Veteran DJ and producer Matthias Tanzmann electrified The Brooklyn Mirage last October with an infectiously groovy set. Sitting at the center of New York’s Avant Gardner complex, The Brooklyn Mirage is a stunning open-air venue boasting an idyllic inner courtyard, striking walls, and evergreen plants.



In 2019, Tanzmann was nominated as Best Tech House DJ in the annual Ibiza DJ Awards for the sixth time. With a career spanning over two decades, he’s no stranger to keeping crowds hooked to the dancefloor for hours on end.

As the owner of the German imprint Moon Harbour Recordings, Tanzmann has helped to grow emerging artists into world-renowned figures from Detlef, to Dennis Cruz, Sidney Charles, and beyond. Since its inception in 2000, the label has released an impressive volume of material.



Tanzmann is a Circoloco resident at the legendary Ibiza venue, DC10, and has remixed work from the likes of Jamie Jones, Booka Shade, Moby, and Josh Wink. He’s set to unleash havoc in the coming months at Octan Ibiza, Watergate in Berlin, E1 in London, and many more clubs worldwide.



Follow Matthias Tanzmann on Twitter | Instagram | Soundcloud

Matthias Tanzmann Electrifies the Brooklyn Mirage

Magit Cacoon is an unstoppable techno baroness. Her musical proclivities have elevated her to the forefront of the global dance music scene as a frequent contributor on renowned labels like Crosstown Rebels, Upon You Records, DGTL, and Girl Scout. Her social pages and their infectious performance recaps will show that her sonic savvy extends well outside the studio. Her seemingly effortless crowd control and skills as a selector have earned her critical acclaim from numerous international bodies.



The indelible drive that propelled Magit Cacoon from a local Tel Aviv techno talent to an international dance music matron is more than a work ethic. It is a sound. It’s a powerful engine whose energy runs deep with reverberating low-end synths, hypnotic kicks, and unshakeable precision. This past February, MC loosed her production prowess on an official remix of Jonas Saalbach’s “Cellophane,” which was everything we could want and more.



A razor-sharp pulse lays a steadfast base for the rhythmic glints that illuminate the dark energy of this reinforced remix. As mesmeric synths spiral through the air, one can’t help but sink into the vigorous wash of this club-ready flip. An exceedingly proficient audio technician in his own right, taking on a Jonas Saalbach remix is no small task. But Magit Cacoon’s penchant for the powerful lent itself perfectly to the sonic and emotive intensity of this Headlights album standout.



Follow Magit Cacoon on Facebook | Twitter | Instagram | Soundcloud



If superlatives like Award-winning DJ and prolific producer were not enough, add Mago Music label boss to the CV. Born from the desire to curate and collaborate with an eclectic mix of artists and styles while also championing her own releases, Mago Music is the latest medium by which MC’s career continues to grow.





If you’ve yet to board the Magit Cacoon train, consider this remix a forceful invitation.

Magit Cacoon Gives Jonas Saalbach’s 'Cellophane' a Razor Sharp Remix

Most electronic music fans have heard of the legendary French company, Cercle. They’re known for curating exclusive musical experiences in incredible locations and making it their priority to highlight artists and the most beautiful cultural sights around the world. The brand truly took off during the COVID shutdowns, as they stood in a class of their own regarding high-quality live streams. However, the journey to putting on sets with world-class DJs at historic landmarks was by no means easy or quick.




Cercle got its start in 2016. Their first events took place in a living room, with a small group of friends hanging out behind the DJ in what appears to be someone’s house. Although they quickly progressed into real venues, they were still focused primarily on highlighting local French talent.




When digging through the Cercle archives, it is clear that the Cercle team has an incredible eye for talent, which is one of many reasons why they have had such success growing their brand. Time and time again, Cercle has booked acts well before they blow up and is constantly at the cutting edge of electronic music. From Charlotte De Witte in 2017 to Boris Brejcha and Polo & Pan in 2018, their eye for rising stars is undeniable.




Although we now associate Cercle sets exclusively with historic landmarks, their first event of this sort was Boris Brejcha at the Château de Fontainebleau. It was a truly remarkable space to host an event. Moreover, it was somewhat of a coming-out party for the brand and Boris Brejcha, gaining 35 million views on Youtube, a substantial departure from the 300-500 thousand they’d received on prior streams.




Since then, Cercle has continued to establish itself as a brand artists love to play for, and a true force in the events world. They are a team accustomed to working through challenges and paying attention to the fine details. They plan shows years in advance and produce live streams through immense technical challenges.




Eelke Kleijn spoke about his experience playing for Cercle in an interview with Gray Area.




“We talked to them for almost two years in advance. It had been 1.5 years since I’d played a live show anywhere. It was quite a challenge. I spent four weeks leading up to the show just playing the show at home and rehearsing at least three times a day. Cercle is truly live, so any mistakes will be there forever.




“I had not seen a crowd in front of me for so long and then all of a sudden you’re in France with a huge team working on the show. It was overwhelming. When it was done, it was satisfying.”




Any fan of electronic music can sink hours upon hours into watching Cercle sets. Below are our five favorite selections from their extensive catalog.




Boris Brejcha at Grand Palais in Paris 2020

Coming off of a breakout set with Cercle in 2018, Boris Brejcha returned in 2020 as a massive star. Playing in the glorious Grand Palais in Paris, Boris takes the crowd on a true journey through his extensive catalog, showcasing to the world that he is here to stay.









FKJ Live at Salar de Uyuni 2019

Perhaps one of the most unique sets Cercle has ever produced, FKJ at the Bolivian salt flats, is a masterpiece. A departure from the typical sounds of Cercle, FKJ brings his incredible talent to one of the first crowdless shows Cercle put on. Playing on what looks like a mirror, FKJ stands alone against an endless backdrop, serenading the listener with his soothing sounds.






Carl Cox at Chateau De Chambord in France 2019

When the king shows up, you listen. A Carl Cox set is a can’t-miss affair every time, and his performance for Cercle is no exception. Playing at sunset in front of a gorgeous castle, Carl Cox takes us through his classic tracks in a house-focused set, keeping the crowd moving every minute.






Solomun at Theatre Antique d’Orange in France 2018

Another master of his craft, Solomun’s set for Cercle in 2018, was a big part of their breakout year. When legends play for your brand, the people notice. This Solomun set was one for the ages, as he brought his top-level track selection to the iconic Theatre Antique d’Orange in France.






Disclosure at Plitvice Lakes National Park in Croatia 2020

The worldwide COVID shutdowns allowed Cercle to pivot its brand. They continued to perform shows without crowds, going to more extravagant places each time out. Furthermore, it allowed the brand to target in-demand artists such as Disclosure. Disclosure played their first live set in ages for Cercle above the glorious Plitvice Lakes in Croatia. This was not one to miss.

The Cercle Story In 5 Sets

Las Vegas is synonymous with bright lights, partying, gambling, and all-around excess. Its first casino opened in 1931 after Nevada legalized gambling, although prohibition continued until 1933. In 1938, California began cracking down on gambling, pushing the industry to Vegas.


The Vegas we know as a destination for entertainment and late-night revelry was born in large part due to Frank Sinatra and the Rat Pack performing regularly in the ’50s and ’60s at the Sands Hotel and Casino—the seventh hotel to open on the Strip in December 1952.









A Crooner’s Paradise

“Frank wouldn’t go out after dark without a sport jacket on, let alone perform out of a tuxedo,” former Nevada Governor Lorraine Hunt-Bono told the Smithsonian magazine in 2013. “He was the spark that changed Vegas from a dusty Western town into something glamorous.”




Sinatra, Dean Martin, Sammy Davis Jr., actor Peter Lawford, and comedian Joey Bishop, a.k.a. the Rat Pack, held one of the first Vegas residencies, performing regularly in front of large audiences at the Copa Room and the Sands. Just a few years into the Pack’s glamourous partying, in 1954, around eight million tourists a year visited The Strip to see their shows, along with other big stars of the time, including Debbie Reynolds, Liberace, Elvis Presley, and Ronald Regan(!).




Glitzy pianist Liberace held the first Vegas residency, making waves with his lively show tunes at the Hotel Last Frontier from his first show there in 1944. He would go on to rock the Strip for decades, his entire career, at one point holding the title of highest-paid entertainer in the world.




As more hotels opened on the Strip, they wanted stars to advertise on their marquees to bring people in. The original Ocean’s 11 film, starring the Rat Pack, came out in 1960, further popularizing the stars and its Vegas setting as a glamorous, luxurious destination.




A Stage For A Dying Career




By the late-’60s, the British Invasion was in full force, the hippy counterculture movement was rising, and the widespread popularity of Vegas and crooner music waned. Thus, the Vegas audience aged instead of the city bringing in younger, hipper revelers and the artists they wanted to see. In the late-’70s and ’80s, holding a Vegas residency was seen as the last attempt to save a dying career.




Sin City’s sparkle was dimmed in the early-’80s by the recession, Atlantic City legalizing gambling and opening up mega-casinos, and big rock bands opting for massive sports arenas as their preferred venues.




The city was trying to clean up its reputation for seediness and drugs to appeal to the white-washed family values of the Regan era, so hotels built out family-friendly attractions instead of focusing on drawing guests in with the musical razzle-dazzle of years past. Sinatra referred to ’80s Vegas as “an amusement park…in my era, Las Vegas was rock solid, and now it’s papier-mâché.”









Welcome To The Millennium Of Pop




The new century turned a gilded leaf for the Neon Capital of the World. In 1998, several new, big developments opened, including the Bellagio. Barbra Streisand’s Y2K New Year’s Eve concert at the MGM Grand became the highest-grossing concert ever at the time. Vegas was the world’s most popular city to visit, seeing 37 million tourists annually.




Céline Dion breathed life back into Vegas residencies with A New Day, held at the height of her career from 2003-2007. As of 2018, A New Day still held the title of highest-grossing Vegas residency of all time, bringing in $385.1 million! More residencies from pop and rock stars followed suit, as hotels once again wanted to put a big name on their marquee lights to bring in the big bucks.




Prince briefly painted Sin City purple from 2006-2007 with arguably the coolest club it’s ever seen, 3121, where he’d play for hours and bring star-studded friends onstage with him.




Britney Spears continued the legacy of the successful pop star residency from 2013-17, bringing in younger fans to the city to experience its glitter.




“What followed Britney was going out and getting younger artists and a wider span of genres that would mirror the changing demographic of Las Vegas,” Kurt Melien, president of Live Nation Las Vegas, told Las Vegas Weekly in 2016. “Now we’ve got everything from Pitbull to Brooks & Dunn. The demographic is more diverse than ever.”









The Desert Rave Begins




And as pop stars revived Vegas’ shimmer and appeal in the ’00s and ’10s, so did DJs. Even before Y2K hit, it was already emerging as a rave destination.




“Vegas is the new Ibiza,” Paul Oakenfold famously told Visit Las Vegas in 2008. “It has become an adult playground.”




The seeds were planted with the Desert Move party an hour outside the city in 1996, featuring Josh Wink, Derrick May, Dmitry from Deee-Lite, and more, with dance music heads gathering together in the desert air, including Insomniac founder Pasquale Rotella and OG local Vegas DJ Robert Oleysyck.




Later that year, the desert rave inspired Gino LoPinto and Aaron Britt to open Utopia, Sin City’s first electronic music-centric nightclub. Utopia was a stand-alone club, unlike today’s Vegas clubs attached to hotels, and served up “indoor pyrotechnics, a high-wattage sound system and an ‘anything goes’ mentality,” and an inclusive club kid vibe with no bottle service. Oleysyck was a resident DJ at Utopia, hosting Paul Oakenfold’s and Sasha’s first Vegas sets. John Digweed, Goldie, and other legendary dance acts also helmed the decks there. The rave was strong at Utopia until 2001 when it shuttered its doors.




“In any nightlife discussion, you can’t deny the impact Utopia had,” Oleysyck said. “It was a jewel in the nightlife scene. Not just in Vegas, but in America. People were flying from every coast to come on Saturday night. You can’t deny that they were influenced by that one way or another.”




A Way Of Life Productions (AWOL) was one of the event producers who put on parties at Utopia, as well as in warehouses and other pop-up spaces, creating elaborate scenes to play and dance the night away. In classic rave style, their fliers would typically have a hotline number to call the night of the event to find out the location.




Vegas DJ John Torres created another dance music haven in 1997 with the Liquid303 record store, selling only dance music, along with presale tickets to the hottest raves nearby. “The timing was perfect,” Torres said. “Utopia was in full swing, Chad from AWOL was throwing legit warehouse parties, after hours were starting to pop up. The scene was growing quickly, but it was still considered ‘underground’ back then.”









Let’s Go, Mega-Club Hopping!




In the early ’00s, hotel owners saw the money they could make tapping into the burgeoning dance music scene and began booking big-name DJs at their clubs. The now-shuttered clubs Ra at Luxor, C2K at Venetian, and Baby’s at Hard Rock were some of the first venues to regularly book DJs, although they didn’t exclusively cater to the dance music crowd. AWOL stayed active, bringing the rave vibes to these spaces that were still newer to it. Filling the void of Utopia, Ice, another off-Strip, stand-alone club, brought in the likes of Paul Oakenfold, DJ Dan, Tiësto, and Armin Van Buuren.







Things shifted when Paul Oakenfold became the first big-name Vegas resident DJ with his Perfecto parties at Rain at Palms in 2008. He served up a wide array of sounds, including unreleased tracks, with the glamorous backdrop of a big-budget production complete with aerialists, stilt-walkers, lasers, and confetti. This was a place to be seen. It was so successful that his residency was extended beyond the initial year and replicated by other hotel clubs.




Using Perfecto’s extravagant and successful blueprint, dozens of EDM-focused mega-clubs opened at hotels on the Strip, including XS in 2008, Marquee in 2010, Hakkasan in 2013, OMNIA in 2015, and Jewel in 2016. TAO was the first club to host DJ-helmed pool parties, now a standard part of the Vegas rave experience, with poolside parties at Encore, Wet Republic, Drai’s Beachclub, and more, booking big-name DJs to bring the party into the sunshine.









EDM & EDC Keep Vegas Raving




In 2011, Insomniac held its flagship festival, EDC, in Las Vegas for the first time, relocating from its home city of Los Angeles. The timing was perfect for solidifying Sin City as a destination for EDM lovers. The emergence of the mega-clubs and poolside venues offered the ideal setting for EDC day parties and after-parties.




The surrounding events of EDC Week have become a destination in itself when the city is consumed by raving and the world’s highest-paid DJs—and Vegas residency regulars—like Calvin Harris, Steve Aoki, David Guetta, Kaskade, Diplo, and even lauded event brands like elrow draw in ravers from around the world willing to pay the high ticket prices.




EDC is estimated to have brought in $1.3 billion to the city during its first five years there! The 2019 fest brought in 450000 ravers from over 100 countries, with over 2000 hotel rooms booked for the staggering 3000 EDC staff members that made the magic happen.




The rave is sure to go on in Vegas for quite some time.

From Liberace to Calvin Harris: The Evolution of Club Culture in Las Vegas:

As with the rest of the world, the past two years of the pandemic have been unprecedented for dance music culture. 2020 saw almost an entire evaporation of the scene (or rather a migration to Twitch), and 2021 saw the reemergence of events through a lens of caution.




But events are far from the only measure of health when it comes to dance music, and the yearly International Music Summit (IMS) report provides a comprehensive overview of all aspects of the culture from both the artistic and business side of the industry.




The primary categories within the report are music, festivals & clubs, fan engagement, education, impact, and diversity.




Gray Area is dedicated to expanding the culture of house and techno in the United States, so our overview of the IMS Report will focus on the aspects of the report that directly affect those sounds and their presence in the United States.




Before going further, it is important to define musical terms as they exist within the report and how they relate to house and techno. IMS defines terms such as underground, commercial, and pop. These definitions in and of themselves paint an interesting picture of how house and techno exist in the modern landscape.




Starting with the term, underground. This is a term that is used very frequently in the conversation surrounding house and techno, and one that’s come up more often as dance music culture has entered the mainstream.




Many fans of house and techno are averse to being associated with the more mainstream side of the culture but based on the IMS Report, house and techno have now extended far beyond the underground.




The IMS Report defines underground as, "Novel-sounding. Even to most electronic dance music audiences.”




The Oxford dictionary defines novel as, “new or unusual in an interesting way,” and currently, “most electronic dance music audiences,” certainly include fans of house and techno.




As such, neither house nor techno are exclusively underground anymore. These genres still have much larger potential to be “underground” in nature, but in 2022 most electronic music fans do not consider these genres new or unusual.




House and techno are far more fitting within the term “commercial” which the IMS report defines as “Familiar-sounding to electronic dance music audiences (but novel to the general population).”




In some cases, house and techno even cross over into pop, which the IMS Report defines as “familiar-sounding music (therefore often with wide appeal) to the general public.”


While this may irk die-hards of house and techno, the success of tracks like Fisher’s “Losing It,” and Tiësto’s “The Business” along with the meteoric ascension of artists like John Summit and SIDEPIECE demonstrate a strong presence of house music within pop music, and the sound that’s solidified house music’s pop status is surely tech house.




The headline of the Beatport portion of Recorded Music section within the IMS report is very clear:




“Tech House takes the top spot in Beatport’s chart.”




Currently, the genre is not only sitting on number one per the chart below, but at the time of writing, the top artist, track, and label on Beatport are, according to Beatstats,  within the tech house umbrella. (Vintage Culture, “Do It To It” by ACRAZE, and Repopulate Mars, respectively).

	




This may seem like a trend that’s taken off with an influx of unofficial tech house remixes of R&B tracks, tech house topping Beatport is not a new phenomenon.




Prior to techno’s ascension to the top back in Q2 of 2016, tech house was at the top for 21 months straight between 2014 and 2016. Before that deep house was topping the list.









What such a trend demonstrates is that tech house has serious staying power. In scanning Beatport, major hits of the 2014-2016 era like Shiba San’s “OKAY” and “How Deep Is Your Love” from Calvin Harris & Disciples aren’t even in the “tech house” category and the genre was still number one.




Different genres always go through periods of mainstream attention as EDM did in 2012—dance music was the highest growing mainstream genre in terms of album sales according to the 2012 IMS report—and even though the EDM boom has long since passed, the effects of EDM remain undeniable a decade later.




Swedish House Mafia is headlining Coachella. Hardwell’s return is a major event for the entire dance music industry.




Tech house hasn’t carried dance music back to the highest growing mainstream genre in terms of album sales in 2022, but with its history of reverence within the dance sphere paired with its current popularity, the genre will likely leave a lasting imprint on what dance music looks like for years to come.




Despite all this, there is a reality to face about the presence of dance music as a whole within the United States.




Dance / Electronic music, which, based on definitions of the IMS Report, includes every single genre within underground, commercial, and pop categories (from the biggest EDM to the most esoteric electro), only makes up roughly three percent of the total recorded music volume in the United States.









A notable statistic is that R&B/Hip Hop is in decline after years of dominating, going from 28.2 percent to 27.7 percent between 2020 and 2021.




Will dance music ever be as prominent in the US as hip hop? Certainly, one way more and more Americans are discovering dance music is through events.




As expected, events made a huge comeback in 2021, with 1,646 festivals worldwide, including electronic artists on the lineup, compared to 1,030 in 2020. The value of festivals and clubs also increased to $2.5 billion in 2021 compared to $1 billion in 2020.




Most of these 2021 metrics are still significantly below 2019 levels as restrictions and cancellations due to COVID-19 have not yet subsided, but there are trends that demonstrate the future is very bright for dance music culture.




According to data acquired from the UK-based ticketing service Skiddle, in 2021, festival ticket demand has shot up to 150 percent of 2019 levels, and that number is only increasing. While Skiddle doesn’t service the United States (at the time of writing, a search on the platform for US-based events turned up no results), the demand for house and techno-themed festivals in the US is clear.




New events like Chicago’s ARC Music Festival will expand to three days for its second edition in 2022. Los Angeles is also seeing an influx of new house and techno festivals like Skyline and Day Trip Festival championed by their native mega promoter, Insomniac.




Overall what these results demonstrate is that for house and techno to become a viable cultural prospect in the United States, the genres will have to separate from the underground. Such a shift is clearly already happening, but the final step is for the community at large to embrace the shift.




There will always be promoters and artists dedicated to the true underground experience, and if these parties weren’t defined by their illegality and their surreptitious quality, there would likely be data within the IMS report demonstrating that the underground is still very strong.




Those who prefer to stay underground certainly can, but house and techno offer an experience that deserves to be as widespread as hip hop and R&B. The unity on the dancefloor. The pure joy being shared. The epic sunrise sets.




The veil has been lifted on the sound. Time to share that sound with everyone.

The IMS Business Report: Is the Underground Really Underground Anymore?

Insomniac Events is at the point in their evolution where they approach trends from all sides. They set trends. They follow trends. They redefine trends.




The latest trend the event conglomerate has engulfed is the ascension of house and techno in the dance music zeitgeist and what will soon likely be the mainstream.




Insomniac’s approach to this trend goes beyond booking more house and techno artists at their existing events or putting house and techno artists on bigger stages. It goes even beyond erecting new events explicitly geared towards house and techno.




Insomniac has done all of these things, but the most pivotal response to this widespread shift in music taste is two brands under the Insomniac umbrella: Factory 93 and Day Trip.




Factory 93 is the home for techno and every other sound that belongs below the ground, while Day Trip is all about funky house music and daytime fiestas.




These are separate entities with their own visual aesthetic, their own festivals, and event series. Factory 93 even has its own record label through which impressive artists like Will Clarke, Josh Butler, and Avision have released music.




Skyline is the event where these two brands came together for the first time, where house and techno coexist within an exquisite outdoor setting.




The first edition was held in Orlando in 2021, with an LA iteration in February 2022. Now the event is returning to Orlando with its most ambitious lineup to date.




Check out these ten standout artists from a lineup that is stacked from top to bottom:







Adam Beyer

Adam Beyer is always near the top, whether the lineup lists artists by first name or last name. Potential attendees see his name as soon as they see the lineup, and they know there is at least one set that is guaranteed to be masterful. Running Drumcode for over 20 years, Beyer is one of techno’s most reliable, most consistent, and most forward-thinking acts.




Follow Adam Beyer on Facebook | Instagram | Twitter




Hot Since 82


With Hot Since 82, it’s all in the name. His sets are hot. His productions are hot. The curation on his label Knee Deep In Sound is hot. Now he’ll bring all that heat to the hot Florida sun. Although it’s more likely, he’ll play after the sun goes down cause he’s always a prime closer.




Follow Hot Since 82 on Facebook | Instagram | Twitter | Tik Tok







TSHA

Curating a mix for the infamous fabric presents series is one of the highest honors in dance music, and the UK’s own TSHA is the latest artist to receive that honor. She’s also had the privilege of releasing music on revered labels like Ninja Tune and getting the remix treatment from legends like Floorplan. She honors the culture. She honors the sound. See her do so live in action at Skyline.




Follow TSHA on Facebook | Instagram | Twitter | Tik Tok







ZHU


The once enigmatic ZHU is now one of electronic music’s most in-demand acts. His ghostly rendition of dance music touches on house, techno, disco, and even some heavier beat-style music. At Skyline, ZHU will perform a DJ set instead of his epic live show, but that’s not a reason to be disappointed. He knows the house and techno crowd all too well from his earlier releases like “Faded” and his techno side project, Blacklizt.




Follow ZHU on Facebook | Instagram | Twitter | Tik Tok




Channel Tres


Coming off two stellar weekends at Coachella, Channel Tres will also opt for a DJ set at Skyline instead of his live show. As an artist who dances on the tightrope between house music and hip hop, his DJ sets are what allow him to dig back into four-on-the-floor. Although it wouldn’t be surprising if he still hit the mic for some live vocals.




Follow Channel Tres on Facebook | Instagram | Twitter







ANNA

What’s that thundering yet hypnotic sound coming from the stage? It’s four-on-the-floor mixed with breakbeats and even some chaotic ambient leftfield? That could only be ANNA. The Brazilian DJ savant defies definition. She’s been developing her sound since she was 14-years-old, running around her father’s nightclub in São Paulo, and those years of hard work can be felt on the dance floor.




Follow ANNA on Facebook | Instagram | Twitter | Tik Tok







J. Worra


Some people might be dumbfounded by the fact that it’s already May, but it’s more dumbfounding that J. Worra has already put out four releases in 2022. Starting in February, she’s had new music out each month on labels like Insomniac Records and Higher Ground. All the releases are different subgenres of house music, yet her precise sense of funk unites them.




Follow J. Worra on Facebook | Instagram | Twitter | Tik Tok







Anfisa Letyago

Throughout 2022 Anfisa Letyago has been traveling the globe playing music. Her extensive tour schedule has her hitting numerous dance music hotspots, including Brazil, Slovenia, Las Vegas, and Ibiza. She proves that music is a universal language (or maybe that everyone just loves to dance), so get ready to dance to her set at Skyline.




Follow Anfisa Letyago on Facebook | Instagram | Twitter | Tik Tok







Green Velvet

There is nothing like a Green Velvet set. The adept swapping between Chicago house and roaring techno. The convivial and sardonic live vocals. The green mohawk that doesn’t stop bobbing from the first beat to the last. He really is a legend, and every time steps on the decks, he provides a different history lesson in dance music.




Follow Green Velvet on Facebook | Instagram | Twitter 







Serge Devant B2B AMÉMÉ

Every good house and techno event features back-to-back sets, and this particular back-to-back between Serge Devant and AMÉMÉ will be far more than good. It will be outstanding because what makes a back-to-back remarkable is when a seasoned veteran spins with a rising new talent. Devant is one of the most seasoned veterans around, and AMÉMÉ’s take on Afro House is already rippling out to clubs and festivals worldwide.




Follow Serge Devant on Facebook | Instagram | Twitter

Follow ​​AMÉMÉ on Facebook | Instagram

10 Can't Miss Artists at Skyline Orlando

Techno titans Alan Fitzpatrick and Rebūke - aka Reuben Keeney - almost cracked the ground in two with an explosive B2B set at Terminal V last month. And thanks to DJMag, you can now experience the wall rattling energy of Scotland's largest electronic music event. Terminal V returned on Easter weekend and featured an array of global talent from Amelie Lens to Reinier Zonneveld, I Hate Models, and beyond.

Fitzpatrick and Keeney have collaborated before, playing a live B2B mix on Drumcode Radio in February, and releasing “Ultimate Distortion” in 2020. Based on Keeney’s Instagram, it looks like another collaborative track is in the works.











Born and raised in Southampton, UK, Alan Fitzpatrick churns out floor filling big-room techno aplenty. He runs a highly influential techno imprint of his own, We Are The Brave, and has maintained a close relationship with Adam Beyer’s Drumcode label for years.

Rebūke emerged from the Irish underground scene. Drawing inspiration from techno, house, and rave records from the early 90’s, he’s a frequent feature of the Beatport Top 10. After being named as one of three Future Fire BBC Radio 1 stars of 2019, he’s received regular rotation from the likes of Pete Tong, Annie Mac, Danny Howard, Mistajam, and Monki.



Fitzpatrick’s touring schedule remains as busy as ever, with appearances at Smolna in Warsaw and SAGA Festival in Bucharest. Keeney has just started his Australia/New Zealand tour. He's also set to play at many festivals and clubs in the coming months, including Life 22 Festival in Westmeath, Ireland, and Brooklyn Mirage in New York.



Early Bird Tickets are on sale for Terminal V 2023.





Follow Alan Fitzpatrick on Twitter | Instagram | Soundcloud



Follow Rebūke on Twitter | Instagram | Soundcloud





Alan Fitzpatrick B2B Rebūke Live From Terminal V:

https://www.youtube.com/watch?v=2zwd7Nx6KmQ

Alan Fitzpatrick and Rebūke’s Seismic Set from Terminal V

The legendary Detroit electronic music festival, Movement, returns May 28 – 30 to Hart Plaza, so we've selected some of the acts to catch from the stacked lineup of dance talent.



Movement, the legendary Detroit techno and house festival, is finally back, bringing the beat to Hart Plaza at the end of the month. Since 2000, the fest has celebrated the best of underground dance music talent and played an essential role in promoting the culture stateside.

The long-awaited Movement 2022 lineup announcement brought excitement to the scene, and soon we'll get to experience the stellar music and lovely Midwestern hospitality together, IRL.

While it's literally impossible to narrow down the Movement 2022 lineup to a short, concise list of must-sees because it's such a standout booking with so many acts we want to see, here is an incomplete list of the artists we highly recommend you check out.



Movement happens May 28-30, 2022, at Hart Plaza in Detroit, Michigan. Tickets for Movement are available now via the Movement Detroit website.

Follow Movement on Instagram | Twitter | YouTube

Jeff Mills



Jeff Mills is one of the architects of Detroit techno and has continued to shape, innovate, and deconstruct its sound with his visionary approach to electronic music and DJing. His music is otherworldly, bold, dark, and utterly entrancing. His nickname, The Wizard, becomes clear when witnessing his mastery behind the decks, helming multiple turntables.







Carl Craig / James Murphy B2B Carl Craig



Carl Craig is another of Detroit techno's forefathers, helping keep the genre and its hometown alive and thriving. At the last Movement in 2019, the city celebrated his contributions with the Spirit of Detroit Award, after which he took the crowd on a banging house and techno journey. You can catch him at the fest for a solo set, a captivating B2B with LCD System frontman James Murphy, and at his stacked Detroit Love official Movement afterparty.







E-Dancer

Kevin Saunderson is one of the other heads on Detroit techno's version of Mount Rushmore, with (to name just one project) his eternally classic tracks as Inner City introducing the world to some of the underground dance sounds back in 1989. He's had a profound impact on the scene with his many projects and KMS imprint. In 2021, he revived his impactful, experimental techno E-Dancer alias with the Re:Generate remix album of 1998 classic Heavenly. He served up two E-Dancer shows in 2021 and 2019, and his live set this Movement is a must-see. His sons, Dantiez (who helped him revive Inner City) and Damarii Saunderson, will also play at the fest and keep the Detroit family energy strong.







Stacey Hotwaxx Hale

Known as the Godmother of House Music, Stacey Hotwaxx Hale is one of Detroit's OGs and underappreciated gems. She's been bringing four-on-the-floor joy to Motor City clubs since 1989 (she was a key player on Detroit's lively radio and still slays the airwaves) and to hot spots around the globe for almost as long. For as long as she's had a platform, she's intentionally made space for the next generation, teaching DJ and production classes at the Detroit Institute of Music Education and the Girls Rock Detroit summer camp. Catch her at Movement to get down to some hothouse and pay the queen some respect!







DJ Minx

DJ Minx is another Detroit pioneer that made waves in the Detroit club scene and radio since the early '90s. She's always been an advocate for women in music, with the Women on Wax DJ collective and label that she founded in 1996 and the Sheometry Festival she and Hale started in 2019 to showcase yet-to-be-discovered women artists. Her productions and DJ sets are joyful, upbeat, and rooted in house and techno, so you better catch her vibe!







DJ Holographic

One of our 2022 10 Rising Black Artists You Should Know, DJ Holographic, represents the young bloods of Detroit, keeping the scene vibrant and the vibes flowing. Celebrated by OGs like Craig, who tapped her for the 2021 Detroit Love Vol. 5 compilation album on his Planet E Communications, she serves up a joyful blend of house, disco, and techno straight from her heart. She's a joy to watch behind the decks, and a true purveyor of positive vibes, so you'll feel the sun shining on you, regardless of the time of day.







Ash Lauryn

Another 2022 Rising Black Artist, Detroit-born, Atlanta-based DJ, producer, and music journalist Ash Lauryn is all about supporting and uplifting Black artists and music in everything she does. She started the Underground & Black platform when she saw a void of representation for Black millennial electronic producers and will be returning with its annual Movement party. Her sound is rooted in the rhythms and creativity of her hometown and her deep love for house music, and her Movement set is sure to be pure energy, grooves, and vibes.







Seth Troxler

Do we really need to remind you to check out Seth Troxler?! The loveable class clown of the underground grew up in the suburbs of Detroit and immersed himself in the rich techno scene there as a teen, putting out his debut track "Moment" with the legendary Omar S at 17. His personality shines through in his tracks and DJ sets. They're fun, upbeat, wacky, and rooted in the house and techno he grew up on.







Eris Drew B2B Octo Octa

Eris Drew and Octo Octa are one of the reigning power couples of dance music, period. Witnessing them combine their talent, good vibes, and love of funky, feel-good house on stage in the sacred art form known as B2B is pure joy and a surefire way to get your body grooving.







Soul Clap w/ Amp Fiddler

Formed in Boston in 2001 by close friends Charlie Levine and Eli Goldstein, Soul Clap serves up funky rhythms rooted in their wide-ranging love of house, disco, drum and bass, jungle, and anything funkdifed. Amp Fiddler is a true Detroit legend, a singer, songwriter, producer and keyboardist whose worked with Prince, George Clinton, Too Short, Moodymann and J Dilla, to name a few. Soul Clap plus Amp Fiddler equals pure funk and soul, and we're stoked to witness this powerhouse matchup IRL.







Louie Vega

New Yorkers voted wrong in the last election because Louie Vega is the real mayor of New York. The GRAMMY-winning soulful house artist has produced and remixed far too many classics to mention, as part of Masters At Work with Kenny Dope and under his own name. If you have a soul, I'm sure you'll want to get lost in the rhythm of his sun-soaked blend of Latin drums and percussion, classic house, Afro-house, gospel house, and more.

10 Acts To Catch At Movement 2022

When it comes to powerhouse women of dance music, Aundy Crenshaw is an absolute force behind the scenes. Six years ago, she stepped into the role of COO, CMO, and CFO for the beloved dance music label, Dirtybird, and has played a prominent role in its indisputable ascension to the highest echelons of both industry and scene.


Dirtybird has a well-earned reputation for left-field sounds, and while we should know better than to assume, those themes typically fall in the broad realms of house and techno. But this week’s track of the week finds Crenshaw and Dirtybird doing what they do best—keeping us on our toes—with a wavy, buoyant breakbeat from Nala and Nikki Nair, “The World Is Always Ending.”




“‘The World Is Always Ending’ is a track that you wouldn’t think of coming from Dirtybird,” Crenshaw shares.


“The track’s melody and vocals, created by Nala, is easy to sing along with which I love to do, and Nikki Nair’s production reminds me of 90’s music. The topic is harsh, but I feel like we’re all living in this state of mind everyday‑trying to save water because of the drought, living with wildfires in California yet still loving our lives. It’s a weird dichotomy.”






Tackling troubling times with immersive, upbeat sounds—dance music in a nutshell. And if anyone knows how to maximize the offerings of dance music, it’s Aundy Crenshaw.

Aundy Crenshaw Queue’s Nala and Nikki Nair’s 90’s-esque Breakbeat Banger 'The World Is Always Ending”

It's mid-May, and more people are arriving on the island to enjoy arguably the most exciting season in recent memory. The energy is palpable, and you can't help but have a great time with so many different options to choose from. Gray Area makes it easier to make plans with our weekly digest of the best Ibiza parties, beaches, and activities.


Pacha has been an Ibiza institution since it first opened in 1973, keeping its distinctive and authentic casa payesa (country house in English) style and curating an avalanche of massive DJs and party brands. It is one of the most iconic clubs on the island and has evolved with Ibiza and its nightlife scene. This week, the Cherries club is hosting a few opening parties.






Thursday, May 12: Pure Pacha opening party with Robin Schulz




Open spirit, freedom, and fun go hand in hand with one of the oldest parties on the island. The German DJ and producer Robin Schulz will lead the opening party with his singular music style that combines house and pop.




Get tickets for Robin Schulz at Pure Pacha opening


Follow Robin Schulz on Twitter | Instagram | SoundCloud











Friday, May 13: Music On Opening Party

Ten years have passed since Marco Carola's party arrived on the island. Music On is one of the most successful parties in Ibiza and was previously at Amnesia, where it stayed for seven years. In 2019, Marco moved his brand to Pacha. Visit the legendary venue on Friday, May 13, for the best underground and techno sounds from Carola and friends.




Tickets available for Music On opening party


Follow Music On on Twitter | Instagram | SoundCloud












Saturday, May 14: The Masquerade by Claptone 

The mysterious DJ Claptone brings his genuine old-school house and dance music on Saturdays to Pacha for the second season, beginning on May 14.


There's so much to discover from the man behind the golden mask at The Masquerade, an event featuring otherworldly dancers, performers, confetti cannons, and more!


Buy tickets for The Masquerade by Claptone


Follow Claptone on Twitter | Instagram | SoundCloud












After Space closed in 2016, a new club was born. Hï Ibiza opened a new era in Ibiza, refurbishing the building that dates back to 1986 and shortly became one of the leading clubs in the world.












Saturday, May 14: Black Coffee Opening Party

Hï Ibiza's first-ever resident was Black Coffee. It was also the South African DJs first booking on the island. This successful collaboration remains true to Saturday nights, and doors will open this season on Saturday, May 14, for 20 weeks.




Get tickets for Black Coffee opening at Hï


Follow Black Coffee on Twitter | Instagram | SoundCloud

















On top of these parties, one of the most entertaining cultural events of the year starts Thursday, May 12, the Ibiza Medieval Festival. After a two-year hiatus, Ibiza's old town travels back in time to celebrate its cultural heritage.




This exclusive event takes place in Dalt Vila (upper town in English) until Sunday, May 15, transforming the city into a vast open-air street theatre. Inside the most well-conserved acropolis in the Mediterranean (named a World Heritage Site by UNESCO in 1999), all kinds of characters such as witches, jesters, knights, princesses, princes, warriors, wizards, dragons, and diverse handcraft artists fill all corners with the sounds, tastes, and aromas of the Middle Ages.









This unique fair is reminiscent of an era in which a multicultural population lived in peace and harmony on the island. It features a wide array of daily events and activities and live music—an essential attraction for all ages. Get lost amongst the labyrinth of market stalls and antique treasures, chocolate and jewel makers, and savor typical food and drinks while enjoying live performances.




This is the best way to discover the multicultural patchwork of Ibiza and its roots.












If you fancy a swim without leaving the city, visit Figueretas Beach, located just 15 minutes away from the center. This popular beach consists of a pedestrian walkway with easy access and is one of the best equipped in the area, with a wide range of shops, bars, and restaurants to enjoy. We suggest you sit on Oli Beach's terrace to taste delicious Spanish tapas and sangria.

Robin Schulz, Marco Carola, Black Coffee & Claptone

If you’ve ever experienced the joy and whimsy of an All Day I Dream party thrown by Lee Burridge in scenic locations worldwide, you know the vibe is always sunny, dreamy, and pretty darn magical. Ahead of the first-ever All Day I Dream Festival, taking place at the Woodward Reservoir Park May 13 - 15, we check in with several of the talented ADID artist fam on the lineup to hear about their favorite magic moments from past ADID parties.




Read on to experience smile-inducing memories from Öona Dahl, Bona Fide, Makebo, Tim Green, Double Touch, Lauren Ritter, Dim Kelly, Gorje Hewek, and Christian Voldstad. 



You can catch them all at what’s sure to be a dreamy weekend, along with Burridge, Little Dragon, Cubicolor, Guy Gerber, Jan Blomqvist, and others.









Öona Dahl




My favorite memory (from an ADID event) is my first All Day I Dream (Of You) on a Brooklyn rooftop, which happened to be the second one ever in 2011. I met so many people there that are still my friends to this day. I remember yelling with one of my friends, “I love my life,” and this couple looked at us and said, “What did you say?” Then they showed us a tattoo they both had on their arms that said, “I love my life.”












Tim Green

I suppose, a bit selfishly, one of my favorite moments from a past ADID event was back in April 2016 at the ADID London show at Studio 338. Lee played my track “For A Memory” to an extremely electric crowd and packed room! The reaction to the final drop was amazing and something that I will always remember. It's why I write music like this, to see people react in this way. There is nothing better than All Day I Dream, in my opinion. ❤️💚







Bona Fide

I've had many incredible memories over the last six to seven years of all the amazing ADID events across the globe. I'd have to highlight the ADID Summer Closing event at the Brooklyn Mirage in September 2019 with the unreal lineup of Powel, Gab Rhome, GHIZ, and Lee Burridge. As the sun was going down, Lee dropped Tim Green's remix of “Without” by Baile and Felicia Douglass. I was left speechless. At that exact moment, almost everything in the universe aligned and made sense. It was an incredibly surreal sensation that tingled my whole body, but at that exact moment, I felt incredibly fulfilled. It was something I'd never felt before.




I truly felt like I was having this gorgeous dream filled with positive auras and emotions. That's what made me pursue this “dream” of being part of this community. It’s moments like these, where you leave the real world behind and create a magical experience that you will remember forever. I'll carry that memory for the rest of my life, and I believe this track will firmly remain my favorite track of all time.







Makebo

ADID showcases are always something special for me! You are in anticipation and pleasant excitement [before the event]. After the event, there is a long trail of pleasant memories from meetings with friends who love your music and from smiles of happiness and boundless freedom. It’s always only the most positive emotions and a breath of fresh air that charge you and bring inspiration to create new music!




Lauren Ritter

The first-ever ADID I went to was in 2011 on a rooftop somewhere in Brooklyn. Lanterns were swaying in the wind against the backdrop of the most gorgeous sunset I had ever seen. Lee played all day and dropped this amazing track called “Milk & Honey.” It was magical!




Just before my first track, “Glass Hours,” came out on the label, Matt Dekay played it during his ADID set in Brooklyn. Standing in the crowd, watching people dance and smile while listening to my music, truly blew me away.




When I played my first ADID in 2015, my friends made a banner for me saying “All Day We Dream of Lauren Ritter '' and held it up during my opening set. It was such a sweet moment!




There was an ADID in Oakland with Öona and Lee a few years back that had such good energy with everyone in full party mode. Honestly, lots of good memories over the years. I can’t wait to reunite with everyone at the festival!! Catch me at the Holorealmz Dome on Friday night and the Circus Tent Stage on Saturday night!














DOUBLE TOUCH

Our favorite moment would be the whole experience at our very first ADID event, which was at Golden Gate Park in 2019. We always wanted to attend one of these events, so playing at our first one was an extra bonus!




We met a bunch of the ADID crew for the first time here–Roy, Junior, and Hoj. Van-Anh also met Lee for the first time that day. It was a marathon of a day, from playing the opening slot at the day event to grabbing kebabs with Roy and Junior before closing the after-party at the club.




Roy’s massive banger “The Biggest Heart” had just been released the week before, and when Lee dropped it, we saw Roy and Junior pop up in the crowd, dancing in the front row. It was just an epic day of smiles and great music!











DIM KELLY

The most memorable moment with ADID was probably my first meet with Lee. It was at COVA SANTA in Ibiza in 2021, I had already released a title on the ADID winter sampler, and we were preparing to release my first EP.




It was important for me to feel the human dimension of the person with whom I was about to work closely, and I immediately understood that I was in good hands and that Lee understood my music with his heart.




Then he played my track "Display," I saw his soul filled with enthusiasm and joy, and I said to myself, "Ooowkey! Let's make things happen."







Gorje Hewek

I have tons of magic memories from ADID parties, but if I choose only one of them, it’s New Year's Day in Los Angeles. It was in Chinatown, which I personally love so much because it’s a cozy atmosphere. Besides a fantastic crowd and the huge love that Los Angeles always shows, it was a perfect moment to spend the first day of the year. It was truly festive. Confetti and crackers were flying everywhere, the air was charged with love, and there was a feeling of the beginning of a new chapter, with which each new year begins. One of those moments that, after a while, you want to return to again and again.









Christian Voldstad

All Day I Dream has been one of my favorite event series since its inception. I remember attending the first ones on a sunny rooftop in Brooklyn called Officeops, which used to literally shake when things got energetic, it probably wasn't the safest, but it sure was fun! This was back when Mike Khoury was opening, Dain was making tacos, Larry did the sound, and Karen would never stop dancing...ever.




All Day I Dream has always struck me as the most blissful, beautiful way to spend the last few rays of weekend sunshine. The music, venue, and production have always been spot on, but most importantly, everyone is dancing with a smile. Lee Burridge and the entire team do a fantastic job, and you can tell the amount of effort everyone puts in every time. I still sometimes have to pinch myself when I remember I'm involved now, and I get horribly nervous before I push any buttons or twist any knobs, but I'm so incredibly grateful to be able to contribute at the same time. When you love something, it's incredibly rewarding to be able to help, and while it is a lot of work, it is a great pleasure as well.




One of my favorite ADID events was the New York boat party that sailed through a thunderstorm, no one left the dance floor, and everyone was a sopping wet smiling mess. The one at BPM in Playa del Carmen was amazing. Flip-flopping around in the sand to the music was absolutely perfect. Really any of them are going to be highlights just because they're so much fun. This photo from the Well in Brooklyn popped up in my feed recently, and I think it captures things perfectly. :)

All Day I Dream Festival Artists Share Their ADID Magic Moments

You can't help but stare in amazement at this mesmerizingly beautiful live set from Giorgia Angiuli. Produced by PhEST – The International Festival of Photography and Arts - and the Municipality of Monopoli, Turning The Dawn was a performance that took place in Angiuli’s native town.

It was a particularly special event for Angiuli as Monopoli is where her mother spent her childhood in the 60s. Angiuli chose to dedicate the live stream to her memory.



The set unfolds as dawn breaks across the Adriatic Sea. For Angiuli, "Dawn symbolizes a new beginning, especially during these dark times. Dawn gives a sense of hope to the cultural industry."

Her live improvisation on a Moog synthesizer, a steel tongue drum, and an array of other instruments, combined with enchanting vocals and hypnotic drum patterns, make this a performance that you can’t take your eyes off.

Born in Puglia, Italy, Angiuli is a classically-trained musician, composer, and multi-instrumentalist. She developed a passion for electronic music early in life, later creating tracks that move between techno, house, and pop. Her idiosyncratic sound comes from a unique blend of elements, blending toy instruments, theremins, keyboards, drum pads, and her own voice, to give her music a dreamy aura.

Angiuli has graced the decks at some of the world’s most famous clubs. From Berghain in Berlin to Output in New York, Rex in Paris, Oval Space in London, and beyond. She’s seized the attention of festival crowds at Extrema Outdoor in Belgium, Electrowave in Florence, Fusion in Lärz, and more. Her 2018 debut album, In a Pink Bubble, was met with critical acclaim worldwide.

Angiuli recently launched a contest on her Instagram where you can win free tickets to some of her upcoming shows. Catch her this Friday at Time Warp Brazil 2022, Ritter Butzke in Berlin this June, and Amnesia for Paradise Ibiza this September.



Follow Giorgia Angiuli on Twitter | Instagram | SoundCloud

Watch the Sunrise With Giorgia Angiuli’s Set From Monopoli

Heading a record label has become a necessary part of the evolution of a dance music producer. Franky Wah—aka Luke Storrs—has more than hit his stride in 2022 as he adds yet another label project to his resume with the launch of his second imprint Terracotta Records. The debut release is a soul-soaring new single, “Under The Sun,” featuring electro up-and-comers AR/CO.





Whirring synths purr beneath a steady kick like a loaded engine waiting for someone to punch the gas—cue AR/CO. A full choir of swelling vocals emerges to call forth a vibe that radiates sunset dance party while rapid-fire plucks glisten above a relentless low end like the infinite stars in the endless black of a summer night sky. When the songwriting carries this much passion and the production emits this much power, it’s only a matter of time until we hear this sweet single played on main stages the world over.



“Ever since I began playing this record out in my live sets it always brings the dancefloor to a standstill,” Franky says. “It’s always stood out for me and instantly when producing it, I knew exactly where it needed to go. I spoke in depth with AR/CO about the vocal until we were all happy and after that everything else just fell into place. AR/CO were an absolute pleasure to work with on this release and I cannot wait for it to soundtrack everyone’s summer.”



Terracotta Records and “Under The Sun” mark a massive milestone in his career. Terracotta emerged intending to house the more forward-facing, accessible sounds of Franky (and friends) catalog. While this venture aims for a slightly more mainstream approach, Franky’s first label, SHÈN, launched in early April, will push deeper, underground-focused themes.

Franky Wah Launches Terracotta Records With Anthemic Dance Track, 'Under The Sun'

Acclaimed international DJ, producer, activist, and Web3 entrepreneur Vivie-Ann Bakos—aka BLOND:ISH—has become a leading voice for climate consciousness across various mediums while paving new paths between artists and fans within the digital space. Last week, Bakos blazed a new trail unveiling a pioneering partnership for her Bye Bye Plastic Foundation during International Music Summit Ibiza, the premier forum for electronic music.



This Summer, Bye Bye Plastic will partner with Web3 platform, Socialstack, to launch the $BYEBYE social token, a cryptocurrency that can only be earned through environmental actions. It offers unique redemption opportunities such as limited NFTs, membership, and real-world experiences. Celo, a carbon-negative blockchain, powers this first-of-its-kind impact-driven social token.



But how is such an innovative program made possible with so many moving pieces?


Bye Bye Plastic is the inaugural grant recipient of Socialstack’s Climate Action Social Token Fund. This groundbreaking initiative comes in collaboration with Celo’s Climate Collective to fund and provide infrastructure to cultural and brand leaders for the development of Web3 communities addressing the climate crisis. 




The $75K grant will allow Bye Bye Plastic and Socialstack to run the first-ever Impact To Earn (I2E) campaign in the Web3 space, with $25,000 in CELO tokens rewarded to those who take positive actions. This aims to capitalize on the notable rise in popularity of Play To Earn (P2E) gaming. 




BLOND:ISH shared her intentions for the token format, saying, “The sustainable and circular economy still needs to appear stimulating and incentivizing in our everyday lives in order to win the tide of climate change. With a token that rewards environmental actions, we aim to not only gamify but also effortlessly change the culture that will shape a plastic-free and more regenerative world.”



And why is a fledgling space like Web3 such an exciting new vehicle for this kind of climate-conscious movement? Craig Wilson, CEO of Climate Collective, shares, “Reversing climate change is a problem that is best suited to Web3. Climate is a mass coordination problem, and Web3 is a mass coordination tool.”



Web3 describes decentralized online ecosystems based on the use of blockchain technologies. For further explanation of blockchain-based projects and their use in the music industry, check out our insights in 10 Dance Music Led Blockchain Projects.



$BYEBYE will launch at the end of Summer 2022. For more info, visit byebyetoken.com





Connect with BLOND:ISH on Instagram | Facebook | Twitter

Connect with Bye Bye Plastic on Instagram | Facebook

Connect with Socialstack, Celo, and Climate Collective for more info

BLOND:ISH Launches Innovative Climate Conscious $BYEBYE Token

“With mindfulness, you can establish yourself in the present in order to touch the wonders of
life that are available in that moment.”
― Thich Nhat Hanh



I am a DJ who lives a spiritual life. These are two statements that many wouldn’t expect to coexist. I got sober from drugs and alcohol at the tender age of 16, having gone through the wringer with addictions early on.



Recovery necessitates spiritual growth, and while exploring different ideas to find what resonated with me, I came across the writings of Thich Nhat Hanh. His words spoke to me deeply. They showed me how to implement a mindfulness practice, where I’ve learned to be fully present in the moment and experience life fully. As I’ve dedicated myself to becoming a career DJ, this practice has been a much-needed source of relief as I have navigated a tumultuous industry.







One can argue that music is one of the most challenging businesses to build a career in, especially as an artist. There are certainly some who rise to prominence quite quickly, but for most, it is a path that requires a consistent, concerted effort towards a long-term goal. Throughout the journey, there are setbacks, triumphs, disappointments, windfalls, and many more peaks and
valleys.



I was very caught up in this pendulum early in my career, swaying from thinking things were just about to break to thinking I had no hope of “making it.” This took me to a place where I became so focused on achieving my goals that I was completely missing the journey. I would think if only I had this next thing (label signing, manager, gig, etc.), all the other dominos would fall.



After a particularly crushing disappointment when it felt like everything was lining up for me, only to disintegrate, I very nearly gave up on the pursuit of music. Mindfulness practice ultimately saved me. By becoming present in the moment rather than focusing on the things I wanted but were out of my reach, I discovered a deep sense of gratitude.



I get the opportunity to reach people through one of the most beautiful mediums that humanity has stumbled across, both through releasing original music and performing. I get to brighten others’ lives and help them feel better understood. Music has had a profoundly positive impact on my life, and it is an honor to share this passion with others.



Today, I try not to get too high or too low. I aim to allow myself to experience the emotions that flow from merging my career with my passion without being overwhelmed by them. In doing so, I can better focus on the work at hand. When I am rooted in the present moment, there is joy in each activity, from playing to a packed dance floor to writing in a studio to taking small actions in which I advocate for myself. I am awake to the beautiful, driven, and talented people who surround me on this path.

OpEd: How Being Mindful Made Me a Better DJ

For those who are dying to know what keeps ravers coming back to the shadows of the underground, gather around and lace up your combat boots: let’s talk about hard techno.


Before we begin, let’s make sure we’re up to speed on the basics. Techno music originated in the late 1980s and early ‘90s, establishing itself in US cities including New York, Detroit, and Chicago. Growing out of European dance music and becoming an unstoppable force of its own, techno has enraptured the global music market even beyond electronic genres.


Marked by thumping 4/4 kick drums and synths that can sound equally nostalgic and futuristic, this is the sound that powers the underground and influences countless subgenres across the electronic spectrum.




So, what about hard techno? Some may believe good, old-fashioned techno is intense, yet it’s nothing compared to its ferocious counterpart. Born in the late ‘90s, the Schranz movement— led by industry veteran Chris Liebing— saw techno producers dish out even harder kicks and ultra-fast tempos reaching and even exceeding 150 beats per minute. This style is what we know now as hard techno, and it’s become a sweeping movement in dance music like never before.


When we call this music ‘hard,’ we refer to the hardcore influences that act as the foundation of this sound. If you’re familiar with genres like gabber or uptempo hardcore (200 BPM, anyone?), you understand why this genre is aptly titled. Crushing kick drums and heavy distortion are the trademarks of hardcore and its many subgenres, including the sound of hard techno.


In 2019, journalist Annabel Ross penned a piece for Beatportal titled Why Techno Is Harder, Faster and Angrier Than Ever, exploring the emerging trend of techno DJs playing harder music. “Subgenres that were once considered fringe, or even garish, like gabber and hardcore, are suddenly everywhere,” she wrote, “and purveyors of these styles, and of harder techno, are often enjoying a sudden and unexpected boost in status.”




Ross investigates a few reasons why this has become a trend: the natural ebb and flow of the genre’s popularity across generations, rising tensions among nations and individuals worldwide, and simply just the fun of dancing like a maniac to mega-fast beats. Whatever your reason, there’s sure to be a style of hard techno just for you.


Made for aggressively stomping on the dance floor inside an abandoned warehouse at 3:18 a.m., hard techno is best complemented with minimal production when it comes to the setting — you won’t find 20-foot LED walls or confetti drops at these shows. Some of the best hard techno parties are nestled in a dark alley on the city streets, powering the dance floor with just a DJ setup, speakers, and maybe one all-consuming red light or strobe. This music is for dancing yourself clean of all sins, basking in the drama and the terror of the kick drum as you try to keep up with the DJ.






Despite the often rigid instrumentation across hard techno, there are plenty of opportunities to feel the groove and a sense of release in this music. With artists like Krl Mx influenced by the galloping percussion of psytrance and others like Vizionn pulling inspiration from classic trance of decades past, the spectrum of hard techno contains multitudes.




If you prefer the bouncier styles of hard music, there’s no shame in dabbling in the uber-fun genres like donk and hard house to work your way into the hard techno dungeon.


Visiting the catalogs of storied producers such as Fatima Hajji will be your key to the vast world of hard techno. With releases spanning back to 2008 available on digital streaming services, Fatima’s anything but traditional hard techno fare serves as a fine, diverse guide for new fans.



There’s more hard music on mainstream music festival lineups in today's electronic music scene than ever before. Take this year’s lineup for EDC Las Vegas, for example, which features hard techno acts Deborah de Luca, I Hate Models, Charlotte de Witte, and even hardcore acts Mad Dog, DJ AniMe Rob Gee. Now accessible to a broader audience, the potential for hard techno’s global explosion seems all but inevitable. We’ll see you on the dance floor — and don’t forget your stomping boots.

Let's Talk About Hard Techno

May in Ibiza is all about fun and happy vibes. The island starts to bloom, and the sun never stops shining. Hotels, bars, and restaurants around the island have opened, and most of the beach and nightclubs kick off their summer residencies. Below are some recommendations if you want to experience Ibiza like an authentic islander!






Circoloco Opening at DC-10 – Monday, May 2

Circoloco was born in 1999 as a free after-party hosted at DC10 on Monday mornings but soon spread to become a dance brand in many other countries. This summer, it celebrates its 24th season on the White Isle. The opening, closing, and New Year’s Day events are a ritual trifecta on Ibiza.



Circo Loco is an inseparable part of DC-10 and is symbolic of the underground clubbing scene in Ibiza with no production, no decoration, and very little promotion. A night in which the crazy clown face brings us all together to dance non-stop to incredible techno sounds. A real dancing marathon that starts at four in the afternoon and continues until 7 am on May 3 if you dare! Tickets are now available here.









Follow Circo Loco on Twitter | Instagram | SoundCloud




Defected in the House at Eden – Friday, May 6



In the heart of San Antonio Bay, Eden is one of the great clubs of the island and, since 2016, home to Defected. The proverb of one of the most extended Ibiza residencies has always been, “In our house, we are all equal.”

It continues to be the most affordable night on the island, with an embracing vibe that allows clubbers of all ages to enjoy their legendary brand of house music and some free pre-parties at Café Mambo.

So, if you are passionate about house, soul, and disco, the second week of Defected takes place from midnight on Friday, May 6 at Eden and 20 other Friday nights in Ibiza till September 30! Get your tickets here.








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ANTS Opening at Ushuaïa & Hï Ibiza – Saturday, May 7



Celebrating its 8th season, one of Ibiza’s most popular events by United Ants colony will take over the two Platja d’en Bossa clubs for the first time to kick off the season in style!


Ants is a party concept born in Ibiza in 2013 that soon gained a solid reputation both on the island and worldwide. Performers and acrobats dress up as ants in full-body black suits and put on a mind-blowing show with spectacular production, decor, pyrotechnics, ice cannons, confetti showers, and breathtaking visual effects. Expect an unparalleled atmosphere and a lineup of world-class underground house and techno talents nixing hot new tunes with old-school anthems.

On top of that, Ants presents a new theme this season, ‘Invasion,’ inspired by the ‘B-movies’ of the 1960s and pretends to transform both venues into mesmerizing science fiction playgrounds. Join the invasion at Ushuaïa in the afternoon from 3 pm and then carry on across the road to Hï from 11 pm until the early hours of the morning. Get your tickets here.









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Glitterbox Opening at Hï Ibiza – Sunday, May 8




Glitterbox is a party concept created by Defected boss Simon Dunmore back in 2014 that fits in perfectly with the island due to its infectious energy and good vibes. It combines contemporary house music, soul, and disco with a slice of glam, incredible live performances, and drag queens to entertain the crowd. It brings back the distinctive and inclusive Ibiza spirit to the dancefloor. It's a genuinely uplifting celebration of love, smiles, sing-alongs, and hands in the air moments.




Check out the full lineup for this summer below and buy tickets here!







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Whether pre-gaming or winding down after the afters, spending a day at a beach club is mandatory when in Ibiza. Whether you want a lazy day sunbathing with a mojito and some tasty Mediterranean bites, or if you are looking for some entertainment while dipping your feet in the sea, Platja d’en Bossa is a must. It's the longest beachfront on the island, where some of the most popular beach clubs are located.




Nassau Beach Club can be found in the middle of this picturesque beach, with friendly staff and fun yet laid-back attitude. You can sample Mediterranean cuisine or select from a wide selection of cocktails from your hammock or Balinese bed. It is also a great party retreat by the sea with music all day long and some special happenings during the summer. www.nassaubeachclub.com/









Located at the end of D’en Bossa, Beach House is like a Caribbean oasis with a bohemian style that offers distinct experiences. Chose from massages and yoga classes on the beach in the morning before a revitalizing breakfast or bottle service if you want to live a more luxurious experience. They occasionally host events with DJs, and it's also ideal for trying local products. Open from dawn to dusk. www.beachouseibiza.com/









Bora Bora opened in 1982 and is the oldest beach club on the island. It is a perfect option if you like to keep close to your party desires and dance on the sand or around the pool in its backyard, El Patio. You can also book accommodations here at the Bora Bora Apartments (only recommended for party animals who like the fuss and don’t care about bustle). There is also a restaurant where you can savor Japanese-Mediterranean fusion food with beach service. www.boraboraibiza.net

Circoloco, ANTS, Defected & Glitterbox Return for the 2022 Season

London-based DJ, producer, and label owner Archie Hamilton served up an hour of slick minimal house goodness for Gray Area’s OCHO back in December 2021. The accomplished artist recently launched his Frequency club event series in the UK, which offers attendees a unique audio-visual experience.







The latest Frequency party kicked off under the iconic railway arches of The Steelyard, London. It also featured Oden & Fatzo, Jaden Thompson, and more incredible acts behind the decks. The Frequency series continues this Bank Holiday Sunday at Mint Warehouse, Leeds, where Hamilton is frequently welcomed back with open arms.









The proud owner of Moscow Records and Moss Co., Archie Hamilton is a well-respected name in dance music both in the UK and abroad. He delighted fans worldwide with the release of his debut album, Archive Fiction, in the summer of 2019.

Now established in both North and South America, Hamilton is also an irreplaceable feature on the Ibiza circuit, performing at Circoloco, Music On, and the closing of Amnesia in 2019. He also was called upon in January 2020 by Pete Tong for a coveted spot on the Essential Mix for BBC Radio 1.

Keep your eyes peeled for Hamilton’s sets this summer at Music On Festival, Amnesia Opening Party, Baltic Weekender, and many more clubs and festivals across the globe.




Follow Archie Hamilton on Twitter | Instagram | SoundCloud

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Dive into Archie Hamilton’s Ultra Funky Mix for OCHO

Leave it to Jamie Jones to deliver the perfect poolside groove. It’s a well-known fact that no one does bass lines like Jones, but “My Paradise” is one of his spiciest to date. A pining vocal and salsa-inspired piano step this tune up a notch while the strings and horns sweep us off into a sublime oceanside sunset. Audibly induced bliss at its finest.





Inspired by his frequent jaunts to Ibiza over the years, Jones recalls his earliest days on the White Isle.



"I remember back in my early Ibiza seasons around 2000,” Jamie begins. “There were these big anthems that used pumped up 909 hi-hats, a heavy kick drum, a looping disco groove. Producers like Armand Van Helden and Full Intention did it so well. I wanted to re-create this for the 2022 dancefloor and 'My Paradise' is what came out.”



The Hot Creations label boss has been one of dance music’s leading figures for the better part of a decade, pioneering his distinguished brand of warm house and techno. Spirited bass lines, irresistible percussion kits, and unparalleled taste create house music heaven for anyone listening to a Jame Jones set. Some might even call it, Paradise.



Paradise started as Jamie’s distinguished Ibiza party in 2012 and has since grown into a renowned international events brand. From Miami to Ibiza, London to New York, Dance music fans the world over dream of a chance to catch one of Jones’ Paradise events. As we excitedly make our way into Ibiza season, Jamie Jones pays homage to his Ibizan roots and drops the perfect summer party starter, “My Paradise,” out now on Defected Records.



We recommend you enjoy this latest offering with the sun overhead, a drink in hand, and ample room for dancing, but let’s be real, any setting will do.



"My Paradise" is available on all platforms now. Stream or buy here

Follow Jamie Jones on Instagram | Facebook | Twitter | Soundcloud

Jamie Jones Returns To Defected With Summertime Groove, 'My Paradise'

In the substantially complicated ecosystem of music labels, publishers, distributors, and royalty collectors, the idea of artists getting paid quickly may sound like a revolutionary concept.



Now broaden that thought experiment to a more extensive ecosystem. What if we could create a new financial system for music that can support real-time revenue streams and ultimately hand much more power to the individual artist? Several innovative blockchain-based projects are taking this on. Dance music has always been tech-forward. And many artists have entered the crypto space with designs of making space for increased earning power, more direct fan interaction, and leaving behind systems that don’t favor the kind of revolutionary creativity that made dance music possible.


These projects make it possible for artists to get paid for their art easier, faster and choose how they want the rights to their creative content to be distributed. In addition, they let the greater community peek under the hood in the studio, offering an inside look at future projects, be they music or merch. Fans can now contribute directly to these future projects without a record label in the middle. And they hope to reduce reliance on third-party ticketing platforms and the exorbitant fees that come with them.




How cryptocurrency works, in a nutshell

In 2008 Satoshi Nakamoto gave birth to Bitcoin— which officially introduced the first cryptocurrency. The first official Bitcoin transaction happened in 2010 when Florida resident Laszlo Hanyecz paid 10,000 BTC for two pizzas. Over a decade later, Bitcoin's value hit a record high in January 2021 when one BTC became worth more than 40,000 USD, meaning those pizzas would cost $400 million by today's standards.




Cryptocurrency materialized out of widespread distaste for society's bank-reliant money model. Essentially, it ensures average citizens can have complete control over their funds without government interference.




The most important part is the operation on a blockchain, which eliminates double-spending. The blockchain is a publicly accessible, transparent ledger. When a person makes a transaction, it creates a data "block" that houses the sender and recipients' addresses — a unique transaction ID — and a timestamp.




Those blocks form a digital chain as transactions continue. They cannot be edited. And once someone participates, their computer begins keeping a copy of the blockchain. That means — say, in the case of Bitcoin (or any other crypto)— any hacking attempt would be immediately flagged, thanks to the hundreds of thousands of computers that are now keeping track of and updating Bitcoin's decentralized blockchain.




These days, Bitcoin is just one of many forms of usable cryptocurrency. And there are also non-fungible tokens (NFTs), which can hold unique assets like art, tickets, or trademarks instead of money.




According to music's cryptocurrency enthusiasts, all these things are possible — a growing group of tech-obsessed entrepreneurs with the common goal of applying the technology of blockchain and bitcoin to the multibillion-dollar global business of selling albums. Crypto advocates want to continue engineering new financial systems for music that can support real-time revenue streams and ultimately hand much more power to the individual artist.




We’ve pulled together a list of our top picks for crypto projects led by those in dance music.







RCRDSHP






Built by established DJs, producers, agents, and many more key players in the industry, RCRDSHP is a digital collectibles platform launched earlier this year to transform our experience with electronic music.


RCDRDSHP works to surprise its users by curating and dropping digital content known as a "pack." In the background, the system is validated by blockchain and non-fungible tokens. The packs contain collectible content that can be bought and sold, listened to, watched, or combined with game mechanics to unlock new premium collectibles and real-life experiences. Learn more about the project here.







WAX MOTIF- $WAXM




Wax Motif was one of the first in the scene to recognize the power crypto holds to create unique direct-to-fan relationships. He launched his social token known as $WAXM in 2020. WAX coin allows users to engage directly with him in various ways, from meet and greets to production workshops. His ever-growing Discord has forever challenged the way he sees the community that coalesces around him.




As part of the $WAXM experience, there are three different limited-edition NFT creations, two of which could only be acquired by scanning a QR code at a specific live event. The last of his three NFT creations is only awarded to the "OG $WAXM holders," which shows how NFTs and social tokens engage an artist's community both in-person and digitally. Effectively, Wax Motif has continued to establish new sources of revenue that exist within the crypto economy.




Learn more about $WAXM here.




XLR8R




XLR8R is launching a platform for independent artists to create, mint, and auction NFT tokens. In collaboration with NFT platform partner Cargo, they plan to launch a curated NFT marketplace dedicated to electronic music. This will allow artists and labels to create, market, and sell NFTs, thereby placing the control of art back into the hands of the creators, allowing them to be paid directly for their work in perpetuity. Learn more about XLR8R here.













DJEnerate NFT




Djenerates is a music NFT project created by a fantastic crew who live and breathe the electronic music scene. Founded by celebrated NFT producer Hipworth and backed by heavy hitters such as Bedouin, Blond:ish, Giorgia Angiuli, Maceo Plex, and some of the leading electronic music brands. This has allowed fans to access some of the most exclusive clubs globally and metaverse events, limited edition NFT's from leading artists, including swag and other signed collectible items. 




Read more about the project here.










Crypto DJs




Created by a small group of DJs, music lovers, and experts from across the music industry, CryptoDJs allows fans to engage with their favorite artists, including Pig&Dan, Christian Smith, Simina Grigoriu, Victor Ruiz, and Mark Reeve. They have built individual access to exclusive communities and content through collectible NFTs in the form of digital cards. Each card is unique, and 10% of the cards feature exclusive audio tracks, adding rarity value to the tradeable.




The more you build your collection, the more you earn access rewards to exclusive experiences and content by acquiring pre-designed card combinations. Different combinations will unlock bespoke opportunities. Some of these experiences include backstage passes, meet and greets, concert passes, and more.




Check it out here.




Don Diablo’s Hexcoin




Dutch DJ and producer Don Diablo used the Gaze Coin platform to launch his cryptocurrency token, Hexcoin, named after his record label Hexagon. Gaze Coin, also known as the GZE token, is a currency and platform that provides artificial virtual reality creators a trackable recovery on investment by awarding audiences for viral content.




Don Diablo will be using Hexcoin (HXG Coin) for his platform as a currency for people to access content from his label. The coin offers rewards by tracking what you watch. The longer you watch content, the more monetary value it provides the content creator.




For additional details about Hexcoin, you can visit the website here.







Emanate




Emanate is a network marketplace built for music lovers and creators. Its strength is that immediate payments and automated technology drive it, Emanate connects players in the music industry in a way never before seen.

Powered on the backend by Web3 technology, the platform manages the entire journey of music creation, distribution, promotion, and monetization. What’s unique about this platform is that everyone can earn, not just artists, and they have a rocking referral program. Emanate shares payments for popular playlists you create. As well as provides micro rewards for music discovery and curation and time-limited earnings for simply listening to new music.




This is a music lover's dream! Learn more about this robust platform here.







EDM Dancecoin




EDM DanceCoin (EDMC) is the first of its kind utility fan token built by electronic music lovers for electronic music lovers. The tokens are housed with a Dutch foundation that organizes and manages the fundraising. The foundation also provides sponsorship and financial support for various festivals and projects.


The ecosystem of this system supports not only the commercial music industry, live music venues and festivals. It also includes music education, health, and wellness through music and the economic supply chain that makes music happen, front and backstage.




Check out this worthwhile project in full here.







Birdhain

Dance music tastemaker Dirtybird is opening the doors to its own Web3 nightclub, Birdhain, in its metaverse, Birdyverse. Based on the famous Berlin nightclub Berghain, it's an all-hours virtual nightclub with DJ sets running every day and night. The Birdyverse at large is open to anyone with a cryptocurrency wallet, like MetaMask, but you must hold a Dirtybird Flight Club NFT to join Birdhain. Once entered, users will be able to wander, chat, scour, and interact with the mysterious island shaped like a cracked egg.


To join the Birdyverse, log in here and connect your Crypto wallet. You can read more on the Birdyverse in this interview with Claude Von Stroke over at Resident Advisor.







Audius




As the streaming landscape competition continues to get more competitive between the largest streaming platforms, finding competitive advantages to drive paid subscribers has never been more complex. Audius is a platform that uses blockchain technology to offer clarity and transparency for artists. Artists can upload their music and have an immutable record of owning that content. If the content is misused, musicians can easily prove ownership of the intellectual property and take the appropriate measures to stop it from being used without their authorization.




It also gives musicians more control regarding the monetization of their work and enables them to connect with fans directly. Check out the inner workings of the platform here.




Editors Note: Using blockchain technology in this way is not without its issues. While Audius claims to be solving ownership problems, that hasn't stopped users from uploading copyright-infringing content from major labels. As noted in a 2019 piece by Dani Deahl for The Verge, "the company confirmed to The Verge that there is no content ID system in place to catch potential infringement. Though individual uploaders can be held liable for infringement, there’s no way for Audius to remove infringing material, and there is also no way to file an infringement claim on the website."

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