Name: Elrow Town London 2023
Start: 2023-07-22T12:00:00.000+01:00
End: 2023-07-22T22:00:00.000+01:00

If you asked the average dance music fan to name a DJ from North Shields, they would likely stare and ask what you’re talking about. Despite that, this small town in the northern region of the UK has become a hotspot for electronic music. Paving the way is the legendary Patrick Topping. In his stead, many young artists from the region have decided to pursue DJing; one, in particular, has been a stand-out.


While he started his journey with housier offerings, Ben Hemsley was initially inspired by the sounds of Ibiza in the late 90s and early 2000s and is now helping usher in a new era of classic trance.


“During my sets I want to channel every emotion with the crowd. My music is euphoric but I don’t just want everyone’s hands to be in the air the whole time. I want to see their faces go crazy especially when I play the harder stuff. I wasn’t really sticking to a genre but now I’m trying to hone in more on the harder, faster type of music.”



Growing up in North Shields, he discovered electronic music through his mom, a woman who still significantly influences his life. She played electronic music constantly in the house during his childhood, with a major focus on trance music. At around the age of 14, Ben began DJing. It took him nearly a decade to find his footing, spending his formative years making “so much bad music” and figuring out what genre he wanted to pursue. After spending a summer season in Ibiza in the late 2010s, Ben finally understood the sounds he wanted to dive into, and his career quickly took off.


“‘Bebe Musica’ is my favorite track that I put out, it’s more trance. During lockdown, I got bored of tech house and just wanted to start making what I feel passionate about. Late 90s early 2000s Ibiza sound is what I want to start focusing on.”



Just a year before “Bebe Musica,” Ben had a chance meeting with Patrick Topping. His brother knew Patrick, and they connected at a birthday party at a bowling alley. Patrick had heard that Ben made music and invited him back to his house to play some tracks. Luckily for Ben, Patrick took to his music.


“He liked them and started putting them in his sets and then eventually asked for an EP to release on the label [Trick]... He was the first DJ to really support me, and he’s been a mentor my whole career. The fact that we’re from the same town and I’m on his label now is just incredible to me.”

For Ben, success seems to follow him everywhere. His first official release, “Caress Me,” received immediate support from the likes of Solardo and Latmun. It also caught the eye of Calvin Harris, who eventually invited Ben out to a show in the states, and has since begun supporting Ben’s releases.



The future is bright for this young star out of the UK. His favorite BPM to play at is 135, and he is now at the forefront of a new wave of high-energy, uptempo electronic music that is taking the UK scene by storm.



Ben Hemsley on Patrick Topping's Mentorship

United States

Azzecca

Despite being a relative newcomer to the dance music scene, the accomplishments of Azzecca are lengthy and a sign of a star in the making.

Her small but mighty catalog includes releases with Diplo's Higher Ground and Gorgon City's Realm—just a sample of the many high-profile artists supporting Azzecca. Her DJ sets are known to defy genre, and her prolific ability behind the decks has allowed her to share the stage with a diverse range of artists, from Tale of Us to Jamie Jones and everyone in between.



It might be hard to believe that someone who so recently began a career in music has found so much success. Yet, there are many factors as to why Azzecca has found the transition from interior design to DJing to be relatively seamless.

"I feel like my entire childhood has a soundtrack from both my parents," she explains with a smile about her musical upbringing. "My dad was super into classic rock and so I grew up listening to Pink Floyd, Led Zeppelin, and Bob Seger. My mom was super into the whole synth-pop era, Eurythmics or Blondie and that really feminine fun dance music back then. I've got an older brother and he was really into hard rock music. Rage Against the Machine, Radiohead… So I've just been listening to all different types of music my whole life."



In addition to the influences of her family, Azzecca discovered electronic rock at a young age which ultimately began her eventual turn to house. Pink Floyd and Nine Inch Nails gave way to dubstep, followed by big room, and eventually mainstage dance music. A natural instrumentalist, she played a variety of instruments throughout her childhood. After moving to Chicago from the suburbs of Illinois she dove deeper into house music.



"I started digging into the history of house music and where it started here in Chicago, but also the roots of it in the UK. I found that house music is what really stuck with me. Then from there, I moved into techno and now, I'm in this sweet spot between house and techno where there's a never-ending amount of music for me to listen to. When I moved back to Chicago, I just immediately dove into the house scene. My entire life just started revolving around dance music and Chicago, and learning all about the roots of house music in Chicago, and going to see Derrick Carter at Queen as much as I possibly could. I'm so happy that I live here and it's really shaped who I am as an artist in a lot of ways."



With that inspiration as a backbone, she eventually began to work on producing and, luckily, had a more than competent mentor at home. Azzecca's husband, Kye Gibbon, is a prolific producer, sound engineer, and one-half of Gorgon City. He was able to provide advice and instruction to help her translate her ideas.



"I was just sitting in the studio with him all day every day, and I would give him my idea as I play some guitar. I'd play some chords and as time went on it was more like 'okay, these are really sick ideas, but I can't use these because they don't fit with my music.' And so he basically said to me one day, 'you really need to try and do this yourself.' So then I did and I just worked and worked and worked until something came together that I felt proud of. That's when I started working on actually making tracks myself, and my first song that I got signed was with Higher Ground… that was a song that I actually just made with no intention of ever releasing. I didn't think I ever wanted to release my own music."



Although it might sound obvious, the concept of making music to play in her sets ultimately helped Azzecca break through. Her edits and originals began circulating amongst known DJs, with their club-ready energy appealing to acts like Diplo. After he began supporting, all Azzecca had to do was send her demos to Higher Ground, and the rest was history. Her efforts to make DJ set-friendly music and her unique musical background ultimately led Azzecca to become known for diverse, genre-switching, high-energy DJ sets.



"I don't stick to one genre. I like going left and right, up and down. I'm doing heavy things into really light things. That's what I always like to listen to, So I want to take people on a journey through a bunch of different emotions and feelings in my set."



As her journey into stardom began, Azzecca also focused on creating safe spaces for women to enjoy nightclubs. When COVID happened, she paused everything and felt the need to reassess her career. During this time, she not only decided to pursue DJing and music production, but also
discussed with female peers the increasing difficulty and discomfort they experienced in nightclubs. She sought to take action, starting Dirty Disco, a fem-friendly nightclub experience.

"I started Dirty Disco in an effort to just create a more female friendly night. A more inclusive night where everyone can come and know no one's going to put up with B.S. There's not going to be a bunch of creepy guys here because they know not to bother coming because we're all on the lookout for it. It also gave me an opportunity to design spaces, so every party we throw I design myself. I'm in there hanging flowers, and hanging disco balls for the party. It's an opportunity for me to bring all of these things that I love together, and to also build a community in Chicago that all revolves around music."



For most artists, releasing on Diplo's label, playing major shows, and founding a blossoming party brand in Chicago would be considered career achievements. For Azzecca, this is simply the beginning. Her future is limitless, and her excitement for her career is only matched by her excitement for the future of dance music.



"People are really open to discovering new sounds which gives people who are making music more creative freedom. You don't have to pigeonhole yourself, I'm going to make tech house or I'm going to make techno. I want to experiment with sounds like breakbeat, or Drum & Bass. There is now a whole new pool of people that are interested in those sounds and discovering them which is so exciting."


In celebration of International Women's Day and alignment with Gray Area’s mission to highlight and celebrate fresh up-and-coming talent, we recognize and honor 11 talented queens who are making waves in the dance music industry.

In a field with a glaring and overpowering gender divide, women are still vastly underrepresented in the music industry. We are, however, slowly but surely starting to see a more balanced and openly female-populated environment, and we are striving for this to continue.

Scratching the surface we know, there are simply too many to name, yet these incredible females pave the way towards a more inclusive and diverse industry, whether it be through their powerful productions, awe-inspiring DJ sets, bringing their activist spirit to the dancefloor, or being forthright voices.

1. Eliza Rose

Eliza Rose wears many musical hats including singer, songwriter, expert vinyl DJ, and prolific producer. 

In 2022, her victorious breakthrough anthem, "B.O.T.A. (Baddest Of Them All," rose to #1 in the UK charts. and captured the attention of house music fans and artists.

The addictive production honed in on her love of both UKG and house, proving her ability to create something brilliantly cutting-edge. With a vocal swag that works on almost any record, her latest release, "Better Days," is an exciting tease of the future of one of the UK's most buzzed-about artists.



2. Logic1000

After switching between careers she had no true desire in, Sydney-born, London-based producer Samantha Poulter, aka Logic1000, found her true passion in music..

She is an artist known for her ability to create tracks that defy genres. Her unique production process of, in the moment, spontaneous creation has seen her produce stellar tracks that embody deep house laced with abstract percussion jams, euphoric melodies, and ambient experiments.

Elevating career moments for Logic1000 have included the success of her first self-titled EP in 2018 under her previous alias DJ Logic, backing from fellow artists such as Four Tet, and producing coveted remixes for prolific artists like Caribou, Flume, Dusky, and more.

With plans in the works for her debut album, she claims that her logical thinking is not the sharpest (despite her hard-headed moniker), and has no clear idea what it’ll sound like. Either way, we know it’ll be a smash.

3. yunè pinku

Malaysian-Irish producer and songwriter yunè pinku's (yunè means cloudy in Japanese, pinku a nod to her love of Pingu), aka Asha Yunè, productions embody introspective lyricism and hypnotic melodies and have propelled her to become one of the fastest-rising names in electronic music.

Despite not being a fan of "all-out raving," this doesn’t stop the young talent from producing club-ready bangers, which also translate in more intimate environments. 

Equally suited to the rave as they are the bedroom, her 2022 debut single "Bluff" nudged at the artist's mental struggles. It was a track about putting on your best poker face when you're feeling anxious or low.

She recently teased her highly-anticipated EP, BABYLON IX out this spring, with her sensual single, "Night Light." While "Bluff" was inspired by real-life situations, "Night Light" took inspiration from AI and the metaverse, proving her unique ability to find originality and make music through a social lense.

4. Chloé Caillet

The stylish French-born DJ Chloé Caillet’s musical journey first started when she took to the piano as a little girl. Now a globe-trotting DJ, she is best known for gracing the decks of some of the most lauded global clubs and festivals, including Hï Ibiza, DC-10, The Brooklyn Mirage, Burning Man, Glastonbury, and she will play at Coachella this Spring.

In 2021, she debuted her XCESS Records imprint with her single, “Love Ain’t Over.” She has since released tracks on Keinemusik and Circoloco Records, He.She.They, and Defected.

Celebrated by the industry’s leading DJ’s, she is also a force to be reckoned with in the fashion world, with a runway after-party roster that includes Louis Vuitton, Burberry, and Miu Miu.

Caillet is set for a massive 2023, including the release of yet another hotly anticipated EP on CircoLoco Records due out the same week as her second Coachella performance. 

5. Kitty Amor

Kitty Amor is a DJ, promoter, tastemaker, and most importantly, passionate representative paving the way for the flourishing Afro house scene in the UK and beyond.

Often referencing her day-one inspirations Black Coffee, Culoe De Song, Da Capo, Shimza, and Manoo (to name a few) as pioneers of Afro house, Amor strives to continue their legacy pushing the sounds of South Africa into new domains.

With a clear lack of representation in countries outside of the continent, Amor has worked itrelessly over the years alongside a number of brands, labels, and promoters to create space for the genre.

From becoming the first woman to perform at Deep In The City, the superlative Johannesburg night curated by Themba and Black Coffee, to being the first UK Afro house DJ to play Printworks (UK), she is now a mainstay at the events of one of Defected’s newest sub-labels Sondela. She continues to make her mark internationally having played in Ibiza, Dubai, Croatia, Amsterdam, and more in 2022. 

6. TSHA

Off the back of her debut album release Capricorn Sun in October 2022, TSHA is getting all the love and respect that she deserves. Small in size but big in talent and energy, the London-born artist is a true talent both behind the decks and in the studio.

Rightfully tipped as one of the most exciting emerging artists from the UK, she’s been the cover artist for Mixmag and won Album of the Year at the DJ Mag Awards in 2022. Quickly becoming an international sensation, she will take the stage at Coachella in April 2023, and perform her first headline gig at Chicago’s Spybar in May.

TSHA recently opened up about her struggles with anxiety and how she manages it amongst a hefty touring schedule. Her openness and honesty stands to reassure other young artists that it is both manageable and worth pursuing.

7. IMOGEN

While many female techno acts emerge from eastern Europe, UK-hailing powerhouse IMOGEN puts her own British stamp on Berlin’s bullish techno sound.

After moving to London at the mere age of 16 to study electronic music, she began to immerse herself in the capital's club scene and radio circuit. Now a respected artist throughout Europe, IMOGEN’s come a long way since first being profiled by Mixmag at the age of 19 in 2019. She has a radio residency at NTS Radio, runs her own label and party WIGS, and has played at iconic dance music venues and festivals like fabric London, HÖR Berlin, De School Amsterdam, Sonar, and ION.



8. Jaguar

With a dedication to the scene like no other, Jaguar has seen nearly every corner of the dance music industry, from journalism to event producer, broadcasting to DJing, advocacy, and podcasting.

Her UTOPIA Talks podcast and charitable organization The Jaguar Foundation go hand in hand with her end goal being to create a free and inclusive workplace that inspires people from minority backgrounds to demand greater opportunities and representation. 

Paving the way for the next generation, her commitment to making the industry more diverse and even-handed makes her an irreplaceable figure. We need more Jaguar’s in the world.

9. Elkka

Cardiff-born, London-based Elkka constantly seeks to build a brighter future. The electronic music dynamo is a talented producer, singer, songwriter, DJ, and founder of Femme Culture, a record label and collective she uses as a platform to champion women in the arts and push forward-thinking music that stands for an all-embracing industry amongst every gender, background, and belief. 



A jack of all trades, she spent many grueling years behind the scenes, trying to crack the industry as a pop songwriter. Now she finds herself in her own musical lane, producing tracks that have won the hearts of DJ’s such as Four Tet, Floating Points, Caribou, George FitzGerald, SHERELLE, and Annie Mac.



Her latest release "I Just Want To Love You" on Ninja Tune beautifully encompasses her raw, alternative take on house music, that's often built upon melodic lyrics and old-school samples. 

10. ALISHA

From humble beginnings in her hometown of Peterborough, the first-rate UK DJ and producer ALISHA has rightfully nestled her way into the music industry through an incredible ear for production and clear determination to do what she loves.

Highly regarded by industry peers and house music fans alike, she has just about conquered every inch of the UK clubbing scene over the last couple of years, dropping sets at pretty much every reputable venue and festival there is. 

When she’s not behind the decks, ALISHA is tucked away in her studio, honing her unique dancefloor-ready sound. With booming releases on prolific record labels such as Kaluki, Eastenderz, and Nothing Else Matters, her tracks can often be heard in the sets of some of the world’s leading DJ’s.



11. HoneyLuv

LA-based producer and DJ HoneyLuv rose from basketball player to US Navy aviation mechanic to creating a unique musical niche, producing tech house bangers that ooze with attitude.

Proving boundless aptitudes with her 2022 release "365" on Chris Lake’s famed Black Book Records, she has since gone on to produce a number of groove-filled dancefloor riddims, most notably her most recent "Sway" that's caught huge traction overseas in the UK.

Last year saw her playing festival stages and nightclubs all over North America, and she is now set to embark on her debut headline tour this Spring.  With recent sets in Australia, Italy, and Ibiza, don’t be surprised to see her dominating international lineups for years to come. 



11 Inspiring Female Artists You Should Know

As dance music fans, we all remember the sounds that first captured our interest. For some, the first love was techno. For others, it might have been progressive house. At the end of the day, a new love and understanding of the rabbit hole of synthesized music is all that matters.



Ben Hemsley’s first descent down the rabbit hole ties to his earliest memories. His mother, an avid dance music fan, regularly shared her passion for the sonic style with Ben in the car and at home. By Ben’s account, her favorite sounds gravitated towards trance. In fact, the epic sub-genre staple, “Barber’s Adagio For Strings,” by William Orbit, is Hemsley’s first dance music memory.



“The first dance record I remember hearing,” Ben recalled in an interview. “Driving along the seafront with my mam and my brother, always skipping to this track on any dance compilation CD we listened to… When I first began producing, this would always be my reference track, and everything I made would just sound like a really really bad remake of this.”



Ben’s catalog is masterful in its transcendence of genre but inclusion of diverse themes. While he first struck hits with a more house-tinted take on his “rave nostalgia” style, the Covid-19 quarantine presented an opportunity for growth and reconnection to roots.



Breaking from a proven sound of success as a producer can be terrifying, and rightfully so. Why depart from the path that has heightened your name and professional opportunities when there is no guarantee that departure will equate to further success? The answer is largely intangible because it reclaims your artistic freedom and authenticity.



Ben’s time with house themes had run its course. Feeling his creativity and fulfillment running thin, he used the pandemic’s halt of the music industry to tap into the sounds that first filled his heart as a child—the sounds of trance. These themes of sonic escapism that permeate the clubs on the island of Ibiza, were the cornerstones of Hemsley’s relationship with dance music. He had broadened his musical horizons but lost touch with his roots, and reconciling was in order.



Cue “Bebé Musica.” This track marked a new era for Ben Hemsley, punctuated by the authentic expression of all that inspires him. In the years following, we’ve seen the highest form of Hemsley yet. His connection to the crowd has never been better, and his sound has never been so pure. Ben Hemsley displays that he’s more than a house head, more than a trance kid—he is an artist.

Ben Hemsley Was Always A Trance Kid

You would be hard-pressed to find an act as hot as Ben Hemsley right now. Sold-out shows across Europe and a presently successful invasion of the USA have set this wunderkind as the one to beat. As with most producers at the top of their game, the sounds Ben concocts are strikingly unique. His trademark “rave nostalgia” brand of music recalls many dance flavors from the past, present, and future. No matter the sound, you’ll surely feel the love exploding from your soul.



While it’s rare for a twenty-something to have such a seasoned pallet for dance music, Ben comes by this diversified ear quite honestly. The Hemsley household was always bumping with beats due in large part to Ben’s mother. In the house, in the car, Mama Hemsley almost always had some dance music going. Her favorite song, you might wonder? “Everytime” by Lustral.



But Ben’s family did more than introduce him to dance music. Family also introduced him to career connections. Renowned label, Trick, served as a launching point for a number of Hemsley tracks helping the then up-and-comer gain invaluable traction. Aside from a mutual love of high-energy dance music, Ben and Trick founder Patrick Topping also share a hometown: North Shields, Newcastle. They grew up about five minutes down the road from one another. Hemsley’s older brother and Topping ran in the same friend group, and word of Ben’s tunes later passed between the two. Patrick soon requested to hear Ben’s work and was left quite impressed. So much so that once he launched Trick, he recruited Hemsley for a four-track EP, King Of Darkness.



A childhood laced with classic dance music, a close connection to another pioneering talent in the same hometown—it seems nearly written in the stars for Ben Hemsley to be a current conquerer of the scene.

Ben Hemsley’s Connection to Dance Music Started at Home

Siso Festival 2023 

Albania

Dhërmi, Albania

London’s most established and respected electronic music event organisers, LWE have proven yet again that they’ve got more tricks up their impressive sleeve of festival outgoings with their latest announcement. 

From conquering the UK underground scene since their inception in 2010, to spreading their wings and delving into European territory in recent years, the OG event brands’ unique and forward-thinking take on modern day music festivals, sets them well aside from the rest.

LWE run for gold with their futuristic approach to festival curation, through the unique locations of their masterly roster of events which include Junction 2 (London), Elrow Town (London), ION Festival (Albania), as well as individual shows for major venues around the capital.

Continuing to push their iconic events into new domains, the aspirational party-brand has reached further afield with their latest venture, that will have you booking a flight straight to Albania. 

We are proud to present to you electronic music's newest European festival, SISO - set to be the hottest of 2023.

'As long it's groovy, fun and fresh, it'll be showcased.’

Summer 2023 is all about SISO, the baby sister of LWE’s staple Albanian underground festival ION, which is also located on the coastal paradise of Dhërmi.

From September 14-20, the brand-new, six-day festival is the perfect place to close off your summer and create lasting dancefloor memories. While music is the foundation of SISO, the festival will offer much more than just that, with Dhërmi itself playing a key role.

As you may know, Albania is THE upcoming party destination and place to find the best electronic music events. With major festivals such as ION, Anjunadeep and Kala all taking place here during the summer months every year, it is really becoming electronic music’s favorite hotspot for festival revelry, and quickly too.

As a holiday destination, Albania remains relatively unexplored meaning that its beaches are some of the most beautiful in Europe. With crisp white sand and clear blue waters, it’s the ultimate place to unwind after an extended session of dancing and socialising. 

Add to this the secluded canyons of Dhermi, picturesque beachside stages, secret villa parties, wellness facilities, as well as fabulous food and drink, there is something for everyone at SISO.

Unlike its sister festival ION, SISO sits under the realm of a boutique festival, with just 3,000 attendees. Perfectly set-up to bring immaculate and intimate vibes, LWE have curated a space for you to let your inhibitions run wild and delve deep into a collective, festival experience like no other. 

A place to meet like-minded party people in a location that you only thought possible in your dreams, SISO will run its epic program through the day and night to experience it in full effect. 

LINE-UP

With the music just as important as the people and atmosphere, LWE have delivered a music policy reflective of today’s varied tastes, having teamed up with some of the most influential artists and labels in the scene right now.

Each stage will be held by a different dance music brand, each bringing something unique to the table with the roster so far including the likes of Enzo Sirugusa’s profound minimal Fuse imprint, Scotland’s signature underground party Fly, Amnesia Ibiza’s very own Pyramid, Denis Sulta's self-named Sulta Selects series, Patrick Toppings sought-after Trick brand, sell-out UK tech-house fiesta Appetite, techno’s dominating Drumcode, the sound of garage’s Ec2a, as well as Foundation FM.

With sounds that weave between the genres of house and techno to disco and soul, and even UKG and bass, LWE have stated ‘as long it's groovy, fun and fresh, it'll be showcased’, and as a brand that pride themselves on their specially curated heavyweight headliners, it is clear that developing rising talent at any event proves just as important.

SISO is a place where its party-goers can explore new musical avenues, taking in extended and intimate sets from some of the world’s best and upcoming DJ talents in one final summer celebration. 

The headliners for the new-wave fest include Chris Stussy, Ben Hemsley, Denis Sulta, Patrick Topping, Rossi, Enzo Siragusa, Interplanetary Criminal, Kilimanjaro, Kitty Amor, Sef Combo, Sweely and many more still to be announced. 

As one of the last events of the summer, it’s set to be an unmissable date in the diary, perfect for fun–loving party goers looking for a final piece of summer excitement. You won’t find a more exclusive party this summer.

We cannot wait for LWE’s first edition of SISO here at Gray Area. With a solid reputation for producing large-scale shows from the ground up and transforming unused spaces into safe and sustainable party meccas, LWE have not only got our approval as the best party starters in the business but by artists, venues and party-goers too.

Register for access to tickets here.





Songs like Timberlake’s “Cry Me A River,” and “Not Gon’ Cry” by Mary J Blige would have us believe that the only people who can make us weep are our respective love interests. However, that’s not entirely true - sometimes, those who make us shed absolute waterfalls are actually our heroes. And it’s not always a bad thing.




This is certainly what happened for Scottish DJ and producer Ewan McVicar. In an interview with MistaJam for Capital Dance, Ewan revealed that his hero and mentor, Patrick Topping, has, in fact, made him cry on multiple occasions.




The first time was over Whatsapp when a message from Patrick acted as the signal to Ewan that he could finally stop feeling like he was in limbo and could pursue his music career full-time - understandably, he was “in flood of tears.”

The second time was when the pair finally met in person. Ewan was driving down to Creamfields Festival in 2019, only expecting to camp with his mates. However, Patrick had other ideas. After receiving loads of tracks, Ewan had sent him he had played ‘Street Rave’ (Ewan’s first release) out in clubs like DC10 in Ibiza and had seemingly fallen in love with the track.




Patrick played it cool when Ewan asked if it would make it into his Creamfields set. “He told me he wasn’t sure it would go well with the rest of what he had planned,” says Ewan. However, the track actually opened his set. “I went mad for it on stage - but as soon as I came off, I just burst into tears,” says Ewan. “I’m just an emotional guy, and you can definitely see that in videos!”




After the show, Ewan was hanging out backstage, and someone came up to him and asked if he was ok. “I was like, ‘what are you talking about,’ and he told me that I looked so upset he thought someone had died,” laughs Ewan. “I was like: ‘no, he (pointing at Patrick) just played my tune - I’m emotional!’”




For Ewan, this moment was the realization of eight years of hard graft. “That was when dreams turned into reality. Everything I had worked so hard for just paid off in that moment.” And it was all down to Patrick.




Before they both recently took to the stage in Cardiff, Ewan told his mentor: “I’m never, ever, ever going to let you forget what you’ve done for me.”




I’m not crying - you are.






























Ewan McVicar on the Impact of his Hero Patrick Topping

While many came into contact with classic 80’s soul and funk records via the record player in the living room, Ewan McVicar’s introduction to “Tell Me Something Good”—the rework that brought him international acclaim—came in a more post-modern way. It’s a story of how the producer revived an already legendary song for the dancefloor. Something that’s not always asked for, but in this case, resulted in a brilliant reinterpretation that elevates its source material, bringing the spirit of a late 80’s disco tech to the rave.




First released by legend Chaka Khan, Yvette Marie Stevens, and her funk band Rufus in 1987 - the song peaked at #3 on the Billboard Hot 100 and featured on the iconic TV show Soul Train. Despite its rampant success, the song’s original version almost ended up on the cutting room floor. Stevie Wonder, the writer, only released it to Stevens after she refused his first track and then learned her star sign. Her Aries status apparently made it perfectly suited to her.

It cropped up again in the form of more of a romantic ballad via Robbie Nevill in the early 90s. However, it wouldn’t go on to completely captivate a whole new generation of fans until it appeared in the most unlikely of places: as the opening music to animated comedy-musical Happy Feet.




This is where Scottish DJ and producer Ewan McVicar heard it for the first time. “I was just watching the film and suddenly heard it. I was like ‘what is that?’ So just like everybody else went on YouTube and Googled the acapella version,” Ewan told Mistajam during an interview for Capital Dance.




He then sat on the sample for a while, using it in a few tracks that were, in his words, “terrible.” Ewan came back to it after the release of his EP Street Rave. “I was so energized, the whole thing came together in only 45 minutes,” he says. “It’s so powerful anyway I couldn’t put too much in too soon.”




Assuming that, due to copyright, he would never get the song cleared, Ewan filed it away to only use during his live sets. However, once mentor Patrick Topping put it out on social media, it became clear this track needed a release.

The bass kicks and groove synths that Ewan has added make for an incredible number - with the proof being in the track’s popularity. “When it hit a million plays it had done everything that I wanted it to do - but it just kept going,” says Ewan. Its trajectory has even carried it out of the UK, with fans sending videos of the song on radio plays from locations as far-flung as Mexico, Australia, and Chicago. “I keep having to take a step back and ask myself ‘What is going on?’” laughs the DJ.




The song, released on Trick Records and Licensed to the Ministry of Sound, reached #15 on the UK singles chart in late 2021. “When I play it people go daft,” says Ewan, recalling a recent gig in Edinburgh where his sound was cut off to signal the end of his set. “The crowd just started singing ‘Tell Me Something Good’ on their own. I looked at my mate who’s been there since day one, and I’m just like: ‘that’s my tune, they’re singing!’”




It’s clear from public reaction that Wonder and Chaka Khan’s original still has magic to give.

Reimagining a Classic: Ewan McVicar's Rework of Chaka Khan's 'Tell Me Something Good'

Ben Hemsley is somehow both nostalgic and inventive. His alluring melodies and dance floor scorchers are lighting up clubs all across Europe, thanks partially to his growing roster of A-list fans. Calvin Harris, Eli Brown, Michael Bibi, and Danny Howard have all vouched for Hemsley’s talent, and for undeniable reasons. The Newcastle-born rising dance hero is now taking his blend of trance, house, and techno to worldwide stages and standing out from the masses while he does it.




After launching his record label in 2022, Ben Hemsley is more set on pushing boundaries than ever before. His tracks often find him diving deep into the music that inspires him—classic trance, hopping disco, and more—but with an inspired twist. Hemsley finds a way to reinvent timeless themes for modern music lovers. There’s plenty more to love, but here are five of our favorite Ben Hemsley tracks.




1. "Caress Me"

After he spent hours in the studio fine-tuning his perfect sound, Ben Hemsley was ready to make his debut. His burgeoning skills caught the attention of Lee Foss, label boss of one of the most popular imprints in dance music, Repopulate Mars. Foss signed Hemsley’s debut track, “Caress Me,” which would become an instant hit. The infectious, summery house track was quickly circulating in clubs all across Europe and North America, making it into the setlists of Green Velvet, Michael Bibi, and more. After Danny Howard from BBC Radio 1 heard the track, he called Ben personally to request a live on-air interview. Not bad for a first single.




2. "Through 2 You"

In early 2021, Hemsley unveiled his most considerable release to date with “Through 2 You.” This track is pure sass. With an unrelenting beat and soulful vocals built to power any dance floor. It was a smashing success. The powerhouse record became BBC Introducing’s Track of the Week and remained a favorite track of Radio 1 for some time. “Through 2 You” was also Hemsley’s debut record with dance music titan Ministry of Sound Recordings.




3. "Por La Mañana"

In April 2022, Hemsley launched his label bebé Records. He shared in a press statement that he sought “to revitalize the rave and trance sound that I love so much, bringing it into the 21st century.” To christen his new imprint, Hemsley released the aptly titled EP 1. “Por La Mañana” is the sensual XXXrd track from that EP. It’s a haunting trance banger set in a minor key, right in the sweet spot of 133 BPM. Fellow trance lover and Anjunabeats resident Amy Wiles loved the track so much that she added it to her DJ Mix album. Hemsley also admitted on Instagram that this track was his favorite off the EP.




4. "Erase Me"

“Erase Me” is a sunset-ready, Balearic dream. With sun-soaked melodies and an anthemic hook, this song reflects those magic moments on the dance floor. With its adamant nod to pre-2000s trance, this track landed on Armada Music, the imprint run by trance music king Armin van Buuren. When speaking about the release, Hemsley said, “It’s always very important for me to make a track that feels authentic, like it can stand the test of time. And with ‘Erase Me’, I think I’ve done just that.”




5. "I Feel Love"

This track is great because it gives fans a peek into Hemsley’s talent for driving techno. In this edit, he reworks the classic Donna Summer and Giorgio Moroder anthem and gives it hard-hitting techno backing. The song’s iconic vocals float angelically over explosive bass and acid-laced flourishes. It’s a short track; you only have about three minutes before it ends. But in that time, it gains the traction needed to destroy any dance floor. It perfectly confirms Hemsley’s varied talents in the production booth.
















































5 Ben Hemsley Tracks You Should Know

The tail end of 2022 in the UK was punctuated by the crowd-jumping, fist-pumping smash hit that was “Moving All Around (Jumpin’)” by British talent, Schack. Clubs everywhere heaved with the high-speed bounce of Schack’s breakout tune, and DJs took notice. The debut single also landed #1 on the SoundCloud Chart, Spotify Viral Top 50, and at the time of writing, has 10M streams, while the official video amassed over 40K views in a few days—talk about batting one thousand.






Fellow Brit, Skream, has already remixed the exuberant tune. The garage leaning rework put a shimmering new coat on the track, but leave it to John Summit to flip it into something steamy, spicy, and ready for the dance floor.


It would be damn near impossible to name an artist taking over as readily as John Summit. Festivals clamor to add him to their lineups, artists lineup for his remixes, and labels drool to release his music. 2022 was another red-hot year for Summit, highlighted by tracks like “La Danza” on D4 D4NCE reaching more than 29M streams and the launch of his label and event brand, Off The Grid.


This “Jumpin’” (more like stompin’) new remix signals the start of Summit’s 2023 releases. He had this to say about this latest release:
“The UK hit by Schak has been stuck in my head for months and when Patrick Topping asked me to remix it I knew I had to give it my own spin.”


Same, John. Same. While the OG “Moving All Around (Jumpin’)” is still very much ringing in our heads (not complaining), it is now accompanied by not one, but two ridiculous reworks that breathe two invigoratingly unique new identities into an already instant classic. Start your weekend off right by grabbing your dancing shoes, securing your spot on the floor, and pressing play on John Summit’s sizzling new flip of Schak’s “Moving All Around (Jumpin’).”

John Summit Flips Schak’s 'Moving All Around (Jumpin’)' Into a Steamy Tech House Sizzler

EDC Orlando 2022 has officially come and gone. This year over 200,000 festival-goers reunited “Under the Electric Sky” for Insomniac’s flagship East Coast event. The threat of Hurricane Nicole, which passed through the Orlando area the day before the festival, left many with flight cancellations. However, the festival grounds remained unscathed, and those who could arrange other travel plans experienced an unforgettable weekend.






Each EDC Orlando stage encompassed a unique vibe and genre. With more than five to choose from, there was a little something for every dance music fanatic. But for the house heads and techno tourists, all feet were glued to the dancefloor at the neonGARDEN with acts like Charlotte de Witte and CamelPhat throwing down.




On Friday, in-house underground house and techno brand, Factory 93 partnered with Patrick Topping to bring his legendary Trick brand to the United States for the first time. And on Saturday Green Velvet presented his La La Land party brand and stage takeover where attendees were lucky enough to witness a rare triple b2b as Green Velvet, Dom Dolla, and John Summit closed out the stage.

As we predicted, Insomniac repurposed the neonGARDEN stage from this year’s EDC Las Vegas. Out with the old hangar-style tent and in with the new open-air warehouse setting. Shipping containers splattered with graffiti surrounded the stage in a one-of-a-kind 360-degree fashion, offering an exclusive urban jungle experience.









The success of neonGARDEN wouldn’t have been possible without the help of stage-curators Factory 93. In fact, it was one of their most memorable stages yet. Each year they explore the depths of creativity and innovation while preserving the authenticity of the underground. Since they began curating the neonGARDEN stage in 2018, their love and appreciation for house music has ignited a country-wide movement and mass admiration for its distinctive culture. Outside of EDC Orlando, they have hosted stages at other Insomniac festivals like EDC Mexico and one-off events at their warehouse in Los Angeles.



Factory 93 has risen to be one of the reigning brands for all things house music. Last year, Insomniac announced another addition to their evolving catalog of record labels, Factory 93 Records. Honing in on the worldly sounds of underground house, techno, tech house, and even disco, listeners can discover established and rising artists from across the globe. Factory 93 Records is the next big step in achieving its goal to grow its platform and the culture within it. Insomniac founder, Pasquale Rotella, released the following statement in a press release:




“Factory 93 represents the beginning of Insomniac. Underground dance music will always be the roots of everything we do. Factory 93 is a very passionate part of the Insomniac portfolio worldwide, which makes this new record label even more exciting for us. With the addition of Factory 93 Records, our team will be able to carry over its vision from the live events side into a carefully curated catalog we can’t wait for you to hear.”




Factory 93’s involvement with Insomniac doesn’t stop there. Last May, they teamed up to premiere a brand new two-day festival dedicated to underground house music called Skyline. Taking place at Lot 54 at The Vanguard, festival-goers experienced a mesmerizing display of digital & street art exhibits, graffiti murals, and of course, non-stop heart-pumping house and techno beats.

Inspired by EDC’s neonGARDEN concept for its second edition this year, Skyline did not feature a single LED wall. Instead, they enclosed the main stage with their graffiti-laden shipping containers. By focusing on the basics and providing an intimate environment for attendees, they cultivated the ultimate underground experience. Skyline even expanded to the West Coast in Los Angeles, so no matter where you’re from, Insomniac and Factory 93 have got you covered.




Since Factory 93 was founded, they have shown no signs of slowing down. As our underground community continues to grow increasingly popular across the country, we are excited to see what the future holds for Factory 93’s impact on the neonGARDEN stage and the festival community.



Factory 93 Continues to Bring House & Techno Heat to EDC Orlando

The experience of dancing for the last time inside the super clubs of Ibiza is a singular experience. The last week of September and the beginning of October brings the final call for many of the most popular residencies at Ibiza's top venues. And while there are many closing parties to choose from, we're bringing you the ones you can't miss out on.




Sven Väth presents Catharsis | Club Chinois | Tuesday, September 27

The founder of Cocoon, Sven Väth, will take the stage at the brand-new Club Chinois for one exclusive night this Tuesday. The German artist has heavily influenced Ibiza's dance circuit over the years. This season he has brought unique musical experiences through Catharsis (the name of his thirteen-track album) to the most essential venues playing every party as if it were his last. This will be the final chance to connect with the Ibiza legend this season, don't sleep. Buy tickets to enjoy the last Catharsis show by Sven Väth in Ibiza at Club Chinois.




Follow Sven Väth on Twitter | Instagram | Soundcloud







The Martinez Brothers Closing Party | Hï Ibiza | Tuesday, September 27

The superstar brothers from the Bronx, Chris, and Steve Martinez, conclude their first-ever residency in Ibiza this week. The Martinez Brothers have led one of the hottest nights on the island this summer with their trademark sound that expertly blends techno and house with a distinct New York edge. Next door in the Club Room, Paco Osuna has offered exquisite and forceful techno sounds. Paco and the Martinez Brothers were accompanied by a carefully curated selection of talented DJs, making Tuesdays at Hï Ibiza a must-visit for all dance lovers. For Kerri Chandler, Guti, and Renato Ratier, join them for the final outing alongside a special guest to create a memorable grand finale.

Get tickets for The Martinez Brothers' closing party at Hï Ibiza.




Follow The Martinez Brothers on Twitter | Instagram | SoundCloud







FISHER Closing Party | Hï Ibiza | Wednesday, September 28

From the start of the season, it was obvious FISHER's headlining slot at

the #1 club in the world (as voted by DJMag) was going to be one of the greatest debuts in Ibiza this summer. The Aussie DJ and producer knows how to throw a party, and we have all danced to some of his tracks like "Losing it" or his latest "It's A Killa" (with Shermanology). FISHER will play all night long in the Theatre Room at Hï to conclude the season, while Vintage Culture drops an extended set next door in the Club Room.

Enjoy FISHER's last show at Hï this season




Follow FISHER on Twitter | Instagram | SoundCloud







Afterlife Day & Night | Hï & Ushuaïa Ibiza | Thursday, September 29

Italian music duo Tale Of Us present a final glorious show across Ushuaïa and Hï Ibiza this Thursday, kicking things off in the open-air at Ushuaïa at 5 pm. The melodic techno pair play two headline sets in both venues (offering a b2b with Maceo Plex outdoors before midnight) and will be joined by Stephan Bodzin (live), Dixon, Mind Against, Sven Väth, Ben Klock B2B Marcel Dettmann, and many more. Purchase combined or separate tickets for Afterlife Grand Finale.




Follow Afterlife on Twitter | Instagram | SoundCloud







Solid Grooves Closing Party | DC10 | Thursday, September 29

Solid Grooves, the much-loved party and label with a distinctive deep tech soundtrack wraps up its first DC10 season this Thursday. Founder Michael Bibi joins label mates Dennis Cruz, PAWSA, Ben Sterling, and ANOTR and secret guests. The iconic underground venue DC10 has proven to be the perfect match for the groovers crew, so head over to the Salinas club and enjoy the last Solid Grooves of the year! Purchase your ticket for Solid Grooves Motel Closing party




Follow Solid Grooves on Twitter | Instagram | SoundCloud







Defected Closing Party | Eden | Friday, September 30

House music giant Defected is ready to close a fantastic season at San Antonio hotspot Eden. Defected has been at the forefront of the clubbing scene for more than 20 years and culminates its longest-ever season on the last day of September with Simon Dunmore, Mambo Brothers, Low Steppa, and many more. Head over to Defected closing party if you are looking for classic house music and uplifting vibes before the party season finally ends! Purchase your ticket for the Defected closing party at Eden.




Follow Defected on Twitter | Instagram | SoundCloud




elrow Closing Party | Amnesia | Saturday, October 1

elrow presents a new theme to close the busiest night at Amnesia properly. For the first time, elrow will present its most artistic and avant-garde theme: DELUSIONVILLE, a concept curated by the American contemporary artist Ron English. Metamorphic landscapes and anthropoid animals come to life exclusively at elrow's closing party. Amnesia and elrow have chosen one of the greatest representatives of clubbing culture to headline the show on the terrace, Fatboy Slim, alongside Eats Everything and elrow resident DJs Bastian Bux and Tini Glesser. The Main Room, renamed elrow City, will be occupied exclusively by Kölsch all night long. Dare to join the last elrow event of the summer in Ibiza and discover their new world! Buy your tickets for the elrow closing party and discover its newest theme.




Follow elrow on Twitter | Instagram | SoundCloud




Storytellers Pangea Closing Party | Cova Santa | Sunday, October 2

A day trip by Storytellers (the team behind WooMooN) finalizes the season with Pangea. The closing is the last opportunity to take an active role in the fairytale world they've created while dancing to an extended set by Red Axes and Audiofly b2b Deer Jade. The event begins outdoors at 6 pm at Cova Santa and follows indoors from midnight till sunrise. Get tickets to enjoy Pangea by Storytellers at Cova Santa.




Follow Storytellers on Instagram | SoundCloud















Ibiza Selects (September 26 – October 2)

Franky Wah’s career has allowed him to flex his versatility through not only his solo music but also collaborations with some of the biggest names in dance music. We would argue that some of the former footballer and bodybuilder’s most interesting releases are his official remixes, however.




They often follow similar themes: lush atmospheres and extended breakdowns that differentiate them from Franky’s typical, dancefloor-friendly fare. He doesn’t shy away from incorporating broken beat rhythms into a lot of his music, but they feature especially heavily in these remixes.




Franky’s versions of the following tracks highlight an unexpected facet of his music output. Read on to hear what we mean and experience this side of the British DJ and producer for yourself.




1. Duke Dumont - Therapy (Franky Wah Remix)

The original “Therapy” by Duke Dumont features drum samples and diva vocals reminiscent of early rave. Franky ignited a modern warmth around these elements in his take on the track, which leans heavily on cinematic bass lines and heavenly chords on the high end.




2. MJ Cole and Freya Ridings - Waking Up (Franky Wah Remix)

UK garage pioneer MJ Cole teamed up with vocalist Freya Ridings to deliver the melancholic “Waking Up” in February 2019. The following year, Franky delivered a version of his own. Appearing on his album The Revival, Vol. 1, it features progressive house synths and a change-up in beat structure that makes it a massive DJ tool.




3. Moby - In This World (Franky Wah Remix)

Also appearing on The Revival, Vol. 1, was Franky’s remix of “In This World” by Moby. The original — which appeared on Moby’s 2002 album 18 — paired a spine-tingling vocal with simple piano chords and a slow-burning rhythm. Frankie kept much of the concept intact, albeit with a higher tempo and updated production value.




4. Gorgon City - Oxygen ft. Aura James (Franky Wah Remix)

Danceable yet somewhat dark and introspective, “Oxygen” featuring Aura James is a standout of Gorgon City’s discography. Franky brought the intensity down in his remix while doubling down on the original’s suspense.




5. SHOUSE - Love Tonight (Franky Wah Remix)

Not long after SHOUSE delivered “Love Tonight,” it became a 2021 summer dance anthem. Franky reimagined the instant classic with effervescent synth work complementing its unforgettable vocal, leaving enough room for its instrumental samples to shine during the breakdown.



5 Remixes that Show a Different Side of Franky Wah

United Kingdom

Versus 

Versus, aka Dave and Scott, have forged a unique path over the years to pursue their dreams. Specializing in all things house and techno, their Rinse FM radio show has allowed them to connect with the greater dance music community and break new artists. At the same time, they've kept up a release schedule that's earned them the praises of Marco Carola, Jamie Jones, Carl Cox, and Skream. Their growing catalog of upfront bangers have landed them sought-after releases on venerated labels like Armada, DFTD, Gorgon City's Realm, Solardo's Sola, and Ultra. The latter being a rave-tech remix of Kathy Brown's iconic "Turn Me Out."




They came up in the UK, hustling and doing anything they could to get a foot in the door of the world of electronic music. After meeting at a local radio station, the two developed a friendship and moved through the industry on parallel paths.




Over the years, they each secured residencies at local clubs, and as they began to network and discovered more genres of electronic music, their paths diverged. The two friends eventually decided to team up and produce music. Their unmatched creativity has led them to boundless sound that eschews genre boundaries. Drum n' Bass, hard house, and UK garage are just a small sampling of some genres that influence their music.




When they brought their combined knowledge together, it accelerated the growth of their project exponentially, and as Versus, they've established a growing footprint on the live stage. Their infectious stage presence has put them on stage for some of dance music's most reputable brands, including elrow, The Warehouse Project, Sankeys, and Ministry of Sound.




You guys had a chance introduction at a local radio station in South Manchester. Can you tell us this story and how you knew immediately that the two of you wanted to work together?




Dave: We both managed to get shows on Wythenshawe FM, a community-based radio station in the center of the biggest council estate in Europe. God knows how we even got on there! I did the 9-11 pm show playing UK garage, and Scott did the 11-1 am show playing club land and hard house. We knew each other back then from having some mutual friends. We didn't know we would work together as we were both on our musical journeys.




For each of you, what's the background on your discovery of electronic music? The UK, of course, has a vibrant scene, but how did you both find this passion?




Scott: I grew up listening to D&B. I would always buy tape packs listening to Mampi Swift, Ray Keith, Kenny Kenn, Randall, and Brian Gee. I started going to the Hysteria raves, following these DJs up and down the country. I liked the harder sound. It led me down the path to discovering speed garage going to raves in Sheffield, and then into the dance world and club land, hard house in Wigan Pier. So yeah, I've been about electric music alright!




Dave: I was a resident DJ at a few bars in Manchester, playing Thursday, Friday, and Saturday nights. I played R&B, hip hop, and bar music (not house).




After my set finished one Saturday night, a friend and my cousin said to me, "Wanna come to Sankeys with us?" I didn't even know what Sankeys was. I remember getting out of the taxi and seeing a HUGE queue down the road. Bare in mind I was DJing in small bars on Deansgate Locks, so I didn't see queues like this. I remember the rumble of the bass shaking the building outside. We walked in during Solomun's set (at the time, I didn't have a clue who he was. Oops!). The whole place was electric, with whistles, cheers, smoke machines, strobe lights, and that famous sweat drip from the ceiling in the basement. Everybody was absolutely having it. I was hooked, and every Saturday after my set in the small bars, I would go there partying all night, learning about this new music I'd discovered, listening to DJs mixes, and getting my ear around this new electronic sound.









Scott, you ran a record shop which Dave joined you at after your connection. What was that time in your lives like? Was this the beginning of your DJ career, or was it simply a phase of pure musical discovery?




Scott: It was definitely a phase of musical discovery. I'd been DJing and producing for a few years when we opened the record shop. We used the money from the first vinyl record we put out to open the shop. I look back at that time of my life as a big learning curve. I learned a hell of a lot about what to do in the music industry. And a whole lot of what not to do. It was fun, and it was great to get all the latest vinyl first. Plus, I also got to see what tracks other DJs would buy and become huge hits which I suppose influenced me in so much as learning what elements make a banger.




Your influences range from artists like Chris Lake to Boris Brejcha, and your music reflects it. Certain tracks are acid based. Some are piano-heavy. Some are pure uplifting. Although this question may seem generic, I have to ask you guys how you would define your sound?




Scott: We're influenced by a lot of artists. Who doesn't love Chris Lake and Boris Brejcha? They're dons, but both have different styles and sounds. You really can hear both our musical journeys in the tracks we make. You will hear elements from D&B to speed garage to hard house to UK garage. We like to bring elements from the past into the future. We love big dirty synths. The kind that Bad Company would make a few years ago in their D&B productions, we like to mix it up.




Coming up in the UK, did you feel it was hard to break through because of how much competition there is, or is there simply enough going on in the nightlife scene that there's space for everyone to get gigs?




Dave: it's not hard to break through if you go out networking and put yourself out there meeting the right people at the labels. There are endless interviews with label managers on YouTube from ADE, IMS, and Ultra Music. Watch them, see who the person is managing the label, and search their name on Facebook, Instagram, and Twitter. Add them, message them, and chat with them. They won't come knocking on your front door if they don't know where you live! There's enough space for everybody.




How do you feel the nightlife/electronic music scene has changed in the UK throughout your lifetime? Are there any cities or clubs that you think fly under the radar?




Scott: I feel the smaller clubs go under the radar. We've had some incredible nights playing at smaller clubs around the UK. Sadly some have closed now. Everybody wants to attend the big supers, the Printworks and Tobacco Docks.




2019 felt like a breakout year for the project. With releases on Sola, Solotoko, Armada, and Realm, you guys were starting to get some recognition. What does this feel like as artists who have been working for years to get heard? Do you have any advice for upcoming DJs?




Dave: Thanks! To get any recognition is the best feeling in the world. You spend hours and weeks working on a track, questioning if it will be any good, will people like it? Then when people play it, it gets signed, release day… it's the best feeling ever!! Advice? Don't watch others. Focus on your musical journey. Don't be too precious with your music. Learn to deal with no's from record labels and the big one network, network, and network!












Do you have any software plug-ins or pieces of hardware you like to use regularly in the studio?




Scott: Our Ableton Push has been a game-changer in the studio. If you haven't got one, we highly recommend checking it out. It will increase your workflow by ten. Moog Minitaur, Serum, Diva, Fab Filter, and UAD are pretty much what we use.








Arielle Free

Arielle Free runs on pure joy. As a touring DJ, she’s played colossal venues from Glastonbury to Creamfields to London’s Printworks.



She's also a label owner and in the midst of adding producer credits to her work of pushing dance music to the masses.

As one of the leading radio presenters in the UK, Free currently lives out her dreams on BBC Radio 1. She’s up before dawn playing dance anthems for night owls, then smoothly transitions into getting the day started for other listeners. Free’s 4-7 am show is dedicated to “people who've worked through the night and need that last bit of energy,” she says.

Free’s key show segment is the Big Whopper, a term she coined for massive hits, tunes that have an inescapable impact. When a new track lands in Free’s inbox, she knows it’s a Big Whopper when “I know the words straightaway. The beat is all killer, no filler,” she explains. “Whether it's a massive big kick drum beat or a huge big vocal, it’s something that puts a smile on your face.” 

“It's really nice for me to see when I go to do a show and people come up and be like, ‘I love listening to you in the morning!’ ” Free beams. “The beauty of being able to win an audience you don’t know yet is the best thing.”

Free’s story begins in Stirling, Scotland, northeast of Glasgow. There, she became streetwise, figured out how to take care of herself, and most importantly, learned the gift of gab. She practiced ballet throughout childhood and loved having the discipline. “My journey as a ballet dancer led into me being a broadcaster because it was always about the music.” 

Free discovered electronic music during the nu-rave phase in the UK – reminiscent of neon tops, legwarmers, and the sounds of Boyz Noize and the Klaxons. This led her to Hyde Park in 2007, where she witnessed Daft Punk live, and electro house took over her life. Until then, “I was a band girl through and through,” Free says, remembering years of listening to rock and R&B. 

“I always wanted to be involved and immersed in music. That energy I would have brought to being a rockstar, I just put behind the decks now.” Free is relentless in her efforts to make crowds move. “I’m here to put on a great show and make you have THE MOST fun,” she says. 

Today, her love endures for superstar stage productions. Free once changed a festival slot to be as early as possible to make it in time to a Spice Girls show. 

Free’s interest in presenting sparked when she listened to BBC Radio 1 and dreamt of being like her idol, Zane Lowe. Free’s hustle began in 2011, making content for music-based YouTube channels, eventually joining community radio stations, and building her own audience. 

Broadcaster Annie Mac was also an inspiration as she introduced countless new acts to Free’s ears. To her, it was incredible to see Mac be one of the few females to be billed, let alone headline festivals a decade ago. Now Free’s lucky to call Mac someone she can pick up the phone and call. Grateful for those who paved the way, Free plans to remain outspoken and keep paying it forward.  “Girls can do it just as good as boys.”  

Free got her start as a DJ for Ministry of Sound. After years in this role, Free recounts endless stories ranging from epic wins, funny moments, to completely disastrous gigs. Despite self-doubt, she’s acquiring confidence and authority in her own voice. 

“I’m in a certain position of privilege in that I have a platform. DJs rely on me to play their music and big promoters rely on me talking about their festivals on the radio. But also a lot of people won’t book me because I will call them out,” if they’re not putting effort into uplifting diverse talent, she says. “And then I thought, rather than pointing out the ones that aren’t getting the females on the bill, let’s shout out the ones that are.” 

Free rejoices in each opportunity to flex her many skills. “I love a good dance behind the decks,” she laughs. “Every stage manager hates me because I’m the DJ who jumps on the decks to have a dance.” 

Recently, Free poured her heart into her first ever original release. “Soul Full” with Mortimer and Joe Killington is dropping via Defected’s D4Dance label. “It’s me in a track,” she says, teasing gorgeous vocals with a house and disco edge.

Free’s goal is to use her platform to support other producers and DJs. Her ambitions continue to grow through her label and event series, Free Your Mind. Ultimately, Free wants to build “a home for uplifting house music.” 



Interview by RYDEN




2021 was yet another tumultuous year. A year that constantly highlighted the fragility of the everyday. As lock-downs eased, a late-stage festival season emerged like nothing we've seen before. And as new variants surged, our plans with family and friends were once again thrown into the blender. We learned to understand that the only constant is change. 

We experienced euphoric dance floor reunions and the hope of a reunited house and techno community. The clubs, festivals, and playlists exploded new talent, the dancefloor bustled with new fans, and veterans observed a rediscovered spirit that reflects the storied days of the 90s.


And as artists shared their quarantine anthems, we learned that dance music could be many things. It's always fun, always danceable, but it can also be deeply personal, emotionally transcendent, and a revelation and reflection of our deepest desires. 


It was an unprecedented year of growth for house and techno worldwide. And the Gray Area team took the time to dig through the crates and pull out the songs that exemplified the year best. So here are our best house and techno tracks of 2021.

WEISS, Sharlene Hector - Lift Me Up

Now that house music has wriggled its way into the mainstream, we’ve seen a surplus of house bangers filling up the charts. An old-school house-styled cut like "Lift Me Up" stands out among the rest not only for its nostalgic sounds and production but because  Sharlene’s fervent vocals captivate and inspire. Her resounding, soulful vocals combined with Weiss’ masterful house production form one of this year’s most compelling piano house tracks—one that could easily be heard in a set by Marshall Jefferson or Paul Johnson back in the day. -Melissa Yuriar

KREAM, Dan Caplen - Roads (feat. Dan Caplen)[VIP Remix]

Norwegian electronic dance music duo KREAM has a penchant for producing deep house cuts with emphatically heartfelt lyrics. "Roads," released earlier this year, is a saccharine dance track driven by poignant vocals from classically trained musician Dan Caplen. He cites Bill Withers and John Legend as vocal inspirations. Though Caplen’s heart-rending vocals remain at the forefront of the reworked deep-house tune, they appear to have a more pronounced sultry finish. The VIP remix is a bouncy, enthralling remix of the original that feels timeless.  -Melissa Yuriar


Gorgon City, DRAMA - You've Done Enough

Gorgon City’s distinct bass-driven house music is immediately recognizable, having amassed over 1.5 billion streams to date on all their records combined. Their latest album Olympia, released in June, features incredible collaborations with Sofi Tukker, Hayley May, and Jem Cooke. The self-deprecating love ballad “You’ve Done Enough,” features vocals from Rosa of the Chicago-based duo DRAMA. Powered by an infectious, oscillating bassline and sweetly sung lyrics that form a compelling story many resonate with. 

“It’s been said that if you become the best version of yourself that it’s easier to find someone to love you for who you truly are, as opposed to someone who loves you for who they think you are or will become,” said Rosa about the song’s meaning to Genius. “Know that you deserve nice things, like people loving you.”  -Melisa Yuriar

Shaolin Cowboy, manon - Réveiller (feat. manon)

Rising London producer Shaolin Cowboy is one to watch. Last year he released several singles on Bandcamp and his acclaimed debut EP, Catch Feels Get High. While his production features plenty of lofi-grooves, textures, and breaks, he’s demonstrated his fearlessness in experimenting with various tempos and elements from multiple genres. His latest EP, 21 Hours, amalgamates several elements plucked from sound system genres–UK garage, breakbeat, acid, and house–and contains the stunning breakout single, "Réveiller." The tune is an upbeat lofi-house club track that features alluring vocals by upcoming French songstress, manon. Shaolin Cowboy’s production on the tune is one of the most interesting we’ve heard this year. Don’t sleep on this unbelievably underrated house tune.  -Melisa Yuriar

Sofia Kourtesis - Nicolas

Peruvian tastemaker-producer Sofia Kourtesis' brand of house music is distinct. Much of it centers around distorted or looped vocals and splintered film samples that she expertly weaves into emotive and buoyant beats. "Nicolas," off her latest EP, Fresia Magdalena delivers house-realness with its driving bassline, lofi textures, and shimmery fills—the enchanting song is a potent cut with infectious energy. Sofia’s adeptness in sound design and mixing is nothing short of sensational. - Melisa Yuriar








Dom Dolla, Mansionair - Strangers

Australian house producer Dom Dolla collaborated with electronic-indie artists Mansionair on one of the most stirring house tracks of the year. Mansionair’s Jack Froggatt lent his impassioned vocals while Dom showed off his production prowess with driving basslines and atmospheric melodies that ebb and flow throughout. 

The song’s narrative deals with themes of longing and impulsivity with sweeping strings and a heart-rending delivery from Froggatt. Catch this and many more house hitters from Dom this year as he tours across the United States and the United Kingdom, Netherlands, New Zealand, and Australia next year. Mansionair recently announced the forthcoming release of their sophomore album; they'll be touring the US early next year.   -Melisa Yuriar


TSHA - Power

Awarded BBC Radio 1’s “Future Artist” title, UK-producer TSHA is having an incredible year. Her latest EP OnlyL, which contains the stand-out single “Power,” received broad support from Annie Mac, Zane Lowe, Bonobo, and publications like Fader, Resident Advisor, Mixmag, XLR8R, This Song is Sick, and Dancing Astronaut. 

"Power," released on Ninja Tune, is one of her best releases this year. The song features oscillating instrumentals, uplifting vocal samples, and a delicate piano loop that exudes warm, jubilant energy. Her hip-shaking club bangers and production style are inimitable. We can't wait to hear what this rising talent has in store for us next year.  -Melisa Yuriar










J Worra feat. Little Boots - Wasteland 

This tune is a straight banger with signature bass heavy-hitting beats by J. Worra. The vocals by Little Boots add the right element to the track to make this tune straight up sassy and sexy.  -Alicia Baron

Alinka- Glimmer 

This full-throttle-house track has no shortage of texture and soundscapes that keep you energized. With a fun nod to 90's Eurodance in the hook. The pumping bass mixed with euphoric glimmering synth packs so much multidimensional punch.  -Alicia Baron

Nala- Psychic Attack

This track has taken dancefloors by storm. An ecstatic blend of indie electro and house, wonky beats, and a fat groovy bassline. Nala's voice adds an element of ethereal with her signature lyrics as she dives into the topic of mass media manipulation of the mind.   -Alicia Baron







Disclosure- Observer Effect 

Disclosure mixes their signature house shuffle adds heavier synths than we're used to from the boys. It's gritty analog sounds are fundamentaly face-melting.  -Alicia Baron

Joshwa, Lee Foss - My Humps

"My Humps" combines a blissfully nostalgic throwback with the thumping speaker-freaker sound. It easily viral even before its release combining rampant energy and a new take on Fergie's 2005 smash hit of the same name.   -Alicia Baron

Maceo Plex, Liberty City - You Know What I Got

Maceo Plex's swirling melodies and Liberty City’s infectious vocal are a match made in heaven. This track is a fresh take on the 1995 classic featuring soaring leads, fluctuating synths, and warped vocals, which is nothing short of epic.   -Alicia Baron

Kevin Knapp - Dancing with the Devil 

This track kicks off in Kevin Knapp's usual fashion - with big fat beats, heavy drums, and powerful synths. This track has a hard edge with echoing vocal samples to deliver a fast-paced drive throughout.   -Alicia Baron

Sacha Robotti - Fuck the Pain Away

A remake of Peaches’ iconic track Robotti delivers punching bass throughout. The infectious percussion arrangement offers a fierce dance floor groove under the infamous vocals redone by BabyGirl. This is a true Robotti classic.     -Alicia Baron

Jayda G - All I Need 

GRAMMY-nominated Jayda G has beautifully emerged from the underground onto the stages of Boiler Room, Dekmantel Festival, and Aluna’s upcoming all-Black Noir Fever New Orleans. Her track “All I Need” premiered on the coveted DJ-Kicks series and garnered rave reviews by the likes of Rolling Stone, NYLON, as well as being placed on Pitchfork’s electronic and regular top songs of 2021. Jayda G brings back vintage house feels in this ultra groovy tune, even including clips of an old rave in the accompanying music video.  -Arielle Lana LeJarde


TOKiMONSTA - Say Yes (feat. VanJess)

Los Angeles producer, DJ, and record label owner TOKiMONSTA first received a GRAMMY nod in 2019 after her personal Lune Rouge album. "Say Yes” is a rework of Floetry’s 2002 track by the same name. R&B duo VanJess and TOKiMONSTA reimagined it into a sexy, soulful house tune that you can’t help but groove to. When venues started opening up again, it was rare to find a house set this wasn’t rinsed in. -Arielle Lana LeJarde

Gemi - Talk

Gemi is one of London’s hidden gems who describe their music as “nukg shithousery.” And precisely as advertised, “Talk” is a UK garage track that showcases playful percussion, dreamy vocals, and shimmering synths that make you feel like you’re floating. 
-Arielle Lana LeJarde

Rome In Silver - Fill Up My Soul 

Multi-faced Rome In Silver never sticks to one genre, and that’s why he can be found on esteemed labels ranging from Monstercat to bitbird to Quality Goods Records, as well as supporting a wide range of names from CloZee to Dabin. In a turn of events, Zeds Dead's label Deadbeats released Rome In Silver’s latest track of the year, “Fill Up My Soul.” The song is a funky disco tune that seamlessly blends in bass elements and stays true to the label's sound. The soulful adlibs and vocal chops throughout the track truly take you back in time.  -Arielle Lana LeJarde


Make Me Feel - John Summit

John Summit announced himself on a global scale with 2020’s song of the year, "Deep End." Although many artists would be satisfied with that accomplishment, John did not take a day off. "Make Me Feel" is just one of many hit songs John Summit dropped in 2021 to continue his ascension. The track majors in John Summit’s signature low-end bassline, with a satisfying female vocal loop to keep feet moving on the dancefloor. It maintains hype without sounding too radio-friendly, a lane that John seems to manage regularly. -Jonah Flint

Do It - Sohmi

A classically trained pianist, and vocalist, Sohmi refuses to be defined. One of the breakout stars of 2021, the Korean-American has turned heads with her unique blend of dark minimal house, techno, left field, breaks, and funk. "Do It" encapsulates her work, a stunning release on Yotto’s label Odd One Out. Utilizing her sultry vocals, the track takes listeners on a journey through her unique take on techno with a monster synth line and punchy bass. -Jonah Flint



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Alter Ego - Duke Dumont

Duke Dumont is no stranger to big hits. He has been a headliner for years now, although the last few have regularly seen him raise the bar. Returning to his club sound, "Alter Ego" is infectious. Calling upon the budding star Channel Tres for his iconic vocals, the track is a club-ready banger that can put a groove in your step walking down the street or at 4 am in a dark room during a night out on the town. -Jonah Flint


Ahora Todo Va - Josh Butler & Dennis Cruz

When two veterans get together, you can expect brilliant results. "Ahora Todo Va" is a track that Josh Butler was sitting on for months until he enlisted the assistance of Dennis Cruz. Together, the two crafted a Latin-influenced tech house track that is relentless. Spanish vocals, lively drum patterns, and a lengthy build-up give this track the energy to fit any size of the room. Coupled with a monster remix by Gorgon City, ‘Ahora Todo Va’ is one of the year’s best tracks.  - Jonah Flint

The Best House and Techno Tracks of 2021

We’re just days away from Miami’s infamous iii Points Festival. Since its debut in 2013, it’s won praise for its musical diversity, cultural art collaborations, and eye-popping art installations. iii Points offers a wide range of musical acts from hip-hop, pop, mainstream/ rock, and dance. Here are picks for the top house and techno artists to catch while you're in Miami.







Jamie xx

A forward-thinking beatmaker and producer helped shape the sound of the late 2000s and beyond with his English indie group the xx. As a solo artist, he tempered the restraint of his other work with his reverence for dance music's power to move bodies and hearts. His artful blend of kinetic and atmospheric is equally innovative and evocative.




Nicola Cruz

Latin American DJ and producer has always been captivating. His creative process involves a careful curation of life, nature, and sound to form a unique vibey rhythm that speaks to his roots. Intertwining the siku into his melodies, a wind instrument of Andean origin, is highly symbolic in ancestral rituals. Cruz continues to expand his vision towards new stories and other cultures as sources of inspiration. 







Black Coffee 

The South African DJ and producer built his career gradually over nearly two decades crafting a unique jungle house signature sound inspired by his cultural heritage and a love of house music. On the decks, he’s a perfectionist and delivers a euphoric performance each time he steps on stage. In 2010, he attained the Guinness World Record for longest-ever DJ set with a non-stop 60-hour set. As a producer, he’s collaborated with a wide range of artists including Usher, Diplo, Elderbrook, and David Guetta. He’s led the charge for an influx of talented artists from Africa and is arguably the continent's largest dance music export.










Peggy Gou

Hailing from South Korea, DJ and producer one of the leading ladies in house and techno. Gou became internationally renowned for her energetic sets and acclaimed tracks such as “It Makes You Forget (Itgehane),” “Starry Nigh”, and “I Go.” Her vibrant, joyous productions echo vintage deep house and post-disco without sounding like throwbacks.




Maceo Plex

A legend in the techno scene, Eric Estornel has produced and performed under numerous aliases like Maetrik and Mariel Ito. It’s under his Maceo Plex moniker that he is most well known for. The Miami-based DJ and producer played at countless iconic festivals and released a slew of records, singles, projects, and is the owner of Ellum Audio. His sound is dramatic and elegant, an aesthetic you can hear on the ambitious “Solar,” named after his son. He’s adept at mixing dark, more sci-fi-influenced tones with moving melodies. A true master of the craft who always performs with quality.




Patrick Topping

Hailing from England, the savvy DJ and producer has contributed a constant flow of positivity to the music scene he loves so dearly. He’s known for vibrant tech-house tracks such as “Be Sharp Say Nowt,” “Forget,” “Rocket Fuel,” and the infamous collab with Green Velvet “Voicemail.” Equally talented as a DJ, Patrick has attained international status as a headline act. His illustrious discography, blossoming label TRICK, and affiliation with party brands such as elrow prove he is at the top of his game. As he continues to inject his energy into refining his craft and building his crew of talented acts, Patrick is entering a new level of artistry.




Cristoph 

Inspired by the progressive sounds of musical legends like Sasha and Digweed, Christoph has developed his take on melodic house that’s as emotional as it is dance floor ready. He mastered his craft on vinyl and then developed a sound that gained the notice of Eric Prydz. In the last few years tracks like “Sleepless Nights,” “Out of Reach,” and “Breathe” with Camelphat have catapulted him to the top of the charts. He continues to release more music along with his radio show Consequence of Society. 




Michael Bibi

A certified icon of the underground scene, the English producer has crafted countless killer tracks. His raw passion for music began at a young age. Bibi has carved out and established a distinct signature sound translating into support from some of the industry’s biggest names. He’s also got a signature haircut that’s often imitated, but never quite duplicated. Bibi's unique production style and off-the-wall vocals are the keys to his success. 




Fjaak 

The German duo is known for their driving, energetic tracks ranging from house to storming warehouse techno. They are also known to toss in an occasional U.K. garage, dub, or breakbeat hardcore tune for good measure. The weed-loving duo consists of Felix Wagner and Aaron Röbig, who commonly perform in dark dungeonous settings, so iii Points will be a unique opportunity to experience a slice of rave in the sunshine. Filled with grit and sensuality, their tracks are all composed entirely on analog equipment. 







Danny Daze 

The Miami native is known for mixing classic electro, Detroit techno, and funk with glistening 80s-90s vibes. Daniel Gomez makes raw and authentic tracks supported by many of the other pristine techno artists who will also be playing at the festival. His radical approach to preserving music’s integrity while breaking its boundaries may seem volatile, but it’s not random. 






Get Familiar With the House and Techno Artists of iii Points Festival

Overnight success takes about ten years. By that measure, your favorite DJ or producer was grinding long before you even knew they existed. And they probably tried countless times to find their groove. 

Dance music is a vast web of genres and subgenres. Its diversity makes it easy for artists to stay in the scene while they test out new sounds. DJ aliases also allow artists to exist in relative anonymity, at least until they blow up and their cover is blown.

Take, for example, Marshmello. The masked dance music phenom turned pop star scored a Billboard dance top 10 and a gold record and it was a mystery who was beneath that shiny lampshade.  It was a running joke in EDM that even Dutch dance legend Tiesto got in on in 2016 with a fake reveal at EDC Vegas. The truth was before he donned the iconic dayglo white helmet, he was dubstep producer Dotcom. 

We uncovered five more surprising former DJ aliases.

GORGON CITY

Before Kye Gibbon and Matt Robson-Scott released chart-topping hits like “Ready For Your Love” and “You’ve Done Enough” they were solo acts. Gibbon was Foamo and his wobble-heavy house - known as fidget  - was an obvious forerunner for bass house.

Previously known as RackNRuin, Robson-Scott was also locked on heavy bassline business. He produced breaks, fidget, and early electro house.  What’s more surprising is he was producing dubstep when it was still dubby and hadn't become the head-banging brofest it is today.

TREASURE FINGERS

Treasure Fingers 2008 “Cross the Dancefloor” established the Atlanta producer as a leader in a new wave of disco house. He’s since harnessed that thumping retro funk on remixes for Foster The People, Chromeo, and Katy Perry. 

Before that, he was a member of Drum & Bass trio Evol Intent. He went by The Enemy alongside partners Knick (Nick Weiller), and Gigantor (Mike Diasio). All three members of Evol Intent reimagined their careers. Diasio produced house as Computer Club. Weiller became lauded dubstep producer Bro Safari.

CAMELPHAT

When Camelphat released “Cola” in 2017, their star rose quickly. They have continued to dominate the charts with “Panic Room,” “Be Someone,” and “Rabbit Hole.” That was no overnight success. The duo has been on the grind for nearly 20 years. 

Before Mike Di Scala teamed up with Dave Whelan, he already had a career as a vocalist and producer for the British trance trio Ultrabeat and was a member of Rezonance Q an early aughts happy hardcore influenced project.



Just two years before Camelphat’s breakthrough hit, Di Scala was still producing Happy Hardcore as Re-Con.

LOW STEPPA

Low Steppa, aka Will Bailey, is an influential figure in house music. When his bootleg of “My Love” by Route 94 first appeared on Soundcloud in 2013, it amassed over 2 million plays. His releases on Defected, Toolroom, and his own Simma Black imprint have tens of millions of streams. 

The Birmingham, England native has lived a lifetime in dance music. Like Gorgon City, he was an early adopter of fidget house and electro under the name Twoker (with Alex Calver). Thier remix of CJ Boland's "Sugar Is Sweeter" is a fidget house classic. After their split, he produced dutch house and Moombathon under his given name and even has an early remix of Steve Aoki and Armand Van Helden from 2010.

KSHMR

Born Niles Hollowell-Dhar in Berekely, California, KSHMR's unique blend of main-stage dance and sonics that beautifully highlight his Kashmiri roots captivates audiences worldwide. 

Before becoming a big room superstar, he produced hip hop with his childhood friend David Singer-Vine as The Cataracs. “Like A G6” with Far East Movement and “Bass Down Low” with DEV are club classics. And they produced “Slow Down” on Selena Gomez’s debut album Stars Dance.

























5 House Acts With Surprising Pasts

Australia

FISHER

Gorgon City

Patrick Topping

Armand Van Helden

Alisha 

Ben Hemsley

Melvo Baptiste

 this summer for another explosive yearly addition, on 

Located at Parsoles Park in a quirky district of East London, this time round, organizers have claimed this to be their most immersive show yet.

With 9 different stages and over 200 performers, theatrical shows, games, and a bunch of newly announced elrow themes, the park will be transformed into an interactive, colorful, and magical utopia of confetti, cool characters and dancefloor fun.

For their only UK show this summer, they have reeled in over fifty of the best house & tech-house DJs on the circuit, for ten hours of non-stop music and a truly immersive and interactive fiesta - the kind you’d only get from an elrow party.

Expect unparalleled commitment to production and endless amounts of fun, all soundtracked by the most in-demand DJs in the game.

Elrow Town London 2023

The traveling Elrow Town showcase returns to London this summer for another explosive yearly addition, on Saturday July 22, 2023.

Located at Parsoles Park in a quirky district of East London, this time round, organizers have claimed this to be their most immersive show yet.

With 9 different stages and over 200 performers, theatrical shows, games, and a bunch of newly announced elrow themes, the park will be transformed into an interactive, colorful, and magical utopia of confetti, cool characters and dancefloor fun.

For their only UK show this summer, they have reeled in over fifty of the best house & tech-house DJs on the circuit, for ten hours of non-stop music and a truly immersive and interactive fiesta - the kind you’d only get from an elrow party.

Expect unparalleled commitment to production and endless amounts of fun, all soundtracked by the most in-demand DJs in the game.





Elrow Town London 2023

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Jonah Flint

Jonah Flint & Alexander Dias

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