Pedro Maia, better known as Mochakk, has become one of the most talked-about names in house music over the past few years — and not by accident. Born in Sorocaba, Brazil, in 1999, Mochakk’s rise from bedroom beatmaker to international festival headliner has been fast but intentional. With his signature mullet, neck tattoos, sharp mustache, chunky chain, and wraparound sunglasses, Mochakk doesn’t just show up behind the decks — he owns the room the second he steps up. Watching him perform is like watching music come alive through his body: every beat, drop, and twist synced perfectly to his movement, like the tracks are wired directly into his bones. His stage presence is a huge part of what’s turned him into a standout in the industry, especially among dance music fans drawn to his mix of wild style, nonstop energy, and next-level tracklist knowledge.

With musical DNA in hip hop, funk, disco, and rock — and early days DJing underage parties in São Paulo — he’s made a name for himself with shapeshifting sets that throw down classic house, Brazilian rap, Latin heat, and whatever else keeps the dancefloor fired up (just ask anyone who lost it when “Da Fonk” hit on Nervous Records). A viral TikTok clip of his playful, dance-fueled spirit behind the decks pushed him into the spotlight, opening doors to major bookings at Circoloco (DC-10), Sónar, Coachella, and his own headline events. But what stands out most is how Mochakk has used that momentum to build something larger — whether it’s launching his own labels (Dogghäuz and MOTRAXX), opening his Sorocaba-based club OBLIQO, or developing the Mochakk Calling party series, which has sold out across cities like New York, Miami, and Lisbon.



His projects — the two-part Locomotiva Ibiza 2099 II EP on Circoloco Records and his most recent From the Stars EP — are prime examples of his ear for sampling, while his curated parties reflect a strong sense of visual and cultural identity, influenced by his background in fashion and his love of São Paulo’s urban spark.

In this interview, Mochakk dives into his early life, masterful production methods, and the surprising (and hilarious) stories from the road — including fans dancing with fish, themed ice cream truck pop-ups, and his ambitious vision for the Mochakk Calling festival. He also teases what’s ahead for his massive June 21 takeover at Brooklyn Army Terminal, a show he’s calling the biggest Mochakk Calling party yet — promising a night for the books against one of NYC’s most iconic open-air backdrops.







What was the turning point when you realized music was going to be your full-time path?



I fell in love with electronic music when I was around fourteen or fifteen. I was already copying beats I heard in hip hop tracks I liked, then I met my friend Cesar Nardini (he’s now my partner at our label, Dogghäuz Records, and our club in Sorocaba, OBLIQO). Back then, he was throwing these underage parties at a club in our hometown, and one day he asked me to help sell tickets. 



That small favor turned into something way bigger, and before I knew it, I was DJing at the parties myself. We’d leave school early and go to the club, and they’d open it up just for us so we could practice on the equipment. 



I kept going, kept learning, just practicing nonstop. Eventually, after a few gigs, I saved up enough money to buy a mini controller and started training at home every day. I completely fell in love with it. From there, things started moving fast… and somehow, this crazy passion turned into my full-time gig.



How did launching your label Dogghäuz change your perspective on producing and releasing music?



When I moved to São Paulo, I started going out a lot. It just became natural to hit a party, hear something crazy on the dancefloor, Shazam it, then go home and dig deep into what I’d found. I was constantly absorbing new sounds and trying to blend that vibe from the nightlife into what I was producing.



Launching Dogghäuz with my best friends shifted my whole perspective. Having our own label meant I could really put my creative vision out there — not just with my own tracks, but also in building something bigger with all the DJs and producers we think are really killing it in the Brazilian scene. It gives us the freedom to shape a sound, but also the chance to spotlight artists we believe in, since the label is invite-only, whether they’re sending me demos or people we want to work with directly. It’s about creating a space where all of that can come together.



Your sound is known for its variety — classic house, Brazilian rap, and tech-house. How do you decide which direction to take for each track?



For me, the job of a DJ is to surprise people, to show them something new, to curate and share music in a way that makes them feel something different. Back in the day, DJs got booked because they brought something unique to the table, something people hadn’t heard yet. I want to hold on to that purpose because that’s what pulled me into this in the first place. 



So when I’m working on a track, the direction I take really depends on what I’m feeling, what I’ve been listening to, and what I want to express in that moment. Sometimes it leans more into classic house, sometimes it’s Brazilian rap, sometimes it’s drum and bass or funk — it’s all about the energy.



How did growing up with funk, disco, and rock influence your approach to DJing?



If you only listen to one thing, your perspective gets too limited to one box. But when you open yourself up to different genres and really pay attention to the creativity and thought behind them, your whole musical world expands. That mindset helped me build a broader rhythm vocabulary, and that’s everything when you’re DJing. 



The more grooves you understand, the more you can connect with different crowds, blend unexpected elements, and keep things fresh. All those influences are still with me, and I think they show up in the way I build sets, read energy, and create flow on the dancefloor.



Circoloco at DC-10 is a milestone for any artist. What was your first time playing there like?



My very first time on the island was in 2022 — and it’s crazy that I was there as the DJ, not even as a partygoer. Playing at a legendary spot like DC-10 was completely insane; I was super nervous, actually. It’s one of those places you dream about, and suddenly I was on the line-up alongside people I’d looked up to for years — Seth Troxler, Dixon… just unreal. That moment really hit me differently. It felt like one of those milestones where everything you’ve worked for starts to make sense.



Mochakk Calling is more than just a party — it’s a full-on experience. How hands-on are you with the creative direction of those events?



Mochakk Calling actually came from one of the guys on the team. We needed a name and a concept for a party, and “Calling” just clicked — like calling up your friends to come along. It stuck, and from there, we realized we could have a lot of fun with it. The whole theme gave us room to play, not just with visuals, but even with how we write the copy and build the vibe around each event. 



I’m super hands-on with the creative direction. I’ve always been inspired by São Paulo’s industrial energy, and that influence runs through everything — from the visuals to the scenography to the venues. It’s all connected. For me, it’s not just about throwing a party; it’s about creating a full experience that feels intentional from start to finish.



The ice cream truck pop-up in NYC was wild. How did that idea come about?



When I think of NYC, I think of food trucks everywhere, so doing an ice cream truck pop-up just felt like the perfect surprise. It was summer, the vibe was right, and it felt like the ultimate treat. It was so much fun serving ice cream, chatting with people, just creating this unexpected little moment before the party even started. 



The whole idea was to make it more than just a show. I wanted it to feel like a full experience, something people would remember not just for the music.



You’ve thrown Mochakk Calling parties in cities around the world. Which city surprised you the most with its energy?



Each city brings its own vibe, so it’s hard to pick just one, but I was definitely surprised by how loud people get in Italy. They scream during the sets just like we do in Brazil, and I wasn’t expecting that energy to match so perfectly. It felt like home in a totally different place. We also just did Mochakk Calling in Miami and Chicago, and both of those were insane. The crowd in Miami was massive, and what blew me away was how many people knew the tracks… they weren’t just dancing, they were fully locked in, reacting to every drop.



The Brooklyn Army Terminal is a massive historical space. What can fans expect from this New York edition?



The Brooklyn Army Terminal just feels like the perfect spot for Mochakk Calling NYC. It’s got that raw, urban energy — gritty, open, with a rave vibe that lets the music and visuals hit hard. NYC is such a special city for me because it reminds me the most of São Paulo. Every time I’m there, I think about jazz and hip hop influenced by jazz, the ’90s and early 2000s sound. It fits the city’s massive, concrete jungle vibe. 





That kind of music is what I listen to a lot during the week when I’m home, and I try to bring those influences into my sets there. I’m really excited for this one — it feels like it’s going to be one of the biggest Mochakk Calling parties yet. Can’t wait to see how it all comes together in NYC!



You’ve been called a “music nerd” who would have been crate-digging if it were the vinyl era. What’s the most unexpected sample you’ve worked with?



At the last Mochakk Calling NYC, I dropped this strange, trippy opera track mixed into a house beat, and surprisingly, people were totally down with the weirdness. That kind of unexpected blend is what keeps things exciting for me. I also love sampling famous speeches. For example, I’ve got this unreleased track that features an excerpt from Leonardo DiCaprio’s United Nations speech on climate change — I actually dropped that one during my Cercle set in Seville.

Using samples like that adds a whole other layer. It’s powerful and thought-provoking, and it connects the music to something bigger. That’s the kind of stuff that gets me really hyped in the studio.



You’ve spoken about chopping samples in ways that make them feel like the original idea. Can you share a recent track where that really clicked?



The lead track from my EP with Ninja Tune, “From the Stars,” really shows this approach. It samples the RAH Band’s “Messages From the Stars,” and I was blown away by how the intro has this constant upward motion — it builds and builds until the bass drops with that huge synth. 



The original, though, is way slower and has that classic ’80s beat, which sometimes doesn’t flow with the other tracks I play at my shows. So I chopped and reworked it to keep the spirit and energy intact but make it fit the vibe I want on the dancefloor. That balance of respecting the original idea while making it fresh and coherent is what really clicked for me on this one.



Your visual aesthetic, especially with Mochakk Calling, is bold and unique. How much does fashion and design influence your music projects?



Fashion and design play a huge role in my music projects, especially with Mochakk Calling. I went to fashion school and have always loved street style and playful graphics, which I bring into the merch. My goal is to create a special-edition T-shirt for every Mochakk Calling party that gives a nod to the city we’re in. For example, last year in NYC, we dropped this wild white-on-black design with a glitchy, six-armed version of me holding old phones, pagers, and computers, with “Available 24/7” printed below. 



It’s all about capturing the vibe visually. When it comes to the parties themselves, one of my favorite things is being able to fully curate the music and the visuals to fit the vibe and look of the space. The energy and visuals of the venue really influence what I play — I feel like the music has to match the space so the whole experience hits all the senses. For me, that connection between sound and style is really cool to explore.



If you could throw a Mochakk Calling party anywhere in the world, with no budget restrictions, where would it be?



Honestly, I feel like that’s already happening soon with the very first Mochakk Calling Festival in Malta! It’s this incredible chance to bring a huge selection of music for people — something for every taste, but also plenty of room to discover new sounds. The festival’s happening in Malta from July 26th and 27th. I want the focus to be less about the big-name headliners and more about those moments where you discover music that sticks with you forever. 



We’ve got an amazing lineup with DJs I listen to myself, like Honey Dijon, Mall Grab, Bonobo, DJ Swisha, HAAi, Chaos in the CBD, Seth Troxler, Dixon… and we’re also bringing some of my favorite Brazilian DJs like BADSISTA, Cesar Nardini, Jay Mariani, Pricila Diaz, RHR — on this epic island in the summer. Throwing a two-day Mochakk Calling festival, not just a party, like this in such a paradise spot feels like a dream come true.



What’s the weirdest fan interaction you’ve had so far?



I actually talked about this in a video recently — one time I was playing a club in Rio on the beach, and someone went into the ocean, grabbed a big fish, and was dancing with the fish between their legs. That was pretty crazy!




You don’t miss a beat when you perform behind the decks. Is there anything you can say about how well you feel the music? Where does your rhythm stem from?



I don’t want to box myself into being just one thing. I want to be as expansive and limitless as the music I love. When I hear a track that moves me — whether it’s making me dance, sing, or just feel something deep — I let myself fully dive into it. That connection between me and the music is the same vibe I feel from the crowd in front of me.



For me, that’s where my rhythm comes from: the passion and authenticity of really loving the music, not just playing it. It’s that vibe I want to bring every time I’m behind the decks, and it’s what I hope sparks in everyone who’s at my shows.

Mochakk Calling: Exclusive Interview on the Line

Can you believe we’re hitting June already?! Ibiza is well and truly stepping into top gear. From iconic openings to incredible debuts, this week’s lineup is stacked with heavyweight lineups, fresh residencies, and the kind of dancefloor energy you’ll be talking about all summer.


Shall we get started…?

Sven Väth presents T.R.A.N.C.E Opening Party | Akasha Ibiza | Thursday, May 29



On Thursday, May 29, Sven Väth returns to Las Dalias and Akasha to present the opening night of his T.R.A.N.C.E residency.



Start your evening from 18:00 in the enchanting Las Dalias garden for the sunset session, where Maurizio Schmitz sets the tone with a warm-up set, followed by an open-air performance by Sven Väth himself. As the night deepens, the party moves indoors to Akasha from 23:00, where Papa Sven continues his musical journey until close.



Garden tickets are still available, don’t miss out!



Listen to the sounds of Sven Väth on Instagram | Spotify





UNVRS Opening Party | UNVRS Ibiza | Friday, May 30



Mark your calendars, because this Friday, May 30, a new era of nightlife begins.



UNVRS, Ibiza's groundbreaking "hyperclub," opens its doors with a monumental launch party. Built on the historic grounds of the former Privilege nightclub in San Rafael, UNVRS is set to redefine the clubbing experience with cutting-edge technology and unparalleled scale.



The opening night lineup is nothing short of legendary: Carl Cox B2B Jamie Jones, Joseph Capriati B2B The Martinez Brothers, Michael Bibi, Carista, Adam Ten B2B Mita Gami, Ahmed Spins, and Salomé Le Chat. Expect a genre-defying fusion of global icons and future-shaping talent, delivering an audiovisual spectacle that sets the tone for the future of club culture.



Doors open at 23:00 and it is going to be a roadblock. Be part of this historic night as UNVRS ushers in a new chapter of Ibiza's nightlife scene.



Get your tickets now.



Listen to the sounds of Carl Cox on Instagram | Spotify





Saturdays Opening Party | 528 Ibiza | Saturday, May 31



This Saturday, 528 Ibiza kicks off its 'Saturdays' series with an opening party that channels the spirit of the legendary Manumission era. From 20:00 to 04:00, immerse yourself in a night where freedom, passion, and pure sound come together in the perfect mix.



Start your evening on the terrace with the sounds of Jo Mills, Jon Sa Trinxa, and Romeren, setting the tone until 23:00. As the night deepens, move into the club where Seb Fontaine, Jason Bye, and Andy Baxter will keep the energy high until close .


Listen to the sounds of Jo Mills on Instagram | Spotify


Glitterbox | Hï Ibiza | Sunday, June 1



Glitterbox returns to Hï Ibiza this Sunday, transforming the venue into a haven of disco, house, and self-expression. In The Theatre, dance to the sounds of Dave Lee, Dimitri From Paris, Kenny Dope, and Suze Ijó. The Club Room features Coco & Breezy, Inner City (DJ set), and Natasha Diggs, while the famous Wild Corner hosts The Duke, Joshua James, and Shaun Ross.


With its bold new aesthetic designed by Studio Moross, Glitterbox 2025 embraces a sexier, edgier vibe, and as always, celebrates individuality and inclusivity. Expect dazzling performances, iconic dancers, and an atmosphere where everyone is free to shine.



End your week right - get tickets.



Listen to the sounds of Dimitri From Paris on Instagram | Spotify





Eric Prydz presents Holosphere 2.0 Opening Party | UNVRS Ibiza | Monday, June 2



Imagine stepping into a universe where music and technology collide in the most spectacular fashion.



That’s exactly what’s going to happen on Monday, June 2, when Eric Prydz unveils Holosphere 2.0 at Ibiza's groundbreaking venue, UNVRS. This marks the beginning of a 14-week residency that promises to redefine live electronic music experiences.



Building upon his previous HOLO and [CELL] shows, Prydz's Holosphere 2.0 is his most ambitious project yet. The production features a colossal, two-story sphere equipped with cutting-edge visuals and immersive soundscapes, creating an unparalleled sensory journey.



With a capacity of 15,000 and state-of-the-art technology, it's the perfect setting for this monumental event.



Doors open at 23:30. Prepare to be transported into a new dimension of nightlife! Get your tickets here.



Listen to the sounds of Eric Prydz on Instagram | Spotify





PIV Ibiza Opening Party | Cova Santa Ibiza | Tuesday, June 3



PIV kicks off its 2025 season at the enchanting Cova Santa on Tuesday, June 3. This Amsterdam-born label, led by Prunk, has become a defining force in the global house music scene, known for its deep sound.



The opening night lineup is a testament to PIV's commitment to quality, featuring core artists like Artmann, Dennis Quin, Jamback, Job de Jong, Kellie Allen, M-High, Prunk, Retrouve, and Ruze. From 19:00 to 05:00, expect a seamless journey from open-air terrace sessions to an intimate indoor party.



Cova Santa, nestled in the hills of San José, offers a unique setting where nature and music intertwine, providing the perfect backdrop for this sonic celebration. Gray Area top tip - get there for sunset, as it’s truly a sight to behold.



Get your tickets for the kick-off event.



Listen to the sounds of Prunk on Instagram | Spotify




Abracadabra | Pacha Ibiza | Wednesday, June 4



On Wednesday, June 4, the Abracadabra residency at Pacha Ibiza continues to enchant anyone who crosses its path! This week, BLOND\:ISH is joined by Brazilian sensation Vintage Culture and a special back-to-back set from Notre Dame and Apache. Expect a night where deep house sounds meet exciting energy, all under the iconic cherries of Pacha.



Abracadabra is a true movement. With a focus on music, energy, and purpose, each night is crafted to uplift and connect. From 23:00 to 06:00, immerse yourself in a world where the dance floor becomes a space of transformation and joy.



Don’t miss out on the mid-week magic. Get your tickets!


Listen to the sounds of BLOND\:ISH on Instagram | Spotify

This Week’s Parties in Ibiza (May 29 - June 4)

Few brands in dance music boast a relationship with Ibiza as rich and enduring as Defected. From its humble beginnings at El Divino to commanding the stage at Ushuaïa and returning to the legendary Pacha, Defected’s journey on the White Isle reads like a love letter to house music. Over two decades, it has not only soundtracked countless summers but reshaped the island’s dancefloor geography - moving east to west, north to south, and always deeper into the hearts of clubbers. This is the story of Defected Ibiza: A Journey Around the Island.



The Early Days: El Divino & the Birth of a Legacy



Defected made its Ibiza debut in 2003 with a residency at El Divino, a stylish marina-side venue in Ibiza Town. Back then, Defected in the House was a young brand with big ideas - soulful house, smiling faces, and a no-nonsense music-first policy. DJs like Junior Jack, Sandy Rivera, and Dimitri from Paris set the tone, quickly winning over an audience hungry for something authentic.



The energy was intimate and focused, a far cry from the bombast of the superclubs. But that was about to change.





The Pacha Years: Glamour and Growth (2005–2012)



In 2005, Defected moved just down the road to Pacha, beginning an eight-year residency that would become the label’s spiritual home. Every Tuesday, Defected in the House delivered upfront house music to Pacha’s disco ball-lit dancefloor, redefining glamour for a new generation of clubbers. It was a golden era: Kenny Dope, Martin Solveig, Bob Sinclar, David Morales, and countless more graced the booth, while vocal anthems filled the air until sunrise.



Pacha brought a glitzy edge to Defected’s soulful roots - VIPs rubbed shoulders with dancers, and Tuesday nights earned a reputation as the night for house purists and party lovers alike. But as the club’s direction shifted in 2012, Defected made the bold move to walk away.



Reinvention at Booom! and the Birth of Glitterbox



After parting ways with Pacha, Defected landed at the short-lived Booom! Ibiza in 2013. It was here that the brand experimented and evolved. Alongside its main Saturday night events, Defected introduced Glitterbox in 2014 - a flamboyant, disco-fuelled spin-off celebrating diversity, freedom, and fierce self-expression.



Glitterbox was an instant hit. With DJs like Todd Terry, Joey Negro, and Late Nite Tuff Guy on the decks - and dancers dripping in sequins - it brought a theatrical flair to Ibiza’s dance music scene. Although Booom! closed after just two seasons, Glitterbox had taken flight.



Superclubs and Strategic Moves (2015–2016)



In 2015, Defected returned to the big stage at Amnesia, sharing Tuesday nights with Together. Hosting the legendary Terrace while Together took over the Main Room, Defected brought in acts like MK, Claptone, and Dennis Ferrer, fusing classic and tech-driven house across genres and generations.



Meanwhile, Glitterbox found its new home at Space Ibiza, bringing disco back to the iconic Playa d’en Bossa venue. But by 2016, Space was preparing to close and Defected opted to pause its Ibiza club residency to focus on launching Defected Croatia and strengthening Glitterbox.



The San Antonio Era: Back to the Dancefloor (2017–2023)



In 2017, Defected returned to Ibiza with a mission: revive San Antonio's credibility. Landing at Eden, the brand ditched VIP pretensions and doubled down on its roots - affordable tickets, no-frills production, and high-calibre house music.



The result? A roaring success. Defected at Eden became essential for island workers and international fans alike. Artists like Sam Divine, Low Steppa, Claptone, and John Summit turned Eden into a hub for new and classic house lovers. The crowd was diverse, the vibe electric, and the message clear: In our house, we are all equal.



For six seasons (2017–2019, 2022–2023), Defected helped rebrand San Antonio as more than a pre-drinks pitstop - it was once again a nightlife destination. During this time, D4 D4NCE, Defected’s newest sub-label, also launched Monday daytime parties at O Beach, giving a platform to rising talent and establishing itself as a staple on the pool party circuit.





A New Chapter: Daylight at Ushuaïa (2024)



In 2024, Defected took on its boldest Ibiza residency yet - a Tuesday daytime slot at Ushuaïa Ibiza. Trading the intimacy of Eden for open-air festival energy, this 22-week run saw titans like Disclosure, MK, Kerri Chandler, and DJ EZ ignite the dancefloor before midnight curfews brought it to a close.



The scale may have grown, but the essence remained: quality house music, world-class lineups, and a commitment to unity on the dancefloor. It was a full-sun spectacle that showed just how far the brand had come - without ever losing its soul.





2025: Coming Full Circle with Pacha



Now, in 2025, Defected is coming full circle - returning to Pacha for the first time in over a decade. Every Thursday from 8 May to 2 October, the house faithful will once again file into Ibiza Town to see legends like Masters at Work, Dennis Ferrer, The Blessed Madonna, and Groove Armada tear up the club that once defined Defected’s golden years.



It’s a moment of reflection and celebration - 25 years of house music history, unity, and evolution. A brand that started with a simple message - great music, for everyone - has now carved its name into the island’s legacy.



Defected’s Ibiza story isn’t just about residencies. It’s about redefining what a clubbing brand can be: inclusive, evolving, and unafraid to take risks. Whether under the disco balls of Pacha, the lasers of Amnesia, or the sun-soaked stage of Ushuaïa, Defected has remained true to its ethos - uniting people through house music.



Ibiza wouldn’t be the same without it.

Defected Ibiza - A Journey Around the Island

Tucked into the hills just outside San Antonio, 528 Ibiza —sister venue to the legendary Pikes Ibiza—has redefined what daytime partying looks like on the island. With its open-air layout, tiered dancefloors, and panoramic views, the venue is now one of the leading destinations for music lovers seeking high-quality, sunlit sessions. In 2025, it’s stepping even further into the spotlight with a full summer program curated by Kaluki Musik and Electric Ibiza, offering twenty-two events across Fridays and Sundays that stretch from late May through early October.



This year’s calendar is packed with label showcases and brand collaborations from across the global dance spectrum. From Richy Ahmed’s Four Thirty Two and Archie Hamilton’s Microhertz to Josh Baker’s You&Me and Max Dean’s NexUp, the schedule showcases some of the most in-demand collectives and selectors on the circuit. Kaluki returns to host multiple Fridays throughout the summer, anchoring the series with heavyweight bookings and special guest appearances. The season launches with an opening party on May 30, headlined by Ilario Alicante and Fleur Shore, setting the tone for what’s to come.

528’s programming is deliberately spread across both the underground and more established ends of the house and techno spectrum. In June, All Day I Dream returns with Lee Burridge at the helm, while July sees Hot Since 82 bring his Knee Deep In Ibiza brand to the venue. August continues to raise the stakes with a full takeover from After Caposile featuring tINI and Saoirse, followed by a late summer set of events that include NexUp and a high-profile closing party from Do Not Sleep.



What defines the 528 experience isn’t just who’s on the lineup. It’s the balance between immersive production and the freedom of being outdoors, between daytime energy and sunset atmosphere. The natural surroundings, combined with a state-of-the-art soundsystem and attention to curation, make for parties that feel thoughtful without ever being overdesigned. It’s clubbing that breathes, in a setting that invites you to stay a little longer.



While the venue now operates under a new name and programming style, long-time Ibiza goers will remember its former life as the home of The Zoo Project. That weekly gathering—famous for animal-inspired costumes, tribal face paint, and its anything-goes spirit—was once the island’s most eclectic open-air escape. In many ways, the ethos of The Zoo Project lingers in the air. Though 528 is now more refined and internationally focused, the sense of freedom, outdoor celebration, and unfiltered connection to music still runs deep.



In a landscape where daytime events are becoming just as essential as the island’s storied nightclubs, 528 Ibiza has carved out a space of its own. Its evolution mirrors that of Ibiza itself—rooted in experience, but always moving forward. With this year’s lineup and vision, 528 is no longer just a venue; it’s one of the most anticipated destinations of the summer.

528 Ibiza: A New Era of Clubbing on the White Isle

Madrid’s Crusy has positioned himself as one of house music’s most consistent forces on dancefloors around the world. From releasing his breakout track “SELECTA” to now performing across major cities like Tokyo, Los Angeles, and Ibiza, Crusy’s momentum hasn’t slowed. His latest single, “Kiki,” continues that streak—already finding its way into sets from some of the scene’s biggest names. Dropping just in time for the season, “Kiki” lands perfectly with its blissful, summer-ready sound. With support from industry icons like Carl Cox, Dom Dolla, John Summit, and Fatboy Slim, his records have landed on respected labels including Toolroom, Defected, and Knee Deep in Sound. 

Ranked as the 26th top producer in the world in 2024—based purely on DJ support—Crusy’s catalog reflects a sharp understanding of what works in clubs: charged, floor-ready music that crosses stylistic boundaries. Tracks like “The Unknown,” “El Beso,” and “Bullerengue” have not only charted but stayed in rotation with top DJs around the world.

In this interview, Crusy opens up about his journey from his bedroom in Bilbao to half a million monthly Spotify listeners, his collaborations with names like Mark Knight and Tony Romera, and his minimalist but highly functional studio setup. From earthquake wake-ups in Japan to his deep love for cars and sunrise sets, Crusy’s responses are thoughtful, real, and sometimes hilarious.

Keep reading for the full Q&A.



Your debut track "SELECTA" was a massive success with support from major names like Carl Cox and Dom Dolla. What was the initial spark that led to creating that track?


I wanted to make a song that every DJ could play, regardless of the genre/style that that DJ was playing. Found a sweet spot between Latin House and high-energy house when Latin House was not even a thing worldwide, and translated it into a song I would play anywhere. I am so happy that all these amazing DJ names are still playing it nowadays, that’s what the song was made for.



You've released music on iconic labels like Toolroom, Defected, and Knee Deep in Sound. How do you decide which label is the right fit for each track?


I try to look for what that label is known for, whether it’s a sound in particular or a vibe, and I try to imagine the boss artist of the label playing my record out there. I’m a person that listens to music from the moment I wake up until I go back to sleep, so I do a lot of research—highly recommend that to any aspiring artist.



With shows spanning across cities like Madrid, Los Angeles, Tokyo, and Bali, which crowd has surprised you the most in terms of energy and vibe?


I am very thankful to the crowd I have worldwide, it’s something I dreamt about when I was starting on this, but I must say LA, Toronto & Madrid are three cities that I have forever with me—great memories definitely there! Last year Avalon with Mark Knight, Tony & Martin Ikin was next level, and Toronto and Madrid are always amazing!



You were ranked as the 26th top producer in the world in 2024. What do you think contributed most to achieving that recognition?


That was something I thought about a lot. I was extremely thankful for that as it’s an award that can’t be bought, tricked or influenced in any way, as it measures the amount of times your music has been played by other DJs. I guess releasing records that are very effective on the dancefloor must have had the biggest impact on it alongside working with the best labels in the industry.



Collaborating with artists like Hugel, Mark Knight, and Tony Romera must bring different creative energies. How do you adapt your process when working with other producers?


It’s something that inspires me a lot, and something where I have taken a lot from for myself too. Every artist has their way to produce and I learn a lot from each one. Some are very technical, others very intuitive choosing sounds, others very good at marketing their records when they are out… I try to just let the energy flow and see where the path takes us!



"Bullerengue," "Fallin'," and "Things" on Defected brought you even more attention. What drew you to work with Defected, and what makes it different from other labels?


It is one of the most legendary labels ever, and I felt extremely proud to have released a few records with them. "Bullerengue" especially, was released on vinyl in the collector’s edition of their 25-year anniversary, which is a fantastic honor taking into consideration the level of names that have released at Defected.



You’ve now got over 500,000 monthly listeners on Spotify. How does seeing that number influence your approach to making music?


Spoke with my mom about this last week, and it feels like a lot to me. I’m an artist that started from nowhere in my bedroom at my parents’ house in Bilbao, so having half a million people listening to my music every month feels highly overwhelming to me. Thanks to everyone out there listening to my music!



What’s your studio setup like? Any piece of gear you can’t live without?


My studio is very simple actually. I know my room very well and have been making music for 13–14 years, so that helps you know when something is sounding good and when it is not. If I had to highlight something, that would be my speakers. I highly miss them while I am making music on the road. They are nothing really expensive, a pair of Focal Alpha80, but I think there is nothing close out there when comparing them with other similar budget speakers.



When you’re not touring or in the studio, how do you decompress and find inspiration for your next project?


I love to work out and cars. Sometimes I just go to the gym, drive one of my cars and enjoy that moment. I like to see my family and friends too and laugh for some time, that is one of the best treatments out there!



Is there a specific genre or style outside of house music that you’d like to explore in the future?


I listen to a lot of different genres! I vary into rock / alternative rock from the 2000s so don’t be surprised if I mix or co-produce something in the future!




You’ve toured cities all around the globe. Any unexpected travel stories that still make you laugh?


I have too many stories, but most of them can’t be told hahahaha. I remember once I woke up in an earthquake in Japan. It was very scary but now I laugh about it, could have been terrible but luckily nothing happened and it’s another story to write in my memories someday.



If you had to choose just one city to perform in for the rest of your career, which one would it be and why?


Couldn’t do that, every place gives you certain vibes and I could not get rid of them.



House music is constantly evolving. What do you think is the next big shift in the scene?


I am seeing House coming back. Hard Techno and Afro House have been dominating the scene for so long but I am seeing some of the biggest artists in the scene playing House again, and those crowds need to evolve and that usually makes them go back to House. That’s my bet!



What’s the best piece of advice you’ve received from a fellow artist?


Don’t lose time trying to please people that would never pay a ticket to see you.

If you could play b2b with any artist, living or dead, who would it be?


Carl Cox.



Which track of yours would you consider your secret weapon during a live set?


"Pills." Such a special track.



Would you rather only play sunrise sets for the rest of your life or only play afterparties?


Sunrise, definitely.



If you weren’t making music, what do you think you’d be doing instead?


Something related to cars, I would probably have a dealership.



Finish the sentence: If Crusy is DJing, you can always expect...


A DJ that is bringing you on a journey through his set.

In Studio and On Stage with Crusy

Opening parties are more than just a week now, so we can safely say that we are still in “opening season”! There’s lots to look forward to this week in Ibiza, so if you’re on the island, take a look at our guide for the very best parties of the next 7 days.



Are you ready? Then let’s begin:

Defected | Pacha Ibiza | Thursday, May 22



“House heads, assemble!” This Thursday, May 22, Defected takes over Pacha Ibiza with a lineup that you don’t want to miss out on: Dunmore Brothers, Eats Everything, Gorgon City, Kitty Amor, and Monki.



After a 13-year hiatus, Defected's return to Pacha marks a full-circle moment, reigniting a partnership that shaped Ibiza's house music scene from 2005 to 2012. Expect a night of incredible music, soaring vocals, and that unmistakable Defected energy that turns the dancefloor into a euphoric haven.



Pacha's legendary atmosphere, combined with Defected's curated sound, is going to make this an unforgettable experience.



Listen to the sounds of Eats Everything on Instagram | Spotify





MËSTIZA | Hï Ibiza | Friday, May 23

Let’s switch things up this Friday. MËSTIZA is back at Hï Ibiza on May 23 with their signature fusion of flamenco flair and electronic sounds. As the first female duo to land a residency at the world’s No. 1 club, they’re making history, one drop at a time.


Joining them in The Theatre is the master of dreamy dancefloor journeys, Lee Burridge, plus Diass bringing his deep and driving sound. Meanwhile, Blackworks takes over the Club Room with a live set from techno heavyweight Reinier Zonneveld and the pounding energy of Dexphase.


Doors open at 23:30 - make sure to get there early!



Listen to the sounds of MËSTIZA on Instagram | Spotify




Claptone presents The Masquerade Opening Party | Chinois Ibiza | Saturday, May 24



This Saturday, Claptone's iconic The Masquerade makes its grand debut at Club Chinois, Ibiza's opulent venue inspired by 1930s Shanghai jazz clubs. Known for its lavish décor and state-of-the-art sound system, Chinois provides the perfect backdrop for a theatrical night of mystery and music.


Claptone will deliver his signature blend of deep house sounds, and joining him is Faithless, with a DJ set by Sister Bliss, Crusy and Jason Bye.


Doors open at 23:45, and we can guarantee that it’s going to be a busy one. Don't miss the opening of what promises to be one of Ibiza's most enchanting residencies this season.



Listen to the sounds of Claptone on Instagram | Spotify





Pantheøn | Cova Santa Ibiza | Sunday, May 25


If you’re craving something a little different this Sunday, Pantheøn at Cova Santa might just be it. On May 25, the hillside venue transforms into a mythical world of music and energy, running from 7pm all the way through to 5am.



Expect a heavyweight lineup led by Richy Ahmed, with support from Calvin Clarke, Seb Zito, Abdon, Ssero, and Koleto. From sunset grooves to peak-time rollers, this one’s built to take you on a proper journey.


With its open-air setting and underground edge, Pantheøn at Cova Santa will be pure Ibiza magic.



Listen to the sounds of Richy Ahmed on Instagram | Spotify





Roger Sanchez All Night Long | Pacha Ibiza | Monday, May 26



Let’s talk about a true Ibiza institution.


On Monday, May 26, house music legend Roger Sanchez takes over Pacha Ibiza for an all-night-long set. From 11 pm to 6 am, the Grammy-winning DJ will guide you through a journey of deep sounds, classic cuts, and pure dancefloor energy. Expect to hear iconic tracks like “Another Chance” and “Hella Good,” alongside fresh selections that showcase his decades of global success and unmatched passion for the craft.




Pacha Ibiza, celebrating over 50 years as a cornerstone of the island's nightlife, provides the perfect backdrop for this marathon session. With its iconic cherry logo and a legacy of hosting world-class DJs, Pacha continues to blend opulence with a sense of community and spiritual escape.



Ready to dance the night away with a master at the helm?



Listen to the sounds of Roger Sanchez on Instagram | Spotify





Appetite Ibiza | Chinois | Tuesday, May 27



After 2 showcases last year, Appetite is back at Chinois this Tuesday, May 27, with a lineup that’s pure underground gold. Founders Elliot Schooling & Liam Palmer lead the charge, joined by Laidlaw, L.P. Rhythm, Moxie, and Tristan da Cunha. Expect a night of deep house, minimal garage, and track that’ll keep the dancefloor moving till sunrise.


Chinois, nestled in Ibiza’s Marina, provides the perfect backdrop with its state-of-the-art sound system and intimate atmosphere. Doors open at 23:45, so get there early and immerse yourself in the vibes.



Don’t miss this chance to experience one of London’s most sought-after parties on the White Isle.



Listen to the sounds of Elliot Schooling on Instagram | Spotify





Abracadabra | Pacha Ibiza | Wednesday, May 28



Midweek magic is calling!



On Wednesday, May 28, Abracadabra returns to Pacha Ibiza, bringing together the enchanting sounds of BLOND:ISH and the techno mastery of Marco Carola for a special back-to-back set. Joining them is Ale De Tuglie, adding his unique flair to the night's lineup.


Abracadabra is a movement where music, energy, and purpose unite. With BLOND:ISH at the helm, expect an immersive experience filled with feel-good vibes and transformative moments on the dancefloor.



Doors open at 23:00 and the magic continues until 06:00. Be part of a night where the ordinary fades and only the present moment exists.


Listen to the sounds of BLOND\:ISH on Instagram | Spotify

This Week’s Parties in Ibiza (May 22 - 28)

Since the 1990s, Ibiza has been the undisputed capital of clubbing, but its most legendary parties have always been about more than just music. On this island, a night out becomes a full-scale theatrical experience - complete with costumes, extravagant set designs, and themes so wild they’ve become the stuff of nightlife legend. From hedonistic circus shows to psychedelic foam pits, here’s a look at the most outrageous themed nights to ever light up the White Isle.



Manumission - Hedonism Unleashed

No list would be complete without Manumission, the party that redefined outrageousness in the ‘90s. Held at the colossal Privilege club (now fully transformed into UNVRS), it was part erotic circus, part theatrical mayhem, and all about freedom - literally, as the name means "release from slavery." It wasn’t unusual to see aerial performers, live sex acts, and everything in between, all in front of 10,000 wide-eyed clubbers. The night didn’t end at the club either: afterparties continued at the Manumission Motel, where anything could - and often did - happen. It was less a party, more a wild, surreal lifestyle manifesto.



La Troya - Ibiza’s Camp Carnival

Equal parts flamboyant, fabulous, and filthy, La Troya has long been one of Ibiza’s most irreverent nights. Originally known as La Vaca Asesina (The Killer Cow), this LGBTQ+ institution found its home at Amnesia, then Space, Club Chinois and now Playa Soleil. Hosted by iconic drag performer Baby Marcelo, La Troya is a chaotic celebration of sexual freedom, gender play, and joyful rebellion. With weekly themes that veer from divine to depraved - think fetish nights, tribal fantasies, and parody politics - La Troya’s costumes and characters are among the most eye-popping on the island. If Manumission was raw hedonism, La Troya is pure, glitter-soaked theatre.





Flower Power - Psychedelic Nostalgia

A little tamer but no less iconic is Flower Power at Pacha. This long-running night takes clubbers on a trippy ride back to the ‘60s and ‘70s, when peace signs, paisley, and rock ’n’ roll ruled. Think John Lennon glasses, VW Beetles parked inside the club, and go-go dancers channeling Woodstock energy. The production is immersive - each corner of the club drenched in retro visuals, vintage posters, and kaleidoscopic light shows. And when a Lennon-Yoko impersonator floats over the crowd on a bed during “Imagine,” you know you’re in Ibiza, where even nostalgia gets a theatrical upgrade.





La Espuma - The OG Foam Party

You haven’t truly done Ibiza until you’ve danced through a wall of foam at La Espuma, Amnesia’s signature foam party. Since the early '90s, this wet and wild event has transformed the dancefloor into a soap-slicked playground. At its peak, industrial cannons launch torrents of foam, burying clubbers in bubbles and creating what feels like an underground rave inside a car wash. It’s ridiculous, messy, and completely liberating - especially when the music shifts from underground house to guilty-pleasure anthems like “Barbie Girl.” Expect to lose your shoes and your dignity - but gain a night you’ll never forget.





elrow - Confetti Overload

In the 2010s, elrow emerged as the new king of immersive party madness. Born in Barcelona, and many years under its belt at Amnesia before debuting in UNVRS this year, elrow combines circus energy, Burning Man aesthetics, and club-kid imagination. Every edition is built around an over-the-top theme: haunted carnivals, trippy jungles, psychedelic dreamscapes. Confetti blasts every five minutes. Costumed performers climb through the crowd. The set design looks like a Tim Burton acid trip. What makes Elrow truly wild is the way it turns the entire club into a living, breathing fantasy land. You don’t just go to elrow - you’re consumed by it.





SuperMartXé - High Glamour, Higher Drama

If you wanted Vegas-style spectacle in Ibiza, SuperMartXé at Privilege was your ticket. Known for its jaw-dropping production and high-glam themes, this party served up weekly extravaganzas featuring dozens of dancers, fire-breathers, and set designs that looked straight out of a West End show. One week it was a futuristic sci-fi fantasy; the next, a Moulin Rouge-inspired burlesque blowout. Even Paris Hilton got in on the action, DJing special foam-and-diamonds editions. With EDM anthems blaring and a rotating cast of performers, SuperMartXé was Ibiza’s answer to Broadway - if Broadway wore nothing but glitter and feathers.





The Zoo Project – Party Like an Animal

Finally, The Zoo Project brings wildness back to its roots - literally. Held at an “abandoned zoo” just outside San Antonio, this daytime event invited clubbers to unleash their inner animal. The dress code? Body paint, fur, feathers, or full-on animal cosplay. Stages are tucked into old enclosures, performers prowl the grounds, and the music leans toward underground house and techno. Unlike the superclubs, Zoo Project’s charm lies in its raw, DIY spirit - part jungle rave, part tribal gathering, and all kinds of outrageous.





From floating beds to flooded dancefloors, Ibiza’s themed nights are immersive worlds that invite you to lose your mind, your inhibitions, and sometimes your clothes. The music may set the mood, but it’s the wild themes, costumes, and jaw-dropping production that turn a great night into an unforgettable spectacle. In Ibiza, the more outrageous, the better.

The Most Outrageous Themed Nights in Ibiza’s Clubbing History

If you've spent any time on the dancefloor lately, there's a good chance you've moved to the sounds of Luke Alessi. If you’re a house music enthusiast, there's a high likelihood you have a track or two by the Australian sensation in your playlist. His music has been popping up everywhere—from underground clubs to major festivals—with releases on labels like Life & Death, Rose Avenue, and Watergate. His late 2024 track After Five became an instant go-to, lighting up clubs across the globe. For Luke, it wasn’t some calculated hit; it was just another idea that came together quickly, built around a groove that simply felt right.

Luke’s artistic flow is all about riding the groove. Sometimes it starts with a hook—maybe a synth line, a drum groove, or even a bass loop that just sticks. He even finds inspiration in the most unexpected places, like Donkey Kong Country and Mario Kart soundtracks. It’s that blend of nostalgia and forward-thinking that keeps his tracks fresh. His side project notwithoutfriends, with longtime mates William Kiss and Jordan Brando, is much the same—just good friends making music, throwing parties, and keeping things real. No egos, just pure fun.



In 2024, Luke took his sound international, hitting venues like Space Miami, The Brooklyn Mirage, and Pacha Ibiza. He capped off the year at Strawberry Fields, supporting Solomun at The Wool Store, bringing it back to where it all began. It’s been a wild ride, but it’s clear he’s only getting started.

We caught up with him to chat about his session work, wild tour stories (including a raccoon stealing his guacamole in Tulum), and what’s coming up next for him and notwithoutfriends. Dive into the full interview below.



When kicking off a new track, what's usually your first step?



It changes all the time, but usually, I start with the hook. It could be a synth, vocal, bass line, or even a drum groove that has some tonal element to it. If I find a loop that just hits the spot—something I could listen to on repeat for ages—then I know I’ve got a good base. I’ll build everything else around that.




What's a surprising or quirky influence that’s found its way into your sound?



I’m really inspired by '90s video game soundtracks. In particular, Nintendo games like Donkey Kong Country and Mario Kart. I’ve actually sampled these quite a bit in the past and still do. They just take me back to such a nostalgic, happy place and seem to work in my productions.



Any favorite moments or funny stories from playing some of the iconic venues you've visited?



Actually, something crazy happened to me recently after a set I played in Tulum. I was back at my hotel room with a friend, having a beer on the balcony, and I heard the screen door to my room open. I turned around to find a raccoon trying to break in and steal my guacamole from my bedside table. Cheeky bugger! I ended up leaving it out the front for him because I felt bad.




How have collaborations with friends like Chloé Caillet or DJ Tennis shaped your artistic flow with music?



Overall, I’ve loved it. Collaborating with other artists always pushes me outside my comfort zone. Chloé used to be in a band and comes from a more traditional songwriting background, so she has taught me a bit about traditional pop structure and how to integrate that into dance music, which has been valuable.



DJ Tennis, on the other hand, has this mad-scientist approach in the studio where he’ll throw something completely unexpected into the mix—mucking around on random bits of hardware, playing with FX pedals and synths—and suddenly, the track takes on a whole new life form. Before you know it, inspiration strikes.




"After Five" blew up—did you feel it would be a hit while making it, or was the success a bit of a surprise?



Ummmmm... not really. The record came together quite fast, and I just thought, “Oh, this will be a fun, loopy, disco groover that will be fun in the clubs.” I guess in that sense I knew it would be functional on the dance floor, and “functional” generally means it gets played, but you never really know how people will react. Then I started getting messages from other artists and DJs I really respect, asking for the track, and I thought, “Okay… maybe this one’s got legs.”




What’s special to you about working with Life & Death Records?



They genuinely feel like family to me. DJ Tennis is a true friend who helps support me in so many ways beyond just releasing with the label. Musically and artistically, they give me complete freedom. They’re not looking for a particular sound or aesthetic—just art that feels fresh and authentic. That kind of trust makes a huge difference as an artist.





What’s one festival or venue you’re dying to perform at but haven’t yet?



Ooft, that’s hard to pick! I’d say clubs and rooms like Robert Johnson, Panorama Bar, and DC-10 Circoloco—all would be a dream for sure!




With your side project notwithoutfriends, what’s the best part about collaborating closely with friends?



It just feels effortless. No egos, no overthinking (a lot of blunt honesty)—just making tunes and throwing parties with your best friends the way we’d want to experience them. Our Heide Sculpture Park show was a perfect example of that energy.




What's your secret to staying creative and healthy when you're always on the move?



I try to get in the ocean or a body of water whenever I can. It resets everything. Also, eating properly on tour is a struggle, but if I can get a place with a kitchen, then I love to cook. Every chance I get to eat real food and know exactly what is going into my body, cooking myself is the only way to do it.




How do you keep up with fresh music trends without losing your own style?



I listen to a lot of stuff outside of club music—jazz, weird ‘70s records, film, and video game scores. That way, I’m influenced by more than just what’s trendy at the time.




Any new or upcoming artists you’re super excited about right now?



William Kiss and Jordan Brando are doing some wild stuff right now, but I’m biased because we’ve been making music together for years. But honestly, I think they inspire me more than anyone. Also, Demi Requismo and D-stone are making some heat and almost always feature in my DJ sets.




If you could swap lives with another DJ or producer for a day, who would you choose and why?



Again, so tough, but I would have to say Four Tet. Not so much musically, but just his range and general ethos on music and the way he views the industry really inspires me a lot. He’s not afraid to just make music as he feels. Sometimes it could be an ambient track, next a full underground club record, then he’s collaborating with a pop artist. There seems to be this creative freedom and output that is so broad yet super authentic, and his fans just accept and appreciate it. That’s honestly what I want to strive towards as an artist.



What is something meaningful to you, but not to others?



Quite often, I’ll underlay my tracks with a field recording of something that was happening in my life at the time I came up with the idea or was writing the track. It could be while I’m at the shops, in the park, at a café—whatever it is, I’ll put it so low in the background that it’s often inaudible to the listener. But it just kind of laces the track with the energy and vibe of the time I wrote it.




Lastly, what’s one random talent or hobby you have that fans might be surprised to hear about?



I can do some pretty good voice impressions—Dumbledore and David Attenborough, to be specific (although they are pretty much the same).

Behind the Hook: An Interview with Luke Alessi

We are back with our top choices of Ibiza parties for the next 7 days. Luckily, we’re spoilt for choice this week with a whole host of opening parties in our midst.



Let’s dive in:

Do Not Sleep Opening Party | Amnesia Ibiza | Thursday, May 15



The underground faithful, this one’s for you - Do Not Sleep is back at Amnesia’s legendary Terraza for Ibiza 2025, bringing its raw, no-frills rave energy to the dancefloor once again. Kicking off the season on Thursday, May 15, the opening party features a heavyweight lineup: Richy Ahmed, Sidney Charles B2B Gaskin, Ozzie Guven B2B Jamback, Ellia Jaya, and Basso.



Do Not Sleep is born from a love for real, no-nonsense clubbing. It’s a movement that has championed pure, unfiltered rave energy since 2015. Expect a night dedicated to keeping the roots of the rave scene alive, blending old-school chaos with the freshest talent in underground house and techno.



Don’t sleep on it - book your tickets now and be part of a season that defines the true spirit of Ibiza.



Listen to the sounds of Richy Ahmed on Instagram | Spotify





Music On Opening Party | Pacha Ibiza | Friday, May 16



Marco Carola’s Music On returns to Pacha Ibiza for its fifth consecutive season, kicking off on Friday, May 16. Known for its electrifying atmosphere and marathon sets, Music On has become a staple in Ibiza's nightlife.



The opening night lineup is made up by Marco Carola, Ilario Alicante, Franky Rizardo, and Da Vid.


Pacha's iconic setting, combined with Music On's reputation for quality music and production, ensures an unforgettable experience. As Fridays at Pacha transform into a haven for electronic music enthusiasts, this opening party sets the tone for a season of unparalleled techno and house music.


Secure your spot for the opening night of Music On 2025 - buy tickets now.



Listen to the sounds of Marco Carola on Instagram | Spotify





Black Coffee Opening Party | Hï Ibiza | Saturday, May 17



The island’s most spiritual dancefloor experience returns as Black Coffee launches his seventh season at Hï Ibiza on Saturday, May 17. A cornerstone of the island’s nightlife since 2017, Black Coffee’s residency is renowned for its deep, Afropolitan house rhythms and immersive production.



In The Theatre, Black Coffee is joined by fellow South African talent Shimza, whilst the Club Room transforms into a mystical haven under the guidance of Damian Lazarus, the Crosstown Rebels boss known for his esoteric soundscapes. Joining him are Kinahau and Lilya Mandre, adding fresh energy to the night.


Over in the Wild Corner, Paul Reynolds keeps the energy flowing with his eclectic selections, ensuring every corner of Hï Ibiza comes alive this Saturday night.



With a new visual aesthetic for 2025 and a lineup that blends established names with rising stars, Black Coffee’s opening night is set to be an unforgettable journey through sound and light.



You don’t want to miss this - get your tickets now!



Listen to the sounds of Black Coffee on Instagram | Spotify





Sven Väth presents Cocoon | Amnesia Ibiza | Sunday, May 18



After a six-year hiatus, Cocoon returns to its spiritual home, Amnesia Ibiza, for a one-night-only event on Sunday, May 18. This reunion marks a significant moment in Ibiza's clubbing history, bringing together techno pioneers and longtime collaborators.



Leading the lineup is Cocoon founder Sven Väth, joined by the innovative Richie Hawtin. Their performances are highly anticipated to deliver a raw energy, encapsulating the essence of Cocoon. Adding depth to the night are Mano Le Tough and Cassy, both returning to Cocoon after years, promising a blend of house and techno that will guide the crowd through an unforgettable musical journey.



The event will take place in a single room, fostering a unified dancefloor experience. Doors open at 21:00, giving us an extended night of immersive music and celebration.


End your week right - get your tickets.



Listen to the sounds of Sven Väth on Instagram | Spotify





D4 D4NCE | O Beach Ibiza | Monday, May 19



Mondays in San Antonio just got a whole lot hotter as D4 D4NCE returns to O Beach Ibiza on May 19 for another sun-soaked session of feel-good house music. This week’s lineup features Eden Prince, Siân Owen, Perry Martin, and Jamie Love, promising a day filled with infectious tunes and unbeatable poolside vibes.



Eden Prince, known for his uplifting tracks and remixes, brings his signature sound to the decks, ensuring a high-energy atmosphere. Siân Owen, fresh from her recent release "Don't Mean A Thing," is set to deliver a set that blends classic house with contemporary flair. Perry Martin and Jamie Love round out the lineup, each bringing their unique style to keep the dancefloor moving.


D4 D4NCE has quickly become a staple in Ibiza's party scene, offering a platform for both established and emerging artists to showcase their talents.



Start your week on a high - book tickets and VIP beds here.



Listen to the sounds of Eden Prince on Instagram | Spotify





CAMELPHAT Opening Party | Pacha Ibiza | Tuesday, May 20



Liverpool’s Grammy-nominated duo, CAMELPHAT, return to Pacha Ibiza on Tuesday, May 20, to launch their third consecutive summer residency. Known for their signature blend of deep house and melodic techno, Dave Whelan and Mike Di Scala have curated a night that promises to be a sonic journey in one of Ibiza’s most iconic super clubs.



Joining them for this opening night are Âme (live) B2B Trikk. Completing the lineup is Deer Jade, whose eclectic selections and energy are set to warm up the night in style.



Pacha's iconic setting, combined with CAMELPHAT's immersive audio-visual production, makes this opening party a must-attend event for those seeking a transformative clubbing experience. With a season running every Tuesday until October 7, this kickoff sets the tone for a summer of unforgettable nights


Buy tickets for the opening party.



Listen to the sounds of CAMELPHAT on Instagram | Spotify





Abracadabra Opening Party | Pacha Ibiza | Wednesday, May 21



A new chapter of midweek magic begins as BLOND:ISH unveils her groundbreaking residency, Abracadabra, at Pacha Ibiza on Wednesday, May 21. This marks a historic moment, with BLOND:ISH becoming the first female artist to lead a season-long residency at the iconic club.



The opening night features a dynamic lineup: BLOND:ISH herself, known for her genre-defying sets and uplifting energy; Josh Baker, bringing his signature house grooves; and Luuk van Dijk, delivering infectious rhythms that promise to keep the dancefloor moving .


Abracadabra is a movement that blends music, energy, and purpose. You can expect an immersive experience that goes above and beyond, bringing a sense of connection, joy and magic on the dancefloor.



Abracadabra is set to redefine Wednesday nights in Ibiza. Don't miss the chance to be part of this transformative experience - buy tickets to the opening party now.



Listen to the sounds of BLOND\:ISH on Instagram | Spotify

This Week’s Parties in Ibiza (May 15th - May 21st)

Tucked at the edge of Ibiza Airport’s runway, DC10 Ibiza is one of the most iconic and uncompromising clubbing institutions on the planet. While the island’s superclubs opted for opulence, DC10 built its legacy on raw energy, musical purity, and a defiant underground spirit. Its terrace has become sacred ground for both dancers and DJs, with jets thundering overhead as the party booms below. But long before global acclaim, world tours and Circoloco t-shirts worn across continents, DC10 was a humble farmhouse-turned-bar, an outsider in the Ibiza clubbing ecosystem.



The story begins in 1989, when Spanish brothers Antonio “Sito” Lara and Deogracias Lara Moreno transformed a rustic roadside venue near the airport into a live music spot. They named it DC10, referencing the McDonnell Douglas DC-10 aircraft that often roared above. For nearly a decade, it remained a local favorite - a casual bar with live performances and a laid-back vibe.





Then, in 1999, everything changed.



That summer, two Italian partygoers-turned-promoters, Antonio Carbonaro and Andrea Pelino, saw a gap in the island’s programming. Monday mornings were quiet. Space’s marathon Sunday terrace had wrapped up, but the island’s ravers weren’t ready to sleep. So, the duo approached the Lara brothers with a radical idea: an after-hours party with no sponsors, no glitz, and no VIPs. Just music, madness, and freedom.



They called it Circoloco - Italian and Spanish for “crazy circus.” It was a name that captured the spirit perfectly. And it would become the club’s first, and most important, residency.



The Birth of Circoloco and the DC10 Identity

The first Circoloco took place in July 1999. It was free to enter, ran from sunrise to late afternoon, and welcomed just 80 people on the terrace. There were no international headliners, no advertising, and barely any infrastructure. But word spread like wildfire. By the end of that summer, Circoloco had grown into one of the island’s best-kept secrets, a magnet for workers, DJs, and ravers chasing something more authentic.



From the very beginning, Circoloco wasn’t just another party on a party island. It was a philosophy. With the motto “No Soul for Sale,” it rejected the mainstream commercialization creeping into Ibiza. While other clubs chased big-name lineups and champagne tables, DC10 and Circoloco focused purely on the dancefloor. The music was deep, tribal, and cutting edge - house and techno that felt intimate yet powerful.





As Circoloco’s popularity exploded, Mondays at DC10 became sacred. Within a few years, the club had outgrown its modest origins, drawing hundreds (and then thousands) of partygoers each week. Yet, it remained firmly underground in spirit, often operating in defiance of licensing restrictions and legal pressure from local authorities.



The First Residents: Laying the Foundations

Behind the decks in those formative years were a group of DJs who would go on to define the DC10 sound and spirit. These were not international stars at the time. They were selectors trusted by the Circoloco founders - artists who understood the assignment: keep it real, keep it deep, and make people dance until the sun went down.



Tania Vulcano was the first name on the Circoloco flyer - and she would become its first true resident. Born in Uruguay and based in Ibiza, Tania brought a hypnotic blend of tribal house, minimal rhythms, and groove-laden selections that made her synonymous with the terrace. Her sets were a masterclass in progression, often stretching into marathon sessions. Today, she’s affectionately known as the “First Lady of DC10.”





Alongside her was Cirillo, a Roman DJ with a gritty techno sensibility and serious underground credentials. Cirillo held down the club’s main room, delivering raw, no-compromise sets that shaped the darker side of the Circoloco sound. His chemistry with Tania, balancing terrace euphoria with main room intensity, became a blueprint for DC10’s musical duality.



José de Divina, a Spanish DJ with a deep house background, added a soulful groove to the early lineup. His ability to ease the crowd into the day, whether opening the party or keeping energy flowing into the afternoon, helped define the Circoloco flow.



Other early contributors included DJ Bruno and Fabio (also known as System of Survival), who played key warm-up sets week after week. Over time, new residents joined the ranks: Luciano, Loco Dice, Clive Henry, and Dan Ghenacia - each bringing their own style while embracing the Circoloco ethos. Some of them, like Loco Dice and Luciano, would go on to become global headliners, but all credited DC10 as the place that gave them artistic freedom and trust.





The Impact and Evolution

By the early 2000s, Circoloco had transformed DC10 from a roadside bar into an international phenomenon. Yet, the core elements remained: no over-the-top décor, no bottle service, and no VIP booths. The club’s stripped-back layout, combined with its raucous terrace and thumping main room, became the perfect canvas for its residents to experiment and evolve.



In 2006, a roof was finally added to the terrace. In 2010, DC10 introduced a second weekly party called Pandemonium, led by some of the original Circoloco residents including Tania Vulcano. And in 2012, a new generation arrived with Paradise, a Wednesday residency spearheaded by Jamie Jones - himself a DJ who rose through the DC10 ranks.





But through all of these changes, Circoloco’s Monday slot has remained untouched. It is, quite literally, the heartbeat of DC10.



Legacy of the Early Residencies

The first residencies at DC10 did more than define a party - they defined a culture. The DJs who took a chance on an obscure Monday morning party helped craft a musical identity that now stretches across continents. They proved that underground music, when presented with integrity, could compete with - and even eclipse - the biggest names on the island.



More than two decades later, those early years are still spoken about with reverence. The freedom. The madness. The music. The moments when sunrise became sunset, and the party never seemed to end. DC10 and its original residents didn’t just make Mondays matter - they made history.

DC10 Ibiza: The First Ever Residencies

Mumbai’s Mahalaxmi Racecourse recently pulsed with raw energy as Lollapalooza unfolded its sonic spectrum: electronic dance music, rock, and hip-hop rippled across stages. On the main dance music stage, Grammy winner Zedd drew thousands into ecstatic sync. But for the purists—those quiet rebels chasing authenticity—the true pilgrimage led to DJ Anushka. Her set is a hypnotic collision of electro jolts and restless grooves, delivered with surgical precision that leaves its imprint long after the last bassline fades. In a landscape often driven by formula, Anushka is something else entirely. Her defiance isn’t loud, but it’s deep—and it comes from somewhere. A quiet storm shaped by cities, silence, and sound.



Anushka Nadia Menon’s sound is rooted in many places, none of them accidental. Raised in Muscat, she absorbed the intricate pulses of Middle Eastern rhythm. In Melbourne, the 90s hip-hop grit and the ache of R&B left their imprint. But it was India’s shadowy electronic music underground that truly lit the fuse. There, in the warehouses and half-lit basements of India’s sonic underbelly, Anushka didn’t just find sound—she found purpose. But music wasn’t her first rebellion.



Before music stepped forward and claimed her, Anushka had already reshaped another world. As one of India’s most sought-after fashion photographers, she was shooting for Apple, Vogue, Cosmopolitan, GQ, and Rolex before her twenties had time to settle. But her photos were never just beautiful; they were images with weight—subversive, cinematic, and intensely engaged with the tension between surface and truth. Her aesthetic is unapologetic. And still, beneath the applause, something was brewing louder than the shutter. A hum, a tremor. Music, rising like a secret she could no longer keep.



In 2015, she teamed up with her friend Smita as Anushka + Agent, spinning SupaFly nights drenched in 90s hip-hop and R&B. By 2017, she stepped out solo, diving headfirst into darker waters: electro, drum and bass, and breakbeats with teeth. Her 2019 debut single "Falling," a collaboration with Sid Vashi, was all silk and steel: soft vocals over crisp percussion. Then came "Karma," which was a bit harder, and "Take," a drum-and-bass missile about online chatter that is becoming increasingly toxic by the day. Each track dug deeper—part protest, part seduction, all edge.



Onstage, she’s a force to be reckoned with—pure voltage in motion. Whether she’s commanding Burning Man’s dust-streaked expanse, Magnetic Fields’ sun-scorched forts, or Boiler Room India’s sweat-soaked floors, her sets erupt with precision and purpose. Drum and bass collides with disco’s neon shimmer, electro snarls melt into the deep, rolling pulse of house, and progressive peaks crash down like waves. Every transition lands with impact. Every drop feels earned. With razor-sharp control and a rebel’s instinct, she somehow manages to transform every musical gig into a seismic ritual.



Her inspirations are as layered as her sound. Vocally, she draws from the ethereal grit of FKA Twigs, the smoky intimacy of Sabrina Claudio, and the anthemic power of Florence + the Machine. Behind the decks, it’s Gwen Stefani’s fierce playfulness, Cameo Blush’s bright cuts, and 8 Bit Culprit’s retro-modern magic. She surfs genres with ease: disco, house, electro, drum and bass—all laced with a 90s rave undercurrent, always filtered through her own raw lens.



Now based in Goa—the global epicenter of the psychedelic trance music scene—she finds herself deep inside a new sonic current where classic psytrance, techno, and electro are converging into something sharper, more sensual, and brimming with raw energy. She hints that her next musical chapter might tap into this psychedelic bloodstream. “The scene here is mutating in real time,” she says. “It’s still wild, but more seductive now. There's heat in it.”



She is also currently working on two club bangers with producers Ox7gen and Oceantied and has three new singles in the pipeline, each aiming to stitch pop’s addictive hooks into the darker cloth of underground sounds. “There’s a wave building,” she says. “It’s fresh. It’s awake.” She isn’t just surfing that wave; she’s shaping it.



To call Anushka a DJ is to miss the point. Her entire journey across fashion photography and music is a blueprint of creative resistance. Her art has always broken rules. First, her photography disrupted the fashion world; now, her beats are shattering old ideas of sound. Just like her photographs, her music grabs your attention and doesn’t let go, crafting immersive worlds you can feel. India’s cultural zeitgeist craves something raw and unapologetic, and Anushka is answering the call. She’s not just a DJ—she’s a rebel leader with a mixer, turning beats into a battle cry for India’s new generation—a generation that refuses to be tamed.

Anushka Menon Dichotomy : The Vogue Anarchist and Rave Alchemist

Victor Cester, better known as Chesster, has quietly built a career that spans continents and dance floors without relying on flash or gimmicks. Born and raised in Venice, Italy, his early exposure to electronic music in the 2000s shaped a path that would eventually take him to London, where a move in his early twenties unlocked new opportunities to perform and produce. Those years in the UK allowed him to sharpen his sound—one rooted in house but touched by disco, hip hop, and UK garage influences.



Now based in Los Angeles, Chesster tours consistently across Europe and the U.S., performing at top venues while maintaining a steady output of productions. His work has landed on respected labels like PIV, Factory 93, Dansu Discs, and Range. In 2025, he launched his own imprint, Blink, with the goal of putting out thoughtful, high-quality house music.

In this interview, Chesster opens up about early setbacks, personal routines, and studio habits, offering a closer look at the personality behind the decks. From his go-to pre-show snack (pizza) to the record that never leaves his USB (Cleptomaniacs’ “All I Do”), Chesster proves to be as grounded as he is experienced.



What’s one thing most people don’t know about you?


Many people don’t know I’m Italian – born and raised. And for some reason, when they find out, they’re always surprised!

If you weren’t a DJ/Producer, what would you be?


God knows…

What’s the most memorable moment of your career?


I have a lot of great memories, but here’s a fun one: my first ever performance – I was 13, playing at a school party – and the power went out seconds after hitting play. I immediately knew that this music thing was gonna be no joke hahahah.



Who’s an artist that inspires you right now?


I’m lucky to have an incredibly talented group of artist friends. Working with them is my main source of inspiration.

What’s a track you play when you want to get the crowd hyped?


Grant Nelson – Rush



What’s your go-to snack or drink before a show?


Pizza.

What’s your favorite city to play in, and why?


Anywhere in the U.S. – people are very passionate and always bring amazing energy! Other than that I love London and Amsterdam as well!



How would you describe your sound in three words?


Fun / authentic / positive.



What’s one non-music-related thing that makes you happy?


My cat, Crazy.

What’s a track that always brings you back to your roots?


The System – You’re In My System (Jerome Sydenham & Kerri Chandler’s Atmospheric Vocal Mix)



If you could collaborate with any artist, dead or alive, who would it be?


Quincy Jones.

What’s your favorite non-music-related hobby?


Hanging out with friends.



If you could time travel to any era of music history, when would it be and why?


I’d probably go back to the ‘80s or ‘90s to experience the overall culture, the birth of genres like house and hip hop, and re-live life before the internet.

What’s a record that never leaves your crate or USB?


Cleptomaniacs ft. Bryan Chambers – All I Do



If you weren’t touring or in the studio, where would we find you?


At the beach!

What’s a fun fact or hidden talent that has nothing to do with music?


Before music, drawing was my thing – I was pretty good at it!



What’s a memory you never want to let go of?


My childhood.

When do you feel at most peace?


When I’m home, ready to start a session.



What are some things you forget but feel better when you are reminded about?


Kindness.

What’s something normal to you that other people find weird?


Probably my job hahaha.

If you could compliment yourself, what would you say?


“Well done for never giving up.”

As someone who deals with technology and computers to write music, has there been a gut-wrenching story where you lost your music or the track/beats you were working on?


I’m very organized – I’ve never lost anything! Another thing that I can compliment myself for! 



What makes you cringe when you listen to your early material?


The complete lack of structure or sense hahahah.



What do you find yourself obsessing about most in the studio? From every perspective of creating a track.


I don’t really get obsessed over anything in particular these days, but the mix of a song is something I tend to spend quite some time on!



What is your favorite set time and duration?


I enjoy the journey – warm-ups, peak time, and even the magic of a proper closing set. Each moment hits differently. Two to three hours is ideal! Possibly during a summer open air?

Nothing Lost, Nothing Wasted: A Sit Down with Chesster

Before Belladonna became a name to watch in the electronic scene, Nico Chiara was already quietly shaping the sound of a generation. Starting his music career at the age of 12, Chiara built his foundation in the studio—producing records for artists across Germany, wider Europe, and eventually breaking into the U.S. market. Over the years, he developed a reputation for clean, impactful sound design and technical precision. That work led to over 1.67 billion total streams across platforms, 45 gold records, 12 platinum certifications, two #1 Billboard hits, and six #1 albums in Germany.



But despite these numbers, Nico found himself at a creative crossroads. Producing for others came with limitations—always adapting to another artist’s voice, meeting label expectations, or aligning with commercial formulas. The need to strip all of that away led to the creation of Belladonna, a project built on full autonomy, where nothing is filtered through outside opinion or market demands. 



The name itself, Belladonna, holds meaning beyond its sonic identity. It references Atropa Belladonna, the deadly nightshade plant used historically as both poison and elixir. In the Middle Ages, it was mixed into enemy water supplies, used for hallucinations by mystics, and applied by nobility in small doses to dilate pupils—a symbol of beauty. This tension between allure and danger mirrors the aesthetic and musical identity of the project. Belladonna isn’t designed to conform to existing categories. It operates more like a reaction—one that is immersive, layered, and unpredictable.



While many know Nico Chiara as a hip-hop producer first, the shift to melodic techno wasn't a rebranding move—it was a natural evolution. Belladonna doesn’t reject his hip-hop background. Instead, it draws from it, especially when it comes to vocal work. In interviews, Chiara has emphasized that vocals are the key element he brings from hip-hop into the techno realm. While many melodic techno tracks lean entirely on instrumental atmosphere, Belladonna’s sound integrates storytelling through vocal layers, adding structure and emotional depth.



Sonically, Belladonna exists in the orbit of labels like Afterlife and artists like Anyma and Tale of Us, but it doesn’t rely on imitation. Tracks are long, slow-building, and composed with a deliberate sense of tension and release. Percussion patterns often swing with the looseness of hip-hop, while the synth work focuses on mood and scale. It's a combination that gives the music both weight and motion. Belladonna’s production setup includes FL Studio, Ableton, and Pro Tools, with analog synths like the Moog XL Voyager and the Korg Minilogue XD used alongside digital tools such as Serum and Dive.



In August 2024, Nico made his live debut as Belladonna at Void Club in Mykonos, playing a B2B set immediately after Korolova. From there, his performance schedule expanded quickly—La Guérite in Cannes, Sky Club in Malta, and Railway Park in Budapest (alongside headliners like ARTBAT and Rebūke) are just a few of the stages he’s since played. These shows marked a turning point—not just as performances, but as visual experiences. 



One of Belladonna’s most significant breakthroughs came in early 2025 at Zamna Festival in Tulum. His collaboration “WHERE I’M FROM” with Cassian and Script, even before its official release, became the most-played track at the festival. The song received early support from major acts including Anyma, Tale of Us, Chris Avantgarde, Massano, Tiësto, and CamelPhat. The official release in March 2025 landed it at #1 on Beatport’s Melodic House & Techno chart. It was a concrete moment of validation—proof that Belladonna’s sound could resonate not just creatively, but commercially.



Beyond the music and performances, Belladonna’s presence on social media reflects the same level of intentionality. The feed avoids trend-chasing and oversharing. Instead, it’s curated to feel like an extension of the music—minimal, high contrast, moody, and cinematic. Each post is part of a visual narrative, echoing the identity of the live show and sonic universe.



In an industry that often rewards volume and visibility over vision, Belladonna stands out by choosing quality control, tight storytelling, and a long-term strategy. It’s a project with depth, but more importantly, direction—rooted in a past that shaped it, but looking forward to a space that Nico Chiara is actively helping define.

An Interview with Belladonna: Connecting Two Worlds Through Music

So, you're heading to Amsterdam for the Amsterdam Dance Event (ADE)? While the festival's incredible lineup and conference are the main events, the magic of Amsterdam extends far beyond the decks and dancefloors. Mid-October offers a unique chance to explore this captivating city, often adorned in ADE's signature black and yellow, revealing a rich tapestry of culture, history, and local life just waiting to be discovered between sets.



Dive into Dutch Culture: Museums Galore

Give your ears a rest and feast your eyes on world-class art and history. Amsterdam's Museumplein is a cultural hub, conveniently grouping several must-visit institutions. The Rijksmuseum, the national museum, houses masterpieces from Dutch Golden Age painters like Rembrandt and Vermeer, including the iconic 'The Night Watch'. Nearby, the Van Gogh Museum holds the world's largest collection of Vincent van Gogh's works, tracing his turbulent life through paintings like 'Sunflowers' and 'The Bedroom'. For a poignant historical perspective, the Anne Frank House offers a moving journey into the secret annex where Anne and her family hid during WWII. Remember, booking timed tickets online well in advance is essential for nearly all major museums, especially the Anne Frank House. For a modern twist, check out the Moco Museum, known for Banksy and immersive digital art, or head to Amsterdam-Noord for the tech-focused Nxt Museum or the massive STRAAT Museum, dedicated to street art.





Cruise the Iconic Canals

See Amsterdam from its most famous perspective: the water. A canal cruise is a quintessential Amsterdam experience, offering a relaxing way to admire the city's stunning gabled houses, charming bridges, and historic waterways - a UNESCO World Heritage site. Choose from various tours, typically lasting 60-90 minutes. Daytime cruises offer clear views and informative commentary (often via audio guide or live skipper) , while evening cruises provide a magical view of the illuminated city. Opt for smaller, open boats for a more intimate feel or larger, glass-topped boats for comfort, especially with unpredictable October weather. Many operators now use quiet, eco-friendly electric boats.





Wander Through Charming Neighbourhoods

Escape the main crowds and explore Amsterdam's distinct local areas. The Jordaan, once a working-class district, is now a picturesque maze of narrow streets, beautiful canals (like Prinsengracht), hidden courtyards, and independent boutiques. It's perfect for aimless wandering, discovering traditional 'bruin cafés' (brown bars), and visiting the famous Saturday/Monday Noordermarkt. Don't miss the legendary apple pie at Winkel 43.



Alternatively, soak up the vibrant, multicultural energy of De Pijp, often called the Latin Quarter. Its heart is the bustling Albert Cuyp Market, Amsterdam's largest street market, open Monday to Saturday. Here, you can sample Dutch street food like fresh stroopwafels, herring, or poffertjes. De Pijp also boasts trendy boutiques, a fantastic brunch scene, and the lovely Sarphatipark for a green escape.





Savor the Flavors

Beyond the markets, check out Foodhallen, an indoor food market in a converted tram depot. With over 20 stalls offering diverse, high-quality street food - from gourmet bitterballen and tacos to Vietnamese snacks and dim sum - it's a perfect spot for groups with varied tastes.



So, while ADE will undoubtedly provide the soundtrack to your Amsterdam visit, take time to explore the city's other rhythms. Wander the canals, get lost in art, savour local treats, and discover the unique charm that makes Amsterdam captivating, with or without the bassline. Enjoy the festival, and enjoy the city.

Amsterdam Beyond ADE: Your Explorer's Guide

What is the Amsterdam Dance Event (ADE)?

ADE is the world's largest and most influential gathering for electronic music and its industry, held annually in Amsterdam. It combines a city-wide club festival with a leading business conference.



Where does ADE take place?

ADE events are spread across Amsterdam, utilizing approximately 200 venues throughout the city, including famous clubs (like Paradiso, Melkweg, Escape), arenas, and unique locations.

How many artists and events are part of ADE?

ADE typically features over 2,500 artists performing across more than 1,000 events during the five days and nights.1 The event attracts over 500,000 visitors.

What kind of music can I expect at ADE?

ADE covers the full spectrum of electronic music subgenres, including techno, house, EDM, trance, drum & bass, ambient, and experimental sounds. Some venues might also feature related genres like R&amp;B or hip-hop.

What are the main parts of the ADE program?

ADE consists of several key components: ADE Festival (nighttime music events across the city), ADE Pro (the main conference for industry professionals), ADE Lab (an educational platform for aspiring creators and professionals), and ADE Arts & Culture (exploring crossovers with other art forms).2 There are also specialized tracks like ADE Green and ADE Tech.

How do I buy tickets for ADE Festival events?

Tickets for individual festival events are typically purchased directly via the "buy tickets" link found on the specific event's page within the official ADE program on their website.

Is there one ticket that covers all ADE events?

There isn't a single "general admission" ticket covering everything. You need to buy tickets for individual festival events you wish to attend, or purchase an ADE Pro Pass for broader access to the conference and festival program.

What is the ADE Pro Pass and what does it include?

The ADE Pro Pass is designed for music professionals and offers comprehensive access. It includes entry to all conference tracks (ADE Pro, Lab, Green, etc.), all official networking events and business hubs, the complete ADE Festival program*, the Arts & Culture program*, year-round access to the ADE networking database, and the official ADE bag. (*Access to festival/cultural events is subject to venue capacity; arriving early is advised for popular events).

When is the full lineup for ADE usually announced?

The ADE lineup and program are typically revealed in stages, often starting around summer, with the full program becoming complete closer to the October event dates.

What is the minimum age for attending ADE festival events?

Most ADE festival events have a minimum age requirement of 18+. Some events or venues may have higher age limits (e.g., 21+ or 23+). It's crucial to check the specific age policy on the promoter's or venue's website before purchasing tickets.

How can I get around Amsterdam during ADE?

Amsterdam has efficient public transport, including trams, metro, and buses. Cycling is a very popular and efficient way to navigate the city ("the Amsterdam Way"). Taxis are also available.

Does ADE offer camping or accommodation?

ADE does not offer camping facilities.27 Attendees need to arrange their own accommodation. Options in Amsterdam include hotels, apartments, and hostels. Booking accommodation early is recommended as the city gets very busy during ADE.

What is Amsterdam Music Festival (AMF)?

AMF is a large-scale EDM event that takes place as part of the ADE Festival program, usually on the Saturday night. It is held in the Johan Cruijff Arena and features major global EDM headliners.

ADE FAQs

The electric energy of Loveland Festival is an undeniable highlight of the summer. But as a multi-day, non-camping event, your Amsterdam adventure extends far beyond the festival gates. Why not dive deeper and discover the unique charm of the surrounding Nieuw-West district? Often overlooked by tourists flocking to the historic centre, Nieuw-West offers an authentic slice of Amsterdam life, characterized by its distinctive post-war "garden city" architecture, multicultural communities, and vast, refreshing green spaces. Trading crowded canals for local haunts provides a richer, more relaxed experience, turning your festival weekend into a true exploration of the city's diverse identity.



Sloterpark: More Than Just a Festival Venue

Before the first beat drops or after the last echo fades, take time to appreciate Sloterpark itself, Amsterdam's largest park. It’s the perfect spot to recharge. The park centres around the Sloterplas, a large man-made lake boasting a city beach ideal for sunbathing, picnicking, or taking a refreshing dip in designated swimming areas. If open water isn't your style, the adjacent Sloterparkbad complex offers fantastic indoor and outdoor pools, complete with a 50-meter lap pool and a waterside bar.



For a bit of gentle activity, the 'Rondje Sloterplas' is an approximately 6km path circling the lake, perfect for a leisurely walk, jog, or cycle - a great way to embrace the festival's sustainable transport encouragement. Fancy getting on the water? The Watersport Centrum Sloterplas rents out canoes, SUPs, and sailboats, and even offers courses. When hunger pangs hit, chill out at BUITEN Strandcafé & Restaurant (formerly Hotel Buiten), offering relaxed beach vibes and lakeside dining , or grab a coffee at the small cafe within the De Natureluur nature playground. Don't forget the park also hosts a petting zoo.





Discover Nieuw-West's Unique Character: Architecture and Art

Step outside the park's immediate embrace and delve into the architectural soul of Nieuw-West. A must-visit is the Van Eesteren Museum. Dedicated to Cornelis van Eesteren, the visionary urban planner behind the district's spacious, green layout, the museum offers a fascinating insight into post-war Dutch modernism - a stark contrast to the canal houses downtown. It uniquely comprises an indoor pavilion by the Sloterplas, an outdoor 'living museum' within the Slotermeer neighbourhood showcasing the garden city principles of light, air, and space, and an accessible 1950s museum house furnished in period style. Keep an eye out for architectural landmarks like the striking Opstandingskerk, nicknamed 'De Kolenkit' (The Coal Scuttle) for its distinctive tower, and explore the streets for vibrant murals courtesy of the Street Art Museum Amsterdam or independent artists.





A Taste of the World: Nieuw-West's Food Scene

Nieuw-West's diverse population translates into a fantastic and authentic food scene. Osdorpplein is a culinary hotspot. Check out the Westmarket Food Court (open Mon-Sat) inside the covered market hall, offering a smorgasbord of global flavors - think Surinamese roti, Turkish pizza, noodles, falafel, and much more. Around the square, you can find delicious Lebanese mezze with a European twist at Sallora , or enjoy multi-course Turkish meals with lakeside views at Somatci. For a sweet treat, Şerifoğlu is famous for its Turkish coffee and baklava, while Sahan is a popular choice for Mediterranean sharing plates. Elsewhere, Bar Lely offers a cozy "living room" vibe near Lelylaan station, Podieum serves coffee and pancakes alongside local performances, and Theehuis de Akermolen provides a quaint, traditional tea house experience.





Local Life: Markets and Shopping

Experience Nieuw-West like a local by exploring its markets and shopping areas. The Plein '40-'45 market (Tues-Sat, 9:00-17:30) is a bustling affair - a true neighbourhood hub where friendly vendors sell everything from fresh produce and clothing to household goods . It’s located next to an indoor shopping centre for more conventional needs. Osdorpplein serves as the main shopping centre for the district, featuring a mix of well-known chains like H&M and TK Maxx and independent boutiques. It also hosts the Westmarket covered hall (shops and food court open Mon-Sat) and a weekly street market on Tuesdays.





Connecting to the City Centre

While Nieuw-West offers plenty, venturing into central Amsterdam is easy thanks to the efficient public transport system. From near Sloterpark (Osdorpplein Oost stop), Tram 17 whisks you towards Centraal Station via Dam Square in about 28 minutes. Tram 7 runs through the area (serving stops like Sloterpark and Plein '40-'45) heading towards Leidseplein and the Museum Quarter. For the Jordaan's edge, Bus 18 connects the area (Justus Lipsiusstraat stop) with Marnixplein. Reaching neighbourhoods like De Pijp usually involves a simple transfer. Consider a GVB multi-day pass for unlimited travel on trams, buses, and metros , or simply use contactless payment (OVpay) for single trips.



Make It More Than a Festival

Loveland Festival is the magnetic core of your weekend, but the real magic happens when you combine those incredible musical moments with genuine local discovery. Relax by the Sloterplas, delve into unique architectural history, savour global flavors, and browse bustling markets. Step beyond the festival fences and let the authentic, diverse spirit of Amsterdam Nieuw-West make your Loveland experience truly unforgettable.

Loveland Lowdown: Explore Amsterdam’s Nieuw-West!

What type of music can I expect at Loveland Festival?

Loveland Festival primarily focuses on house and techno music. It's known for showcasing a wide range within these electronic genres across its stages.



Who are some examples of artists that perform at Loveland?

Loveland consistently features top international DJs and producers. Examples from recent lineups include artists like Adam Beyer, Amelie Lens, Cirez D (Eric Prydz), Jeff Mills, Camelphat, Joris Voorn, Maceo Plex, Sasha & John Digweed, and Hernan Cattaneo & Nick Warren.3 The festival typically boasts large lineups with dozens of artists.



Does Loveland have multiple stages with different music styles?

Yes, Loveland Festival features multiple stages spread across Sloterpark. While the main focus is house and techno, the different stages often explore various subgenres within the electronic music spectrum, offering variety for attendees. There has previously been a stage dedicated more purely to techno, for example.



What happens with lost & found items?

All items found at the festival grounds are handed over to iLost. You can search for your lost items via their platform.



Is the festival an 18+ event?

Yes, the festival is strictly an 18+ event. Entry will not be permitted for anyone under 18, even if accompanied by a parent, guardian, or other adult(s).



Can I buy tickets at the entrance?

There is no opportunity to buy tickets at the entrance. You may find second-hand tickets via the official partner, Ticketswap.



How do I personalize my ticket?

During the ticket purchase process, the ticket owner’s full name and email address (and potentially other information) needs to be filled in for every individual ticket. It may be possible to change this data later via the ticket provider's website



How should I use my weekend ticket?

A weekend ticket is valid on both Saturday and Sunday. Your ticket will be scanned on both days, so don’t forget to bring your ticket with you on both days.



Can someone else use my weekend ticket if I can only go one day?

No, a weekend ticket is only valid for one person/visitor for the entire weekend.



Can I resell my ticket?

Yes, you can usually resell your tickets safely via Ticketswap. Check the specific terms for the type of ticket (e.g., day, weekend, backstage) as some restrictions may apply.



Can my ticket be scanned from my mobile phone?

Yes, e-tickets can typically be scanned from your phone. Ensure your phone is charged, the ticket is downloaded beforehand, and the screen brightness is turned up at the entrance.



Do I need to bring identification to the festival?

Yes. You should be able to identify yourself if requested by security staff. Valid identification (passport, identity card, or driving license) is required. Copies are not accepted. Failure to provide valid ID can result in denied access without a refund.



Can I leave the event and enter again later that day?

Unfortunately, re-entry is generally not possible. Once your ticket barcode is scanned upon entry, leaving the event area means your right of access expires for that day.



Is there a security check upon entering the festival?

Yes, every visitor entering the event area will be checked by security. You can request the search be done by an employee of the same sex. Refusing the check will lead to denied access.



Is the festival accessible for people with disabilities?

Yes, the festival aims to be accessible. Measures typically include reserved parking near the entrance, widened access gates, accessible toilets at each toilet group, and spacious pathways. Guide dogs may be allowed, but it's recommended to contact the organizers beforehand due to loud music and crowds.



What is the festival's drug policy?

The festival maintains a zero-tolerance policy on drugs. It is forbidden to use, possess, or trade any drugs at the event. Offenders may be handed over to the police. You may be able to deposit drugs in designated barrels before entering without consequences.



Am I allowed to bring my medication with me?

Yes, medication is allowed if it's for medical reasons and still sealed. You typically need a signed statement from a doctor and must also show valid identification (ID or passport).



What am I generally not allowed to bring inside the festival?

Restrictions usually include bags larger than A4 size, soft drugs, hard drugs, food, (alcoholic) drinks, glassware, plastic bottles (unless specified otherwise, like sealed water bottles or sunscreen), cans, flags, sticks, umbrellas (check specific rules), weapons or weapon-like objects, items affecting safety/health, spray cans, fireworks, professional recording equipment (smartphones usually okay), etc. Check the specific event rules for the exact list.

Loveland Festival FAQs

Extend your adventure at Creamfields Festival and dive into the incredible North West! Whether you're arriving early, staying late, or just need a breather from the massive 70,000+ crowd, there’s so much to discover just beyond the festival gates.



Right on your doorstep, Daresbury village holds a quirky secret - it’s the birthplace of Lewis Carroll! Pop into All Saints' Church to see the amazing 'Alice in Wonderland' stained-glass window. Fancy a change of pace? Nearby Warrington boasts the beautiful Walton Hall and Gardens for chill walks through acres of parkland, while Runcorn’s Norton Priory offers stunning medieval ruins and peaceful gardens. Perfect escapes for a dose of history or nature between sets.





You can't miss Liverpool! Dive into music history at The Beatles Story museum or soak up the vibes at the legendary Cavern Club in the Cavern Quarter. Explore the revitalised Royal Albert Dock, packed with cool bars, restaurants, and the Tate Liverpool gallery. Need retail therapy? Liverpool ONE has you covered. Plus, the city’s buzzing nightlife and iconic music scene, the very roots of Creamfields, are waiting to be explored after dark.





Or head to Manchester for a different urban buzz! Get lost in the trendy Northern Quarter's independent shops (like the famous Afflecks), cool bars, and colourful street art. Football fanatics can hit the National Football Museum, while the Science and Industry Museum offers a fascinating look at innovation. Manchester’s own legendary music scene pulses through its veins, with endless cool venues and shops to discover.





Exploring is easy! Warrington and Runcorn are super close. Liverpool and Manchester are just a day trip away via regular trains from nearby Warrington stations (Warrington Central is a key hub). Even better, official Creamfields shuttle buses run directly from the site to Liverpool, Manchester, and Warrington hubs, making car-free adventures a breeze. Check the official Creamfields app or website closer to the time for schedules!



Make your Creamfields 2025 trip epic both on and off the festival site. Get out there, explore the amazing North West, and create memories that last long after the final track fades!

Your Ultimate Guide to Exploring Around Creamfields 2025

Mysteryland, the world's longest-running electronic music festival, transforms the Haarlemmermeerse Bos near Amsterdam into a universe of sound and art each year, typically during the last weekend of August. While the festival itself is an immersive experience, its location offers a fantastic launchpad for exploring the unique character of the Netherlands, from fascinating local history to the bustling heart of the capital. If you're heading to the festival, consider extending your trip to discover what lies beyond the festival gates.



Haarlemmermeer: History, Nature, and Local Flavors

The very ground Mysteryland occupies tells a story. The Haarlemmermeerse Bos sits on a polder - land reclaimed from water - a testament to Dutch ingenuity. Dive deeper into this history at the Cruquius Museum, housed in one of the original 19th-century steam pumping stations that drained the vast Haarlemmermeer lake. Witness the power of the world's largest Cornish steam engine and grasp the scale of the centuries-long Dutch battle against water.



Further explore the region's past along the Stelling van Amsterdam, a UNESCO World Heritage defence line. Walk or cycle along the Geniedijk, a historic dike running through Haarlemmermeer, connecting several repurposed forts. Check out Kunstfort Vijfhuizen, now a center for contemporary art, or Fort van Hoofddorp, which hosts cultural events.





Need a break from the festival energy? The Haarlemmermeerse Bos itself, outside the festival zone, offers tranquil walking trails, a large recreational lake perfect for a swim or paddleboard session, and picnic spots. For practical needs or a change of scenery, the nearby town of Hoofddorp provides ample shopping, from large covered malls like Vier Meren to unique local shops. You can also find a surprisingly diverse dining scene here. Enjoy lakeside views at Papa's Beach House, experience farm-to-table dining at the converted farmhouse Restaurant Den Burgh, or grab a casual coffee and sandwich at Frenkie.



Amsterdam Adventures: Canals, Culture, and Charm

Just a short train or bus ride away (around 20-40 minutes from Hoofddorp Station) lies Amsterdam. A canal cruise is almost obligatory, offering iconic views of the gabled houses and bridges. Culture vultures should head to Museumplein, home to the Rijksmuseum (Dutch Masters), the Van Gogh Museum, and the Stedelijk Museum (modern art). The poignant Anne Frank House offers a vital historical perspective. Remember to book tickets for popular museums like Van Gogh and Anne Frank well in advance, as they often sell out. For a taste of classic Amsterdam charm, wander the picturesque streets and canals of the Jordaan district, exploring its independent boutiques and cozy cafes.





A Once-in-Five-Years Spectacle: SAIL Amsterdam 2025

If you're attending Mysteryland in 2025, you're in for an extraordinary treat. The festival dates (August 22-24) overlap perfectly with SAIL Amsterdam 2025 (August 20-24). Held only once every five years, SAIL is Europe's largest free nautical event, where hundreds of majestic tall ships from around the world gather in Amsterdam's IJ harbor. Witness the spectacular SAIL-In Parade on August 20th, explore the moored ships, enjoy waterfront festivities, and catch nightly fireworks. This event, coinciding with Amsterdam's 750th anniversary, will draw massive crowds, so plan your visit to the city center accordingly and book any specific tours or accommodation early. The Grachtenfestival (Canal Festival), featuring classical and jazz performances on the water, also runs concurrently (August 15-24).





Making the Most of Your Trip

Mysteryland offers a portal not just to music, but to the rich culture and history surrounding it. Whether you delve into Haarlemmermeer's unique water heritage, soak up the urban energy of Amsterdam, or witness the rare spectacle of SAIL 2025, there's plenty to discover. So, pack your sense of adventure alongside your festival gear and make your Mysteryland journey an unforgettable exploration of the Netherlands.

Exploring Haarlemmermeer & Amsterdam During Mysteryland Festival

What is Mysteryland Festival?

Mysteryland is the world's longest-running electronic music festival, established in the Netherlands in 1993.1 It's known for its enchanting atmosphere, diverse electronic music lineup spread across numerous imaginative stages, striking art installations, and an overall immersive festival experience.



When does Mysteryland usually take place?

Mysteryland traditionally happens on the final weekend of August each year.



Where is the festival held?

The festival takes place in the Haarlemmermeerse Bos, specifically on the former Floriade terrain, which is located near Amsterdam in the Netherlands.



What kind of music can I expect?

Mysteryland offers a broad spectrum of electronic music genres across its many stages. You'll find everything from House, Big Room, Bass, Techno (including Hard and Melodic), Deep-House, and Trance to Trap, Minimal, Hardstyle, Hardcore, R&B, Hip Hop, and Afrobeat.



How many stages are there?

The festival typically boasts a significant number of stages, often 11 or more, each featuring a unique design, vibe, and musical focus.



Is camping available at Mysteryland?

Yes, Mysteryland provides extensive camping facilities, usually available from Friday through Monday. Camping transforms the festival into a multi-day immersive adventure, complete with its own amenities, activities, and exclusive pre-parties and afterparties for campers.



What is the minimum age to attend?

Attendees must be 18 years or older to enter Mysteryland. A valid ID is required for age verification.



How can I buy tickets?

Tickets for Mysteryland are typically sold online through the official Mysteryland website in the months before the event. Look out for announcements about ticket sales, different pass types (like weekend, day, camping), and authorized sellers.



How do I get to the festival site?

The festival grounds in Haarlemmermeer can be reached from Amsterdam and other areas. Options usually include official festival shuttle buses (often from Hoofddorp Station), public trains to Hoofddorp Station followed by a bus or shuttle, cycling, or driving (parking passes may need to be purchased in advance).



What should I bring to the festival?

Essential items include your ticket, valid ID, comfortable clothing and shoes for walking and dancing, sunscreen, sunglasses, and a reusable water bottle (free water points are usually available). A portable charger for your phone is also useful. For campers, remember your tent, sleeping bag, warm clothing for nighttime, and toiletries.



What is the general atmosphere like?

Mysteryland is renowned for its colourful, open-minded, and often described as magical atmosphere. It promotes a sense of community, friendship, freedom, and discovery, encouraging attendees to explore and enjoy the present moment.



Are there other things to do besides listening to music?

Absolutely! Mysteryland offers many experiences beyond the music stages. You can find impressive art installations, relax in hidden chill-out areas, explore diverse food courts, encounter street theatre, and enjoy unique activities like the Healing Garden for campers (offering massages, meditation 3), silent discos, or even themed areas like a roller-skating rink in past years.



Is Mysteryland environmentally friendly?

Mysteryland places a strong emphasis on sustainability and minimizing its environmental footprint. Initiatives often include comprehensive recycling programs (like recycle tokens for cups), providing free tap water, increasing the use of renewable energy sources like solar power, utilizing sustainable materials for stages, and aiming to leave the site clean after the festival.



What are the typical festival opening hours?

The main festival grounds for non-camping visitors are usually open on Saturday and Sunday, typically from midday (around 12:00 PM) until late evening (11:00 PM / 23:00). The campsite opens earlier, often on Friday morning, giving campers access for the whole weekend, including Friday evening pre-parties and late-night afterparties.



What makes Mysteryland unique?

Mysteryland stands out due to its legacy as the world's longest-running electronic music festival, its incredibly diverse music programming across numerous distinct stages, its beautiful natural setting in the Haarlemmermeerse Bos, a strong focus on art, creativity, and encouraging exploration, and a significant commitment to sustainability.

Magazine