Movement Detroit Returns with a Jaw-Dropping Sneak Peek Lineup
Movement Detroit has announced a jaw-dropping sneak peek line-up for its long-awaited 2022 return. Fans have patiently waited for details from Detroit's flagship techno festival.
Three veteran techno acts, Sweden's Adam Beyer, iconic Detroit-born DJ and pioneer Jeff Mills, and longtime Movement favorite Richie Hawtin will grace the main stage. The remainder of the teaser line-up includes several show stoppers including the Blessed Madonna, Carl Craig, Claude Vonstroke, DJ Minx, Eris Drew b2b Octo Octa, Louie Vega, Nina Kraviz, Seth Troxler, and James Murphy.
Paxahau, the festival's organizer, announced the headliners and an initial wave of artists for this spring's event on Wednesday. They said the whole roster will be revealed in phases in the coming weeks.
The comeback is expected to be filled with special surprises to delight attendees. Among the many remarkable milestones is Detroit native Jeff Mills celebrating the Axis label's 30th anniversary with a unique showcase.
Mills told Billboard, "Of all the places I've traveled to and audiences I've played music for, Detroit is still the city that remains the barometer of advanced creative knowledge and technique. It's special because of what the long list of native Detroit musicians that have contributed to the world of music. It's a place that is infamous for proposing new ways and ideas as well as a unique and common viewpoint on the future of music. The city taught me to never fear what lies beyond, but embrace it as a means to advance the music art form."
One of the world's most renowned and longest-running electronic music festivals, Movement returns to its urban mecca Hart Plaza on Memorial Day, May 28-30. Three days of cement rattling and immense production in one of the most astonishing metropolitan landscapes.
Early bird tickets are sold out, but Tier 1 3-Day and 1-Day Passes for both GA and VIP are now on sale here. For more information, check out their website and social media channels here.
