest underground selectors.

Beyond music and art, Coachella has become a major cultural and fashion trendsetter. The festival is synonymous with bohemian-inspired outfits, influencing festival fashion trends globally. Brands have capitalized on this, launching exclusive collections inspired by the festival’s signature aesthetic. It has also played a significant role in the rise of influencer culture, with celebrities, social media personalities, and brands using the festival as a platform to showcase their style and presence.

As one of the most profitable music festivals in the world, Coachella significantly impacts the local economy, generating substantial revenue for the Coachella Valley region through ticket sales, tourism, and local business patronage. At the same time, the festival has taken steps toward sustainability, implementing recycling programs, promoting carpooling, and encouraging responsible environmental practices among attendees.

Coachella returns each year stronger and continues to push creative boundaries. Its ability to adapt to industry trends while maintaining its reputation as a premier music and arts festival ensures that it remains at the forefront of global festival culture. Today, Coachella is a cultural institution that shapes music, fashion, and art while offering an experience that extends far beyond the music itself.

Eli Brown

Past events

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