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 is a fresh, talented force taking the underground house scene by storm. Based in London, he has quickly risen through the ranks, jumping an incredible 700 spots to solidify his place among the Top 100 best-selling Tech House artists of all time.

From an early stage, Iglesias was drawn to the house genre, showing an ability to produce his own music with unique mixes. His sound is distinctive, blending Italian rolling grooves with classic disco elements that resonate with the spirit of the house community.

He caught the attention of revered labels such as MadTech Records, Twisted Fusion, and Under No Illusion, eventually signing with 

 renowned VIVa MUSiC. This early recognition opened doors for him, and he earned widespread praise from industry greats like 

Frankie's Story

 continued to develop his craft, with major EPs landing on Repopulate Mars, Kaluki Musik, Solid Grooves, and Resonance Records. Testament to his creativity and dedication, four of his tracks feature in Under No Illusion's Top Ten selling tracks of all time. Every single release of his has entered the Beatport Top 100, with his highest climber peaking at #12.

He's also an accomplished DJ, mastering the art of engaging his audience and ensuring a deeply immersive experience. This skillset secured him a residency at Sankeys Ibiza, where he charmed crowds with his unique musical style for two consecutive summers.

' music echoes globally, from the clubbing hubs of Taiwan to the grandeur of Tomorrowland, testament to his talent and passion for house music. He has managed to build an impressive back catalogue waiting to be released, a hint at more exciting things to come.

Snap! - The Power (Iglesias 2023 Edit) by Iglesias

Iglesias has demonstrated an astonishing rise in the house music scene, backed by an impressive discography and a strong reputation among his peers. As he continues to produce and perform, his influence on the genre is undeniable. For those yet to discover him, there's a world of rolling grooves and classic disco beats waiting, all uniquely crafted in Iglesias' signature style.

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Iglesias

Spain

minimal techno

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Paco Osuna

Germany

Melanie Ribbe

latin tech house

De La Swing

United States

Medina

NowHere

The Knockdown Center

Now Here: New York Debut

Latmun

Nigeria

arab electronic

deep minimal techno

electra

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Nicole Moudaber

Space Miami

Paco Osuna presents Now Here

bass house

Westend

Ecuador

Mr.Diamond

Musica

Westend w. special guest Iglesias & Mr.Diamond

house

J. Worra

AKKI

Branqueeno

Superior Ingredients Roof

J Worra

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latvian pop

Detlef

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electro house

Dombresky

Fleur Shore

Chile

Francisco Allendes

deep house

garage house

Kerri Chandler

Local Singles

Luna Mar

Netherlands

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Luuk van Dijk

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Manda Moor

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Marco Faraone

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Matroda

Mau P

Nala

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Paul Woolford

Prunk

Seb Zito

Tini Gessler

The Brooklyn Mirage

elrow NYC: Summer Festival 2023

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The Martinez Brothers

Marco Carola

Chelina Manuhutu

Hï Ibiza

The Martinez Brothers Week 6

TSHA

Eliza Rose

The Martinez Brothers Week 8

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Adam Beyer

Âme

Anfisa Letyago

South Africa

Black Coffee

The Blessed Madonna

Boris Brejcha

Boys Noize

Türkiye

Carlita

Carl Craig

Chloé Caillet

Colette

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Dennis Cruz

Derrick Carter

Dixon

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Eric Prydz

Fatboy Slim

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Franky Wah

Gene Farris

Hiroko Yamamura

Hot Since 82

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James Hype

John Summit

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Kevin de Vries

Kyle Walker

Lee Foss

Loco Dice

Mall Grab

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Miss Monique

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Mochakk

Moodymann

Nic Fanciulli

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Nina Kraviz

Patrick Topping

Peggy Gou

Sam Divine

Tale of Us

THEMBA

Tinlicker

Toni Varga

Vintage Culture

Wade

Walker & Royce

Austria

Cassy

Dalton Taylor

Dax J

David Castellani

Eskuche

Henry Brooks

Inphinity

Kevin Knapp

Mike Dunn

Phuture

Sara Landry

Schak

Shimza

Tara Brooks

Terry Hunter

ARC Music Festival is a relatively new addition to Chicago's rich festival scene, celebrating house and techno music. Hosted at the historical Union Park in Chicago, this festival aims to gather top-tier artists from these genres, giving attendees an immersive experience in the world of electronic music. Reflecting the city's deep-rooted house music culture, ARC Music Festival stands as a testament to Chicago's legacy and continuous contribution to the electronic music world.

Union Park

ARC Music Festival 2023

pink noise

TAAHLIAH

electronica

folktronica

indietronica

intelligent dance music

trip hop

Four Tet

Late Night Shri

Jess Bays

Ryan Hendo

diva house

vocal house

David Morales

canadian electronic

electronic trap

fidget house

turntablism

A-Trak

O.Bee

Between performing globally, releasing on labels like 

’s Mindshake Records, and running Woodlands Studio back home, UK talent Iglesias has built quite a brand for himself. All the while, he’s remained dedicated to artistic integrity and put the music above all else.

In case titles like “Rudiment” and “Dance To My Drums” don’t make it obvious enough, percussion lies the core of Iglesias’ creative philosophy. Samples of live drums often form the foundation of his tracks, invigorating them with an organic warmth that resonates subliminally on the dance floor.

"For me, it's all about the groove. It just has to have that," Iglesias says. "A lot stems from what the percussion does. It doesn't have to be over-the-top crazy, it just has to have really cool calls and responses happening throughout for a nice progression. You don't ever listen to a band with just a bass guitarist and a lead singer. You have to have some drums in there to hold it all together.

Rudiment

Iglesias arrived at these conclusions largely on his own. “Most [dance music artists] have a cool story about how their dad’s got a really crazy disco record collection and they got introduced that way,” he says. “I wasn't really into it when I was a kid.”

Between performing globally, releasing on labels like Paco Osuna’s Mindshake Records, and running Woodlands Studio back home, UK talent Iglesias has built quite a brand for himself. All the while, he’s remained dedicated to artistic integrity and put the music above all else.





In case titles like “Rudiment” and “Dance To My Drums” don’t make it obvious enough, percussion lies the core of Iglesias’ creative philosophy. Samples of live drums often form the foundation of his tracks, invigorating them with an organic warmth that resonates subliminally on the dance floor.



"For me, it's all about the groove. It just has to have that," Iglesias says. "A lot stems from what the percussion does. It doesn't have to be over-the-top crazy, it just has to have really cool calls and responses happening throughout for a nice progression. You don't ever listen to a band with just a bass guitarist and a lead singer. You have to have some drums in there to hold it all together.





Iglesias arrived at these conclusions largely on his own. “Most [dance music artists] have a cool story about how their dad’s got a really crazy disco record collection and they got introduced that way,” he says. “I wasn't really into it when I was a kid.”



Iglesias was born to a Spanish father and an English mother. His earliest musical influences came from outside his family, however. “from the beginning, it's always been punk,” he says. “It's always been rock. The rock side of it influenced the way my music is today.”



He first took up DJing and organizing events. "I used to run some parties in the south, and it got to a point when I was booking a lot of artists—wAFF, Steve Lawler, people I looked up to," Iglesias recalls. "I thought, "Why am I paying these people so much money? How are they different from me? We both DJ, what's what's the difference here?' And the key difference was they made great music, and I didn't make anything at all. So that's what led me into making music."







After learning to produce music later in his career, Iglesias found himself completely infatuated with the process. “I became completely obsessed with it; I would have rather made music on the weekend than DJ in the club,” he says. “For most people, it's the other way around.”



After a couple of years of releasing music, Iglesias struck a chord with his 2018 remix of “Real Thing” by Cloonee. Up to that point, he had hesitated to play any of his music in his sets. “Then I started seeing videos of Marco Carola playing it,” he says. “I thought, ‘Oh, I should probably play this song as well.’ I'd never even played it before. So that was like a pinnacle moment in that I started believing in my own music. If you're making music, play it as well. Don't be embarrassed to play it.”



Another release that marked a turning point and gave him confidence in his style was 2019’s “Subdue.” Before that release, he recalls sending demos to Manchester duo SOLARDO for months and never hearing anything back. “I went up to James and said, ‘Dude, just listen to this song, I know you're gonna like it,’” he says. “And he got on his laptop and signed it on the spot. That was another moment that made me keep pushing. It doesn't matter what people say, if people think your music shit or whatever. Just keep pushing, and someone's going to open up the door for you.”



Since 2018, Iglesias has also run Woodlands Studio, a venture in which he offers mixing, mastering, and production classes. 



"It actually started when I was living at home with my parents," he says. I was working in my studio, as in my bedroom, and it was pissing them off a lot. They offered to do something together, so we both went halves on a studio. We took the roof of their separate garage and went halves on it, so now when I go to the studio, I'm actually commuting back to my childhood home from where I now live 15 minutes away."



This extra dimension of his career equipped him to weather the rough waters of the COVID crisis as restrictions prevented performers around the world from gigging. Artists like Latmun and wAFF have given masterclasses on the platform, which offers discounts to students in developing countries.







2021 saw Woodlands Studio expand to include a record label called Woodlands Records. Rather than run a straightforward artist imprint and only sign music that closely aligns with his own sound signature, Iglesias gives a platform to tracks from across the electronic music spectrum. One of Woodlands’ first releases was Nicolò Bonelli’s Pure, Clean & Vegetarian EP, whose two tracks fell somewhere on the spectrum between breakbeat and minimal house.



Iglesias channels the inspiring, confidence-boosting moments of his career by empowering the artists with whom he now works. "I tell them, 'Just go with what you're doing," he says. "People are trying to copy other people. That's not going to get you anywhere. I always try to ask, 'Who are you influenced by? What type of music are you influenced by?' And it doesn't necessarily have to be house or electronic—like how I am with Good Charlotte, for instance. I like the drummer. I like the snares from there. So put that in your own song—that's what I've tried to teach people. I obviously give them techniques, but I remind them not to give a shit what everyone else is doing. Because if someone is already doing it, it's already been done."



With a busier tour schedule than ever before, Iglesias is now capable of showcasing his authentic brand of electronic music on stages across the globe. Not only that, but the brand he’s built for himself will allow him to bring his friends and collaborators along with him.

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