Prior to becoming the genre-blurring trailblazer that he’s now known to be, Franky Rizardo was your everyday Dutch adolescent navigating his way through life. Living in the mecca of trance music, Rizardo was an avid admirer of the genre. The heavenly melodies and mesmerizing harmonies were en vogue in the Netherlands, where the soundscapes were being elevated by the likes of Tiësto and Armin van Buuren.



Soon enough, however, Rizardo’s attention would turn to the emerging electronic synths being produced 500 kilometers away. His introduction to house music would appear by way of television, in the form of a crutch-wielding man wearing a dog mask.





In a 2014 Defected Records interview, Rizardo chronicles the moment he first watched the music video that would change his life. “I remember watching TV and seeing this giant dog head walking through the street,” he says. “It was Daft Punk’s, I think, ‘Da Funk’ or something…I was like, ‘Wow what is this?’”



Yes, Daft Punk. The pioneering, mask-wearing duo who innovated that signature French House sound hypnotized Rizardo with their single “Da Funk.” The bass line-heavy synth production impressed Rizardo so much that he was eager to discover more from the Frenchmen.





“Immediately after that—the same day—I bought the album, Homework,” he says. “I listened to it constantly in my room. The whole album was amazing.”



In fact, Rizardo credits Daft Punk’s magnum opus, Homework, as the catalyst behind his career pivot towards dance music. He adds, “That was the moment for me when I was like, ‘This is amazing stuff and I need to get into this.’”



Eventually, Rizardo would find himself on the dancefloor of one of his city’s most popular bars. His habitual rendezvous would, in turn, grab the attention of the owners, who allowed him to perform at the venue.



“I went every week and then I got the residency there…” He adds. “…That’s where i learned to DJ.”



Decades later, Franky Rizardo continues to perform for the masses. His ability to walk the line between house and techno has garnered massive support the world over. His provocative style has managed to find a home under his very own imprint, LTF Records, which launched in 2020. The label has and will continue to showcase the versatility for which Rizardo is known.

Franky Rizardo Credits Daft Punk’s Homework as the Catalyst of His Career

Franky Rizardo is all about the flow.




His record label is called Listen To FLOW Records, his festival is called FLOW Freedom Festival, and this all started from a radio show in his native country of The Netherlands simply entitled FLOW. But when it comes to Franky Rizardo, flow is far more than just a brand name. It stems from his uncanny ability to flow between genres within the house and techno spectrum.




Rizardo has been in the dance music scene for over 15 years now, getting his start in the mid-2000s, and even before he had his empire under the FLOW moniker, he was dazzling audiences around the world with his diverse productions.




He’s made entries in the catalogs of classic house and techno labels like Pirate Copy’s Kaluki Musik, Nic Fanciulli’s Saved Records, and the notable Ibiza imprint Do Not Sleep. He’s also a regular on the world-renowned Defected. But he’s also touched upon labels extending outside the underground, like Armada Music and Ultra Records.




In short, Franky Rizardo’s beats have flowed through the ears of any listener who appreciates the sheer power of dance music. All are welcome when he’s on the decks, and the following five tracks demonstrate that universal appeal.







1. Marian Hill - Down (Franky Rizardo Remix)

Beyond his original productions, Rizardo has proven himself as an ace remixer time and time again. Whether he’s putting his spin on another house stalwart’s peak-time banger or taking something from outside the club and bringing it in, his knack for flow remains constant.


Take his interpretation of Marian Hill’s alt-trap hit, “Down.” When vocals are sped up they can often sound jarring and out of place, but when Franky Rizardo sped up Samantha Gongol’s vocals for his remix, it sounds like she’s excited to take this track to the dance stage.




2. Franky Rizardo, Ros T, Eunice Collins - Out The Fire (At The Hotel)




Rizardo is also not one to shy away from collaboration. He’s worked with fellow house artists like Ros T to bring a 70s classic into the 21st century, and he’s shared production credits with exciting newcomers like Marco Tropeano for releases on Listen To FLOW. And in all these collaborations, his style seeps through without overpowering his working partners. In the case of “Out The Fire (At The Hotel),” his style doesn’t dominate the historic vocal work of Eunice Collins either.







3. Franky Rizardo - Troubleman

In 2014 Franky Rizardo took a huge step forward in his career with his first release on Defected. Titled “Troubleman,” it featured two ice-cold, downtempo cuts perfect for the sun-cracking-over-the-horizon hour.




Defected is only one label in the world with the tagline “House Music All Life Long,” and Rizardo has added more than five releases worth of life to it.




4. Franky Rizardo - Primrose

Franky Rizardo put out the first release on his label, Listen To FLOW Records, in April of 2020—when the entire world had just been devastated by the pandemic, and no one was in the club. However, given the general jolliness of this track, it’s clear he wanted to remind people there was still joy to be felt through music.




5. Franky Rizardo - Call Upon Me

“Call Upon Me,” is a single from Franky Rizardo that came out on Joris Voorn’s label, Rejected. Given both artists in that equation are Dutch, there is an underlying understanding between them. Rizardo knows what Voorn wants to put out, and Voorn can predict what Rizardo is going to send him. “Call Upon Me” was the sonic embodiment of flow. The bassline and melodic pinpoints coast along like a river, rushing at just the right velocity to imbue a sense of calm focus to those relaxing on the banks.



5 Franky Rizardo Tracks You Should Know

Wherever Franky Rizardo is going and whatever Franky Rizardo is doing, he is following the flow. The flow of life. The flow of music. The flow has never steered the DJ, producer, event curator, radio host, and label boss wrong.




Getting his start in his home country of The Netherlands back in the mid-00s, Rizardo has become one of the most intriguing and exciting house music artists in recent memory. Over the last 15 years, his music has touched on celebrated record labels, including Defected, Revealed, Simma Black, and Saved, with a list of past gigs that is equally diverse and impressive.






With so much talent and drive, it was only natural he would come to the same conclusion as dozens of artists before him: to create something of his own beyond the music itself.




What he created was called FLOW, and with this brand, Rizardo extended his influence globally before he even hit 30.




FLOW started as a weekly radio show in The Netherlands, and with the leadership of Rizardo, quickly became club nights and curated parties in international hotspots like the UK and Croatia. Eventually, FLOW became so massive that it expanded into festival stages at Mysteryland in The Netherlands, Extrema Outdoor in Belgium, and Rizardo’s FLOW Freedom Festival in Arnheim, which last year alone hosted Sidney Charles, Toman, and more.






“The idea behind the concept is the flow of music, something that is a bit of a journey,” Rizardo told Skiddle in 2017.




One of Rizardo’s latest additions to the FLOW umbrella is his record label, taking the name Listen To FLOW Records, or LTF for short. Since 2020 LTF has mostly been a hub for his productions, but as 2022 comes to a close, it’s going strong with music from Italobros, Joe Vanditti, and more.




Rizardo may think FLOW is a bit of a journey, but he’s clearly on a journey to the stars, and nothing will stop him.









The Journey of Franky Rizardo's FLOW Brand

Last year, as artists and industry were still navigating a Covid-curbed way of life, producer Danny Howard launched a unique initiative to spark life into a struggling dance music community. Lockdown Link Up was created to connect artists by randomly selecting sixteen duos to collaborate on a track while in isolation. Enter Franky Rizardo and Joe Goddard. The two producers, paired by chance, joined forces for a passionate progressive house tune titled “No Judgement.” And while a product of this pairing is enough to send any dance music fan into a tizzy, the fun didn’t stop there.







Dutch techno technician, Kölsch, was also brought in on the project. This time, for an official remix. What was once an impassioned prog house offering took new life as a hauntingly beautiful melodic techno tune. The crisp chimes of the original transform into echoing atmospheric synths, the steady bass kick now reinforced with a resounding presence. Reverberating soundscapes set the scene for the heart-bearing vocal that served as the cornerstone for both the original and this emboldened edit. Kölsch taps into his signature style of emotionally driven production to deliver a deeply powerful cut that seems more fit for the title “rebirth” rather than “remix.”



The dance music landscape is far different this summer. Now, artists like Kölsch can share the fruits of their labor with live audiences once more and share he has. Festivals and clubs worldwide have been immersed in the sensory experience of a Kölsch set. We are undoubtedly exceedingly grateful for the return of live shows, but here’s hoping we get more tracks like “No Judgement” from the techno titan very soon.



Follow Kölsch on Instagram | Facebook | Twitter

Follow Franky Rizardo on Instagram | Facebook | Twitter

Follow Joe Goddard on Instagram | Facebook | Twitter



Kölsch Provides A Haunting Reimagining Of Franky Rizardo & Joe Goddard’s 'No Judgement”

Franky Rizardo, a dance music commodity celebrated from The Netherlands, has affirmed his position as a rare and talented creator, capable of constructing music that delves into the worlds of techno and house proportionately. Further claiming his rank as one of the most versatile and compelling names in electronic music, Rizardo has released his works with an assortment of labels, including Rejected, Strictly Rhythm and 8Bit. He has additionally performed at famed venues like London’s Fabric, Amsterdam’s Shelter and Los Angeles’s Sound, and is a recurring act within the ANTS and elrow shows.

In 2015, Rizardo launched his events brand, FLOW, with his partner, Jasper Fioole. The duo have tasked themselves with enlightening people to the FLOW state of mind by producing bright and artful gatherings that build connections, create special moments, and completely immerse its patrons. FLOW has hosted an array of events and stages. From the classical music venue, Musis Arnhem, to the stages of Tomorrowland, FLOW has showcased its capabilities in power and diversity. FLOW also coordinates its own FLOW Freedom Festival and will continue to grow its brand by stepping into new locations for deeply engaging experiences and expanding the Freedom Festival.

In 2020, Rizardo went on to relaunch his own label, LTF Records (Listen to Flow). His imprint is a channel meant to release his own music, which works greatly in his favor as he has assembled a very distinct and unique style based on his own interests. More specifically, the label being made from the philosophical roots that motivated Rizardo means it has intentions that are synced with those of the FLOW events. Both hope to fully immerse the audience into Franky Rizardo’s vibe and sound. Rizardo has persistently intended to design his own identity and has done so with the tenacity to travel to these metaphorical destinations unknown to the masses. His dedication to presenting the raw form of himself is extremely unique and shows through his art. Rizardo is discovering his true capacity as a sophisticated performer and artist.

Netherlands

Franky Rizardo

elrow Rowcío

Spain

Amnesia

Elrow NYC: Summer Festival 2022 Far Rowest 

United States

The Brooklyn Mirage

OCHO Episode 6

 what flow means to him, and he’ll likely point you toward the sanctity of the dance floor and the community that’s formed upon it.

From the moment the Dutch-born DJ, producer, and label boss latched onto electronic music in his adolescence, that very concept has defined his life and career – seamlessly transitioning from song to song, venue to venue, venture to venture – steadily flowing into the international spotlight.

Today, Rizardo has cemented himself as one of The Netherlands’ best-known house and techno exports. He’s graced festival stages of Mysteryland (Amsterdam), Music On, and 

. He is a regular at global nightlife institutions, including fabric (London), 

 Records, Rizardo strives not only to design dynamic, genre-bending dance music but also an immersive and copacetic state of mind among his audiences.

If you have not yet been to an elrow party, we suggest you change that. The brand calls Spain its home, although it has expanded in the last decade to produce events across five continents. 

Regular attendees of elrow events can attest to its power. Although they regularly program top-level DJs, it doesn't matter who plays. You are simply there to participate in and be a part of the most extraordinary party on earth. When you attend elrow, you will find yourself observing the madness in the wee hours of the morning and simply smiling to yourself, knowing that you have become part of something truly special.



elrow is coming back to New York City for its only stand-alone US festival on July 23 at the Brooklyn Mirage. Get tickets now before they sell out.




Below are our favorite things about elrow.



The Themes

Every single elrow party has a theme. Upon entering an elrow event, you teleport to another world. From the stage to the roof, no detail is spared. From alien invasions to a Brazilian jungle to a psychedelic trip back to the 60s, an elrow theme is what creates the visual experience. While straining your neck to take in all the unique set pieces, we hope you won't overlook the performers sneaking about the crowd, melding with the fans, and creating a truly immersive experience.




The Music



A mixture of techno, house, and tech house is expected at an elrow party. Massive names like Fat Boy Slim, Fisher, Vintage Culture, Meduza, Skream, and Claptone have headlined elrow. Yet as any attendee can attest, it almost doesn't matter who is playing. There is a sense of musical understanding from every artist who graces the stage at elrow. Although you can expect to hear the hits from the artists who play, they all seem to know how to maintain the party's energy. Big-name DJs take it as an opportunity to play deeper, reserving their biggest hits for the infamous confetti cannons.





The Energy

To truly understand elrow is to feel the energy at the event. There is a certain electricity in the room when you enter. No matter what hour you arrive, the steady bassline thrums in your ears, your eyes begin to catch all the tiny details around the room, the colors are irresistible, and the performers dance around you. The immersive experience that is elrow thrusts you into a world of light, sound, and color. You close your eyes, and the next thing you know, it's 7 AM, the final song is playing out, and there are still two men in pirate costumes on stilts walking past you.




The Crowd



As any regular attendee of dance music events can attest, the crowd can vary tremendously. Factors like the venue, type of music, and whether it's a festival or concert all impact how the crowd acts and what the experience is like for patrons. At elrow, the crowd is always as vibrant as the decorations. Perhaps it is the absolute madness unfolding in front of everyone's eyes or the mutual love for proper house music. But, more likely is the acceptance that as a fan at elrow, you are not attending a concert, you are part of the show. This realization allows everyone to slip into a house music trance and enjoy the night with their friends.




Rowgelia

When we think of raves, mascots are usually not the first thing that comes to mind. Yet, it wouldn't be an elrow party without a touch of the absurd. Meet Rowgelia, the giant yellow chicken that is the comical mascot and master of ceremonies for elrow. She can be found at every event, starting the party on stage and pumping up the crowd. When Rowgelia steps on stage, a confetti blast isn't too far behind.




Performers

At elrow, you aren't the only ones partying. To make the experience truly immersive, costumed performers make their way throughout the crowd and on the stage, bringing a new level of authenticity to the theme of the evening. It's not uncommon to find yourself dancing with a stilt walker, being zapped by an alien, or playing games with a forest fairy.




Confetti

Fans with a keen eye will notice the performers sneaking around the stage, discreetly dropping streamers and confetti into massive cannons. Before you know it, your favorite DJ is building up to a massive drop, and whooooooosh. Confetti is everywhere. It's more confetti than you've ever seen in your life, and the entire crowd revels together in the moment.

Family

It wouldn't be elrow without talking about family. The Arnau family has roots in the entertainment industry, dating to 1870. The elrow brand is the latest in a long line of game-changing moments for a family that helped bring techno to Spain via their iconic venue Florida135 in Fraga.e



Run by brother-sister owners Juan and Cruz, elrow began as an intimate gathering on Sunday mornings in Barcelona. It's become an interactive, confetti crazy house party with residencies in Ibiza, Las Vegas, and New York City. Over six generations, the Spanish family has innovated the Spanish entertainment industry. They established one of the first discotheques in Spain.




When you attend elrow, everything around you is as genuine as the people creating the experience.


Inflatables

Was confetti not enough for you? Performers in the crowd don't do it? Well, don't worry. Keep your eyes peeled for the slew of theme-relevant inflatables that not only begin to surf the crowd but also act as a take-home gift for the lucky few with quick hands.




Long or Short nights

At elrow, the party begins as soon as the doors open. While we would encourage you to come early and stay late, one can have an incredible time just at the start of the night or at the end of it. No matter when you arrive, the party is in full swing, and the music is bumping.







10 Things We Love About elrow

Sound

But before navigating the responsibilities of a full-time artist and label head, Rizardo was simply navigating life as a Dutch teenager, delving into the zeitgeist of electronic music in Europe at the time.

“I remember the moment very vividly. I was visiting a friend’s house. They had a music software program on the computer. I remember opening that up, and we were putting audio into the program. I was just completely blow away how that was possible. That was my first hint of, ‘Wow, this is so amazing. This is what I enjoy.’”

Franky Rizardo (DJ-Set) | SLAM! x Mysteryland

Franky Rizardo came to our studio to play an awesome set in the SLAM! DJ booth.

More live DJ sets? SLAM! invites almost daily the best DJs in our studio. Subscribe to this channel to stay tuned!

Club Ondersteboven is the afterparty that turns your evening upside down! Anoul Hendriks and Ruben van der Laan are your host during the show, daily accompanied by some interesting guests. They give new talent a stage and will keep you informed of the latest news concerning music. Besides that, the best DJs, artists and producers drop by to talk about their music and to play an awesome set in de DJ booth. Tune in every Monday till Thursday from 19:00 - 22:00 and never miss another show!

Don’t forget to subscribe to the SLAM! - YouTube channels:
SLAM! – Radio https://bit.ly/YTslamradio
SLAM! – Music https://bit.ly/YTslammusic
SLAM! – Series https://bit.ly/YTslamseries

Do you want exclusive content?
https://www.instagram.com/slamofficial/

More Club Ondersteboven?
Instagram Club Ondersteboven: https://www.instagram.com/clubondersteboven
Instagram Anoul: https://www.instagram.com/anoul
Instagram Ruben: https://www.instagram.com/productieruben

More of Franky Rizardo?
https://www.instagram.com/frankyrizardo/

Play Music, Play Life.

SLAM!

Quickly thereafter, Rizardo enrolled in a DJ course and started taking up gigs locally. Trance piqued his interest first, and he credits mavericks like Tiësto and Armin van Buuren for igniting his passion for the genre. But Rizardo’s sonic horizons soon expanded alongside his burgeoning community. His friends and classmates would share music amongst their group. Before long, house music entered his repertoire.

“I’m still a huge fan of trance,” says Rizardo. “But I like to say, the BPM slowed down as I got older. I remember downloading a set from DJ Roog at Mysteryland in the Netherlands. I was so blown away. Every track hit me on such a different level. At the moment, I knew straight away this is the music I want to make.”

Notably, Rizardo’s defined his career with the ability to push himself into new levels of sonic experimentation. He 

 for inspiring his eclectic music taste, reflected in the breadth of releases in his catalog across the spectrum of house and techno on labels like Defected, Milk & Sugar, SPINNIN’ DEEP, 8Bit, Ultra Moda — the list goes on.

That sonic diversity continues to present itself across Rizardo’s performances and productions. Originals like “Diamond” featuring Ukrainian artist KIRIK deliver an eight-minute deep house journey filled with fluttering piano melodies and vocals. Other tracks like “Ain’t Nobody” (a 129 BPM house remake of the Chaka Khan classic) light up the main stage, regardless of where Rizardo is.

“My sound is definitely house music in the broadest sense. That goes for both my music production and my DJ sets. I like to keep things interesting. Maybe we go a little bit deeper. Then we go back to grooving. Then take it a little bit stronger. I think that’s the most fun way to experience a night... Diversity keeps it interesting for me and for the people coming to the show.”

Nowadays, many of those shows include Rizardo’s self-curated parties. He founded his brand 

 in 2015 with friend and collaborator Jasper Poole. Built on the same principles that laid the foundation for Rizardo’s career: Bringing people into the flow state of mind, architecting vibrant gatherings, and establishing meaningful connections while creating unique moments, ultimately resulting in total immersion on the dance floor.

Franky Rizardo - Ain't Nobody

Provided to YouTube by Altra Moda Music B.V.

Ain't Nobody · Franky Rizardo

Ain't Nobody

℗ 2022 Altra Moda Music

Released on: 2022-10-28

Producer: Franky Rizardo
Music  Publisher: EMI Music Publishing Ltd.

Auto-generated by YouTube.

Ain't Nobody


Rizardo started FLOW after getting a request from a Dutch radio station, 

, for a weekly show (which continues to this day, approaching its 500th installment). This quickly blossomed into producing live events. Currently, Rizardo and his team produce nearly 25 shows annually, including stage takeovers at festivals like Tomorrowland, Mysteryland, and Extrema Outdoor.

FLOW seamlessly led into creating Rizardo’s imprint, LTF Records, in 2020. Today, one of the most exciting aspects of the job for Rizardo is the interplay between studio and stage. He loves discovering a unique sample or melody, molding it into a record through collaboration, then playing it to eager partygoers and awaiting the reception.

“Seeing a track grow in popularity is really fun,” says Rizardo. “It’s so much fun to get amazing demos by amazing producers. For example, an artist, Macro Tropeano from Italy, sent me a track called ‘No Me Importa.’ The first time I played that, the response was so huge. Then, I was able to sign that record and bring it back to the public to get more people to listen. I remixed it myself as well. It’s such a fun project to be so closely connected with the music.”

As FLOW continues to expand, Rizardo has his sights on new territories like Asia, Australia, and the U.S., with plans to build on his FLOW Freedom Festival internationally. The most exciting thing, he says, is witnessing the respect and acclaim for house music to thrive.

“The house music movement is growing. I think once people experience house music on a good club night, it’s there to stay.”

Ask Franky Rizardo what flow means to him, and he’ll likely point you toward the sanctity of the dance floor and the community that’s formed upon it.




From the moment the Dutch-born DJ, producer, and label boss latched onto electronic music in his adolescence, that very concept has defined his life and career – seamlessly transitioning from song to song, venue to venue, venture to venture – steadily flowing into the international spotlight.






Today, Rizardo has cemented himself as one of The Netherlands’ best-known house and techno exports. He’s graced festival stages of Mysteryland (Amsterdam), Music On, and elrow. He is a regular at global nightlife institutions, including fabric (London), Amnesia (Ibiza), and Sound (Los Angeles). And with his label LTF (Listen to Flow) Records, Rizardo strives not only to design dynamic, genre-bending dance music but also an immersive and copacetic state of mind among his audiences.




But before navigating the responsibilities of a full-time artist and label head, Rizardo was simply navigating life as a Dutch teenager, delving into the zeitgeist of electronic music in Europe at the time.




“I remember the moment very vividly. I was visiting a friend’s house. They had a music software program on the computer. I remember opening that up, and we were putting audio into the program. I was just completely blow away how that was possible. That was my first hint of, ‘Wow, this is so amazing. This is what I enjoy.’”






Quickly thereafter, Rizardo enrolled in a DJ course and started taking up gigs locally. Trance piqued his interest first, and he credits mavericks like Tiësto and Armin van Buuren for igniting his passion for the genre. But Rizardo’s sonic horizons soon expanded alongside his burgeoning community. His friends and classmates would share music amongst their group. Before long, house music entered his repertoire.




“I’m still a huge fan of trance,” says Rizardo. “But I like to say, the BPM slowed down as I got older. I remember downloading a set from DJ Roog at Mysteryland in the Netherlands. I was so blown away. Every track hit me on such a different level. At the moment, I knew straight away this is the music I want to make.”







Notably, Rizardo’s defined his career with the ability to push himself into new levels of sonic experimentation. He credits artists like Daft Punk for inspiring his eclectic music taste, reflected in the breadth of releases in his catalog across the spectrum of house and techno on labels like Defected, Milk & Sugar, SPINNIN’ DEEP, 8Bit, Ultra Moda — the list goes on.




That sonic diversity continues to present itself across Rizardo’s performances and productions. Originals like “Diamond” featuring Ukrainian artist KIRIK deliver an eight-minute deep house journey filled with fluttering piano melodies and vocals. Other tracks like “Ain’t Nobody” (a 129 BPM house remake of the Chaka Khan classic) light up the main stage, regardless of where Rizardo is.






“My sound is definitely house music in the broadest sense. That goes for both my music production and my DJ sets. I like to keep things interesting. Maybe we go a little bit deeper. Then we go back to grooving. Then take it a little bit stronger. I think that’s the most fun way to experience a night... Diversity keeps it interesting for me and for the people coming to the show.”




Nowadays, many of those shows include Rizardo’s self-curated parties. He founded his brand FLOW in 2015 with friend and collaborator Jasper Poole. Built on the same principles that laid the foundation for Rizardo’s career: Bringing people into the flow state of mind, architecting vibrant gatherings, and establishing meaningful connections while creating unique moments, ultimately resulting in total immersion on the dance floor.




Rizardo started FLOW after getting a request from a Dutch radio station, SLAM!, for a weekly show (which continues to this day, approaching its 500th installment). This quickly blossomed into producing live events. Currently, Rizardo and his team produce nearly 25 shows annually, including stage takeovers at festivals like Tomorrowland, Mysteryland, and Extrema Outdoor.




FLOW seamlessly led into creating Rizardo’s imprint, LTF Records, in 2020. Today, one of the most exciting aspects of the job for Rizardo is the interplay between studio and stage. He loves discovering a unique sample or melody, molding it into a record through collaboration, then playing it to eager partygoers and awaiting the reception.









“Seeing a track grow in popularity is really fun,” says Rizardo. “It’s so much fun to get amazing demos by amazing producers. For example, an artist, Macro Tropeano from Italy, sent me a track called ‘No Me Importa.’ The first time I played that, the response was so huge. Then, I was able to sign that record and bring it back to the public to get more people to listen. I remixed it myself as well. It’s such a fun project to be so closely connected with the music.”




As FLOW continues to expand, Rizardo has his sights on new territories like Asia, Australia, and the U.S., with plans to build on his FLOW Freedom Festival internationally. The most exciting thing, he says, is witnessing the respect and acclaim for house music to thrive.




“The house music movement is growing. I think once people experience house music on a good club night, it’s there to stay.”




Franky Rizardo

Articles

Ulises Vargas

Harry Levin

Harry Levin

Austin Miller