In the dynamic world of music, few artists encompass the range and depth of experience that Hannes Bieger brings to the table. From his early days playing guitar in bands to his profound love for the oceans and possible alternate life as a marine biologist, Hannes has journeyed through a kaleidoscope of musical and personal adventures. As he dives into his collaborations, studio work, and even the challenges of navigating creative roadblocks, this interview offers a unique window into the mind of an artist who seamlessly marries technical prowess with raw passion. In our exclusive Q&A, we delve deeper into the life and thoughts of Hannes, revealing facets that many might not know.

Have you ever found musical inspiration from something totally unexpected?

Inspiration is precious. Having worked as an artist for so long, I know that you can't just turn inspiration on like flicking a switch. Sometimes it's about whether inspiration chooses to find you. While you can foster inspiration, I believe it's valuable to seek it outside the studio and the immediate musical context. Electronic music nowadays can feel self-referential. Some labels, which used to showcase a broader range of music, now limit their selections to specific genres, leading to a streamlined feel.



While I'm not immune to this trend, I always aim for originality. For a period, I named my tracks after volcanic terms because of my fascination with our planet and nature. These metaphors inspired me. I'm drawn to nature, whether it's by, on, or in the water. Amidst the technical environments I frequent, like studios or venues, I treasure connecting with nature. It's a profound source of inspiration for me, whether it comes expectedly or unexpectedly.



How do you keep your technical side and creative side in harmony when making music?

The technical and creative aspects are two sides of the same coin. With my extensive experience as a producer and musician, both for myself and for clients, my primary goal is to make the technical side nearly invisible. I thrive when creation feels like a fluid, natural process, where I can immerse myself without overthinking.

There are sessions where I dive deep into creation and, hours later, resurface, realizing I neglected basic needs because I was so engrossed. During these moments, I'm not preoccupied with which EQ or synthesizer I'm using; I simply create. This effortless approach stems from experience and familiarity. However, technology can also inspire. A new synthesizer, for instance, can spark fresh musical ideas as I explore its capabilities. While I don't always aim to sideline technology, during the creative process, I think in musical terms, not technical ones.

Can you share a story of a challenging project that really pushed you to the limit?

There are two ways to answer this. Sometimes you have tracks where you fight to finish them. Most of the time, the fight isn't worth it. Usually, when something's good and you feel inspired, you can almost complete the track in a day, and everything flows naturally.



One good decision led to the next. But the tracks where you struggle often have a problem that can't be solved by struggling more. However, there are also tracks where you know you have a great idea, and it could be fantastic, but only if you don't mess it up in the process. This can be a challenge, especially when you've found a diamond in the rough and aim to refine it without damaging its essence.

Have the places you have played at influenced your sound in any way?

In the places I've played, the environment certainly influences me. It might not be the venues or shows directly, but my love for nature and the planet plays a part. I've always been interested in technology, geography, wildlife, and more. One of my first releases when I resumed music-making in 2017 was on Audiofly's label.

The track La Selva was part of a project where each invited artist was to create a track inspired by a country. I was in Colombia on the Caribbean Coast when they reached out. Given my location, I chose Colombia as my inspiration. Sitting in the jungle, I made recordings of the local wildlife — frogs, birds, crickets, and other night creatures. But instead of using these raw sounds, I wanted to recreate them. I sometimes find direct use of natural atmospheres in tracks a bit clichéd.

So, back in the studio, I recreated these animal sounds. Recapturing the immersive soundscape of countless frogs in the jungle was particularly fun, using a modular system and ample reverb. Experiences like being in the Egyptian desert or flying over the Andes at sunrise leave lasting impressions. They inevitably find their way into my music in some form.

How do you keep up the enthusiasm and creativity in the face of the music industry pressures?

This is a relevant question, given the intense pressures of the industry. Sleep deprivation can be overwhelming, and there's always an underlying competition — who has more shows, who gets better slots at festivals, whose name is bigger on posters. Such comparisons can be soul-crushing if you lose focus. Some days, everything seems to go wrong: organizational chaos, blackouts, delays in set times, and more. In these moments, you may just want to quit.



But then you step on stage, play that first note, and suddenly, all worries dissipate. The energy from the crowd reminds you of the reason you're in this. It's a roller coaster, but the key is to not take yourself too seriously and to remember why you started. For me, it's the joy of making music. If it ever stops being fun, I might reconsider. But as of now, I've been quite productive and thoroughly enjoy making music. That passion largely drives me forward.

Have you had a track that didn’t get the attention you thought it would? What did you learn from that?

Yes, this can happen. Sometimes it's hard to identify the exact problem. It could be that you have different tastes than the general style out there at any given moment. To me, there's no guarantee. I see it the other way around: when something goes especially well, it's a gift. You can't plan for it unless you invest a lot of money and maybe play a bit dirty. But if you do it organically, you can't plan it.

Sometimes the stars align, sometimes they don't. Once you've experienced the feeling of having a number one, you want to repeat it. But it doesn't work that way; you can't decide today that you're going to make another number one and expect it to happen. Maybe the less you push yourself and the less you plan for it, the more likely it is to happen.

How do you like to work with other artists - face to face or remotely?

I come from a band background. My first instrument was the guitar, and I began playing in bands when I was around 12 or 13 years old. For me, making music is deeply intertwined with being in a room with others, discussing life, the world, or even just having dinner. I cherish collaborations that involve spending time together. However, I recognize there are limitations to this approach, and a lot of collaboration happens remotely.

This method can be more focused at times, and I'm open to both, but I prefer meeting other artists in person. To add, I run my studio business, and the preference remains the same. Before COVID, more clients would attend sessions in person, but during and post-COVID, remote collaborations became more common. Still, if a client wishes to visit, I'm always happy to welcome them to the studio.

As an analog lover, what’s your take on AI-generated music?

Yes, I'm an analog lover. Honestly, I haven't been deliberately exposed to A.I. generated music. I've played with image generators, which I found fascinating. However, when it comes to A.I. generated music, I lack experience. We're at the beginning of this journey, and soon it'll be a reality we can't ignore. The music industry will inevitably have to adapt, and I'm certain it will bring significant change.

What’s the best piece of advice you would give to someone starting out in electronic music?

To quote Rick Rubin, though I'll paraphrase his recent Instagram post, it's vital to create music for an audience of one: yourself. When you make music for labels, audiences, or another DJ, it risks not coming from your heart. Instead, it might seem like a tool crafted to achieve a specific goal. It's best to focus on what you genuinely want to express musically. By immersing in your unique sound and believing in it, you'll naturally reach and resonate with others. Don't get caught up in comparisons, especially at the start. It's crucial to give yourself time to develop.



Today, it's easy to produce something and share it instantly. But remember, you only get one chance to make a first impression. It's not about remaining secluded in your studio, but about recognizing the right moment to share. George Orwell, and I'm paraphrasing again, once said that the absence of limitations can hinder art. It's important to face challenges and boundaries; they help you grow as a musician. Nowadays, everyone can have a recording studio on their laptop, removing technological limits. Sometimes, imposing certain restrictions on yourself can guide your creativity, leading to a more meaningful output.

Have you ever had a powerful or memorable experience during a live performance?

There are countless memorable experiences, too many to mention specifically. While not every night is one for the books, when it is, it's profoundly beautiful. Having so many people in one room, sharing the same energy through music, is one of the primary reasons I do what I do.

If you could create music with any artist, who would you choose and why?

I've been fortunate to work with many of the artists I admired when I started out. One notable collaboration was with Ursula Rucker on "Poem for the Planet." I've dreamt of working with her since hearing her voice in the mid-90s.

Another artist I deeply admire and would love to collaborate with is Róisín Murphy, the former Moloko singer. I've always respected Moloko as a band and particularly her voice, attitude, and overall presence. I'd be thrilled to create a track or write a song with her.

When you hit a creative roadblock, how do you get over it?

Creative roadblocks are tough. I've taught many workshops and masterclasses about this topic, and I could probably talk about it all day. To keep it brief, it's crucial to know when to push through and when it's better to just step back. Sometimes, it's more beneficial to do something else and avoid further frustration. At other times, you can find ways around the roadblock.

For instance, you could organize your sample libraries or look for new sounds. As you go through your samples, you might stumble upon one that sparks inspiration. Before you know it, you might be building a track. Or, by focusing on sound design for individual elements, you could suddenly have a collection of sounds that come together to create a vibe. Add a bass drum, and you're off to the races. However, if you feel it's not working, it's best not to push too hard.

Lastly, a fun one - if you weren’t a musician, what other job would you want to do?

I've held a variety of roles throughout my career. I've written for music production magazines as a technical editor and worked as a photographer for many years. Both professions are areas I could easily pursue further. However, if I were to think outside of these experiences, I've always been fascinated by the idea of becoming a marine biologist. My interest in water, oceans, and wildlife draws me to it.

I understand that much of the job involves observing vast bodies of water, waiting for specific wildlife that may never appear. Interestingly, as a touring musician, I often find myself waiting around for extended periods, so the waiting aspect wouldn't be new to me. Ultimately, a profession connected to nature, travel, and wildlife, whether as a marine biologist or perhaps even a volcanologist, would be compelling to me.

Strings to Synths: A Candid Interview with Hannes Bieger

How are we over halfway through August already?

You might not want to believe it, but it’s true! Ibiza is absolutely buzzing and all of the summer residencies are in full swing.

That means that it’s even harder to choose what parties to focus on in this week’s round-up, but not to worry, we’ve sifted through the massive list and whittled it down to our top picks for the next 7 days.

Let’s dive right in.


Joseph Capriati presents Metamorfosi Closing Party | Amnesia Ibiza | Friday, August 18





Get ready for an unforgettable night as Joseph Capriati presents Metamorfosi reaches its sensational climax at Amnesia Ibiza. 

The Terrace will be pumping with a dynamic back-to-back-to-back set by Joseph Capriati, Seth Troxler, and ANOTR, who will all be supported by Francesco Squillante. 

Meanwhile, the Main Room will be hosted by Reinier Zonneveld (live), complemented by Enrico Sangiuliano, Sasha Carassi, and Ivan Masa, weaving a multi-genre musical tapestry. With Amnesia's state-of-the-art production elevating the experience, this night promises to be one of the books.

Get your tickets for this closing party.

Follow Joseph Capriati on Facebook | Instagram | Spotify

ANTS | Ushuaïa Ibiza | Saturday, August 19





Join the swarm at Ushuaïa Ibiza for an unforgettable ANTS experience. 

This iconic 10th season celebration will feature a powerhouse lineup including long-time residents Andrea Oliva and Nic Fanciulli, as well as Vintage Culture, Wade, The Menendez Brothers, Raul Rodriguez, and a dynamic B2B set with Francisco Allendes and Manuelito Hell Raton. 

From 3pm until 11pm, immerse yourself in house and tech house anthems from day to night. Get ready to be captivated by mind-blowing visuals, the immersive set design, and a genuine Ibiza atmosphere that’s popular with workers and tourists alike.

Get your ticket for this Saturday night rave.

Follow Andrea Oliva on Facebook | Instagram | Spotify

Franky Wah presents SHÈN Ibiza | Club Chinois Ibiza | Sunday, August 20





Emerging as a prolific force in the DJ and production scene, Franky Wah is bringing his signature blend of emotion, dancefloor energy, and captivating hooks to the forefront this Sunday. 

Having taken the music scene by storm, he has now taken over the decks in 2023 for his residency at Club Chinois, transforming it into a mystical temple adorned with terracotta warriors. 

Joining him on this journey on August 20 are fellow talents James Organ, Massano, and Out of Mind. 

This party transcends music, embodying Franky's artistic vision that combines his Chinese heritage and ethos into a powerful experience. From 11:45pm till dawn, you can enjoy the enchanting ambiance of Club Chinois, where music and energy merge seamlessly.

Get your tickets now and end your week right.

Follow Franky Wah on Facebook | Instagram | Spotify

Funky Aura Ibiza | Akasha Ibiza | Monday, August 21





Get ready to relive the magic of Ibiza's past as Funky Aura Ibiza takes over Akasha this Monday. Rekindling the essence of the once-hidden gem, Aura, this party celebrates the island's authentic and creative spirit that's often overshadowed by commercialization. 

With Hayden Trethewey, Sunny Ramzan, and Vaughan at the helm, Funky Aura Ibiza breathes new life into the scene, offering an experience that resonates with the unusual, beautiful, and vibrant personalities that define Ibiza's soul. 

Formerly a celebrity hotspot, the original Aura club attracted the likes of James Blunt, Cara Delevingne, and Charlotte Tilbury, and now, after a decade of closure, it finds a fresh home at Akasha. Joining the journey this week are Johnny La Plage, Dylan Debut, Schelcher, and 3Mind, ensuring an unforgettable night that rekindles the island's true essence.

Get your tickets to this Monday night party.

Follow Funky Aura on Facebook | Instagram

The Martinez Brothers | Hï Ibiza | Tuesday, Aug 22

Prepare for an unforgettable night of music and energy as The Martinez Brothers take over Hï Ibiza once again on Tuesday, August 22. 

These influential DJs, producers, and style icons hailing from The Bronx have been smashing their second-season residency at the number one club in the world. With their signature New York-influenced sound, The Martinez Brothers, along with Carlita B2B Chloé Caillet, will keep the Theatre buzzing all night long. 

The Main Room will be under the spell of Spanish techno stalwart Paco Osuna, delivering his trademark tech house beats alongside Solardo and Tomi & Kesh.

Get your tickets to this sell-out event.

Follow The Martinez Brothers on Facebook | Instagram | Spotify

El Cielo | Diynamic Outdoor | 528 Ibiza | Wednesday, Aug 23





Rooted in the underground electronic music scene, Diynamic Music has risen to global acclaim since its founding in 2006 by Solomun and Adriano Trolio in Hamburg. 

Now, the label's iconic summer open-air concept graces the grounds of 528 Ibiza, offering an unforgettable outdoor experience. 

Solomun, label co-founder and a true crowd-puller, will take the helm for this special event, so we know it’s going to be a busy one! Known for its legendary showcases and residencies worldwide, Diynamic's presence in Ibiza ranges from Neon Nights at Sankeys to its showcases at DC-10. 

As the sun sets over the Benimussa hills, immerse yourself in the captivating atmosphere of 528 Ibiza, where nature and positive energy converge to create a unique experience.

Discover 528 - buy your ticket now.

Follow Solomun on Facebook | Instagram | Spotify

Music On Daytime | Destino Ibiza | Thursday, Aug 24





This open-air extravaganza seamlessly blends the finest dark techno and underground house tracks under the blaze of the Balearic sun. 

Destino Ibiza is known for its exclusive and carefully curated events and provides the perfect setting to experience the magic of Music On. From 5pm until midnight, you can dance to the tunes and style that have made Marco Carola a global sensation, supported by fellow world-class artists (still to be announced). 

As the sun sets, the energy seamlessly transitions from a daytime party to a nighttime rave, creating an unforgettable atmosphere. With a reputation for delivering exceptional performances, Marco Carola's dynamic mixing skills will keep you on your toes, accompanied by fist-pumping drops that send the crowd into a frenzy. His influence in the techno realm is unrivaled, and his dedication to high-quality music is palpable, making this event at Destino Ibiza an unmissable experience.

Don’t miss out - get your tickets.

Follow Marco Carola on Facebook | Instagram | Spotify

This Week In Ibiza (Aug 18 - Aug 24)

The Miami-based duo, Calussa comprises two brothers, Andrew, and Gino Gomez, who are exceptional artists wearing multiple hats as producers, DJs, label heads, and siblings. Calussa has quickly become a powerhouse, standing firmly at the forefront of the dance music scene with a sound that beautifully weaves together tech house with a captivating afro and Latin elements. 

Their label, "Hurry Up Slowly" has achieved tremendous success, amassing a dedicated global following. It comes as no surprise, as their tracks consistently dominate charts worldwide. Calussa's unique style and international acclaim have firmly established them as rising stars in the electronic music landscape as they continue to dazzle audiences on their summer tour.



How are you guys doing and how's the tour going?

Gino: Everything is great. We're just here in Barcelona right now, taking a little break before our show in Ibiza next week. We had Exit Festival last week we're just here at our base in Barcelona, taking some days off and just working on some new music.

Can you take us to the early days? What brought you both to dance music?

Andrew Gomez: It came from Gino's side. He bought some turntables when he was maybe like 16, 17, and he started really blasting. I think it was the first time I ever heard dance music. And he started learning how to DJ. And it just kind of rubbed off on me. 

I was more on the guitar and collectively we came together, and we were practicing everything that day. And I think when he was 17, 18, he played for a club in Miami called Mokai. And from there we collectively just started doing it together and we never looked back.

Gino: From traveling at a young age too, I think I was exposed to a lot of electronic music in Europe. Going to places in Greece and Ibiza at a young age and kind of just being exposed to electronic music and seeing some DJs play at an early age kind of just inspired me to get into that realm and that's kind of how we started soon after, got a small little DJ controller and kind of went from there.

And have you always wanted to work together? How did that happen?

Andrew: I feel like it was a very good synergy from the start. I come from a musician background, I play a lot of instruments and we've always collectively come together and just shared the tracks that we liked at the time, maybe talking about like 2008, 2009. So, it was always a good synergy.

Gino: It was always interesting because in Miami, the legal age to enter a club is like 21 and I started DJ'ing at like 18. At that time, he was 15 years old. So, he was almost way too young to even be in the club. But after like a year or two, he started getting very into it, and then, naturally we just started doing it together. And we both were in the same kind of musical realm or lane. And it just really gelled. We have a lot of synergy. And we contrasted a lot.


Andrew: I was always more focused when I was at that age, like 15, 16, I was more focused on music production and learning the logic program and just kind of like learning all that stuff while he was, you know, teaching all the nightclubs because obviously I was too young. So obviously when I got to an age where they would allow me to get into the nightclub, that's when the whole collaboration started.



Your music has heavy Afro and Latin elements. What influences your sound?

Gino: I think just being in Miami really and kind of our heritage or our background. Our dad is Cuban, and he was a drummer growing up and we were always raised around a lot of Latin music between our dad and our mom and then being in Miami as well. 

We've always had that love for percussion and music that makes you dance and kind of reflected in the music that we started producing. Little by little, we just saw it was working and catching on and that it just worked on the dance floor and made the whole dance floor move.

Andrew: And it's also cool because Miami is like a melting pot of so many different cultures. So not only like Latin music but almost all genres and Middle Eastern sounds, Brazilian sounds and it's all derived from the same place, you know, it's all Afro and drums and stuff like that. So, it's cool. Like being from Miami, you can apply all the different formulas and recipes to your music.

What is the dynamic between you guys like in the studio?

Andrew: It's organic, honestly. When we sit down, we come together, we talk about the music that we're listening to and tracks that are inspiring us and we just kind of start with a clean slate and figure out what we want to make on that day. 

Much of our music experimentation never sees the light of day. However, the beauty of our position is the privilege of touring. When we find an idea we all like, we test it on the road, tweaking its mix and mastering in various nightclubs. Together, we make dynamic and sonic adjustments to the tracks. By the end of our tours, we've collectively completed our tracks.

Gino: Yeah, and he was a guitar player from a young age when he was, I think like 10 years old, he got his first guitar, so he also plays the keyboard, so he'll kind of get an idea going in terms of melody or concept. 

And then I'm very technical and good with percussion and using loops and creating different patterns and arrangements. So, we kind of both have our specialty, but we like to help each other through the whole process.

How do you usually start a track and how do you know when it's finished?

Andrew: I'm not sure if you ever know. 

Gomez: Typically, it comes off as just a basic idea, it could be a sample or a melody. And usually, to know when it's finished, it's tough because there's like producer syndrome. You're never happy.

 I don't think anybody's ever happy. I think it's more about when you're the most okay with it. And really from just testing it out and being able to have that ability to be able to test tracks out at shows and develop them and see what's missing and what's needed. 

Then after a certain point, you feel happy with the response and how it sounds through other club speakers or other systems. And then you kind of make the call that it's time to move on. But I think that this is something that a lot of producers struggle with and kind of never being satisfied with your mix. 

But I think it takes another level of discipline to finally be like, 'okay, I'm done with this track. Let me get started on the next.' I would say the best way to know is just really from playing it live and hearing how it sounds and seeing the response.


You just dropped a nostalgic new track, Fell in Love with Carlita via Diplo's Higher Ground imprint. Can you tell us how it all came to be?

Andrew: Absolutely. So, the song was a year in the making. We had an idea for a while and we were just kind of like sitting on the track, but when we were in Dubai, we met up with Carlita and we were just catching up and stuff. 

I guess the track just came up in conversation. She asked us what we were working on. We showed her the concept, and she was in love with it. She's a very nineties girl like us, she loves the nineties and those nostalgic tracks that came from that era. We came together, and Diplo was a fan of the track, so he was cool enough to put it on higher ground and the response has been amazing.

Gino: It was an organic idea of a track and how it all kind of came together but really like we've always loved that ‘90s classic vibe and we wanted to bring a feeling of that and thank god Carlita has a very similar vibe and ear to us. And she was able to get on higher ground. They have an amazing team. We're grateful that we were able to work with such a great team on getting this out with them.

Could you tell us a little bit about how your label, ‘Hurry Up Slowly’ came to be?

Gino: We've been doing events in Miami now for almost four to five years and the brand started with the event series and event concept. And then more and more we felt like there should be a sound to what our events were and a sound that speaks to us. A couple of years into the events, our close friend Malone joined some of our events and played with us and then we started this label concept a few years ago, but it’s kind of just started with hearing tracks and demos that would get sent to us. 

It just made sense to start our own sound or own label, especially if we were pushing something unique to Miami at that time. It’s kind of just started for fun and as a hobby and signing tracks that we liked and now it's grown into what it is today. We would never imagine that it would get to this point working with some of the artists on the label and some talented producers.

What has been your biggest lesson working as a duo?

Gino: Learning how to compromise for sure. You must compromise and come to an agreement. Sometimes you have different opinions, but at the end of the day, it's working as a team in the unit and really being able to see each other's points of view and opinions and kind of coming to like a middle ground sometimes. We can get into an argument and then be good the next day. We're brothers.

Andrew: Well, kind of like what he said earlier about, figuring out when the track can be done. Like he said, it does take a lot of discipline and I must credit him for that discipline because, for me, a track can go on forever trying to finish it or mix it more and more and more. And that's where compromise is so important and since we're a duo, your kind of like lift each other up and you think the track is done, okay, then it's done then.

What else have you got planned for the near future?

Andrew: We're about to finish our last gig in Europe for our Phase One Summer Tour. And then we go back to Miami in August, and we start our Phase Two. But we're very excited to be coming to Asia for the very first time. We're playing at Savaya Bali, this legendary venue in Bali. They curate some of the most amazing music and crowds. And just the space itself is amazing. We're excited to be doing that. We have some special releases coming up.

Gino: We're excited about August and September. Can't say too much, but big things are coming. We're excited to announce it when it's time. Even our biggest release to date and it's a collaboration with artists that's been really like an older brother to us and role model.

We're also getting to play in what we can say is like a dream venue for us. Bali is a place I've always wanted to go to personally and then also to play at the venue that we've always wanted to play in.

What would you like your legacy to represent in the years to come?

Gino: I mean, definitely leaving something that stands outside of just music itself and really just inspiring others to kind of do whatever it is that their passion is and do it for a living and then kind of really try to conquer what seems impossible. 


I'm a cancer survivor. Before my journey or battle, I couldn't have imagined doing what we're doing now. I aim to inspire others, whether they're facing similar struggles, have overcome them, or are just chasing their dreams and goals. It's about inspiring beyond just the musical realm.

Brothers in Beat: How Calussa is Sweeping the Scene

It is a good week to be in Ibiza.

Not only is the weather glorious, but the club calendar is at its peak, and the island is packed with excited party-goers ready to fill the dance floors of the multitude of incredible super clubs dotted around the White Isle.

I’ve put together a list of our top picks for the week. I hope you’re ready to party!

El Cielo Camelphat | 528 Ibiza | Friday, August 11



This groundbreaking collaboration between Pacha and 528 Ibiza promises an ethereal clubbing experience, where on Friday, August 11th, from 6pm to midnight, Camelphat will lead the charge with their signature blend of progressive house and melodic techno. 

The Liverpudlian dup will be joined by Patrice Bäumel and Brina Knauss, as the day turns to night over the Benimussa hills. If you haven’t experienced 528 Ibiza in 2023, make sure you don’t miss out on this one. Unforgettable energy in a one-of-a-kind location. It’s a no-brainer.

Get your tickets before they sell out.

Follow Camelphat on Facebook | Instagram | Spotify

Elrow Horroween | Amnesia Ibiza | Saturday, August 12



Enter the realm of spine-tingling revelry as elrow Horroween descends upon Amnesia Ibiza. Step into the eerie tale of the Roween mansion, but remember, once you cross the threshold, there's no escape - only endless panic-infused partying. 

From the chilling tunnel of terror to the haunted graveyard, every corner of Amnesia’s terrace will be filled with nightmarish energy, hosting party zombies, bloodthirsty vampires, and macabre characters. 

elrow's audacious and wildly creative production will transform your night into a realm of exaggerated theatrics, fantastical costumes, and electrifying tech-house sounds. Get ready for a night of pure, uncaged, and otherworldly revelry that will leave you both thrilled and spellbound.

Get your ticket for a party you need to see to believe.

Follow elrow on Facebook | Instagram

Glitterbox | Hï Ibiza | Sunday, August 13



Get ready for an end-of-week extravaganza that encapsulates the vibrant spirit of disco as Glitterbox returns on Sunday at Hï Ibiza, headlined by Basement Jaxx, Eats Everything, and Melvo Baptiste. 

Embodying the essence of carefree celebration, Glitterbox has transformed into a worldwide nightlife phenomenon in under a decade. 

What’s not to love about its star-studded line-ups, mesmerizing disco diva performances, and an abundance of sequins and spangles? 

Regardless of identity or affiliation, everyone's welcome on this dance floor where prejudice and ego are left behind. The musical DNA of Glitterbox is a truly harmonious blend of re-imagined house, disco, and soul. It’s the perfect end to a weekend on the White Isle.

Get your tickets to Sunday’s spectacle.

Follow Basement Jaxx on Spotify | Instagram | Facebook

Eric Prydz presents HOLO | Hī Ibiza | Monday, August 14



Pryda label-head Eric Prydz has been making some serious waves in Ibiza the summer, lighting up Monday nights on the White Isle. Returning with a bang after his last residency in 2017, Prydz has been filling dance floors with party-goers all there for one this, his intimate HOLO show, tailor-made for the Theatre room at Hï Ibiza. 

HOLO's visionary production, coupled with Prydz's iconic DJ prowess, has created a groundbreaking experience that words can't do justice. With a lineup boasting techno luminary Adam Beyer and protege Cristoph in the Theatre, and the infectious energy of Patrick Topping in the Club Room, Mondays at Hï Ibiza are most definitely the new Fridays.

Experience this audio-visual marvel.

Follow Eric Prydz on Facebook | Instagram | Spotify

Do Not Sleep | Cova Santa Ibiza | Tuesday, Aug 15



Do Not Sleep and Richy Ahmed's Four Thirty Two label team up for an electrifying event at Cova Santa Ibiza on August 15. The San Jose hills will come alive with tech house and underground vibes from 7pm until 5am. 

Outdoors we have Marco Faraone, Mar-T B2B Luca Donzelli, and Félix, while the ancient cave of Cova Santa will transform into a dance haven with Richy Ahmed and Fleur Shore taking the reins, along with a yet-to-be-announced special guest. 

Whether you're dancing under the Balearic stars or inside the enchanting club, the night promises to be unforgettable.

Buy your ticket and don’t miss out.

Follow Do Not Sleep on Facebook | Instagram

Bedouin present Saga | Pacha Ibiza | Wednesday, Aug 16



Prepare to embark on a mystic musical journey as Bedouin presents Saga at Pacha Ibiza. With an aura of enchantment and surrealism, Saga stands as one of the island's most enigmatic residencies on the island. 

Bedouin's innovative concept has garnered a devoted following since its inception in 2017. Immerse yourself in a Middle Eastern-inspired ambiance adorned with drapes, incense, evocative dancers, and ethno-vocals under dimmed lights, creating a unique experience like no other. 

Returning for its second chapter in 2023 after a triumphant debut at Pacha last summer, Bedouin expands their vision of weaving sonic tales with bewitching deep, desert, and shamanic house beats and on August 16 they’ll be joined by Jan Blomqvist (live) and Arodes.

Buy your ticket.

Follow Bedouin on Spotify | Facebook | Instagram

Solomun | Destino Ibiza | Thursday, Aug 17



This party brings together the masterful Bosnian DJ and the exclusive ambiance of Destino Ibiza for the third edition of this year's residency. 

Set against the stunning backdrop of Cap Martinet's cliffs, Destino offers not only mesmerizing views but also a top-notch sound system that will resonate with the pulse of Solomun's deep house sounds. 

As a four-time DJ Award winner, Solomun's electrifying presence guarantees an enchanting musical journey from 5pm to midnight. Joining him on August 17 is the talented Damiano von Erckert, promising a night filled with high-quality electronic and underground sounds, a jam-packed dance floor, and memories that will last a lifetime.

Don’t miss out - get your tickets.

Follow Solomun on Facebook | Instagram | Spotify

This Week In Ibiza (Aug 11 - Aug 17)

“What's the tech house on right now?” wonders Martin Ikin upon entering the green room at Reach Entertainment’s '90s rave revival event. He’s basking in the glow of his recent performance at EDC, just as San Pacho is, from his set the previous night. Both, among Europe’s leading tech house artists, chat with Gray Area about tech house's direction, with special attention to its trending subgenre: Latin tech house.

“I'm intrigued by Martin's perspective; he's a trailblazer,” remarks San Pacho post his set and while Ikin finishes his.

San Pacho, a rising talent in Latin tech house, acknowledges Ikin’s pioneering role: “He constructed this scene. So, his views might be weightier than mine. But as a newcomer, I can provide a fresh perspective.”

TECH HOUSE SOUNDS

“Latin tech house revolves around vibrant percussion and sultry vocals,” says San Pacho. “My current focus is collaborating exclusively with Latino artists for Latin tech house tracks.”

Ikin observes the dynamic nature of global tech house. “The scene is always evolving. You subtly adjust as trends emerge.” Rooted in fundamental sonic elements, he adds, “Solid beats form the base. And right now, the 808 bass vibe seems predominant. I'm also into integrating synths and captivating vocals.”



As a seasoned jazz pianist, Ikin infuses his tech house tracks with rich textures. “I invest in synthesizers, and I'm drawn to innovative synth use.” He gives a sneak peek into his latest collaboration with Noisia, which showcases unique synth work. “We premiered it at EDC. It's titled ‘Burning’ and uses a sound I created on an ARP 2600 clone.”

San Pacho, in contrast, relies on crowdsourcing. “I tweeted an open call to Latino artists. The outcome was some incredible tracks, like 'A Dalè' which I played at EDC.”

The dialogue with both artists highlights that tech house is morphing, fueled by innovative collaborations and experimentation, challenging previous boundaries.

GLOBAL SOUNDS

“There used to be distinct regional tech house sounds,” notes Ikin. “But now, these differences are fading. The genres are blending more.”

While San Pacho sees Latin tech house booming in the Americas, he feels Europe leans more towards traditional house. He observes a bpm shift in Latin tech house. “It was 126 for a while. Now, it's edging faster. Odd Mob, for instance, does fantastic faster-paced house.”

San Pacho contemplates this shift. “I'm mulling over experimenting in that direction.”

Such explorations, combined with collaborations among producers, indicate a robust future for tech house in an increasingly interconnected world.

DIFFERENT VEINS

A week later, Gray Area converses with Kaysin from Repopulate Mars.

“Tech house has diverged into multiple styles,” Kaysin points out. “We see minimalistic sounds from Cloonee, and the bold beats of Fisher and Chris Lake. With such diversity, tech house remains intriguing and open for further exploration.”

He mentions several emerging artists, including Local Singles and Truth x Lies, praising the current dynamism. “There's talk of the 'bubble bursting' for some genres,” he says. “But with tech house's many offshoots, it’s always evolving.”

For Kaysin, tech house's global resonance and the influx of novel sounds within the subgenre indicate a renaissance.

Reflecting on contemporary global tech house, Kaysin concludes with a beaming smile, “It’s profoundly special.”

Martin Ikin, San Pacho, and Kaysin on the State of Global Tech House

Get ready to turn up the heat!

Ibiza’s dance floors are on fire right now, with dream lineups popping up left, right, and center. I’m here with another round-up of incredible events over the next 7 days on the White Isle.

Don’t miss out, make sure to get your tickets ASAP.

Defected | Eden Ibiza | Friday, August 4

Popular with workers and tourists alike, Defected at Eden Ibiza is back again this Friday with a stellar lineup ready to get you moving. LP Giobbi, Harry Romero, Melé, SG Lewis, and The Murphy Brothers will be bringing the house tunes all night long at the island's most pocket-friendly, inclusive, accessible party.

Defected is renowned for its ethos: 'In our house, we are all equal.' And that sentiment permeates every inch of the dance floor. It's not just about having a good time, it's about coming together, being part of the Defected family, and losing yourself in the unifying power of house music.

Get your tickets for this incredible party.



Follow Defected on Facebook | Instagram

ANTS | Ushuaïa Ibiza | Saturday, August 5

ANTS, now in its 10th season, has become a remarkable part of the Ibiza party scene with its mix of house and tech house anthems at Playa d’en Bossa’s ultimate outdoor venue, Ushuaïa Ibiza. Its popularity has not stopped growing since its conception in 2013, proving popular with workers, locals, and holidaymakers.

This installment will see a B2B showcase from ANTS alumni Andrea Oliva and Ilario Alicante, following sets from Cloonee, Vintage Culture, Mason Collective, Miane, and Raul Rodriguez. Make sure that you’re part of the ANTS colony.

Get your ticket for this day-to-night party.



Follow ANTS on Facebook | Instagram

Pyramid | Amnesia Ibiza | Sunday, August 6

This is one for the techno-heads. Amnesia’s home-grown party Pyramid is dedicating the Terrace to ‘Solo Techno’ to close off the week in style. If you’re a fan of live sets, you won’t want to miss out on KiNK’s only Ibiza appearance this summer. And if that wasn’t enough, techno queen Charlotte de Witte will be also bringing the beats. This party is going to be one for the books!

Since its inception in 2018, Pyramid has become a staple in Ibiza's clubbing scene, offering immersive experiences through state-of-the-art technology, lighting, and unique decor. 2023’s events come with a clear motto: appreciate the past, live the present, and dance into the future.

Get your tickets to Sunday’s showstopper.



Follow Charlotte de Witte on Spotify | Instagram | Facebook

Circoloco | DC-10 Ibiza | Monday, August 7

A Monday ritual like no other. Circoloco returns to DC-10 Ibiza for week 15 of 24 on August 7, with another mind-blowing lineup of underground, house, and techno DJs ready to take you on a sonic journey like no other. 12 hours of no-frills music. Just the way we like it.

Now in its 24th season, Circoloco shows no signs of slowing down. If anything, they are gearing up for more incredible parties and more unforgettable nights at the iconic DC-10. This underground event has a deep-rooted history on the White Isle, initially a Monday morning ‘afters’ session kicking off at 6am. Nowadays, even though the times have shifted, the ethos and mentality stay the same, drawing in party-goers from around the globe every single Monday night throughout the summer.

Get your tickets before they sell out.



Follow Circoloco on Facebook | Instagram

The Martinez Brothers | Hï Ibiza | Tuesday, Aug 8

Renowned American house duo, The Martinez Brothers, are absolutely smashing their second season residency at Hï Ibiza, alongside veteran techno DJ, Paco Osuna, who has been hosting the Main Room throughout the summer. Known for their New York-influenced sound and infectious energy, the Martinez Brothers have been filling the dance floor all summer, and this one is due to be no exception, as they are joined by Apollonia.

The world’s number one club is known for uniting crowds through quality music and positive energy, is once again the chosen venue for this dynamic duo's summer residency, which also includes the fun-filled Wild Corner (if you know, you know!).

Buy your ticket and don’t miss out.



Follow The Martinez Brothers on Facebook | Instagram | Spotify

The Ritual with Anané & Louie Vega | Club Chinois Ibiza | Wednesday, Aug 9

The Ritual is an electrifying residency spearheaded by the esteemed electronic music duo, Anané and Louie Vega. Renowned for their eclectic blend of house, disco, garage, soul, and Afro-Latin beats, the duo aims to provide an immersive and uplifting experience, combining music, culture, and spirituality - this week joined by house music legend Todd Terry and Tony Touch.

Club Chinois, known for its cutting-edge design, state-of-the-art sound system, and captivating visuals, is the ideal venue for this intimate and transformative celebration of life, love, and music. Will we see you there?

Buy your ticket and discover Club Chinois.



Follow Louie Vega on Spotify | Facebook | Instagram

Sven Väth presents Catharsis | Akasha Ibiza | Thursday, Aug 10

Legendary German DJ, Sven Väth, returns to Akasha Ibiza for the 3rd installment of his celebrated event, Catharsis. A titan in the techno world, Väth's immersive sets are famed for their diversity, traversing genres from minimal to techno, electro to ambient, providing a sonic snapshot of his four-decade-long career.

This year, embracing a 'less is more' approach, each of Väth's carefully chosen performances on the island promises to offer a unique fusion of sound and energy. The evening starts in the garden of Las Dalias from 7pm until midnight, before moving indoors to Akasha, where the three-time DJ Awards winner will continue spinning tracks until the early hours. Be sure to secure your tickets quickly for this sure-to-sell-out event, and prepare to lose yourself to the captivating beats of 'Papa' Sven.

Don’t miss out - get your tickets.



Follow Sven Väth on Facebook | Instagram | Spotify

This Week In Ibiza (Aug 4 - Aug 10)

Orange County-based electronic music producer Dillon Nathaniel’s productions tend to set cross-genre trends — not only in his home state of California, but also across the broader North American electronic music landscape. That’s been true ever since he started professionally releasing his music shortly after graduating from preeminent electronic music production institution Icon Collective in the mid-2010s (alongside classmate Jauz).


It went like this: after his initial electro-focused releases on outlets such as EDM.com, Nathaniel connected with AC Slater, who eventually signed one of Nathaniel’s tracks to a Night Bass compilation. “That’s when I dove into bass house for the first time and transitioned from electro to bass house,” Nathaniel tells Gray Area. From there, prominent co-signs by Malaa and Tchami proved to be early landmarks in the rising producer’s career.







“One of the first real tech house sets that I played was EDC 2019, at the Black Book stage for Chris Lake,” he articulates while explaining the course of his musical evolution. “That was a combination of my bass house with new tech house energy in my music. Then just unloading at the end with straight techno. I never really heard somebody blend all those three sounds together.”



Despite his plethora of bonafides as an influential producer and tastemaker in the wider North American dance music scene, Nathaniel readily admits that his current personal fashion aesthetic is heavily influenced by someone other than himself.



“Honestly, I owe a lot of my newer sense of fashion to my wife,” Nathaniel concedes.



That’s a slightly surprising admission from such an established artist and producer like Nathaniel. He’s someone who might be expected to curate their outfits as an essential component of a carefully crafted individual artistic identity.



But Nathaniel and his wife Yelah's (legal name: Hailey Marie Escobar) relationship is more than simply spousal. They’re also co-founders and operators of the boutique electronic music clothing brand Warehouse Project. “[Yelah’s] definitely the creative side of [Warehouse Movement],” Nathaniel informs Gray Area. “She’s the person that really makes it all happen and puts it all together. She puts in the blood, sweat, and tears.”



In this way, while Nathaniel focuses on sonically sculpting his developing brand of contemporary west coast US tech house, Yelah physically fabricates with up cycled textiles to create her one-of-one pieces that are primarily made for electronic musicians to wear onstage. In separate phone conversations with Gray Area, both Nathaniel and Yelah refer to Warehouse Movement’s stylistic label interchangeably as “stage wear” and “artist ware”.



So far, the artists who’ve worn Warehouse Movement’s one-of-one pieces onstage seem to be enthralled by the brand’s wild, forward-thinking juxtapositions of endlessly recognizable cross-genre conventions and concepts.



“A lot of the artists within the scene are doing the same thing right now — the bright colored button-ups and stuff, sunglasses, and cool-guy hat,” Yelah opines. “I want to bring some originality, some forward-thinking fashion, and eco-conscious fashion to the scene.”



“Rave meets punk, and metal meets streetwear,” Nathaniel says about his conception of the brand’s core aesthetic. “Upcycled vintage style but using modern rave graphics with that edginess of streetwear with punk and metal.”



“A perfect blend between street, club, and high fashion,” says Yelah.



“Every single person's individual, every single person has specific tastes and style,” she says. “Why not represent that in the clothing that you wear?”

ONE-OF-ONE

Each Warehouse Movement piece is conceptually and physically fabricated by Yelah; Nathaniel contributes ideas along the way.



Accordingly, every piece that Warehouse Movement releases “is one-of-one. Once it’s made it will never get made again,” Yelah explains about Warehouse Movement’s main brand tenets that allow the brand to create uniquely recognizable works. “When you put on our piece, it makes you feel a certain way — like, ‘Oh, shit, this is me!’



“When people step onstage, they're coming into their persona — who they are onstage,” she notes. “That’s why a lot of our brand is centered around artist ware. It makes you feel like that person.”



While focusing on that aesthetic as a designer and stylist, Yelah’s ongoing relationships with prominent artists speak volumes about her artistic sensibilities and skills. She lists Speaker Honey, Fiction, and Nathaniel as some of the close collaborators whom she styles with Warehouse Movement’s limited edition threads.

“Those are some of my best friends,” she tells Gray Area. “Those are the people who believed in me from the moment I started making my stuff to now, and I support my people no matter what. It’s just like a family.”



Consider Speaker Honey, a standout crossover electronic music producer who’s making waves in cultural circles beyond dance music. For example: Although she hasn’t yet graced a runway during fashion week in Milan, New York, or Paris, the Deadmau5 protégé does enjoy a highly visible brand partnership with Italian luxury fashion giant Armani. Yelah’s largely responsible for Speaker Honey’s hair and other personal styling. Outside of artists, the brand is available to anyone who wants a similarly individualized fashion experience.





In this way, Warehouse Movement’s choice to cater to individual artists and attendees alike is a step towards eliminating the massive cultural stratification between onstage artists and GA attendees. “It’s very counterintuitive that these one-of-one pieces are going to break down barriers between artists and the crowd,” admits Nathaniel. “But it does create that feeling of we're all part of one community, and we can all be expressive in our ways.”



This might be the most significant cultural impact of the Warehouse Movement: through juxtaposing various styles in their one-of-one productions, the brand directly challenges entrenched notions of what an artist or attendee under the gaze of popular electronic music culture should or can wear.



“Everyone's doing mass production, low-quality t-shirts and slapping their logo on it,” Nathaniel observes. “I want people to wear our brand when it has nothing to do with [promoting] our brand. I want it to be universal in that sort of sense.”

I CAN MAKE THAT

“I started Warehouse Movement with Dylan about five years ago [when] we had just started dating,” Yelah remembers. “I was looking for clothes for EDC and Coachella.”



“We were going out to shows all the time and she noticed that I drop money on jackets — that’s my vice. It doesn't matter if it's summertime or wintertime. I have this obsession with jackets,” Nathaniel says. “Sickass, one-of-one type pieces that nobody else has. “When we found out we got booked for Coachella in 2019, she surprised me and started working on this piece.”

“We were at my parent's house, and he showed me all these jackets — thousands of dollars, super expensive designer stuff,” Yelah recalls. “I looked at him and said, ‘I can make that for you.’



“She took one of my denim jackets and cut up one of our warehouse movement shirts. At the time, I didn't know what Warehouse Movement was going to be. When she made me that jacket, she cut up the warehouse movement shirt with the logo and pinned it on with safety pins. Then she cut up a different graphic of this other shirt that I thrifted with this crazy smiley face and pinned it on with giant metal school safety pins.





“Growing up, I got into the heavy metal scene for my dad. And in the scene, we make battle jackets. So, you put all your favorite bands on your jacket, wherever your show and you collect stuff at shows. That's where I got inspiration from,” says Yelah.



“That was the first original jacket that we ever made,” Nathaniel warmly recalls.



“Warehouse Movement combines the rock and metal scene I was born and raised on, and the house and techno that Dillon was born and raised on,” Yelah says about the brand’s main musical influences. “I am a huge fan of Marilyn Manson, Slipknot, System of a Down, Beartooth — there’s a lot. I could go on and on.” For her, Warehouse Project’s ideal aesthetic is “a perfect blend of rock and metal with house and techno.”







Wearing that jacket, Nathaniel “went to Coachella even though it was 110 degrees outside.” “I was sweating bullets. My manager was making fun of me. But right when I walked into the festival, someone came up to me and was like, ‘Yo, where'd you get that jacket?’ And we were like, ‘Oh, she made this!’.



“People were like: ‘How much is it to buy off your back right now?’ Yelah remembers. “And he's like, ‘No, my girlfriend made this for me!’



“That’s how I knew we had something special”, Nathaniel remarks, his voice tinged with a spark of retrospective wonderment.

DEDICATED TO THE LIFESTYLE



“Warehouse Movement is dedicated to the revival of the underground house scene,” Yelah confidently responds when queried by Gray Area about the brand’s thesis. “House music has become this genre flooded by all these younger people in the crowd who are focused on the party atmosphere. And that’s great. There's nothing wrong with that.”



“But house music has such a deep and beautiful history. We’re just trying to bring it back to that. Bring it back to the music — to the people who created it,” she says.



For Nathaniel, Warehouse Movement is also an important vehicle for “paying homage to the genres that you listen to, vintage things you like.”



“This community of people is so much more than the clothes,” he persuasively asserts. “It’s more about warehouse lifestyle.”



“I want to give back to the community and shine that light on everybody that I can. There's a lot of dark things about the industry that people don't talk about,” Nathaniel reminds Gray Area while discussing his ongoing artistic motivations. 



“What I see with my music and our brand as a clothing company in the future is to shed lighter insight about doing more positive things in the community.”



“All I want is to make people feel beautiful, happy, and confident,” Yelah says. “That's my drive. That's why I was put on this earth. And that's all I want for people.”



“It’s about bringing people together in the best or worst of times,” Nathaniel concludes. “Taking that moment to not escape reality but embrace reality.





It's kind of like in that old raver’s sort of mentality of P.L.U.R but trying to reinvent that. “How can we bring the community of people together while also doing it for a good cause?”

While also preserving the traditions of the past? 



Just to focus on the fact that everybody that listens to this music, we're all one big community, one big family and we have each other's back.”



Nathaniel says “We all really go through some dark times in our lives. Electronic music has saved me from depression, suicidal thoughts, and feeling neglected. So being involved in a community like ours is all about acceptance and love.





“COVID Everyone lost their job; our industry is at an all-time low. Touring completely stopped. So, we were thinking, hey, like, how are we going to make money here? So that's really, really where warehouse movement came into life.



"And, you know, we started going, hitting up every thrift store, we can, buying as much recycled clothes as we can like graphics online and everything and just kind of invested the money into sourcing thrift reusable items, and tried to make it into, you know, new pieces and sell them online.



“So, you know, during COVID, we were posting like a jacket a week, and my wife got really into hand sewing. So, she started sewing the graphics instead of pinning them. And, you know, it just literally just progressed until what it is today, which is, you know, now she has a full Office in our house with a sewing machine with, you know, like a whole rack of her items.”



“I do a lot of thrifting. So, I'll take thrifted jackets, and I will have artists give me pieces of clothing that they already own. And what I'll do with some of their jackets is they'll give me a jacket they love. They'll give me some T-shirts that they've worn to festivals or T-shirts they bought some places that they love, and care about. And I'll put them all together into one piece so it's uniquely them.





 And then for some of my other pieces, I will make material out of scrap material. So, I’ll sew together a bunch of scraps and I'll create T-shirts or pants out of them.”



Along with pushing sonic boundaries across subgenres, Nathaniel is also delving deeper into more practical issues surrounding the dance music industry as a whole; his focus on self-wellbeing and mental health is a major aspect of his ongoing collaborative tour with Sacha Robotti.



Here, Nathaniel and Yelah’s approach represents a refreshing change of pace that deviates in significant ways from the North American tech house fashion status quo.

Dillion Nathaniel & Yelah: Remixing Music Fashion

Are you ready for another week (and a new month!) in Ibiza?

There's a solid line-up of events on the White Isle that you need to know about, so let's waste no more time. Here are my top picks for this week in Ibiza.

BCC Radio 1 Dance Live  | 528 Ibiza | Friday, July 28

The annual summer event is back, continuing a tradition dating back to 1995 when BBC Radio 1 first hosted a party on the island. This year, 528 Ibiza, previously known as Benimussa Park and famed for the unforgettable Zoo Project parties, will entertain you from 4pm until midnight with diverse music across four stages - BBC R1 Dance, Radio 1 Dance Anthems, R1 Relax, and BBC Music Introducing. 

The lineup includes an incredible roster of acts including as MK, Patrick Topping, FISHER, Eats Everything, and more. Plus, as part of the mammoth weekender, the fun continues across Saturday and Sunday too, with BBC Radio 1 hosting more parties at Ushuaïa Ibiza, Ibiza Rocks, and Hï Ibiza.



Get your tickets for this incredible party.

Listen to BBC Radio 1 Dance

Elrow Kaos Garden | Amnesia Ibiza | Saturday, July 29

Every elrow event is unforgettable, simply because they’re so wild! The Kaos Garden theme is no different. This crazy concept has been brought to life by multidisciplinary artist Okuda San Miguel, and invites you to step into a real-life version of one of his favorite paintings, the Garden of Earthly Delights. 

Explore Kaos Garden's mix of astounding production, tech house music, high-flying performers, and interactive props including fun inflatables and of course their famous explosions of confetti at Amnesia Ibiza. In this multicolored world, time is irrelevant - it’s a space dedicated to spectacle, music, happiness, and unrestricted partying.



Purchase your ticket for the perfect Saturday night.

Follow elrow on Facebook | Instagram | YouTube

Solomun + 1 | Pacha Ibiza | Sunday, July 30

Join Solomun and his special guest for the night, Marcel Dettmann, at the island's oldest and most renowned super club on July 30. His Solomun +1 concept has been a staple at Pacha Ibiza since 2013, and since then has become one of the club's most successful parties. 

This series of events by the 4-time DJ award winner presents a blend of underground electronic music and Pacha's electrifying atmosphere, with the DJ booth positioned in the center of the dancefloor, creating an unparalleled clubbing experience in Ibiza. Don’t miss out!



Get your tickets to Sunday’s musical showcase.

Follow Solomun on Spotify | Instagram

Eric Prydz presents HOLO | Hï Ibiza | Monday, July 31

Another unforgettable is on the cards as Swedish superstar Eric Prydz is bringing his mind-blowing HOLO show back to Hï Ibiza for another incredible week. The more intimate HOLO experience was designed especially for Hï Ibiza's Theatre Room and has been packing out the dance floor week in, week out, all summer. 

This isn't your average show - it's a jaw-dropping, awe-inspiring visual feast backed by Prydz, one of the biggest producers of the decade. Joining him is the legendary techno DJ and founder of Drumcode Records, Adam Beyer, and UK-based Cristoph. Plus, the Club Room will be under the control of British DJ and producer Patrick Topping, a breakout artist hailed for his infectious energy. Mondays are the new Friday, for sure, so get your tickets and start your week right.



Get your tickets for this audio-visual spectacle.

Follow Eric Prydz on Facebook | Instagram | Spotify

PIV Ibiza | Cova Santa Ibiza | Tuesday, Aug 1

Prepare for a unique Ibiza experience with Dutch label PIV’s high-energy event at Cova Santa. Returning after a series of memorable shows last year, PIV, led by the talented Prunk, features a spectacular lineup including Aron Volta, Janeret, Jansons, Kolter, Lauren Lo Sung, Paige Tomlinson, Prunk, and Ruze. 

Cova Santa's open-air venue perfectly enhances the PIV musical experience, starting with soulful and deep house music at 7pm as the sun sets over the San Jose hills, then gradually raising the tempo as the night falls. And when it does, you can carry on dancing in an ancient cave until the early hours. This event is the 4th of six unmissable PIV parties at Cova Santa this summer - a must-attend for any house music lover in Ibiza.



Get your ticket to PIV at Cova Santa Ibiza.

Follow PIV on Facebook | Instagram | Soundcloud

Pacha 50th Anniversary Day and Night | Destino and Pacha Ibiza | Wednesday, Aug 2

The Pacha Group is pulling out all the stops to celebrate 50 years of Pacha Ibiza with a massive double-header party on Wednesday, August 2. For the first time ever, the party will feature highly anticipated back-to-back sets by 2 of the group's stand-out resident DJs, Solomun and Marco Carola. 

Known for their sold-out individual parties, their combined force is expected to create a spectacular, high-demand daytime event at Destino Ibiza from 5pm through to midnight. Afterward, the party continues at Pacha Ibiza until the break of dawn with usual Wednesday night hosts, Bedouin joining the duo. This once-in-a-lifetime bash is one not to be missed.

Buy your ticket and celebrate with Pacha Ibiza.

Follow Solomun on Spotify | Instagram

Follow Marco Carola on Spotify | Instagram

Solid Grooves | DC-10 Ibiza | Thursday, Aug 3

Michael Bibi and PAWSA's popular Solid Grooves party returns to DC-10 Ibiza for its second season, with Aug 3 being its 9th installment of the summer. 

Every Thursday, Solid Grooves takes party-goers on a house and techno journey, reflecting the UK-based label's curation of tech fusions, house, and minimal techno beats. Known for its surprise back-to-back DJ sets, opening and closing blowouts, and unannounced villa after-parties, Solid Grooves are the ones that keep the party going all week. After gaining a loyal following with its rebellious stand against Ibiza's glamorized club culture, Solid Grooves’ authentic underground raves at DC-10 promise an unforgettable music experience every Thursday.



Don’t miss out - get your tickets.

Follow Solid Grooves on Facebook | Instagram | Soundcloud

This Week In Ibiza (July 28 - Aug 3)

The music industry has long been criticized for its inadequate value proposition to fans. These criticisms primarily focus on its opacity and lack of fairness, the industry's failure to engage supporters in meaningful decision-making processes, and the glaring absence of a direct value distribution system that rewards fans for their patronage, support, and participation.

Gray Area – a collective with a mission of building and growing a more united global house music community – has unwaveringly pursued the development and execution of this more grassroots, fan-centric approach, a cause embodied in initiatives such as their Inner-Circle membership program. Through these efforts, Gray Area has managed to build a thriving community of house music fans around the world.

As a step towards addressing some of these industry shortcomings, Gray Area is announcing its new Housekeys NFT collection, with the mint of the first 100 tokens to begin on Thursday, July 27 at 2 PM ET. By turning to Web3 technology, Gray Area seeks to deliver a mechanism that paves the way for an unprecedented level of transparency that empowers the Gray Area community to weigh in on critical decisions and unlocks the ability to reward members with IRL and digital perks of real value.

All Keyholders will have equal opportunities to contribute their input on matters such as talent curation and project direction. Access to rewards and perks however, will be proportional to the type of Housekey they possess, which come with various rarity tiers. At launch, the collection will encompass four types of keys, presented in order of increasing rarity: Neon Keys, Triangle Keys, Silver Keys, and Golden Keys. To ensure fairness, Keyholders will not know which type of key they have until after the reveal – which will take place once all tokens have been minted. At the time of the reveal, all Housekeys will be updated with their type and corresponding unique art – no two keys will look the same.

Through their global partnerships with industry-leading producers of house music shows and festivals, and its own events and live experiences, Gray Area can offer tangible and hefty perks to its Keyholders – including, but not limited to, exclusive experiences, ticket upgrades, complimentary tickets, and other IRL benefits.

Gray Area Inner-Circle members will now be able to link their Web3 wallets to their account which will persist for them as they browse the site and access their secure Housekey portal – the hub for this new program. Gray Area is one of the first to deliver a robust web3 experience which ensures their members can take advantage of owning a NFT while avoiding the typical technical obstacles that are often present. Prioritizing user-friendly design and reducing friction have been key guiding principals in the development of the Housekeys program – allowing everyone, including those new to Web3, to become Keyholders and participate in all it has to offer with ease.

The music and live events industry has seen many failed attempts take on Web3 components on their own. Gray Area has instead opted to collaborate with industry leader Cake to deliver a technologically comprehensive smart contract solution. By leaving the technical implementation of Web3 elements to Cake, Gray Area has the ability to focus on developing a robust and tailored end-user experience via a custom Web3 integration on their site.

One critical feature of Cake’s involvement is the upgradable nature of the NFT smart contract backing the Housekeys collection. This empowers Gray Area to evolve the program over time and add additional functionality without needing to deploy new contracts – bringing everyone along for the ride and helping ensure critical transparency.

To further this aim, Cake has integrated the Chainlink Verifiable Random Function (VRF) service in the smart contract, putting fairness via true verifiable randomness at the core of everything Gray Area plans to roll out for the holders of this digital token.

Specifically, by integrating the industry-leading decentralized oracle network, Housekeys now has access to a tamper-proof and auditable source of randomness needed in the minting reveal. In a nutshell, Chainlink VRF helps ensure that the distribution of NFT rarities is provably fair — and that no holder has an advantage over the other when it comes to receiving the highest rarity tier.

Cake selected Chainlink VRF because it’s based on cutting-edge academic research, supported by a time-tested oracle network, and secured through the generation and on-chain verification of cryptographic proofs that prove the integrity of each random number supplied to smart contracts.

Chainlink VRF works by combining block data that is still unknown when the request is made with the oracle node's pre-committed private key to generate both a random number and a cryptographic proof. The Housekey smart contract will only accept the random number input if it has a valid cryptographic proof, and the cryptographic proof can only be generated if the VRF process is tamper-proof. This provides our users with automated and verifiable assurances directly on-chain that the randomness underpinning the NFT rarity distribution and reveal is provably fair and was not tampered with by the oracle, outside entities, or the Gray Area/Cake teams.

Critically, this also allows Gray Area to leverage VRF-backed random number generation in future mechanisms and functionalities of the upgradable contract.

Gray Area envisions that initial successes in achieving this ambitious mission will not only facilitate the release of additional Housekey tokens to engage more members, but also inspire other players in the music and live entertainment industry to follow suit and enhance transparency, engagement, and value distribution for their communities.

“Gray Area aims to change how communities view Web3 technology because we firmly believe it gives fans a larger voice in shaping the experiences they love to attend. Working with Cake enables us to access cutting-edge technology like Chainlink VRF, which is integral to a provably fair NFT distribution and reveal.” – Michael Julian Kovadlo, Gray Area founder.

Minting of the first 100 tokens in this limited release will begin on Thursday, July 27 at 2 PM ET. To ensure access, be sure to join the waiting list on the Housekeys page – which will also lock-in your position in line for future mints.

Gray Area: Creating an Ecosystem of Mutual Value Across the Entertainment Industry With Cake and Chainlink VRF

Another week, and another list of unmissable events in Ibiza for you to get your teeth stuck into. It’s an island filled with the best DJs and parties in the world for over 20 weeks of the year, and we’ve STILL got opening parties happening even though we are storming through July.

Here’s our curated selection of this week's top parties, all in one handy place. Let’s get stuck in.



Joseph Capriati presents Metamorfosi Opening Party | Amnesia | Friday, July 21

Returning for a second year, Joseph Capriati is bringing his electrifying residency, Metamorfosi, back to Amnesia Ibiza, opening the first of 5 unforgettable nights on July 21. The collaborative magic between Amnesia and Capriati has always resonated with fans, and this summer, they're set to continue weaving their passionate narrative across the club's iconic dance floors.

For the opening party, Capriati will be joined by electronic music titans Sven Väth, Frank Storm, Indira Paganotto, Andres Campo, Sara Landry, and Skizzo, who will captivate you with a music journey far beyond the constraints of techno and tech-house. Metamorfosi, inspired by Capriati's groundbreaking album, offers more than a showcase of superior music; it's a conceptual voyage that mirrors his decade-long evolution and the multi-dimensional magic of Amnesia's state-of-the-art production.

Get your tickets for this incredible opening party.



Follow Joseph Capriati on Twitter | Instagram | Soundcloud


Black Coffee | Hï Ibiza | Saturday, July 22

Grammy award-winning DJ, Black Coffee, is back at Hï Ibiza for week 9 of his summer residency on July 22. As Hï Ibiza's first-ever resident DJ in 2017, his popularity has continued to grow throughout the years and stays as one of the most popular Saturday night parties on the island. 

The self-named weekly party at the world’s number 1 club is renowned for its exceptional blend of underground talent, headlined by Black Coffee's signature style. Expect afro beats, captivating visuals, and an atmosphere that can only be described as electric.

The Club Room will be hosted, as always, by Crosstown Rebels founder, Damian Lazarus.

Purchase your ticket for the perfect Saturday night.



Follow Black Coffee on Twitter | Instagram | Spotify


Abode | Eden Ibiza | Sunday, July 23

Abode, a household name in the house music industry, is famous for its eclectic mix of fresh genre sounds and a community-focused ethos. Its parties are a testament to diverse musical talent, unfiltered creativity, and an intoxicatingly inclusive atmosphere. This year, with a massive UK fan base backing them, Abode stakes its claim at Eden Ibiza, marking its first residency in San Antonio and introducing the house magic it's celebrated for globally.

Originating from a once-a-month Sunday party in East London, Abode's influence has since spread worldwide, touching the heart of clubbing scenes from Dubai to Las Vegas, Amsterdam to Mexico. Armand Van Helden, Darius Syrossian, GW Harrison, and Ellie Cocks are ready to take you on a thrilling journey through the depths of house music on July 23.

Get your tickets and end your week right!



Follow Abode on Spotify | Instagram


Circoloco 24th Anniversary | DC-10 Ibiza | Monday, July 24

Renowned as the Holy Grail of clubs, DC-10 Ibiza, and its iconic event Circoloco, have been a staple in the electronic music world since 1999. On July 24, the brand and party are celebrating their 24th Anniversary, and you’re invited!

Initially an 'afters' session starting at 6am on a Monday morning and running for 12+ hours, Circoloco has grown and evolved in sync with the vibrant energy of the White Isle, becoming a must-attend event for ravers, house-heads, and techno-stompers worldwide.

So, get prepped for a 12-hour session of the finest underground, house, and techno talent from an incredible lineup of Circoloco alumni in both the terrace and main room. DC-10 and Circoloco's success over the past 24 years has only strengthened their status as iconic landmarks in the Ibiza clubbing scene, and this edition will certainly solidify that further.

Get your tickets and celebrate with Circoloco.



Follow Circoloco on Facebook | Instagram | Soundcloud


Camelphat All Night Long | Pacha Ibiza | Tuesday, July 25

Dynamic DJ duo Camelphat are all set to command the stage at the legendary Pacha Ibiza for an exclusive all-night session on July 25. Known for their electrifying performances, Camelphat's residency at Pacha, a club with a rich 50-year legacy, has proven to be a night filled with house and melodic techno mastery - they truly have redefined Tuesday nights on the island.

This solo performance on July 25 will be a showcase of Camelphat's deep understanding of music genres and their unending passion for performance. Their move to Pacha has already been hailed as a game-changer, and this all-night session is set to escalate them even further. Get ready for a memorable night at Ibiza’s oldest superclub.

Purchase your ticket to this Pacha all-nighter



Follow Camelphat on Soundcloud | Instagram



EXHALE Opening Party | DC-10 Ibiza | Wednesday, July 26

Get ready for a phenomenal opening night as EXHALE takes over the legendary DC-10 Ibiza on July 26, with techno powerhouse Amelie Lens leading the charge. From 11 pm until the early hours, expect an explosive auditory experience that builds on EXHALE's past successes. This season aims to be bigger, bolder, and more immersive, promising an exhilarating journey of foot-stomping, heart-pounding techno.

Originating from Belgium's Labyrinth Club, EXHALE has become a global phenomenon under the expert guidance of Lens, attracting a broad community with its distinctive beat. As the night unfolds, Lens, renowned for her unique fusion of classic house and contemporary European techno, promises a captivating performance that solidifies her status as a techno connoisseur along with the rest of the strong opening party lineup.

Buy your ticket for EXHALE opening party.



Follow Amelie Lens on Facebook | Instagram | Soundcloud



Music On Daytime | Destino | Thursday, July 27

Known for his mastery in the electronic music scene, Marco Carola will be blending the finest dark techno and underground house tracks under the Balearic sun at Destino Ibiza. Since its creation in 2012, Music On has been synonymous with quality music, so expect only the best for the Daytime edition.

Destino Ibiza is one of the best open-air venues on the island, famous for its handful of carefully curated events throughout the summer season. If you've never experienced a Music On al-fresco fiesta at Destino, this is your chance to immerse yourself in a mesmerizing musical journey that embodies the spirit of Ibiza.

Don’t miss out - get your tickets.



Follow Marco Carola on Instagram | Soundcloud

This Week In Ibiza (July 21 - July 27)

As the summer season in Ibiza rolls into another new week, the weather is heating up, and so is the list of incredible events happening on the White Isle. Read on for our cherry-picked parties of the week.

HE.SHE.THEY. | Amnesia | Friday, July 14

Returning to Amnesia Ibiza on July 14, the inclusive party and record label, HE.SHE.THEY., promises another night of uncontainable energy and underground vibes. Originally hailing from London's dynamic nightlife scene, their success in Ibiza last summer spurred a grand return, featuring impressive DJ lineups week in, week out.

Designed for everyone, irrespective of gender, race, or sexuality, HE.SHE.THEY. offers an immersive visual experience where house and techno roots merge with diversity and representation. It's more than a party; it's a platform for individuality and expression. So, dress up or down, experiment, and get ready for a fun-filled night. Remember to respect the diverse crowd around you - it's the perfect recipe for an unforgettable night.

Buy tickets to enjoy HE.SHE.THEY. at Amnesia this Friday.

Follow HE.SHE.THEY. on Facebook | Instagram | Soundcloud

El Cielo Opening Party | 528 | Saturday, July 15

Marking its half-century in 2023, Pacha Group is set to celebrate 50 remarkable years of Pacha Ibiza with a splash. As part of this milestone, Ibiza's longstanding super-club has partnered with 528 Ibiza, formerly known as Benimussa Park - the legendary Gala Nights venue and home of The Zoo Project. Together, they've arranged an exclusive series of five outdoor parties, opening with RÜFÜS DU SOL on July 15.

These parties, named El Cielo, offer clubbers a heavenly experience set in a unique and awe-inspiring location. El Cielo blends music, nature, and unforgettable memories, set against the idyllic pine-clad Benimussa Hills estate. It's a euphoric fusion designed to uplift the spirit and connect people deeply. Attendees can look forward to spectacular performances at each event, leaving them yearning for the next.

Get your tickets for the hottest opening of the year!

Follow El Cielo on Facebook | Instagram

Glitterbox | Hï Ibiza | Sunday, July 16

Experience the ultimate fusion of house, disco, and funk set against awe-inspiring production with extraordinary live PAs and performances at Glitterbox at Hï Ibiza. Revel in the inclusive ambiance, where drag queens, club kids, and dancers engage the crowd, creating an environment unlike any other on the island - where everyone feels welcomed.

Since its Ibiza debut in 2014, Glitterbox has lit up iconic venues like Booom! and Space. However, it wasn't until 2013 at Hï Ibiza that it found its true home. Expect a wave of flamboyance, sparkles, and sequins from the crowd, coupled with dynamic house and disco beats from the DJs. Also, be ready for the infamous Wild Corner, a unique DJ booth and dancefloor experience in the unisex bathrooms.

Purchase your tickets for Glitterbox this Sunday

Follow Glitterbox on Facebook | Instagram | Spotify

Funky Aura Ibiza | Akasha | Monday, July 17

Once a hidden gem on the road to San Juan, Aura, a small capacity club known for its scenes of hedonism and tight-knit crowd, was a hotspot for celebrities like James Blunt, Cara Delevingne, and Charlotte Tilbury from the late 2000s until 2013. Now, ten years post-closure, original manager Hayden Trethewey, along with Sunny Ramzan and Vaughan, are rekindling Aura's spirit, revamping it as Funky Aura Ibiza. This new party finds its home in the north at Akasha.

As per the team, Ibiza's authenticity has been somewhat washed away by the commercial boom of the past decade. Funky Aura Ibiza is their response, aiming to celebrate the diverse, creative, bohemian, and eclectic individuals that make the island truly unique. They're calling upon the unusual, beautiful, intriguing, and vibrant personalities that define the spirit of Ibiza.

Get your pre-sale tickets for Funky Aura Ibiza at Akasha

Follow Funky Aura Ibiza on Facebook | Instagram

Mystik by Ida Engberg | Club Chinois | Tuesday, July 18

Renowned Swedish techno DJ and producer Ida Engberg is shaking up the Ibiza club scene with her first solo residency, Mystik, at the underground hotspot, Club Chinois. This event marks the first female solo residency in Ibiza, promising non-stop dance beats for techno fans.

Club Chinois, now in its second season and located in Ibiza Marina Botafoch, continues to astonish with its incredible line-ups, cutting-edge installations, and unmatched crowd. Known for its immersive journeys that redefine a typical night out, it holds the place previously occupied by Heart. Engberg, a well-established name in the electronic music scene since her debut at 18, launched Mystik after taking over the decks at Club Chinois last year, further solidifying her influence in the industry. Her residency not only promises an electrifying experience but also serves to challenge misconceptions and pave the way for women in electronic music.

Purchase your ticket to this groundbreaking party

Follow Ida Engberg on Facebook | Instagram | Spotify

elrow Outdoors | Ushuaïa | Wednesday, July 19

Joining forces for a truly spectacular collaboration, global party giants Ushuaïa and elrow are gearing up to present one of the island's most thrilling summer events. Recognized for their phenomenal productions, both brands bring a unique flair to the party scene, Ushuaïa with its renowned stage hosting industry's top names, and elrow with its globally acclaimed party concept. This combination is set to deliver an unmatched, extravagant party experience.

The theme for July 19 is Kaos Garden. Kaos Garden is a concept by multidisciplinary artist Okuda San Miguel, where he’s turned one of his favorite paintings of all time - the Garden of Earthly Delights – into something real! Quite simply, an elrow party at Ushuaïa Ibiza is an event not to be missed.

Get your tickets to the wildest party on the island

Follow elrow on Facebook | Instagram | Soundcloud

This Week In Ibiza (July 14 - July 20)

Time flies while in Ibiza, and the party calendar on the White Island is full of many exciting options. The sun is shining, and everybody is in the mood for dancing till dusk. We have curated a special selection of events for the following days. Only the most distinguished parties to enjoy Ibiza at its best.





Ethereal presents Lola Celebrates | Las Dalias  & Akasha | Friday, July 7

One of Ibiza's most alternative journeys through music and culture lands this Friday from 7 pm at Las Dalias (free entry) and continues throughout the night in its indoor club Akasha from 11 pm. Created by legendary Ibiza promoter Vito Masci, Ethereal Events will change your perception through visual arts and music with the captivating sounds of its resident DJs and the electrifying beats brought to you by international guests. This Friday, July 7, Ethereal presents Lola Celebrates featuring an explosive line-up of four international artists: John Digweed, Steve Lawler, Matthias Tanzmann, and Sharam.




Get more info and tickets to enjoy Ethereal at Las Dalias & Akasha.









Follow Ethereal on Facebook | Instagram





Pikes House Party | Pikes | Saturday, July 8

Saturday’s appointment at the enchanting Pikes is none other than its signature party, Pikes House Party. One of the resident's favorite weekly gatherings full of magic that features an incredible cast of characters, performers, dancers, DJs, artists, and guests of all kinds, crossing genres and styles from jazz, soul, and funk to house music.

This Saturday, July 8, swing by the pool to catch John Acquaviva and Willie Graff till 7:30 pm, and then wind your way onto the Sunset Terrace for cocktails to the sounds of S/A/M as the night warms up, or dine in Pamelas accompanied by the Pikes House Band live before heading over to Freddie’s intimate dancefloor where Bushwacka! and Ryan O Gorman will take control of the soundtrack till 4 am.

Join the guestlist to enjoy Pikes House Party this Saturday.









Follow Pikes Ibiza on Twitter | Instagram | Spotify





ABODE | Eden | Sunday, July 9

The UK-based label and party brand ABODE began a new residency at Eden in San Antonio this season. After a residency at London’s hottest venue Studio 338, a previous Ibiza residency at Amnesia, and renowned festivals around Europe, Abode is back on the island after a two-year hiatus. Representing a forward-thinking vibe, featuring immersive light shows and awe-inspiring production, ABODE provides something new and fresh to the San Antonio area. Their versatile music policy consists mainly of underground house and techno with big names and rising stars on top of their headlining resident acts (check Abode: Sundays at Eden Ibiza playlist). Head over to Space Eat and Dance for the pre-party and get in the mood before dancing at San Antonio’s best mega-club with the Abode crew!

Buy tickets to enjoy ABODE at Eden this Sunday.









Follow Abode on Twitter | Instagram | Soundcloud






Amnesia Presents | Amnesia | Monday, July 10

Last year, the Amnesia Presents event series made a great impact on Ibiza, leaving an indelible mark on the island’s nightlife scene. This is why house heavyweights Sonny Fodera, Gorgon City, and Danny Howard return to The Amnesia Terrace again this season, joined by Greta Levska as the new resident DJ of the event to play the warm-up for each show. Amnesia Presents is the ultimate way to kick off the week in Ibiza, delivering a fusion of infectious beats, groovy basslines, and uplifting vibes that will keep the dancefloor pulsating all night long at the amazing club in San Rafael. On top of it, this event boasts a world-class KV2 Audio sound system that creates an unparalleled musical immersion at one of the most inspirational places of electronic music and club culture in the world.





Purchase your ticket for Amnesia Presents this Monday.









Follow Amnesia Ibiza on Twitter | Instagram | SoundCloud






All I Need by Andrea Oliva | Playa Soleil | Wednesday, July 12

Formerly known as Bora Bora, Playa Soleil presents a brand-new residency by Ibiza’s regular Andrea Oliva every Wednesday afternoon. As the third event series announced, All I Need parties feature a selection of relaxed sounds and laid-back beats with ocean views, delicious food, and drinks. From 5 pm music takes center stage with the Swiss DJ and producer Andrea Oliva headlining. He will be accompanied by various guest artists every week through the end of September.




Reserve your table or apply for guest list to enjoy All I Need this Wednesday.











Follow Andrea Oliva on Twitter | Instagram | Soundcloud





Solomun + LIVE Opening Party | Destino Ibiza | Thursday, July 13

For four dates only, one of the most in-demand DJs of all time, Solomun takes control of Destino's open-air dancefloor this summer. Famous for his +1 concept, the tastemaker brings the same formula adapted to Pacha’s resort located in Cap Martinet. He brings a live electronic act as his guest to the booth, to kick off the party at 5 pm and ends the event with a B2B. Solomun invites Cromby to the opening party for an evening to remember!








Get tickets to enjoy Solomun + Live last party at Destino this summer.









Follow Solomun on Twitter | Instagram | SoundCloud





Sven Väth presents Catharsis | Las Dalias | Thursday, July 13

Papa Sven went solo last summer with his intimate Catharsis events around the island, and this season the German maestro decided to do so exclusively under the historic hippy hangout Las Dalias. Catharsis takes its name from Sven's 30-year anniversary album, released in February last year. The legend of the techno scene hosts his events solo. It's a massive personal feat to remain relevant and innovative after so long, while still connecting to the dancefloor on a deeper level. His divine track selection seem and otherworldly aura are a perfect match for Las Dalias. The party begins open-air in the garden from 7 pm and continues inside at Akasha from 11.30 pm.




Get more info and tickets to enjoy Catharsis at Las Dalias this Thursday.









Follow Sven Väth on Twitter | Instagram | Soundcloud

This Week In Ibiza (July 7 - July 13)

Dance music spurred political movement anyplace it manifested in the ‘90s. The U.S. had Detroit techno collective Underground Resistance, whereas anarchist crews like Spiral Tribe grew popular following the U.K. acid house explosion. France had antagonists of its own, but none as notorious as Heretik System.



Heretik organized free parties throughout the latter half of the ‘90s and most of the 2000s, inspiring a wave of similar organizers in mainland Europe. Among their core constituents were artists like Leo, Popof, Jano, KRS and Beuns — although their loosely organized outfit included an untold number of collaborators.



Heretik System started out as a pursuit of carefree hedonism. In time, it would evolve into something far more focused.



The seeds of that eventual legacy were nonetheless sewn from the beginning. Heretik took direct inspiration from the aforementioned Spiral Tribe, which famously pushed back on the U.K. Parliament’s 1994 Criminal Justice Act. In a 2000 interview with La Spirale.org, Leo said that “It was the Spirals that got us hooked on tekno.” In the 2010 documentary We Had a Dream, Jano cites a Spiral Tribe gathering as his very first rave.



“We were all dedicated to the same thing — which was to party freely to the music we loved," POPOF told Vice in 2015. "So, after a while, we decided to set up a sound system and to name it 'Heretik' in order to organize our own parties."



They threw their first free party (sometimes called a teknival) before even adopting the name Heretik System. Teknival de Tarnos saw Jano, Nout and Leo team up with new friends POPOF, Aness, and the late Moumouth in Southwestern France’s Tarnos commune. At the time they were all novice DJs, but the crowd could have convinced you otherwise. The party drew 3,000 revelers.



It also attracted unwanted police attention. Authorities broke up the gathering, but not before its organizers arrived at their blueprint. They began operating as Heretik System (inspired by Heretic, a 1994 computer game Leo enjoyed) and began planning their next outing.



Law enforcement stayed on their trail and their September 1996 free party resulted in a number of arrests as documented in We Had a Dream. Among them was KRS, who had cocaine, ecstasy, and LSD on his person — but was let go on a technicality. Jano wasn’t as lucky; he said he was arrested and jailed for five months.







Undaunted, Heretik System continued to grow more organized. 1997 marked their first foray into ticketed events (although mostly as a way to scam organizers of more commercial parties), and they acquired a warehouse in Crancey, a commune an hour and a half from Paris. Several of the members also moved in together in a house in Aulnay, which sits closer to the capital city.



Not even the police could deny the allure of the unfolding free party movement. Jacques Prigent of the French intelligence service, an agent who also investigated French party crews like TNT and UFO, admitted as much. “When the bass is pumping, it lifts you up,” he said. “I got to the place in Crancey, and I felt myself lifted up.”



This didn’t stop them from continuing to apply pressure. At the unceremonious climax of a joint venture between Heretik and UFO, police confiscated and burned innumerable records. Not only that, but an officer allegedly dragged Leo over 50 meters across the ground by the dreadlocks he wore at the time.



Leo responded in kind, beginning to steer Heretik in a more activist direction. “Leo had a political view of things,” recounted Jano. “He knew how to give the movement another dimension that pushed it forward.”



As with any group rising to fame while surviving the fast-and-loose lifestyle of diehard ravers, infighting began to corrode Heretik’s foundations. Then, tragedy struck. In late 1998, one of the members living in the Aulnay house committed suicide by jumping under a train at the nearby station. Only a month later, six more died while sleeping inside the house itself. All inhaled carbon monoxide poisoning after going to sleep with a generator running on account of the tenants having no electricity or heating.



The surviving Heretik members bitterly mourned those who passed, but the dire turn of affairs strengthened their bond with one another. Jano explained, “The tragedy glued us all back together, and we all went in the same direction again.”



“Before the accident, we were a group of friends, a crew, a sound system,” KRS added. “But after this happened, we became a family. This connected us for our whole lives.”



The following year, Heretik System got to work on its most ambitious free party yet. Instead of a warehouse or forest in a remote part of France, they instructed revelers to park along a bank of the River Seine in Paris, triggering a surge in traffic that blocked the expressway. When organizers gave the command, all 3,000 of them walked into the expo underneath the Gare de Bercy freight station in the east part of town.



The gathering went on with no intervention from law enforcement, which fueled Heretik’s collective desire to make an even bigger statement. In 2001, they followed a similar formula to pack a staggering 6,000 bodies into the Molitor, an open-air, art deco-style swimming pool built in 1929 and classified as a national monument. With no arrests or violence, it marked a watershed moment for the European free party movement.



Heretik System parties wouldn’t remain free much longer, however.



Later in 2001, then-MP Thierry Mariani added an amendment to a public safety bill that spelled trouble for teknival organizers. Per The Guardian, it gave local authorities the go-ahead to seize the sound systems of unlawful gatherings. This wasn’t new to free party organizers, but other potential repercussions were. Violators could end up paying thousands of euros in fines — and worse yet, land in prison for three years.



Heretik System did what was once out of question: They transformed into a legal business venture. This new era saw them execute extravagant new event concepts with colossal production and larger-than-life art installations. One such venture was a collaboration with Troubles Fête called Alice at the Chevanne castle park in 2004, and together they would go on to host events at massive Paris venues like the Zenith and the Olympia.



“Some say it was motivated by money,” said Jacques Prigent, the French intelligence agent. “But in fact, it was the only way Heretik could stay alive.”



While Heretik System’s most active years drew to a close in the late 2010s, the subversive outfit still throws the occasional party from time to time. Their glory will live on forever, though. Just as Spiral Tribe informed their philosophy, Heretik events inspired a wave of free party organizers throughout Europe in their heyday.

Heretik System: A Pillar of France’s Free Party Movement

I’ve always believed gender equality wouldn’t exist, especially in music. As a woman of color, I’m accustomed to seeing disparities all around me. I’ve grown complacent, thinking nothing will change.




Thankfully, not everyone thinks that way. Leah Chisholm and Lauren Spaulding, aka LP Giobbi and hermixalot, respectively, saw the inequality and decided to take action. They created Femme House, an educational non-profit geared towards helping women and gender-fluid folx create fair opportunities in music. They host free production workshops, online classes, a production boot camp, and more. They do all this in hopes of helping those who want it.




Last April, I experienced firsthand the work this crew is doing. LP created the “Femme House Takeover Tour,” a venture that brought a mix of workshops, Q&As, and club shows to 12 cities around the US.




The tour came to the W Hotel in San Francisco, and I participated in the free in-person Ableton demonstration. The workshop featured an Ableton-certified instructor teaching beginner-level production. In this case, mini bear, who also serves as Femme House’s Chief Education Officer.




I’m a music journalist by trade. I love listening to music and attending shows, but I’ve never considered making music. After my lesson, though, I seriously thought I could.

Following the Ableton class, I sat in on the What She Said talk. I learned more about the people behind Femme House. The panel included the crew, plus a few other influential movers and shakers. It was inspirational to hear how LP, hermixalot, mini bear, and Coco & Breezy, a twin sister duo making waves in music and fashion, break down barriers everywhere they turn. Each overcame so much, and they want to help those who face similar struggles.




Of all the speakers, LP was the only Caucasian. Surrounded by BIPOC and members of the LGBTQIA+ community, she uses her privilege positively. She strives to help those not afforded the same luxuries. She knows she’s fortunate and doesn’t take it for granted. This sisterhood, this whole “we’re in this together” vibe, was refreshing and unlike anything else. These people were sincere and genuine, speaking truth to power and backing up their words with action.




These sessions were mind-blowing. They renewed my sense of self. I felt even more honored to be a Latina, a person of color, and I realized I could do anything.



The day culminated with a feel-good showcase featuring an all-female/non-binary lineup. They want to share the stage with others like them and do whatever it takes to equip them with the tools to get there. They even have an email on the Femme House site for people to send inquiries, music, and the like, because, as they say, they love new talent. Remember what I said before about these people meaning what they say? This is what I’m talking about.




With LP Giobbi, hermixalot, and Femme House, I could see a future where the music industry finally has an even playing field. One where gender norms disappear, and equality gives way to equity. Soon women and gender-expansive people won’t have to fight for their place at the table. They will set the damn thing themselves.

How Femme House Flipped my View of Gender Equality in Music

We are about to welcome July in full style introducing brand-new venues and welcoming new and legendary parties on the island. Whether you like to spend the day by the beach or dancing all night long, there is sure to be an option for you. Find below a curated selection of venues and events to make sure Ibiza is the best destination this summer!


Rumors Opening Party | Playa Soleil | Friday, June 30

Set in a delightful beachfront spot (on the legendary Bora Bora beach club site located in Platja D’En Bossa), Playa Soleil promises to deliver an immersive experience seaside like no other. The newest beach club, restaurant and bar created by the team behind Ushuaïa entertainment, Insotel Group and the leisure group Vivir Descalzo, have announced two flagship music events on Fridays and Sundays, kicking off with Guy Gerber’s imprint Rumors this Friday June 30 from 6pm (coinciding with the venue’s inauguration) and will run all season until September 29.




Sign up for guestlist to experience Rumors Opening Party at Playa Soleil







Follow Guy Gerber on Twitter | Instagram | SoundCloud





Palmarama Opening Party feat. Luciano | Playa Soleil | Sunday, July 2

In 2021 after the pandemic, the music industry had to redefine the entertainment business and the Ushuaïa team created Palmarama events, a Mediterranean oasis with a jungle-like ambience guided by some of the best electronic music icons. This summer, Palmarama concept returns to the White Island at the sophisticated new seaside venue Playa Soleil, which is divided into several areas with names of the Gallic theme:







Visit the new restaurant and event’s oasis in Playa d'en Bossa designed for everybody (kids are also welcome) that features gastronomy based on organic and local products, wellness activities, art and music events from day to night, all topped with the natural vibes and beauty of the island.




As it could not be otherwise, Playa Soleil brings a musical programming of the highest level every day. Sundays will be the domain of the Palmarama residency, starting with a very special extended daytime set from Luciano plus guests this Sunday July 2, and running till October 1st.




Join the guestlist to assist to Palmarama Opening Party with Luciano




Follow Luciano on Twitter | Instagram | SoundCloud





Eric Prydz presents HOLO Opening Party |Hï Ibiza | Monday, July 3

For the first time on the island, Eric Prydz brings his impressive HOLO show to the world’s Number #1 club by DJMag, Hï Ibiza. The Swedish producer’s 3D hologram show first saw the light back in 2018 and since then, HOLO has been one of the most acclaimed sets at top worldwide electronic music venues and festivals such as Creamfields, Tomorrowland, Sonar or Ultra to name just a few. Prydz brings HOLO to the island with a more intimate vibe designed specifically for the mega club located in Platja D’en Bossa, accompanied by Drumcode’s founder Adam Beyer and some other guests for 10 exclusive dates in the Theatre Room. On the same night, new school selector Patrick Topping takes over the Club Room for his debut Hï Ibiza residency. Enjoy this spectacular show every Monday from July 3rd.




Purchase entry to enjoy Prydz HOLO Opening Party at Hï Ibiza this Monday







Follow Eric Prydz on Twitter | Instagram | SoundCloud





Tiësto Opening Party | Ushuaïa | Tuesday, July 4

After a long break from the party island, Dutch DJ and producer Tijs Michiel Verwest known professionally as Tiësto, makes an outstanding return performing open-air at Ushuaïa this summer every Tuesday in July and August, kicking things off this week on Tuesday July 4. With his seventh studio album DRIVE dropping last April and chart-topping hits like “The Business”, “The Motto” or “Don’t Be Shy”, the real pioneer of dance and trance music of all times remains the most alluring artist on the planet to experience LIVE, and Ushuaïa’s outdoor stage the perfect venue for his shows. "Ibiza has always been a special place to me and I couldn't be more excited to come back to the island!” Tiësto manifests.




Buy tickets to experience Tiësto Opening Party outdoors at Ushuaïa




Follow Tiësto on Twitter | Instagram | SoundCloud





Timmy Trumpet & Steve Aoki Opening Party | Amnesia | Tuesday, July 4

Steve Aoki, famous for throwing cakes or spraying crowds with champagne since 2011, is sure to deliver a spectacle like no other this season, teaming up with Timothy Jude Smith aka Timmy Trumpet, the Australian DJ and producer known for combining his trumpet and dance music skills with explosive performances.

With a long history on the White Island (taking past residencies at Pacha and Amnesia) the 2x-GRAMMY-nominated music producer, artist, fashion designer, entrepreneur, NFT futurist and founder of Dim Mak Records (1996) and The Aoki charitable Foundation, Steven Hiroyuki Aoki aka Steve Aoki, adds Timmy Trumpet as co-host for this year's plans on four dates (plus some other guests) to put Amnesia upside down. Some legendary performances and successful tracks together, have solidified their status as a dynamic duo with an infectious and crazy energy on stage, so head over to Amnesia this Tuesday July 4 to enjoy Timmy Trumpet & Steve Aoki Opening Party!




Get your tickets for Timmy Trumpet & Steve Aoki Opening Party at Amnesia









Follow Steve Aoki on Twitter | Instagram | SoundCloud






GENESIS | Cova Santa | Wednesday, July 5

After a debut appearance last summer, South African born and Switzerland-based artist Daniela Niederer commonly known as Nora En Pure, is back at Cova Santa for a one-off event this summer alongside the up-and-coming Italian DJ and producer Stephan Jolk and other guests.

Known for her serene, emotive take on house, indie and deep music, she headlines an exclusive open-air party at Cova Santa this Wednesday under the name Genesis, accompanied by Stephan Jolk and with support acts such as Rayco Santos and Magnetizm. Doors open at 7pm.




Buy tickets for Genesis one-off show with Nora En Pure at Cova Santa






Follow Nora En Pure on Twitter | Instagram | SoundCloud



NiiWA | Club Chinois | Thursday, July 6

Bringing the sounds of Berlin to Botafoch, the latest project from underground movement Ritual Collective is the new addition to Ibiza’s party scene. A very careful production and setting that makes attendees travel into a metaphysical journey for all senses. Moreover, visitors are asked to respect a no camera policy in order to preserve privacy and enjoy a night full of hedonism and spectacle. NiiWA is held every Thursday at Club Chinois and this week invites minimal producer from Berlin Paul Traeumer, WooMooN regular Landikahm and the feminine DJ duo Tanika. Listen to Sounds Of Silk by NiiWA at Openlab Radio hosted by Tanika to give you a taste of what’s to come!



Enjoy a new age of clubbing with NiiWA at Club Chinois this Thursday






Follow NiiWA on Instagram

This Week in Ibiza (Friday June 30 - Thursday July 6)

Any fan of Dirtybird only knows Dirtybird as a family. From core artists like Ardalan, VNSSA, and Walker & Royce, who are more than happy to play at numerous events throughout the year, to the dancers, who bring their unique energy to every Dirtybird event, this spirit begins within because Dirtybird, by all intentions, is a family business.



On the one hand, Claude VonStroke, real name Barclay Crenshaw, defines the brand’s musical vision. On the other hand, his wife, Aundy Crenshaw, holds everything together and ensures everything is executed to the Dirtybird standard.



Dirtybird wouldn’t exist without Aundy. She supported Barclay when he first quit his job to run the label full-time. Until Dirtybird’s recent acquisition by San Francisco distributor and label Empire, she served as Chief Marketing Officer and Chief Operations Officer for all the companies under the Dirtybird umbrella, handling music, events, clothing, streaming, and even promoting tours for other artists.

Aundy developed the skillset to handle the monumental workload after working in advertising and marketing for many years, but marketing music is something she especially loves.



“There’s only so many things that people really want in their life and music is definitely one of them,” Aundy says.



Throughout her years in advertising, she worked at various firms, including major agencies like Fallon McElligott (now Fallon Worldwide) and Oglivy. At these companies, she worked with budgets as high as $250 million and contributed to campaigns for everything from restaurants to paper towels to Kodak.



Unfortunately, Dirtybird doesn’t have $250 million to throw around, but in working with various budgets on different types of clients, Aundy realized something about marketing as a vocation:



“It’s amazing how similar everything really is. When you think about all the different categories, what you really want them to do is take some action. It just takes a while for them to do that. So, how do you connect with them on a deeper level? In everything that I do and try and do it’s really about hitting on emotions,” Aundy says.



At the end of the day, every industry, including music, is held up by the business of marketing (hence corporations shell out hundreds of millions of dollars on ads), and at its core, marketing comes down to one idea: making a choice. Buying a festival ticket. Joining an artist’s Discord. Renting a car. Signing up for a gym. These are choices human beings make that allow businesses to be solvent (and yes, artists are businesses in their own way).



It’s on the marketing department to convince people to make that choice, and in her years of experience, Aundy says those methods of convincing come down to two categories: rational and emotional.



“For me, it’s always been, ‘How do I dig into the emotional side?’ Because the rational side is here today and gone tomorrow. A bigger percentage off or whatever. That’s rational advertising, but the emotional side for me is really core to what I love about it,” she explains. “People want music in their life. And so it’s a little bit easier to communicate that. You’re giving them something that they already want. That’s a pleasurable thing to them. You’re not asking them to go open a new bank account, which is not really that pleasurable, right? It’s actually way easier to do marketing for something that people really love.”



Given its emotional appeal, marketing music seems more straightforward from a certain perspective. Still, that doesn’t mean marketing an independent brand like Dirtybird is an easy task.



Aundy initially supported Barclay when he started Dirtybird, giving him one year to prove he could make $50,000 from running the label. If not, he would have to get a “real” job.



“I had no idea, if he was good, no clue,” Aundy says. “But I wanted to support him and I wanted to make sure that he could live out his dream.”



And as the world now knows, Barclay is living his dream, touring the world as Claude VonStroke and building the Dirtybird flock into what it is today.
From its inception, Dirtybird played a role in uplifting other creatives. Artists like Justin Martin and Shiba San got their start with Dirtybird.



He proved to Aundy that he could earn a living from music and benefit the dance community. However, there was still a long way to go.



“I didn’t really wanna work for him, to be honest,” Aundy says. “I was like ‘OK I will quit my job, but I’m just gonna do clothing.’ So I started for a month and he didn’t have an email, he didn’t have a database. My marketing just went crazy. I couldn’t just sit here on the sideline and watch this happen. It was just so ripe for someone to come in and really kind of take over the business side of things.”



After Aundy helped bring things into focus, the couple carefully curated a balance that boosted Dirtybird to the next level. While both guide the creative direction, Aundy’s work on the back end ensures that Barclay’s expansive vision is possible.

“To be honest, Barclay never cares about numbers at all,” Aundy says. “He’s just like, ‘I just wanna go do this thing and how much can I do it with?’ And it’s really hard because he wants to do all the fun stuff and all the really expensive stuff. He always has these ideas of grandeur and it’s really great because we live up to a lot of them, but honestly it was tough being the budget person. The business person that said no.”



For as much as Aundy has said “no” over the years, the things she’s said yes to, like Dirtybird Campout, national Dirtybird BBQ tours, and mentorship programs for BIPOC artists, have left an indelible impact on dance music around the world. They recently executed another successful edition of the resort event, Dirtybird CampINN, selling out all the rooms on site, and even in the face of the most challenging times for the live music industry, they still come through.



Within weeks of the pandemic setting in, Dirtybird organized regular streaming programming on Twitch. Forty hours of weekly content, including DJ sets, cooking shows, yoga classes, and more.



“As you can see, I’m very not very optimistic about money. Because I’ve been through it, right? So many times. But to be honest, you have to go for it,” Aundy says. “I think it’s just something that we do. It’s just in our DNA to keep it together.”



From free parties in the park to stage takeovers at dance music’s largest festivals, there’s a reason that no matter how far the global Dirtybird flock’s wings stretch, it always feels like a close-knit family. Aundy valiantly holds the Dirtybird family together. And its strength emanates from its source.

Industry Spotlight: Aundy Crenshaw

Founded in 2022, Indo Warehouse is a New York collective, events series, and record label that authentically merges the expanse of South Asian culture with electronic music. Their diverse yet decidedly melodic sound, dubbed “Indo House,” draws from the founders’ diverse cultural roots. Kahani, aka Armaan Gupta and Kunal Merchant are lauded by Mixmag and Rolling Stone for their music and events where traditional dance music motifs intermingle with percussion, vocals, and textures of a diverse region.




Within a year of founding, they catapulted themselves from an intimate 200-person gathering to a massive multi-thousand-dancer takeover at New York’s premiere venue, Avant Gardner. After nine initial releases from their newly formed label, they closed 2022 with the Year One compilation. As dance music continues to rise beyond the underground, they want their music to encompass an audience that reflects the genre’s global reach.




As the collective embarks on a summer tour that will take them to Montreal, Washington DC, Portland, San Francisco, Toronto, Seattle, Vancouver, and New York’s Brooklyn Mirage, we caught up with Indo Wareouse’s founders to chat about discovering their sound, their future plans, and what it means to take their experience series into new locales.

Hey guys! Thanks for joining us today. You have recently announced your first North America Tour with shows in Montreal, Washington, Portland, San Francisco, NYC, and more. What are your intentions going into this tour?




Since we launched our label and experiential series in February 2022, we’ve only performed in New York. As the shows grew in size, we started to receive DMs and emails from people in other cities asking when we’d be bringing Indo Warehouse to their respective city. So naturally, setting up our first tour became a big focus for us this year. In May, we played our first show outside of NYC in Los Angeles at Sound. The response from that show was incredible. We sold it out, and so many amazing people in the room were familiar with our music! We’re really excited to visit more cities and start to build a community beyond NYC.




When has Indo Warehouse started, and who are the core members of the collective?




We launched in February 2022. The label is led by Kahani and Kunal Merchant, and artists including Ethyr, AREUBLUE, Payal Jay, and Anvaya are core members of our growing collective.




You pride yourself on your South Asian Roots. Can you tell us more about your background and how important is it to your brand?




We’re both from India, but our label is focused on authentically integrating music, instruments, and culture from the entire South Asian subcontinent, which also includes Pakistan, Bangladesh, Nepal, Sri Lanka, Bhutan, and the Maldives. We believe there is a very special connection between our cultures’ deep roots in music, dance, and rhythm with the sound, energy, and communities you find in house and techno music.




Your showcase at the Brooklyn Mirage is considered to be one of the more anticipated events of the tour. What can people expect from this event?




It’s a dream come true to perform in one of the most iconic dance music establishments in the world! We’re going to do our best to bring our dreams to life with the experience we create on August 6 at the Mirage.




We’re developing a day-to-evening experience which will include a diverse lineup of DJ sets that incorporate dance and live performances. We’re also planning to utilize the Mirage screen in a way that you don’t often find when you see it used by other artists. You’ll be transported into another place once you step foot inside the Mirage on August 6!




The unique sound of Indo Warehouse is a tasteful mixture of contemporary dance music and ethnic/world sounds. What has been your experience running the label, and what are you aiming to achieve with this project?




We’re in the early stages of defining our sound, which is really exciting. For years, we’ve been imagining how to incorporate our culture authentically with dance music, and now we get to bring that to life. We have several releases ready to go very soon, and then some big news for later this year. We’re very excited to share how this sound will evolve as our journey continues.

What are some new releases you have planned for this year?




We have new releases upcoming from Kahani, Kunal Merchant, Ethyr, and AREUBLUE, all who have previously released on our label. We’re excited to see Payal Jay expand her sound as one of our collective’s vocal artists. And we’re very excited to welcome new additions from Anvaya, Harji Singh, and several others. You can expect a large volume of releases from Indo Warehouse in the second half of this year.




Can you mention some artists or live acts that have recently caught your attention?




We’re constantly inspired by established and emerging artists. We also love seeing fellow South Asians thriving in the dance/electronic space! Watching Jyoty’s ascension has been incredible. We’re excited by the sound that Anish Kumar and Ahadadream are crafting, respectfully. We’re loving Baalti’s energetic use of live instrumentation and electronic production, while they artfully bring in South Asian elements. We just witnessed Four Tet’s live performance, which was wild! And we’re excited by artists who don’t necessarily sit in the electronic space (solely) but who we’d love to collaborate with, including Sid Sriram and Talvin Singh.




How do you define success? Is it about the numbers, or is there more to it?




We’re focused on executing our vision. We are very proud of the platform we’re building, but also believe we have a great responsibility to ensure we create something that is sustainable and that anchors on community. It’s a great challenge, but we are up for it!




Last but not least, what message do you wish to spread to the world?




Indo Warehouse is designed to bring our culture to life. If we are able to visit you, please come experience our sound! If we’re not visiting your city yet, please let us know where you are! We’ll find you. This is a special time for us, and we’re looking forward to enjoying the journey.




Follow Indo Warehouse on Instagram

Indo Warehouse Brings their South Asian Roots to the Rave

In the realm of electronic music, there are few voices as distinct as Elkka's. Her journey from singer-songwriter to revered producer and DJ is as fascinating as it is inspiring. In this in-depth interview, Elkka peels back the layers of her musical evolution, her experiences in the industry, and her aspirations for the future. She shares how her move to London and exposure to diverse music genres shaped her artistically, and how her roots as a vocalist continue to influence her production. 

With candid recollections of her early career, insights into her creative process, and glimpses of her upcoming projects, Elkka offers a comprehensive look into her world of music. Whether discussing her memorable experience at Berghain, her triumph of winning the BBC Essential Mix of the Year in 2021, or her advocacy for the LGBTQ+ community, Elkka's passion for her craft and her commitment to authenticity shine through.



What inspired you to transition from a singer-songwriter to a multi-faceted producer and DJ?

When I moved to London, I was exposed to so much in my life that shaped me as a person and as an artist. My first flatmate there took me to my first ever rave and I was instantly transfixed and started to listen to more dance music for the first time. I had always loved trip hop, which was a bridge for me from loving hip-hop, R&B, and pop music growing up, but this was the first time I engaged with house, techno, and garage music.




How has your background as a vocalist shaped your approach to producing electronic music?

Not all my songs have my voice on them but if there isn’t a vocal hook I want to sing, I will find it elsewhere through sampling or synth sound that does the same job. I think all the music I make comes from the foundation of being a singer and songwriter. Even if it’s not in the structure, the desire for melody and warmth must be there throughout everything I make.

Can you share a memorable anecdote from your early days as a musician?

One of my breakthrough moments was sitting at home in London feeling quite flat about how my music was progressing. At the time Diplo was doing huge things (and still is) and so I decided I would email his manager - randomly - and send him music. You don’t expect a reply, but I thought why not! I did and unbelievably he got back to me, and we met up in London. 

He then connected me with Diplo’s label Mad Decent and I did some writing and singing for them for a few releases! This was before I became a producer, but it was amazing for someone to see my potential talent and be willing to support it.

How do you maintain a balance between your roles as an artist, DJ, and label boss?

It’s a balance I must be super conscious of honestly. You must make sure you have time to write first and foremost as creating new music is essential, to show people who you are and how you are evolving and connect with you of course. 

Performing is an extension of that and it can be hard to tour and write at the same time so sometimes the writing is paused in especially busy touring periods. But I find it hard to write without perfuming regularly as it fuels me as a human. I love being out there expressing myself and connecting to people in real life. It’s incredibly special and very inspiring. Then when I have time, I work on the label, but it does tend to fit around the other two.

Winning the BBC Essential Mix of the Year in 2021 was a significant milestone in your career. How did that recognition impact you and your work?

For me, it was the most gratifying moment of my career so far. I have admired and obsessed with my hero Essential Mixes for so many years. Every DJ / producer aspires to do one, it’s a real milestone career moment. So, to go and win Essential Mix of the Year was really beyond my wildest dreams. It's something I will always be able to look back on and feel incredibly proud of. It also allowed me to feel like I had earned my place in the scene.

How do you approach your DJ sets and live performances, and how do you ensure they resonate with your audience?

This sounds incredibly cliche but making sure I take people on a journey for both is important. I want to pull and push them in different directions and connect with them in a way that feels memorable to them and evokes something from within them. I think the way I write can be quite diverse and so can the DJ sets. But the resounding link to all of this I think is warmth.

Your music has received support from renowned artists like Four Tet and Caribou. How do these endorsements influence your creative process?

I think they mainly give you great confidence in what you’re making because these are the people who make music, I love the most. So, receiving their support is incredible.

What is the story behind the track "I Miss Raving," and how do you think it resonated with dance music fans during the pandemic?

IMR was the first piece of music I made when we went into lockdown in the UK. I struggled during this time like most people and missed the freedom of performing, raving, and connecting with people. I didn’t realize where the sentiment was coming from when I first wrote it, it wasn’t planned but as soon I went to create a title for it - this is what came to mind!

How do you stay connected with your LGBTQ+ and female fans, and how do their voices inspire your music and projects?

As a queer woman, I don’t hide who I am and what inspires me so through the music I make, the record label, and being open with who I am I think this happens naturally.

Are there any emerging artists on your radar that you think the dance music community should keep an eye on?

Suchi is great, I really love what she is doing now. Surusinghe is amazing, obsessed with her debut EP and featured one of the tracks on my DJ Kicks!

What challenges have you faced in your career, and how did you overcome them?

I think the biggest challenge was finding my voice and identity as an artist - before I was producing, I just didn’t know what that was and felt lost. As soon as I started producing for myself and self-releasing that all changed. I went from sending out emails asking for help or support to being pursued by the industry offering for them to help me.

How has your music evolved since you first started, and where do you see it going in the future?

I think you are constantly inspired by what’s around you and this can happen quite unconsciously too so my music will always evolve in sound. I will be singing more now though, that’s something I am trying to consciously do particularly while writing my debut album. I am ready to go back to where I started and use my voice again more in my songs.

Can you share a memorable experience or encounter you've had while performing at a music festival or club?

This would probably have to be DJing at Panorama Bar in Berghain. I have done this twice now fortunately and both times have been honestly incredible. It is a special place to play. I feel total freedom there to play anything. The crowds are so patient and open and as a queer person, I feel very safe and liberated.

What advice would you give to aspiring producers and DJs looking to make a name for themselves in the dance music scene?

Find your own identity with the music, do not worry about what genre it is or if it fits in. First of all, you need to love it and let the rest follow. It took me years to figure that out and early on I got stifled by too many opinions and couldn’t hear my own.

How do you stay creative and motivated in an ever-changing industry?

Well, I can’t imagine doing anything else. It’s something I must do to feel balanced. So, I don’t really need to do anything to feel motivated but sometimes taking a break and just living life is important outside of the industry to fuel my creativity. 

You need to do the normal things as well as the incredible moments from touring etc. Otherwise, you can feel quite disconnected from those around you and that affects how I feel and therefore how I write. So, a balanced life I think helps me maintain creativity.

What are your plans, and can fans expect any upcoming releases or performances from Elkka?

Well, I am currently working on my debut album which is incredibly exciting and there will be some music coming out this summer as well as touring all over the world!

From London Raves to Global Stages: A Deep Dive into Elkka's Evolution

This year, as we grapple with AI's impacts on music, writing, and photography, Barcelona's electronic music and technology festival, Sónar, celebrated its 30th anniversary. A lot has changed in dance music and technology since 1992—for example, digital DJing didn't exist, while this year, Pioneer demonstrated VR DJing technology at the fest. As the world continues to change, we'll always need to dance and gather together and connect over music and art, and Sónar remains a beautiful space to do that, while also questioning our current and future realities. This year's event brought in a peak of 120,000 attendees, 32 percent of whom were international.



Techno king Richie Hawtin, whose played the festival 24(!) times dating back to 1996, says Sónar has played an important role in fusing music and technology. "For someone like me who thought there was a connection between the arts, installations, and music, Sónar saw that from day one. I think that is the lifeblood of Sónar. It is what has made it so strong over the years. It is still the place where technology and music smash into each other. You never know what to expect at Sónar," he told EuroNews ahead of the fest.



I spoke with Berlin-based Spanish DJ Héctor Oaks right after he brought big rave energy to Sónar with the debut of his Fuego Universal live set about the magic of the fest, techno, and AI. He went all-out for the official debut of his new high-energy show, as he brought out guest vocalists and a keyboardist—along with stellar lighting and impactful visuals—to help him amplify and bring his unique, propolusive brand of punky techno to life. The live set inlcuded a selection of his rave classics and fan favorites IDs, along with a ton of unreleased material from his upcoming album. It's safe to say the LP is gonna be pure fuego rave material, like his show. 



"I think that is very different to not only to festivals in the U.S., but to all the festivals. They put a lot of care in every small detail, and the lineup is so well curated. They've been doing it for 30 years, so people trust them, and they can experiment a lot and bring very radical underground stuff. I think that's really cool. I also love that it's very eclectic. For me, it's very inspiring to come here," he shared.

When asked about his thoughts on the intersection of technology and music today, he said he's intrigued to see where things head and the different ways producers can experiment with AI, for example.



"The level of technology is so high for the music right now that I think that the technology is growing much faster than the music. With the technology that there is already now, there are a lot of possibilities that haven't been explored so far," he said.



"I think AI is gonna be crazy for music. I think for producers it's gonna be really good because we are going to be able to do stuff that we weren't able to do before. For example, I could have a guitarist playing in a song if I needed, where now I would have to find a guitarist and bring him to the studio. But I could ask AI to make me a guitar riff… I think it's cool—not to use it as a way to avoid making stuff, but to enrich the stuff you do and explore more possibilities."

He appreciates that the younger generation is also into techno, along with other styles of music.

"When I started listening to techno and going out to the clubs, if you were into techno, you couldn't like any other music. Nowadays, my younger cousins, they are 18, 16, and 12, and they go to a reggaetón concert, and then they go to listen to techno night, and they are the same crowd. I think that's really good for the scene and also very valuable for the artists, because we can crossover more and invent new stuff," Oaks said.





As for what techno means to him, it's simple yet profound: "The essence of techno is about freedom… I was always a weirdo everywhere and I didn't have friends and then I arrived to techno and everyone was my friend and was so cool. I could be myself."

At Sónar 2023, I received a solid dose of techno, dancefloor freedom, friend-making, and inspiration. I began the fest on a high note (that stayed high all weekend) with a lively, groovy B2B from two stellar London selectors—Rhythm Section founder Bradley Zero and On Loop head Moxie.



I ended up spending all Thursday at Sónar Day's main stage (SónarVillage) because the music was too good to walk away from. Belgian electro-pop duo Charlotte Adigéry and Bolis Pupul served up a playful and energetic live set, reflective of and filled with music from their Soulwax-co-produced 2022 debut collab album, Topical Dancer. I was on the way to check out another stage, but paused when I heard Bolis' fat beat. The thick funky rhythm was that of "Blenda," on which Charlotte opens with a sharp and playful dig at racists: "Go back to your country, where you belong / Siri, can you tell me where I belong?" They danced and brought lightness and humor to similarly difficult and pertinent themes, all while keeping the crowd grooving non-stop with them. They closed with "HAHA," a track that claps back at backhanded compliments and unsolicited bad advice.



The dance party continued with South African house king Black Coffee, who closed out the first day of Sónar 2023 with a celebration of African dance music. He kicked off with beautiful sunset-esque tune "Suna (Da Africa Deep Afrikan Remix)" from Kato Change, Winyo and Suraj as images of beautiful African queens shone on-screen. The first hour of his set also included "Your Love (Caiiro Remix)" from Hyenah and Nanghiti and "Deeper Feelings (Manoo The Dub / Piano Interpretation By Bacanito)" from Fiona Kraft. 



When he dropped his track "Drive," the packed crowd went off. He mixed Gotye and Kimbra's "Somebody That I Used To Know" with an amapiano beat and served up Dele Sosimi Afrobeat Orchestra's 2015 dancefloor groover, "Too Much Information." I spied Bradley Zero getting down in the crowd, front and center. Black Coffee then took us back to the '90s with Stardust's joyful classic "Music Sounds Better With You," Robin S, Daft Punk, and even REM's "Losing My Religion" and Seal's "Crazy." His set was a celebration of African excellence and rhythms, and a nod to Afro house as the future dancefloor classics.



This thread led me to day two, where I walked in to South African rising amapiano champ Musa Keys getting down with a stellar live set. He taught the crowd his dances and lyrics, and requested we shout "Musa, we wanna party!" We obliged, and he indeed brought the party. As I mingled and connected with new and old friends in VIP at the back of SonarVillage, I was intrigued by Crystal Murray's energetic punk pop and went out to dance to the end of her set. As I moved closer I noted the Rihanna vibes, and sure enough she went into "We Found Love."



Yet again, I was pulled to stay with the lively programming at SonarVillage (which switches between DJ and live sets), and lived for MikeQ's vogue house. His joyful, sassy set was filled with Beyoncé, Kevin Aviance and set the tone for Blessed Madonna to follow up with pure gay club energy. She also served up cunty high energy house, from behind a chrome DJ booth that said "We still believe" in neon. She shared the stage with a gaggle of cute queens that stole the show and pumped up the energy as she set it off with tunes like "Love Thang (Cat Walk Mix)" by Banji Boys and Torren Foot and Azealia Banks' "New Bottega."



I did get to catch a bit of Max Cooper's stunning 3D/AV live set inside SonarHall, where code danced on the semi-transparent screens in front and behind him, before making my way to Sónar Night to catch Aphex Twin's abrasive, intriguing brand of electronic music. There, I bounced across the vast expansive of the massive venue, attempting the impossible task of catching everything. I did NOT miss the bumper cars, going for four rounds of exhilaration. Sónar's bumper cars is an institution in itself (ahead of his set, Richie Hawtin posted a pic of himself and Laurent Garnier on them years ago). I really hope someone makes an acid house track sampling the beep that signals the beginning and end of each round.



I've seen Bicep a lot in the last two years, but I remain obsessed and entranced every time. Between the blanket of lasers and their intricate rave soundtrack, it's impossible to not become immersed. And "Glue" always fucking hits. I got to a catch a bit of Fever Ray's Karin Dreijer's haunting, piercing voice, as well as Âme and Marcel Dettmann's techno conference, a.k.a. their five-hour set in the intimate SonarCar stage enclosed by red draping. I wanted to stay there forever, but there was more exploring of the rave cavern to do.



My final hour (I made it 'til 6 am!) flew by as melodic techno viking Solomun, who made his Sónar debut, presented speedy, infectious grooves as the lighting strobed and a robot-person danced across the screen.



When I arrived for the final day, I checked out the project area, where intriguing, interactive art, and technology were on display. There was art with themes of environmental impact, and old-school-style arcade video games about occupying Mars and turning yourself into code. I was fascinated by the soon-to-be-released Orbita midi controller from Berlin, which looked like a kids' toy but allowed you to make music by placing different color dots on a turntable-like interface. 



There was also a brainwave-reading device called ENAKD that creates AI-generated art and poems based on your perceived moods. One read: "The world awaits me / My heart leaps with excitement / Ready to explore / A new journey awaits."

The final day and night were filled with more great music, including a double-helping of Tiga (another Sònar regular), who played a fun, funky, acidy daytime set with 2manyDJs and Peach at SonarVillage, and heated techno with a dose of electro with Spain's Cora Novoa at SonarClub. He dropped Opus III's 1992 trance classic "It's A Fine Day" during both sets, mixing it with techno during the latter. 



Horse Meat Disco and Prosumer's Sonar Day closing B2B brought one final, joyous dose of gay club to SonarVillage, elevated by fabulous queens who danced onstage with them. The bouncy house-and-disco-filled set included a Patti LaBelle house remix and Soulwax's "Another Excuse" mixed with the instrumental to Lipps Inc.'s classic "Funkytown," which the crowd beep beeped to.



At Sónar Night, after Tiga and Cora got me back in the techno mood—I Shazamed Vitalic's insane "You Prefer Cocaine" three times because it was that hot of a select—Richie Hawtin kept it going. His banging techno selects included "A Surreal Odyssey" from Abstract Division and "The Hole" by BobHz as squares and rectangles danced on screen for his new light show.



 And when the sky began to lighten, Detroit queens DJ Holographic and DJ Minx brought us home with upbeat house that included Inner City, Cajmere ("Brighter Days") and Green Velvet ("Flash") and closed out with Minx's "The Throne" and Jengi's "Bel Mercy."



It was 7 am, meaning it was very much Sunday and time to sleep, but I wasn't quite ready to say goodbye to Sónar yet. I don't think I'll ever be. I sure hope we get to dance together into the future for another 30 years.

Sónar 2023 United Global House, Techno & Technology For It's 30th Birthday

We’ve left behind Spring and officially kicked off Summer, celebrating the night of San Juan all over the island followed by a weekend of distinctive parties to dance the day and night away in the most amazing venues. Find a curated selection of events for this week below:





Night of San Juan | All around the Island | Friday, June 23 & Saturday, June 24

If you are in Ibiza this weekend, be sure to attend one of the best local festivities— the patron saint’s day of John the Baptist, or Sant Joan (San Juan) on Saturday, June 24.



The night of San Juan (on Friday, June 23) is celebrated all over the island with music, singing, dancing, and bonfires in the streets and on the beaches. Attendees jump over the bonfire to drive off evil spirits as a way of purifying the body and soul. You can also write down things you want to change and throw that piece of paper into the bonfire, as a symbol of rebirth and purification. This exciting celebration is topped with a fireworks display.



On Saturday, June 24, up north at San Juan de Labritja town, the ritual is worth visiting. The islanders carry out a parade from the church to the town square, welcoming the summer season with fiery performances.










OuShe Opening Party | Pikes Hotel | Friday, June 23



Under the guidance of London-born, Ibiza-based DJ Santanna Oush, the enchanting Pikes venue launches OuShe, happening the last week of each summer month untill September. Kicking off this Friday, June 23 at 9 pm, OuShe celebrates feminine energy and creativity with a music style that goes from house and dirty underground sounds to soulful garage. Grab your most glam catwalk outfit and immerse yourself in a fashino-forward party with the best female talent.




Join the guestlist for the OuShe Opening Party.






Follow Santanna Oush on Facebook| Instagram | SoundCloud





Sacro by Mëstiza | Cova Santa | Saturday, June 24

Sacro is a concept created by Spanish duo Mëstiza that first landed in Ibiza last season. Under their Sacro events, Belah and Pitty Bernad offer an elegant fusion of flamenco and electronic music with Latin and Afro house touches. Mëstiza’s intention is to internationalize and prove the timelessness of folk music, while experimenting with new formulas from flamenco. The beautiful Cova Santa hosts Sacro once again this summer, transforming into a massive “tablao flamenco,” guided by Mëstiza and incredible live musicians, flamenco dancers, and other guests. We have a date this Saturday evening!




Experience Sacro by Mëstiza this Saturday evening.





Follow Mëstiza on Instagram | SoundCloud





tINI and the Gang SlapFunk takeover | Ibiza Underground | Tuesday, June 27

tINI and the Gang are taking things to the next level this season, with Sonja Bettina (tINI) Günther and her loyal crew celebrating 13 years on the island. This party returns to the hidden jewel of Ibiza’s nightlife, Ibiza Underground in San Rafael. For the second week of this residency, tINI invites the legendary SlapFunk crew. Founded in 2012, SlapFunk is a house music label with a simple mission: to get dance floors moving. For this occasion, the Dutch brand features founder Samuel Deep, SlapFunk resident DJ Doudou MD, and Velasco. For a taste of what to expect, listen to the tINI and the Gang podcast with Doudou MD.




More info and details on the SlapFunk takeover this Tuesday.







Follow tINI and the Gang on Instagram | SoundCloud





The Ritual with Anané & Louie Vega | Club Chinois | Wednesday, June 28

DJs, producers, and life partners Anané and Louie Vega are ready for thier second season at Club Chinois with The Ritual. Discover a sublime mix of Afro, tribal, deep, and soulful house, every Wednesday at the luxurious Marina Botafoch club through October 11. Cape Verdean DJ, singer/songwriter Anané and Vega, one half of production duo Masters At Work built the night in 2011 drawing from their rich personal history in New York. After a few successful seasons at Heart Ibiza (converted into Club Chinois last season), the powerhouse couple are ready to bring together their family of talented friends and the pure magic of the dancefloor every Wednesday. This week they will be accompanied by the feminine power of Cassy, French house DJ Phil Weeks and the audio engineer and music producer Bruno Roth.




Get your tickets for The Ritual this Wednesday at Club Chinois.









Follow The Ritual by Anané and Louie Vega on Facebook | Instagram





Jaguar presents Utopia | Pikes Ibiza | Wednesday, June 28

Following a great Ibiza debut last summer, Pikes hosts four sessions this season of Jaguar Presents Utopia. “UTOPIA prides itself on championing the new wave of electronic artists, so if you want to discover something new and cutting-edge, then this party is for you,” says the BBC Radio 1 presenter. Experience an inclusive event full of colorful sounds, friendly faces, and a deep connection with the music and community this Wednesday withf rom 9 pm under Freddie’s disco balls.




Sign-up for guestlist to Jaguar intimate event at Pikes this Wednesday.









Follow Jaguar on Twitter | Instagram | SoundCloud





Music On Daytime | Destino Ibiza | Thursday, June 29

After an amazing opening event, the second round for Music On's day party series is happening on Thursday. Kicking things off at 5 pm and continuing until midnight, these parties are the perfect chance to get a taste of Ibiza's famed outdoor dancing scene. Marco Carola and his Music On imprint remain one of the busiest parties on the island week-after-week (happening at Pacha every Friday). Don't miss the chance to dance while soaking-up the sun and enjoy the gorgeous views of the Mediterranean Sea from the beautiful Cap Martinet location.




Enjoy the Music On Daytime event this Thursday at Destino.


PICTURE/ARTWORKS




Follow Music On on Twitter | Instagram | SoundCloud

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