Bringing together innovators in music and technology, Beatport will debut their first ReConnect Summit this September in New York City. deadmau5 and Richie Hawtin will headline an impressive lineup of speakers, including artists like Gioli & Assia, A-Trak, UNiiQU3, Kerri Chandler, and Octo Octa, as well as senior executives from Meta, CAA, Women In Music, and more.




Launched during the height of the COVID-19 pandemic, Beatport created ReConnect to bring the industry together and support those impacted by COVID-19, world conflicts, and mental health. Since its inception, ReConnect has generated over $800,000 from its live stream events. The inaugural Beatport ReConnect Summit is a two-day event that will feature workshops and discussions focused on equity and health in music culture, along with dedicated activations and panels around emerging Web 3.0 technology in the music industry.




Taking place at 74 Wythe (Superior Ingredients) in Brooklyn, September 21-22, the Beatport ReConnect Summit will take over all three stages of the venue: The Roof, The Room, and The Lounge.




Guests can learn from industry discussions on wellness, diversity, and inclusion from organizations such as shesaid.so, Women In Music, and The Art of Areté while taking in stunning skyline views on The Roof.




The Room is Web 3.0 HQ—partners PIXELYNX and Audius will host headline speakers here and dig deep on the future of music technology.




Experience VR product demos and face-to-face A&R sessions in The Lounge, with activations from Beatport Group (Beatport, Beatsource, Label Radar) and event partners VOLTA XR and Red Pill VR. The weekend’s extensive programming includes nightlife safety workshops from DanceSafe and soon-to-be-announced DJ sets from their growing roster of confirmed artists.




Tickets are available now for Beatport ReConnect Summit, starting at $225 for a full two-day pass or $125 for a single day, which grants access to daytime talks, keynotes, workshops, rooftop DJ sets, and nightly events in the club’s main room. Tickets are on sale now and can be purchased via Beatport's ReConnect website.









deadmau5 and Richie Hawtin Among Speakers for Beatport’s Inaugural ReConnect Summit in New York 

Sometimes a name change is simply an artist growing out of an identity that no longer resonates with them. Often it is accompanied by a complete musical overhaul and a venture into a new genre. It's always a way to try something new.

We're once again revealing the (somewhat) little-known stories of your favorite DJs and the identities they left behind before you knew them. Some DJs listed here didn't stray too far from what they knew, while others embraced a radically new style. New musical direction or not, prepare to have your mind blown with some of these artists' past lives.




Charlotte de Witte

When Charlotte de Witte first came onto the scene, she was known as Raving George. She adopted that name because she wanted to dispel preconceived notions about female DJs and for her music and skills to speak for themselves. She truly embraced techno's aggressive and despondent side and established herself as a force with which to be reckoned. As Raving George, she played festivals like Tomorrowland, I Love Techno, Sunset Festival, Pukkelpop, Summer Festival, and Dour Festival. In 2015, she decided to retire the Raving George moniker and switch to her birth name as she began to experiment with a more barebones and emotive type of techno.

Eric Prydz

You know him now as Eric Prydz, with the famous Pryda snare, but did you know he was a founding member of the first unofficial lineup of Swedish House Mafia? Informally, Prydz, Axwell, Steve Angello, and Sebastian Ingrosso found themselves DJing together a lot at The Rainbow Room in Stockholm in the 2000s. The quartet was dubbed Swedish House Mafia. But Prydz, a self-proclaimed "control-freak," chose to venture out on his own and has since adopted his own shortlist of monikers, Pryda and Cirez D.










Noizu

A quick look at the writing credits for Noizu's hit single "Summer 91" reveals the feel-good house producer's real name and a bit about his past. Previously known by his given name, Jacob Plant, the British dance producer and DJ got his big break in 2013 with releases on Ministry of Sound, Defected sublabel Speakerbox, Calvin Harris' Fly Records, and Steve Aoki's Dim Mak Records. He had several high-profile remixes for Rihanna, Calvin Harris, Benny Benassi, Iggy Azaelia, and Sub Focus. He even co-wrote a song with Rhianna for the soundtrack to the 2015 animated movie Home. Jacob's music earned him airtime on BBC1 Radio and billing at festivals like Lollapalooza and the Reading and Leeds Festivals.




Jeff Mills

Since the '90s, Jeff Mills' name has been synonymous with Detroit techno as he was part of the second wave of DJs to put the genre on the map. He felt he had to be more progressive and experimental than his contemporaries. Mills began DJing in the '80s under the name, The Wizard and was known for beat juggling, scratching, and turntablist tricks. 

He co-founded the techno collective Underground Resistance in the late '80s with 'Mad' Mike Banks, of Parliament fame, and minimal techno pioneer Robert Hood. Together, they created music geared towards abstract militancy and raising awareness about political, social, and economic issues. Mills ended up leaving the group to go solo in the early '90s, thus using his given name to fully take the techno world by storm. 




DJ EZ


House and techno DJ Elvin Zedo is also known as UK garage turntablist DJ EZ. He first used Elvin Zedo (and DJ Easy O) back in 2004. The names allowed him to play house and techno without interfering with his progress in the garage and bass scenes. Throughout his DJ career, he's hosted various radio shows featuring UK garage anthems, classics, and bass, with his current show being the weekly NUVOLVE Radio. He recently revived the Zedo moniker as a way to return to his roots but plans to continue DJing under the name EX as well. He reintroduced this alias in the most DJ EZ way possible—by playing a 10-hour Boiler Room set.





Richie Hawtin

Richie Hawtin debuted in the '90s as part of the second wave of DJs bringing that Detroit techno sound. But did you know that in 1993, Hawtin hit the music scene hard with acid techno under his alias Plastikman? Plastikman's most famous release is "Spastik," a dance music classic. This track pushed the musical envelope in skill and production, experimenting with minimal techno. Hawtin uses both the Plastikman moniker and the Hawtin name interchangeably, so it's hard to say which is the former name and which is the current one, so keep your eyes (and ears) out for both. 










Boys Noize

Alexander Ridha, aka Boys Noize, is a Berlin-based producer, songwriter, and DJ known for his genre-defying techno punk beats. He's gained popularity by collaborating with Skrillex, Jean-Michel Jarre, Tiga, and Benga, remixing artists like Snoop Dogg, Daft Punk, Justice, and Depeche Mode and creating his label, Boysnoize Records, in 2005. 

Before becoming Boys Noize, though, he was part of the duo Kid Alex, alongside Andreas Meid. Together, they supported DJs like Felix da Housecat and DJ Hell and had their first significant success in 2003 with the track Young Love (Topless), later remixed and used in a Coca-Cola commercial. The duo continued performing together until 2007 when they broke up due to Ridha wanting to go solo, and thus Boys Noize was born. 






More DJs With Surprising Pasts

Spain

Florida 135

Ibiza, Madrid, and Barcelona—these Spanish cities are known for their rich culture, music, and nightlife. But, those who are in the know look to the small Spanish town of Fraga for an exceptionally unique and unforgettable club experience. 

A musical oasis, located off a beaten path near the charming Cinca river, awaits techno lovers and those with a penchant for partying. Beloved by dance music enthusiasts for over 70 years, Florida 135 is Spain’s oldest active nightclub. Since 1942, the windowless, 3000-sq-meter, dance hall-esque space has been owned and operated by the Arnau family—the club is a generational familial affair. 

Originally founded as a cafe in the 1800s by José Satorres, the club was called Café Josepet and then Café Victoria as Antonio Durán, who married Maria Vilar, the founder's granddaughter, converted the entertainment space into an open-air theatre.

In 1924, newlyweds Juan Arnau Cabases and his wife Francisca Ibarz arrived in Fraga and founded a flour mill and several oil presses spanning the region. The hardworking pair was very sociable and loved entertaining.  

The small and agricultural Fraga established itself as a mecca of music, film, and entertainment thanks to the Satorres, Durán, and Arnau families and eventually became the pole of attraction it is today by the hand of Juan Arnau.

The patriarch booked fabulous, faraway acts from Barcelona and Madrid to perform at the Garden Terrace Florida, later called the Saloon Florida, to the delight of regional and local audiences. 

Extravagant shows at Florida put on by the Arnau clan featured a full orchestra band, worthy of a European capital city.

“I remember the first time Xavier Cugat came, the Spanish musician from Las Vegas...they worked so hard to bring him to Fraga. I was so small, I was eight years old. He arrived in Spain with 20 musicians and Evelyn, his wife... and when I remember that, the memory of that magnificent time, it’s a beautiful story to remember because I think this episode had more merit in our family history than what we are doing now with the DJs,” said Juan Arnau Sr.

Juan Arnau Cabasés sadly died just a day before the iconic Cuban bandleader, Xavier Cugat, played for the first time at Florida 135. 

But his innovative and ambitious spirit lived on in his son, who married Duran’s only daughter, Pilarín, and together they drove the legacy forward—one that pioneered new sounds and produced cutting edge experiences, unlike anything global audiences had seen before.

“Every family, every generation... we’ve tried to be provocative without copying anyone, to get ahead despite being in a very small town and next to the Monegros desert, to get ahead. And it has worked very well for us. We have not gotten very rich, but we have had a great time and we are very happy with what we’ve done,” Arnau said.

In the late 60s, as electronic dance music popularized, live orchestras were quickly replaced by DJs and nightclubs became discotheques almost overnight. 

After a fire burnt down Florida, the Arnaus enlisted renowned architect Javier Regás to design the club. 

“We traveled all the way to India to meet up with the free-spirited hippie architect, who agreed to design our club, but said he’d only do it under one condition: that he be allowed to liberally replicate a New York street, one from the Bronx. Of course, we said yes,” said Arnau Sr.

To date, Regás’ Bronx-street, Blade Runner-inspired aesthetic has lasted well over 40 years and it still dazzles Florida 135’s audiences today.

“40 years later, it still looks just as sensational as it did back when he designed it. I see young people dancing in the club and they marvel at the sight of the real buildings they can step onto and the New York street that they’re dancing on.”

Today the club has bars that serve alcohol, coffee, cocktails and has everything one could imagine seeing on a night stroll in the Big Apple.

“Javier told us that the advantage of having this type of design was that it would not need a modernization, that with the passage of time, it would be more current, and it has been,” said Arnau Sr.  “We’re seeing it right now...young people, the new generations, when they enter the club they see a club designed in the eighties, but that feeling of being in a uniquely-designed club has not gone out of style,” 

Upon the club’s reopening, it quickly established itself as the first nightclub in the region to host DJs who played electronic music thanks to the Arnau’s fresh taste and determination to always stay ahead of their peers. 

Though he passed away in 2012, the “grandfather of techno,” Juan Arnau Ibarz, and the rest of the Arnau clan successfully steered the nightclub through three decades of musical trends: disco, a stint in Madridian pop and rock music, house, and ultimately techno.

In an increasingly globalized world, where club-goers have endless options to travel internationally for music and parties, the “Cathedral of Techno '' remains to be just as relevant in the realm of live events and nightlife destinations as it was since its inception.







Arnau Sr. attributes the club’s iconic factor and timeless relevance to the musical selection of the artists who visit them and above all else, the familial aspect of the club.

“The public knows that in one way or another they play an important part of a story that began in the same place where they are dancing now, in 1870, during my great grandfather’s time,” he said. “...that kind of feeling of belonging to a family is what makes us different from other clubs, not just in Spain." 

For over six generations, the family has owned and operated the club, which is more of a dancehall than a traditional nightclub.

True to its stunning origins, Florida 135 has an open-air space where clubbers may enjoy commercial music, and four separate dancefloors: one that is an homage to the early days of French house and wax, one that’s exclusively for house and techno enthusiasts, a hip hop floor, and finally the iconic Bronx street that features electronic dance music played in front of a New York aesthetic.

The themes and DJs change often, said the patriarch. “We throw parties that we try to thematize depending on the artist and the musical project that will unfold itself in the space. We do this so that everyone has a place to dance according to their alternatives, if not what they prefer, all in the same night.”

Though every visit to Florida 135 is a unique experience, said Arnau Sr., clubgoers look forward to hearing from international DJs like Carl Cox and Laurent Garnier, which the family has called their friends for over 50 years. 

“Our friends, these legends of electronic music, of which are what really helped us in those times. We were Club Florida, out in a small town in the desert...they arrived to Florida and made it the embryo of what later established the electronic music industry in Spain.”

The club was the first in the region and in the country to host DJs who spun records of “Kraftwerk-esque” music, said Juan Arnau Jr. 

The change in sound was ultimately inspired by Arnau Sr. and his wife, Maria Cruz Lasierra’s three-year caravan through Europe’s clubs and raves in the 80s. 

“They met Laurent Garnier at a party in Paris at the Rex, Sven Vath playing in illegal tunnel raves in Germany, Francesco Farfa playing at a crazy rave in Rimini, Italy,” said Arnau Jr. of the travelers’ journey.

The feeling of yearning to search for new sounds, for the next best thing, is something that has always motivated the patriarch and his family since the club’s inception, Arnau Sr. shared. 

“It motivates us, this search... for what had to happen, not for what was happening or what had happened, but to imagine what would happen in just five to ten years.”

They traveled all over Europe, taking in the new sounds they encountered in Munich, Berlin, and England.  “We met so many incredible DJs we knew we had to invite them to play at our club,” he said. 

“Ultimately what we learned is that what is new is preceded by the mainstream, and so, we anticipate. And as such, we’ve always been in favor of visiting those clubs where they offer something different. This is the way we have always done it.” 

In addition to owning the acclaimed Florida 135 club, today the family owns the wildly popular global party and brand, Elrow, and throws an annual desert rave in the Monegros desert.



On December 11th, 2021 elrow returns to New York for elrow RowsAttacks! 



When asked whether his grandchildren will continue the Arnau legacy, Arnau Sr. shared he wasn’t certain. He said he hadn’t expected that Juan Arnau Jr. and his sister Cruz Arnau would join the family business but was elated when they showed excitement and eagerness to work in the industry. 

“I wasn’t too sure if they were going to continue in the entertainment industry for one, because I never intended to. That is, I have always given them total freedom,” he said. 

“I think that each person, each generation, has to travel their own path, not the path of their ancestors.”

Though Arnau Sr. grew up amidst a booming family business and surrounded by tastemakers, musical innovators, and entertainers, he said he never felt adequately prepared to work in the industry. 

In college, he studied business at UCLA then attended graduate school for his master’s degree to study nutrition. 

Then, due to a major family bankruptcy in the seventies, said Arnau Sr., he found himself at Florida 135 day in and day out, and the business became his life’s work. 

Lucky for him, his business was also his family, he said. “The truth is that in this industry, you practically do not have a family life but in our case we do because the whole family is there. In the case of my children, and their partners too—Domingo is a DJ, my daughter Cruz works in marketing, my son also, and then there’s my wife and I.” 

Arnau Sr. said he could not be prouder of his children’s business savvy and creativity.

“It brings me joy to see that my children, both my son and my daughter, genuinely enjoy it. And not only do they enjoy it, they also do it much better than me,” he said.

Florida 135 survived the pandemic and the Arnau family even gained two more additions to the clan in the last year, two new grandchildren.

The family remained positive though the future of the club was for a moment uncertain. For the first time in the family’s 150 year history, Florida 135 was forced to close their doors to the public, whom they call family.

“We were so sad..it is something very unusual, that dancing was prohibited, because dancing is so important,” said Arnau Sr. 

“Dancing is an act of collective euphoria that allows you to vent. It is not having a drink, it is something very special. For people it is something very ancient that has existed all their lives, and seeing that people could not dance has really been hard.”

Florida 135 opened their doors last month for its first event in about three years. Once announced, tickets to the club’s Halloween event sold out within 10 minutes.

The club’s longevity is a testament to their commitment to entertaining and the love they have for their clients. “It is electric ... the love we have for the public, and knowing that everything you do is for them, it’s not for you,” said Arnau Sr.

The key to the club’s longevity? Being present, in all aspects, he said.

We are always present—and this our children have learned from me, I do not know if it is good or bad—it is that we like to be in the club, at festivals.”

“We don't like to be outside the club, we like to be with our clients and that has good points and bad points as well. We have never mixed our private life with the life of the club — we don’t drink alcohol, we don’t take drugs, which some clients sometimes partake in.”

Arnau Sr. shared that having a sober perspective at events puts the family at an advantage to better serve their clients with a more serene perspective, in comparison to other promoters who try to replicate the family’s business model.

“When you’re solely focused on making sure the client is enjoying themselves, it gives you a different perspective from those other promoters who do the same things that the clients do,” he said. 

“You have to understand that you are working and that the clients are having fun. They are using part of their time to vent their saddest moments, their work, their studies, their love affairs...so we need to be always present, always be at the service of the public.”

After years of sleepless nights, parties, and plenty of music, Florida 135 continues to be as successful now as it was in the 70s.

“The truth is that both my wife and I have enjoyed it a lot. We have spent many nights, seeing and observing as our clients come and have a great time... and this is something that has differentiated us from the rest of the promoters and the rest of the clubs,” said the patriarch.

“It is a way of life our children have learned from us, and it is the humility of knowing that something better can always be done and letting ourselves be guided by what our clients do and by addressing any concerns they share with us, on the level of entertainment...After so long, we’re happy that at least we are alive.”







Richie Hawtin is a British-born, Canadian-raised producer, DJ, music executive, and innovator. Touted as “one of the electronic dance world’s intellectual forces” by 

, Hawtin’s minimal, yet highly danceable techno sound and conceptual innovation as a performing artist puts him at the forefront of dance music globally. Though raised in Ontario, his unique techno sound is regarded as synonymous with Detroit’s electronic music scene.

Hawtin is a highly-decorated artist, winning Best Techno DJ at the DJ Awards in 2002, 2006, and 2008, with many other nominations and awards spanning over a decade. His alias Plastikman has also seen much acclaim and is the name he releases the majority of his music under, with seven albums and two compilations to date.

His critical acclaim goes well beyond the music scene; he collaborates and has seen support from countless influential figures in fine art and technology. One the most significant being Raf Simons, who called him the “Kraftwerk of today” and booked him for a special performance at the Guggenheim, New York’s iconic art museum. Other experimental crossovers include his collaboration with award-winning British Indian artist Sir Anish Kapoor on their Grand Palais turned art rave, as well as his soundtrack for the 2006 Winter Olympics Opening Ceremony, amongst many more. Further, he continuously collaborates with his younger brother and established graphic artist, Matthew Hawtin, with past notable exhibits at Art Basel/Art Miami and more.

Beyond his art, Hawtin is the label head behind Plus8 and MINUS Records. Through these ventures, he nurtures some of the hottest underground and emerging talent, from Speedy J in the 90s to Gaiser in the 2010s. With Plus8 co-founder, John Acquaviva, Hawtin co-founded the dance music hub Beatport in 2004.

He’s also committed to education, both educating burgeoning musicians and learning new things himself. He’s lectured at many colleges, provoking ideas and practices for young musicians. In 2015, he received an Honorary Doctorate of The University of Huddersfield for Outstanding Contribution to the world of Music-Technology.

Hawtin has performed around the world for decades, starting in Ontario, moving to New York, then transitioning to Berlin before setting off across the globe. He’s held residencies and performed in Ibiza at clubs like Vath and Space, where he shared his incredible ENTER. experience. ENTER. expanded to other places like Amsterdam, Madrid, Mexico, London, and Japan. He’s also performed at many of the world’s largest festivals, such as Ultra, Coachella, and Parookaville, with plans to hit ARC, CRSSD, Drumcode, and more this year.

Intertwining his auditory art with different mediums and experiences, Hawtin has accomplished the unseen and unheard, solidifying his title as an influential tastemaker and innovator.