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United States

Victoria Rawlins

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Hailing from the vibrant cultural hub of Miami, 

 has established herself as a bold and innovative voice in the music scene. With an eclectic blend of house, indie dance, electro, and breaks, she has earned a reputation as a tastemaker and dynamic performer who continuously pushes limits of genre and style. Her journey, from her beginnings in underground Miami nightclubs to launching her own label and performing at iconic festivals, highlights a career marked by originality, collaboration, and relentless creativity.

Nala's career began in the underground scene, where she performed in Miami’s late-night clubs and built a name as a rising DJ with a talent for curating eclectic sets that captivated audiences. Her broad knowledge of electronic subgenres gave her a distinct edge and allowed her to stand out in Miami’s competitive market. Nala’s ability to bring live vocals into her DJ sets further set her apart, creating an immersive experience that blended the energy of live performance with the precision of DJing.

Me Me Me

Her musical influences are wide-ranging, and her sound often incorporates elements of indie-dance, punk rock, and acid. Drawing inspiration from genres beyond dance music, Nala’s signature aesthetic is shaped by a blend of Riot Grrrl energy, new wave influences, and analog soundscapes. These influences make her performances and productions feel refreshingly unpredictable and have earned her a dedicated following.

Nala’s breakthrough moment came in 2020 when her infectious energy and innovative style caught the attention of 

. Known for championing unique voices in electronic music, VonStroke managed Nala’s career for two years, providing her with valuable guidance and connections within the industry. Their professional relationship laid the foundation for Nala to flourish as both a DJ and producer. Even after concluding their formal management relationship, VonStroke remains a mentor, continuing to support her as she navigates the electronic music world.

Relocating to Los Angeles marked a new phase for Nala, allowing her to connect with a broader music community and collaborate with diverse artists. Embracing the creative possibilities of LA’s electronic music scene, she began to explore her unique Riot Grrrl-style vocals and analog soundscapes more deeply. Her fascination with blending punk rock aesthetics with electronic music has driven her to collaborate with punk and indie rock bands, reimagining their sounds within an electronic context and bringing a raw, unpolished energy to her tracks.

Not About You

Her unique approach has gained her recognition from top producers and led her to perform at notable venues, including the legendary 

. These performances have established her as an artist who doesn’t just follow trends but creates her own lane in the industry.

In July 2022, Nala took a bold step toward creative independence by launching her own label, 

. With a mission to merge punk rock aesthetics and underground dance music, the label seeks to create space for femme-focused, boundary-pushing electronic artists. 

, was a collaboration with fellow Dirtybird artist E.R.N.E.S.T.O and debuted to strong support from major platforms like Beatport and EDM.com. The label represents Nala’s commitment to fostering a community that celebrates artistic freedom, inclusivity, and collaboration.

Get Familiar

Nala’s music embodies a fusion of sounds and genres that make her work feel both timeless and of-the-moment. Inspired by artists ranging from Blink-182 and Bikini Kill to electronic legends, her style reflects her love for edgy, raw punk energy and polished electronic production. Her recent remixes and collaborations, including work with indie and punk acts, showcase her ability to seamlessly blend these influences into a cohesive and engaging sound.

Nala’s music often draws from a range of scenes, combining elements of California punk with New York’s harder, grittier sounds and layering house and techno vibes over her tracks. Her music is known for its catchy rhythms, infectious grooves, and a playful yet gritty energy that’s as suitable for a nightclub as it is for a festival stage.

, two dynamic artists from Miami and Newport Beach, have joined forces to form the exhilarating house music duo, 

. Together, they have created a fresh and irresistible sound that has already started to make waves across the electronic music scene. Their mini Girl Math tour has been a major success, with standout performances at top festivals that showcase their electric synergy.

The duo’s memorable debut at Coachella left an indelible mark, as they captivated the audience with their high-energy set. Their on-stage chemistry and ability to engage the crowd have made them a must-see act, drawing in fans from all over. Following their Coachella debut, Girl Math has continued to build momentum with performances at prestigious festivals like 

, where audiences eagerly anticipate their next-level shows.

Live recording of Nala's set from Sound in LA.

Nala Live At Sound on 01.19.24 by Sound

With each new release and performance, Nala continues to shape the future of electronic music, bringing new perspectives and creative ideas to the forefront.

Nala

France

bass house

french tech house

house

tech house

Shiba San

Nautik

HifiDexx

The Knockdown Center

Shiba San Presents: Basement Leak

Canada

Heidi

Branqueeno

HVNLEE

Superior Ingredients Roof

Nala w. HEIDI & Guests

canadian electronic

canadian house

Bob Moses

Germany

alternative dance

dance-punk

electro house

fidget house

filter house

german dance

german techno

new rave

Boys Noize

United Kingdom

melbourne bounce

pop dance

progressive house

uk dance

Chris Lake

Chris Lorenzo

Destructo

deep disco house

Justin Martin

Patrick Mason

garage house

uk garage

Todd Edwards

Switzerland

Charles Meyer

Mikey Lion

Lee Reynolds

Marbs

Porky (DH)

nyc club

QRTR

Mary Droppinz

Russia

brazilian edm

VOLAC

Miami to Harvest Caye, Belize

Friendship 2024

Greece

latvian pop

Detlef

Dombresky

Fleur Shore

Chile

latin tech house

Francisco Allendes

uk tech house

Iglesias

deep house

Kerri Chandler

Local Singles

Luna Mar

Netherlands

dutch tech house

Luuk van Dijk

Denmark

Manda Moor

Italy

dark techno

italian techno

Marco Faraone

Croatia

Matroda

Mau P

uk house

Paul Woolford

Prunk

Seb Zito

Tini Gessler

The Brooklyn Mirage

elrow NYC: Summer Festival 2023

AJ Christou

Spain

spanish techno

Bastian Bux

Jaden Thompson

Max Dean

Riva Starr

Tara Brooks

OCHO 17

scottish electronic

Denis Sulta

Corinne

Cut & Sew

Denis Sulta w. Nala & Guests

minimal techno

Green Velvet

Claude VonStroke

diva house

Crystal Waters

classic house

Dajae

Kid Enigma

Ireland

irish electronic

Rebūke

funky tech house

Joeski

Get Real (Green Velvet & Claude VonStroke)

VNSSA

The Brooklyn Monarch

Girl Math (VNSSA b2b Nala) w. QRTR & Guests

Poland

minimal tech house

Catz ’n Dogz

Romania

Luzi Tudor

Gray Area is pioneering the "Doubleheader" event series, drawing inspiration from back-to-back baseball games to showcase artists with similar styles but unique fan bases. By having one artist follow another and culminating in a collaborative back-to-back (B2B) set, Doubleheader aims to create a powerful platform for musical discovery and cross-pollination. Embracing the "B2B" spirit, the initiative seeks to introduce audiences to new sounds while strengthening the dance music ecosystem.

Doubleheader

The Room at Superior Ingredients

Doubleheader: Catz 'n Dogz x Nala w. Luzi Tudor

LEON

Luke Dean

Melanie Ribbe

AVANTE

deep minimal techno

techno

Luigi Madonna

Tania Vulcano

Gavin Stephenson

chicago house

float house

Floorplan

It's not enough to call LA-based musician Nala, aka Stefania Aronin, a producer or DJ. She radiates artistry in everything she does. Informed by a slant towards the experimental, her off-kilter psychedelic house is a refreshing disruptor for a scene she says, “got wedged into this idea of what dance music was.” She shatters the formulaic chad-house aesthetic with her strikingly authentic lyrics. It’s proof that house music can slap the subs and captivate the mind. 

In 2020 she signed a management deal with purveyors of west coast weird, Dirtybird, a perfect match for someone who created her own lane so early in her career. COO Aundy Crenshaw and Claude Von Stroke encouraged her to embrace her unique style.

They were both excited that she brought a sound that broke from traditional tech-house. Her open format DJ sets and indie inspired beats are a vessel to help push the label forward. She says during one of their first conversations, Von Stroke expressed how tired he was of paint-by-numbers tech house.

Writing that way is simply at odds with who she is. “I just can't talk about things that are superficial. It's just not part of my character. It feels wrong. It feels like nails on a chalkboard internally.”

As she recites the words for “Sun Is Hot,” the second track from her Dirtybird debut EP 

she explains how she disguised a meditation on the health of Mother Earth beneath what sounds like something steamy and sultry.

“That’s a song is about global warming, first and foremost,” she says. “But then its open for interpretation. It could also be about sex. It's funny 'cause NPR was like, 'Oh, this is a dirty song.' And I was like, 'It's about global warming.” She tells the story with a perfect deadpan.

“I don’t know how to be a closed book,” she admits. “Most of my writing is confessional. I think a lot of what art is supposed to be on a philosophical level is something that people relate to. It's part of the human experience. And that's why we are obsessed with art to begin with. Because it makes us feel something. It makes us feel less alone. And I just love making people feel less alone.”

In college, Aronin switched from a psychology major to advertising because psychology got too dark. Yet she continues to find ways to dissect human existence. Nala's confessional lyrics seek to connect.

“I wrote Psychic Attack, because I was really overwhelmed with the news last year," she explains about the title song on her Dirtybird debut. "I wrote that song out of a space of anxiety. But I think a lot of people could relate to that, because it was so chaotic. It was psychological warfare.”

She spends several minutes reciting lyrics to new songs during our call. And with each turn of phrase, it’s clear how adept she is with her words. She’s also so clearly excited about every aspect of her work. She radiates positivity and bravery. 

Being bold is natural she says. “I don't have even like an ounce of doubt that it won't work,” she says about her fuck it Im'a go for it attitude. Her mental framework is devoid of the self-doubt that stops most people from trying. “I just don't have that kind of dialogue in my head for whatever reason. I push it out, probably as a self-protective measure.” 

Or maybe it’s a touch of confidence mixed with a dash of creative magnetism. She’s consistently able to draw exactly what she wants directly into her orbit.

Three months before she signed with Dirtybird she decided to break from her indie background and go full-on into dance music. She was already well known on the Dj circuit in Miami and LA. Her music was getting played in H&M stores across the country. But she felt she needed a label ecosystem to pull her off the plateau.

She set her intention and told herself, “I need to shift focus. What is going to be best for me? I need to find a label that I can work with. And out from the sky came Dirtybird!”

The family atmosphere that seeps through all that Dirtybird does was the perfect match for Aronin. "I got really lucky that I managed to find a community of people. Because even the other artists on the label VNSSA, Walker & Royce, Ardalan we're all family now. And it's so nice to be around people that are so positive and supportive, have a good message and [are] inclusive and happy."

She now sits in the perfect position to carry her message to a wider audience. “I want everyone to feel. I want people to relate. I want them to know that their experience is not isolated. And that to me is the most fulfilling. The best I can do is create music with a message that resonates with people.”

It's not enough to call LA-based musician Nala, aka Stefania Aronin, a producer or DJ. She radiates artistry in everything she does. Informed by a slant towards the experimental, her off-kilter psychedelic house is a refreshing disruptor for a scene she says, “got wedged into this idea of what dance music was.” She shatters the formulaic chad-house aesthetic with her strikingly authentic lyrics. It’s proof that house music can slap the subs and captivate the mind. 

In 2020 she signed a management deal with purveyors of west coast weird, Dirtybird, a perfect match for someone who created her own lane so early in her career. COO Aundy Crenshaw and Claude Von Stroke encouraged her to embrace her unique style.

They were both excited that she brought a sound that broke from traditional tech-house. Her open format DJ sets and indie inspired beats are a vessel to help push the label forward. She says during one of their first conversations, Von Stroke expressed how tired he was of paint-by-numbers tech house.

Writing that way is simply at odds with who she is. “I just can't talk about things that are superficial. It's just not part of my character. It feels wrong. It feels like nails on a chalkboard internally.”

As she recites the words for “Sun Is Hot,” the second track from her Dirtybird debut EP Psychic Attack, she explains how she disguised a meditation on the health of Mother Earth beneath what sounds like something steamy and sultry.

“That’s a song is about global warming, first and foremost,” she says. “But then its open for interpretation. It could also be about sex. It's funny 'cause NPR was like, 'Oh, this is a dirty song.' And I was like, 'It's about global warming.” She tells the story with a perfect deadpan.

“I don’t know how to be a closed book,” she admits. “Most of my writing is confessional. I think a lot of what art is supposed to be on a philosophical level is something that people relate to. It's part of the human experience. And that's why we are obsessed with art to begin with. Because it makes us feel something. It makes us feel less alone. And I just love making people feel less alone.”

In college, Aronin switched from a psychology major to advertising because psychology got too dark. Yet she continues to find ways to dissect human existence. Nala's confessional lyrics seek to connect.

“I wrote Psychic Attack, because I was really overwhelmed with the news last year," she explains about the title song on her Dirtybird debut. "I wrote that song out of a space of anxiety. But I think a lot of people could relate to that, because it was so chaotic. It was psychological warfare.”

She spends several minutes reciting lyrics to new songs during our call. And with each turn of phrase, it’s clear how adept she is with her words. She’s also so clearly excited about every aspect of her work. She radiates positivity and bravery. 

Being bold is natural she says. “I don't have even like an ounce of doubt that it won't work,” she says about her fuck it Im'a go for it attitude. Her mental framework is devoid of the self-doubt that stops most people from trying. “I just don't have that kind of dialogue in my head for whatever reason. I push it out, probably as a self-protective measure.” 

Or maybe it’s a touch of confidence mixed with a dash of creative magnetism. She’s consistently able to draw exactly what she wants directly into her orbit.

Three months before she signed with Dirtybird she decided to break from her indie background and go full-on into dance music. She was already well known on the Dj circuit in Miami and LA. Her music was getting played in H&M stores across the country. But she felt she needed a label ecosystem to pull her off the plateau.

She set her intention and told herself, “I need to shift focus. What is going to be best for me? I need to find a label that I can work with. And out from the sky came Dirtybird!”

The family atmosphere that seeps through all that Dirtybird does was the perfect match for Aronin. "I got really lucky that I managed to find a community of people. Because even the other artists on the label VNSSA, Walker & Royce, Ardalan we're all family now. And it's so nice to be around people that are so positive and supportive, have a good message and [are] inclusive and happy."

She now sits in the perfect position to carry her message to a wider audience. “I want everyone to feel. I want people to relate. I want them to know that their experience is not isolated. And that to me is the most fulfilling. The best I can do is create music with a message that resonates with people.”

Melé

Nala

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