Name: Amnesia Opening Party 2023
Start: 2023-05-13T22:00:00.000+02:00
End: 2023-05-14T12:00:00.000+02:00

If you know anything about Australian rave cowboy Partiboi69, you're aware of his outrageous antics behind the decks. He first started gaining a loyal fanbase thanks to his raunchy, outlandish viral music videos, YouTube DJ sets, and crude humor on social media. If you want to have a good laugh and get to know the persona of Pariboi69, look no further than the treasure trove of B2B sets live from his Stingzone on YouTube.

On his star-studded, awkward dance-move-filled YouTube B2B series, Partiboi69 serves up his green screen and video editing wizardry alongside banging beats. The intros are like bizarre low-budget movies all in themselves. As one YouTube viewer says, "The effort this guy puts into making his videos look absolutely terrible combined with superb mixing and tracklist is what made me click thumbs up."

Read on for 9 of his most outlandish green screen moments, and feel free to take yourself down his strangely specific rabbit hole of weirdness. Don't forget to use protection!



1. Partiboi69, Marcus L & Will Ferrell Rave Their Faces Off



At around the hour-and-23-minute mark of this B2B with Seoul's Marcus L, the flurry of psychedelic images behind them cuts to massive duplicates of their heads shaking and spinning rapidly. It's hard to avert your eyes, but if you blink, you might miss brief flashes of an equally large Will Ferrel playing the flute to the energetic Andy Farley and Simon Hill track "Never Too Late." K-Pop stars dance the track out, then Marcus and Partiboi close with an ethereal, mellower rave moment. Quite the ending, I'd say!



2. Obviously, Partiboi69 Is A Pirate





This introduction is so perfectly stupid and hilarious. As Partiboi69's smooth, unreleased banger "Your Touch" plays, a CGI pirate ship appears on screen. As we get a closer view, our trusted rave captain peers through binoculars, which are actually two empty paper towel rolls. Then the camera cuts to his view, and we see Ibizia-based Cici casually posing on a rock over the ocean as a mermaid with a pink tail. Parti pirate shouts her name, and then we're suddenly transported underwater, and the dynamic DJ pair splash out behind the decks.



It's not quite Oscar-worthy, but a memorable DJ entrance. I can't wait for this track to drop so I can listen to it on repeat as I travel to Ibiza to find wherever Cici and her cool rave mermaid friends live.



3. Héctor Oaks' Dance Moves Are The Dance Dance Revolution Of Partiboi69's Wet Dreams





I wasn't super into video games as a kid beyond classics like Super Smash Brothers, but I always dreamed of having my own Dance Dance Revolution set up at home to perfect my moves. In the intro to this all-vinyl B2B with Berlin-based, mullet-sporting Héctor Oaks, the "Get Stingy" producer presents an America's Got Talent-type skit. Channeling his best Simon Cowell, Partiboi is furiously disinterested in the dancers until Oaks walks through the door. He simply taps one foot in front of the other in an awkward two-step as DDR-style graphics flash around him, strangely winning the game and winning over the judge. The valiant winner is gifted a pair of 69-approved sports sunglasses.




When the camera brings us to the DJ decks, the screen flashes an enticing message: "Warning: Nothing can prepare you for what you are about to hear" as the smooth, soulful house bop "Nuthin Wrong" from Tyree beckons.

4. Welcome To Partiboi69's Wheels Of Steel!





Partiboi's intros are something else. This creation is his version of a game show, featuring footage of excited contestants and audience members from classics like The Price Is Right, Wheel Of Fortune, and a third show involving zany physical stunts. He introduces the show as Partiboi69's Wheels Of Steel, complete with a massive pair of CGI turntables featuring his face as slip mats. Special guest Tañ is welcomed by Partiboi, playing a slot machine that reveals her name. Not long after, two more versions of the pair dance on a racetrack behind them. How'd they do it?









Nite Fleit takes over the decks as the next "contestant" about 45 minutes in, announced by a Wheel Of Fortune screen revealing her name. Then, at an hour and 35 minutes, Partiboi spins the wheel of steel to introduce Skream, who closes the very entertaining and lit-sound-tracked game show out.









The YouTube description for this one says it all: "It's the game show that's not so much a game as it is a show, and what a hell of a show pony it will be." In case you were curious, according to Urban Dictionary, wheels of steel means turntables and "an online community for rail enthusiasts all over Australia." What is Partiboi railing on the internet?



5. The Magic School Van Goes Jersey Club





My favorite green screen moments of his are the most absurd. They're strangely fascinating because they're so damn weird and random. In the wonderfully hype Jersey club and Baltimore club set with UNIIQU3, a talented group of B-boys dance behind them with moves that match the banging beat quite well. Suddenly, inexplicably, The DJs are inside a van, but the proportions are totally off. And, at a closer glance, the van appears to be traveling down an intestine, vein, or vessel of some sort, ala "The Magic School Bus."



As medical-themed graphics of cells flash, our Jersey Club Queen starts twerking behind herself. Can we call this a twerkception? The dancers return as a club version of Rihanna's "Rude Boy" plays, with tiny versions of the B2B champs in the lower corners. Lit.



6. Comin' At Ya Like A Couple Bats Outta Hell





Okay, someone was really high when they were screwing around on Photoshop. For perhaps one of the weirdest of Partiboi's intros I've witnessed, we see a red, fiery, hellish landscape with bats buzzing around. Suddenly, there are tons of sideways Mell Gs and Partibois also flailing, err, flying, through hell. Alright. After the decks and duo appear on the screen, sexy(?) humanoid versions of My Little Pony wearing bikinis dance in formation behind them. I may have nightmares about this.



7. Tone Your Glutes In Just 69 Minutes!





About eight minutes into this B2B with house queen Sally C, Partiboi treats viewers to vintage workout videos, complete with neon spandex and windbreakers. The first clip is a low-impact class done in chairs (wait, should I be joining at my desk?), with a peppy teacher and participants that smile as they raise their arms over head and stomp their feet in place. (Okay, I tried the moves. That was fun.) Then we get footage of one of Partiboi's insane music videos where he pours massive bags of powder all over himself. I don't recommend trying that one at home. But don't worry, there are more vintage exercise clips, the next one featuring women in leotards doing bicep curls with household items in a chic home. They were 2020, way before the rest of us.



8. The Horse Magician Summons Miami Bass





Oh no, more bats! And another fantastic intro. Partiboi channels the magic of a giant fortune-telling orb—the bats just wanted a little magic too—to summon his special guest for the evening, MCR-T. He emerges from the orb, and the pair do exactly 69 low-fives before starting their set. And they are both dressed to slay, MCR-T in all-white coveralls with dark rimless sunglasses, Partiboi in a crop top with a horse on it, a fringed jacket, and a belt reading 69 on the buckle. The fits are perfect for the slammin' Miami bass.



9. When Riverdance Went Techno





For the debut edition of the Stingzone B2B series, with Irish hard house hero KETTAMA, we are presented with a masterclass of Partiboi's favorite green screen themes: horses, random psychedelic visuals, giant versions of the DJs dancing behind them, non sequitur pop culture references, and other people dancing. Here, we get Sims characters breaking it down hard to the heavy beats, and later, a row of Riverdancers in all black, high kicking to techno. Can KETTAMA make the club update of Riverdance a thing? Thanks!

9 Ridiculous Partiboi69 B2B Green Screen Moments

Claude Von Stroke’s trailblazing label, Dirtybird, has become synonymous with innovative music punctuated by left-field elements. Some tracks got groove, some have power, but all are guaranteed to be delightfully weird. “Ice Cream Cone,” by Claude Von Stroke, Lubelski, and Life On Planets is a certified bop with a shuffle-ready beat and enticing production, but the tune recently received a mind-numbing remix that pushes it to the highest echelons of avant-garde.





Exploring the bounds of dance music isn’t for everyone. It takes a strange mind to concoct something fit for the Dirtybird library. But no artist is better suited for the challenge than legendary producer, Skream. Not only did he undeniably impact the development of the dubstep genre in the early 2000s, he is also one of few artists to successfully pivot from dubstep to house. Recently, we’ve seen the multi-label head stoke the old flames of his first love while playing a prominent role in the greater dance music landscape. This mastery of the light and the low end comes to a head in Skream’s four-minute Modular Remix of “Ice Cream Cone.”



Push play and listen to what might be the most alluring industrial glitch around. A steady bounce into sense-tingling hypnosis seems unavoidable as a minimal percussion kit sets a hollow but steadfast tether to reality. Distorted vocals cast a peculiarly tempting spell while mechanical ticks ring out into space, shamelessly suspending listeners in a state of guarded seduction.




Saying this track is off-the-wall would be an understatement, and that’s exactly why we love it. If true art sparks feeling and conversation, consider us set ablaze.

Skream Gives Lubelski’s ‘Ice Cream Cone’ a Hectic Modular Remix

Junction 2 London 2023 

United Kingdom

Boston Manor Park

If you’re looking to delve into new musical territories this summer, look no further than London’s Junction 2 festival, the UK’s most prolific underground event and the hottest in its summertime calendar.

Since its inception in 2016, no one could have predicted the impact that such a festival would have on festival-goers and artists alike. 

Seven years on, the renowned festival run by London’s most successful events company LWE, has morphed into what can only be described as one of the most sought-after events amongst avid underground lovers.

The unique, open-air techno festival inside London's Boston Manor Park demonstrates LWE’s forward-thinking approach to production and the diverse locations to which they delegate their events. 

Junction 2's mainstage is notoriously set under one of London’s busiest motorway bridges, which is the pinnacle of the festival. This industrial apex is contrastingly surrounded by nature, where high-end production, united passion for electronic music, and creativity all come together under the realm of the talented producers behind LWE.

The innovative phenomenon has more than doubled in size since its founding in 2016, having started as just one stage, and now diversified into multiple stages, which means more artists and more ravers can join the party.

Taking place across two days, Friday July 21 and Saturday July 22, now is a good time to book that flight to the capital for a festival experience like no other.

VENUE

Amid a labyrinthine of greenery and meandering rivers, Junction 2 presents one of the most unique locations that other festivals simply do not offer. 

The stripped-back aesthetic of the main stage is the perfect accompaniment to the festival’s gritty, alternative, underground sound, whilst its other stages vary in aesthetics and sizes.

From more intimate stages found nestled in the surrounding forestry, to an indoor stage within an enormous pop-up tent, to a completely al-fresco field stage where ravers in their thousand can accumulate to listen to the best DJs in house and techno perform live. LWE uses their production expertise to curate an experience so farfetched from the norm that it will awaken possibilities you never thought imaginable. 

On top of its pioneering stage design, LWE enhances the festival experience in 4K by implementing hi-tech lighting, quirky installations, and state-of-the-art sound systems, all culminating in making it one of the finest festivals to date.

After mastering the throwing of parties in some of the capital’s most profound clubs and venues such as Tobacco Dock, Printworks, and Building Six, it’s safe to say that the LWE organizers really stepped into the next bracket of creativity when creating Junction 2.

LINE UP 

So popular has Junction 2 become, what is now a two-day festival allows for the exploration of a more diverse variety of electronic music genres. This year more so than ever, J2 will delve into alternative house, electro, and minimal.

Though the festival is originally known for its four-to-the-floor techno roots it has expanded its horizons, but remains true to its core musical DNA.

This year the line-up is stacked with plenty of specially curated b2b sets and performances from both the expected and unexpected, ensuring something very special for the festival’s latest and most lavish edition yet.

FRIDAY JULY 21

Friday July 21 boasts a varied bill that builds bridges between UK-focused strains of techno, bass, and house, featuring a number of highly anticipated b2b sets from the likes of Ben UFO b2b Helena Hauff, DJ Stingray 313 b2b Objekt and a one-off exclusive from Mall Grab b2b Skin On Skin, to name a few.

The most notable performance of the day goes to the OG’s of the underground, UK dance music legends Underworld who are set for a rare, live show. Who remembers their 1996 hit track, Born Slippy? Imagine seeing this live...

Plus sets from top-dogs Jeff Mills, Dixon, Or:la, Midland and many more.

SATURDAY JULY 22

Saturday presents a more streamlined display of artists, with particular focus on the realms of modern techno, Romanian minimal, and deep tech-house.

It also continues Friday's theme of collaboration, with a number of incredible b2b sets between some of electronic music's most prominent and respected DJs including Enzo Siragusa b2b Apollonia’s Dyed Soundroom, Praslesh (Praslea b2b Raresh), and an exclusive from female bosses of the underground sound, Sonja Moonear b2b Margaret Dygas.

It doesn’t stop there - Jeff Mills, Cirez D (Eric Prydz), Adam Beyer, Charlotte de Witte, Nina Kraviz, Dax J and more, are all of course set to grace the booths of one of the many epic stages Junction 2 has on offer.

So, what are you waiting for? Junction 2 is always a sell-out, as it once again demonstrates why it's a key weekend in the UK's electronic music calendar.

Day/weekend deposit scheme and tickets are available to purchase here, so get cracking.

You don’t want to miss out on this cutting-edge, all-consuming and eclectic festival that is programmed by some of the best event organizers in the game. Trust us on this one.

The tail end of 2022 in the UK was punctuated by the crowd-jumping, fist-pumping smash hit that was “Moving All Around (Jumpin’)” by British talent, Schack. Clubs everywhere heaved with the high-speed bounce of Schack’s breakout tune, and DJs took notice. The debut single also landed #1 on the SoundCloud Chart, Spotify Viral Top 50, and at the time of writing, has 10M streams, while the official video amassed over 40K views in a few days—talk about batting one thousand.






Fellow Brit, Skream, has already remixed the exuberant tune. The garage leaning rework put a shimmering new coat on the track, but leave it to John Summit to flip it into something steamy, spicy, and ready for the dance floor.


It would be damn near impossible to name an artist taking over as readily as John Summit. Festivals clamor to add him to their lineups, artists lineup for his remixes, and labels drool to release his music. 2022 was another red-hot year for Summit, highlighted by tracks like “La Danza” on D4 D4NCE reaching more than 29M streams and the launch of his label and event brand, Off The Grid.


This “Jumpin’” (more like stompin’) new remix signals the start of Summit’s 2023 releases. He had this to say about this latest release:
“The UK hit by Schak has been stuck in my head for months and when Patrick Topping asked me to remix it I knew I had to give it my own spin.”


Same, John. Same. While the OG “Moving All Around (Jumpin’)” is still very much ringing in our heads (not complaining), it is now accompanied by not one, but two ridiculous reworks that breathe two invigoratingly unique new identities into an already instant classic. Start your weekend off right by grabbing your dancing shoes, securing your spot on the floor, and pressing play on John Summit’s sizzling new flip of Schak’s “Moving All Around (Jumpin’).”

John Summit Flips Schak’s 'Moving All Around (Jumpin’)' Into a Steamy Tech House Sizzler

While much of the world recently celebrated another holiday season, the dance music community mourned. December 23, 2022, was marked by the devastating news of Faithless co-founder Maxi Jazz’s peaceful passing at age 65.



The British singer, DJ, multi-instrumentalist, and songwriter first made himself known in the 80s club scene, DJing on pirate radio. His first group, Maxi Jazz and the Soul Food Café System, blended hip-hop with funk. He took that sound further when he formed Faithless with keyboardist Sister Bliss, singer Jamie Catto, and producer Rollo in 1995. Their hypnotic rhythms and his unmistakable vocal grew to levels of international acclaim as tracks like “God Is A DJ” became worldwide hits and pioneered dance group sounds.







The generational talent of Maxi Jazz and Faithless left waves of impact still felt by artists today. Today, we reflect on that impact by sharing Maceo Plex’s contemporary reimagining of Faithless’ globally recognized tune, “Insomnia.”



“Insomnia 2021” rewrites an anthem with a truly raucous twist. Maxi’s original vocals still command the will of the listener, only now warped with an ominous energy courtesy of Maceo Plex’s techno-tilted proclivities. Pounding percussion trades hits with jagged synths turning this tune into a spine-tingling carnal cut that will send even the most timid of dancers into a tizzy.



The passing of Maxi Jazz spurred a deluge of commemoration by artists and fans, including Armin van Buuren, Pete Tong, Boy George, and countless others. Jazz’s musical output and appetite spanned an impressive spectrum that only contributed to the scope of his reach in music. Hip-hop, however, was his first real muse.



In a 2017 interview, Maxi recalled, “When I discovered hip-hop, particularly Straight Out The Jungle by The Jungle Brothers, I realized I could make hip-hop, too, and write lyrics. Mike D and Afrika Bambaataa… their lyrics are playful, funny, intelligent and wise, and all that stuff I realized I could do. I realized there was a niche I could at the very least pop my toe into.”



Maxi Jazz is no longer with us, but his influence on music as we know it will not soon be forgotten.

Maceo Plex Reignites Faithless’ Global Hit with 'Insomnia 2021'

On Friday, December 9, 2022, Perry Farrell—Jane's Addiction frontman and Lollapalooza founder—debuted his new underground party series, Heaven After Dark, with Maceo Plex headlining. Heaven was brought down to the historic Los Angeles club Catch One, its four programmed rooms filled with house and techno. A troupe of lively dancers decked in creative, DIY looks, including cloud bras, neon rainbows, wings, and laser-lined gloves, pranced around the club, adding a fun dose of '90s rave energy to a black-clad mostly male, mostly not dancing crowd. Ahead of the event, Farrell chatted with the dancers and other organizers about what heaven means to them and encouraged them to take on characters, bringing the energy of live theater to the club.



Surprises included a cotton candy machine tucked downstairs to offer guests a sugar rush with a heavenly texture and, most importantly, Farrell singing and riffing along to Maceo's set.



While the underground surely showed up for Maceo, there were also a lot of people there for Farrell. "It's Perry fucking Farrell, you guys!" a girl exclaimed during the set, turning to her friends with a wide grin.



Before the event, we caught up with the rock legend to learn more about Heaven After Dark. He offered poetic musings on house music, house parties, money, heaven, and the divine.



"I love the affects and results of a great house party—I'm thinking late '80s, early '90s house parties. They were also very freeing, happy occasions, a chance for people to get together and sing and dance," Farrell said when asked about the inspiration for the new event series.



"As things develop in life and people see there's money involved in it, the character of the occasion starts getting off of its original intention. I mean, everything is always transcending—that's a good word to use for [Heaven After Dark]—music is transcendental, and some of the best transcendental music comes from house music. I see house music as a place to go to get away from the material world, it can be that."

He goes on to share that he used to play records in his backyard for friends in elementary school to cheer himself up and gather friends with dance and good music. To him, this is the essence of house music.

"I've seen a lot of money go into [house music]—I'm thinking about the agencies that represent the DJs. I've seen the DJ go from making $500 to $1000 to $100,000 and sometimes even more than that. There's nothing wrong with that. I think it's amazing that we honor these digital producers.

But like most things, when money gets in the way, you loose the spiritual elements of it. So with Heaven After Dark, I'm shooting for heaven. I want to have [on] earth a place where God exists amongst us. I'm trying to draw heaven down to earth with a house party."

Fittingly, the venue was Jewel Thais-Williams' house, (for years, she lived directly above the club in what is now its green room) Catch One. From 1973 to 2015, the club was Jewel's Catch One, named after its groundbreaking Black lesbian owner who served decades of local queer and POC communities. In 2015, she sold it to Los Globos owner Mitch Edelson, who kept much of the original club's signage and spirit, and it remains an independent venue to this day.

It's important to Farrell to support and work with independent venues, organizers, and promoters, as well as underground talent. And with Heaven After Dark, he has a vision to support underground dance culture in a vehicle inspired by house music's early days.

Before we moved on to the second question, the "Jane Says" singer asked to talk a bit more about money.

"We're all going to have to start looking at life sublimely. We're about to enter the era of sublimation and redemption. Even things we thought were evil, like money. If you really look at money sublimely, it could actually save the world," he muses. "We can do some really hateful things [with it], or we can take that money and help out the poor, the sick, the needy, which would make the world amazing.

In order to do this [event], I had to start from the purest place. It's not about money. It's about kindness, about heaven. So I'm starting the whole process with the underground dance culture, because there's not a lot of money there, but there sure is a load of inspiration and love and community. It's a perfect place to begin this fantastic journey."



Speaking of money, the ticket price for the event was notably reasonable, especially for one headlined by Maceo. The early bird tickets were $25, and a week before the event, the second release tier was still available, at $36, with the last tier topping out at $50.

One of the event's partners is an LA event brand inspired by Berlin afterhours, NXT Entertainment. It was founded in 2018 by local techno DJ MANTi, who was throwing down in the main room when we arrived. He passed the decks over to KCRW dance music champion and host of the beloved independent station's longtime Saturday night show, Jason Bentley.

Maceo came on a little behind schedule, around 1:30. The crowd packed in as Bentley kept the energy high with his stellar selections until he passed the torch. The Heaven After Dark dancers made their way through the crowd to the stage, dancing with the most enthusiastic of the revelers. A few tracks in, the "Solitary Daze" producer dropped his euphoric remix of the Chromatics' "Shadow," and soon after, Farrell made his way on stage to sing to the lovely Groove Armada remix of his track "Shekina," as the dancers shot their lasers from their silver gloves into the crowd. Perry continued to sing over Maceo's banging selects, including Maceo's official 2020 remix of Farrell's "Let's Pray For This World."



The pair clearly was excited to collab together live on stage. Farrell told us, "I hold Maceo Plex in high regard…his vibe is transcendental, positive, artistic, and there's a little room for me to get on there and throw some evocation out to the audience… I'm going to let my heart sing." And that he did. Maceo made a charming Instagram post with photos of each of them in the '90s and a caption reading, "Somehow this nerd crossed paths with rock royalty & legend @perryfarrellofficial."




At one point, Farrell echoed "May may Maceooo" into the mic while smoking. Legendary. During Maceo's 2020 track "Nu World," he sang, "It's going offff!" Facts. When I left a little after 3, with just enough energy to carefully stomp by disco platforms down the stairs and drive myself home, Perry was still going!




It's incredible to see a massively successful artist and event producer like Farrell share his resources and platform with champions of the local underground house and techno scene, along with an American king of the underground, Maceo. The event has a ton of potential, and Farrell hopes to collaborate with more talent and producers in other cities around the globe next year and throw more events in LA.




Catch One is a large space to fill. It would've been cool to see some fun art and decorations transporting the space to the heavens. Farrell says he's planning on working with local fine artists for Heaven After Dark, which will be fantastic to see.




Heaven After Dark was initially supposed to happen in 2020, so the first "beta" version ended up taking place in March 2022 at Los Angeles' Belasco Theater, a live music rendition with Farrell and his wife Etty Lau Farrell's Kind Heaven Orchestra performing. They loved connecting through music and performance with a much more intimate crowd, but Farrell explained it was too expensive to tour with the orchestra, so the underground rave version came to life. He posits that "The orchestra can change shapes, its transcendental," and he's thinking about working with local musicians as they take it around the world. He's also keen to bring conversation, important current events, and philanthropy into the events in a way that keeps things fun and mindful.




Heaven is the limit!

Perry Farrell on His Underground Rave-inspired Event 'Heaven After Dark' 

Techno fans will immediately recognize Hungarian producer Jay Lumen. A familiar and much-loved artist in the scene, Lumen is known to have a longstanding relationship with Adam Beyer’s legendary label Drumcode. First releasing an EP with the label in 2011, Lumen has steadily contributed to the sound of Drumcode through his hammering, heady style that draws in crowds across the globe.





He made his Drumcode debut with Lotus, a collaboration with Glasgow techno producer Gary Beck. “The first [release] was my special collaboration EP with Gary Beck on Drumcode,” Lumen said during his Gray Area Spotlight interview. “It was very successful; the B side of the release was the best seller in five years of Drumcode. I was very happy with it. After this, [Adam Beyer and I] have been in contact for the past 10 years.”



Following the success of Lotus, Jay Lumen continued to create pumping tracks for the Swedish techno imprint with singles on four of the label’s annual A-Sides compilations.



Finally, in 2021, Lumen made his solo debut on Drumcode with the release of Returning, a two-track EP that showcases his energetic sound. A hit with listeners, Returning helped set the stage for what Lumen teases as “very special plans” with the label. 



“It's top secret, but we are working on something special at Drumcode,” he said. “I cannot tell any other details yet!”





His next single with the label comes via Drumcode’s next A-Sides compilation, which spans a massive range of subgenres and features friends of the label. “It’s amazing to be onboard because I’ve worked with Drumcode for 10 years already,” he says. “I’m always happy to get requests from them.”



As Jay Lumen continues to plan for the future with Drumcode, he builds a legacy with one of the top techno labels in the world that inspires awe from his peers. His next releases will feature an evolved sound—but if the past years are an indication, its certain that he will have the support of Adam Beyer.

A Timeline of Jay Lumen’s Drumcode Releases

We’ve made it to the weekend, and you know what that means: time for Gray Area’s Track Of The Week. This time we’re starting your weekend off with something raunchy and ready for the dance floor—Michael Bibi’s new remix of Guy Gerber and Albertina’s “Bocat.”



Gerber has served as one of the leading tastemakers in Israel for two decades. The myriad moods and melodies that make up his expansive library set him apart as an almost mythical figure in dance music. His eclectic tastes have led him to work with artists blazing their unique trails, artists like Albertina. The British/Caribbean artist has proven herself to be a Swiss army knife of music, a wiz behind both the mic and the board.



When it comes to beats, you know Bibi’s got you covered. The UK-based DJ and producer is among the best in the business and regularly shares some of the sauciest sounds via his respected label, Solid Grooves. This rework takes a digital knife to Albertina’s vocals weaving them amongst spacious percussion, deep acid lines, and pounding kicks, all while allowing Gerber’s delicious guitar riff to wind and skate through the air above.



This new remix comes courtesy of Guy Gerber’s label, Rumors. Bibi is joined on the Bocat (Remixes) EP by a deeply powerful reimagining by Tel Aviv up-and-comer OMRI.




If you’re vibing with Bibi’s prowling take on this exotic cut, you’ll surely want to make an effort to attend one of the stops on his traveling event series, ELOVATE. The British beat smith traverses the globe sharing some of the most robust rhythms in the game from London to Tulum and Buenos Aires. Get a taste of what’s to come by streaming Michael Bibi’s carnal new remix of Guy Berber and Albertina’s “Bocat” below.



Michael Bibi Gets Guy Gerber’s 'Bocat' Fit For The Dance Floor

Netherlands

Gashouder

Located in the heart of Amsterdam, the Gashouder is a breathtaking venue synonymous with techno music. It's one of the fountainheads of early dance music and has hosted some of the biggest names and events in electronic music. But before the fabled club became "The Pride of Westergas," it endured a less glamorous role from the 1800s through the turn of the century as a storage facility for the fuel that powered Amsterdam.




The now idyllic grounds of Westergas were once home to Amsterdam's gasworks, a cluster of 22 stark, industrial buildings that created and housed fuel for the city. The buildings were designed by prominent Dutch architect Isaac Gosschalk and constructed in 1880 by London Imperial Continental Gas Association for coal gas production. The gas replaced oil in the late 1800s to light the streets of Amsterdam with an amber glow. However, as the city modernized, gas production faded, and the factories soon became obsolete.




By 1967, the Westergas factories had ceased operation, leaving to question the future use of the abandoned spaces. For decades, the city and local businesses used the buildings as storage and workspaces.






Never leaving a good warehouse to waste, European DJs began hosting raves at some of the facilities in the early '90s. And in 1992, local entrepreneurs gained interest in the untapped potential of the polluted and decaying brick structures. Eventually, new renters and the City Council poured in over 31 million euros to renovate the space. What used to be a source of pollution was transformed into a beacon of culture, commerce, and sustainability.




By the late '90s, the forgotten cluster of dull industrial buildings had become a colorful and bustling hub of arts and entertainment with Gashouder as its celebrated centerpiece. The imposing monolith of stone transformed into a world-class entertainment venue that could comfortably house 3,500 visitors in the inner space of the former gas storage tank. The rise of techno in Amsterdam in the '90s, coupled with the newly renovated space, created the perfect storm for Gashouder to become globally synonymous with techno and house.






Electronic music was becoming an international sensation, and Amsterdam had a foothold in defining the sound of early European dance music. In 1996, Amsterdam Music Event (ADE) hosted its first three-day conference, with performances by 30 DJs and attendance of 300 industry delegates. And in 1997, Awakenings held its first techno night at Gashouder with DJs Angelo, Billy Nasty, Derrick May, Dimitri, Godard, and Nick Rapaccioli. Today, ADE is a mecca for music professionals, attracting over 400,000 attendees to 200 venues. The conference began incorporating Awakenings early on, which now hosts 300,000 visitors yearly at some of the most renowned techno events worldwide. As the home to Awakenings, Gashouder is now an essential stop on any ADE trip.











Known for hosting some of the most epic techno events in Europe, Gashouder has become a destination venue for music festivals, concerts, conferences, exhibitions, and more. Patrons have dubbed it the "Temple of Techno" and Amsterdam's most spectacular venue, not only because of the lineups but also the quality of production and the space's vacuous nature.




The round stone behemoth boasts massive, nearly 50 foot ceilings and an iron roof, with no pillars to obstruct views of the stage. Because of its colossal size, party-goers are often dazzled by indoor fireworks displays launched from the ceiling 3.5 stories overhead. Thoughtfully crafted showcases mean no two performances are alike, but they always meet and exceed the same high standards of the venue.




Shivani Murthy of THE - Music Essentials described her first techno experience at Gashouder, "Being the techno virgins that we were, we went in with zero expectations and had absolutely no idea about who and what we were going to witness there. To summarise what we experienced, all I can say is, by the end of the night, we were baptized at the 'Techno Temple' and came out yearning for more!"









Due to the COVID-19 outbreak, the 2019 edition of ADE Awakenings was streamed online as a free event. DJ performances were filmed at Gashouder and streamed into fans' living rooms across the globe via social networking platforms. As live shows return triumphantly, ADE and Awakenings are back in action. Awakenings will present six ADE shows in 2022, back where it all started, at the legendary Gashouder.





You’d be hard-pressed to find a techno fan who hasn’t heard of Ida Engberg. The Swedish techno DJ and producer has performed in almost every major dance music market globally, making a lasting impression on fans everywhere she goes.




It comes as no surprise, then, that many of her DJ sets have been recorded and uploaded for online enjoyment. Some, explore the ethereal, melodic side of techno. Others highlight the harder end of the spectrum. Altogether, they speak to the versatile style Ida has developed over the past two decades.




We’ve collected five of Ida Engberg’s best sets from the past few years. Listen for yourself — after you get a taste of her skills behind the decks, we’re guessing you’ll feel compelled to see her play in person.




1. Drumcode OFFSónar 2019

Barcelona dance music fans like their techno dark and driving, and it’s safe to say Ida played to that crowd during her performance at Drumcode OFFSónar in 2019. Plaza Mayor de El Poble Espanyol’s exquisite architecture provided an unforgettable backdrop for the festivities.




2. B2B with Adam Beyer at Exit Festival 2018

Drumcode boss Adam Beyer and Ida have a long history of B2B sessions at world-class festivals. At the 2018 edition of Exit Festival in Serbia, thousands of fans witnessed their creative chemistry firsthand. They ripped through Drumcode cuts (on which Ida has several releases) and challenged the audience while including the necessary amount of vocals and melodies to keep things accessible enough for a crowd of that size.




3. April 2021 BBC Radio 1 Essential Mix

Landing a BBC Radio 1 Essential Mix is a momentous occasion for any dance music DJ. In her April 2021 appearance on the series, Ida Engberg took those tuning in on a serene, two-hour journey replete with lush synth melodies and progressive house overtones that veered into more challenging territory in the second half.




4. Awakenings ADE 2021

Netherlands-based Awakenings is one of the world’s leading techno festival brands, so the gatherings they curate during Amsterdam Dance Event cater to diehard fans of the genre. This was certainly not lost on Ida, who played one of her hardest sets in recent memory at Awakenings ADE 2021.




5. Zurich Street Parade 2021

On the other hand, the festive, open-air atmosphere of the 2021 edition of Zurich Street Parade called for more mass appeal. Ida Engberg still found opportunities to take listeners slightly outside their comfort zone, executing a push-pull tension dynamic that kept the crowd anticipating her every move.






5 Absolutely Spellbinding DJ Sets by Ida Engberg

Fuelled by support and encouragement from friends, family, and a sense of altruism, many dance artists contribute their time and energy toward philanthropic endeavors. Whether through volunteer work, scholarships, educational programming, or advocating for important issues like suicide prevention and mental health, many of your favorite artists are championing efforts for good across their communities and abroad.




Here are ten artists lending their efforts and wallets to noble causes when they’re not in the studio producing music or commandeering the decks at the club.




1. Ida Engberg and Adam Beyer



Techno, a genre notorious for its hedonistic sounds and stoic noir-clad DJs, isn’t often associated with philanthropy. However, one techno heavyweight who isn’t showy about her philanthropic work is setting out to make this world better with her partner. Since 2019, Swedish DJ Ida Engberg, along with her husband, Drumcode founder Adam Beyer, has headed Drumcode Festival in its efforts to raise money for an environmental cause close to their hearts. The event doubled as a joint Greenpeace project, with funds raised at the festival going directly to Amazon Watch—a nonprofit whose work supports indigenous Amazonians and the rainforest they call home.




2. Avicii



Though he is physically gone, Tim Bergling, aka Avicii’s legacy, lives on through the Tim Bergling Foundation and its charity work. Since his early days of notoriety, Tim’s altruistic nature led him to raise funds for food security in cities across the US. After his sudden death, his family vowed to continue the artist’s philanthropic work by launching the aptly named foundation, which continues to advocate for mental health awareness and suicide prevention and, most recently, raising awareness to the climate crisis and other environmental issues.




3. LP Giobbi & Lauren Spalding



The Femme House founder has made it her life’s mission to make the world of electronic dance music a more equitable place for women and LGBTQ+ artists to grow and thrive in. LP Giobbi and Lauren Spalding founded the Femme House nonprofit organization in 2019, vowing to “create safe spaces to learn, and always keep marginalized communities first and foremost in our minds,” she explained in an Instagram post announcing new programming aimed at creating new pathways for LGBTQIA+ artists. Through the new Theresa Velasquez Memorial Scholarship honoring DJ and Live Nation executive Theresa Velasquez, LP Giobbi will donate a portion of her booking fee for every LGBTQIA+ centered event she plays.






4. Shimza



South African DJ-producer Shimza’s penchant for philanthropy began at an early age. Today, the award-winning Tembisa-born artist has turned his large-scale philanthropic fundraising event into an annual event. Shimza’s One Man Show is an immense outdoor party in the DJ’s hometown in South Africa and often features the latest and greatest names in dance music. Proceeds from the charitable showcase benefit the town’s underprivileged children and drive job creation.




5. Alok



Brazilian dance music artist Alok is one artist looking to give back tremendously. The producer recently founded the Instituto Alok to combat poverty and other issues in his home country, Africa and India. Alok initially kicked off the initiative with a whopping $5.2 million donation from his wallet. Since its founding in 2020, the foundation has focused on food security, entrepreneurship, and human development.




6. DJ Bone & Ahnne Dulan



World-renowned Detroit artist DJ Bone officially began his philanthropic project in the early 2000s with support and encouragement from his wife, Ahnne Dulan. Together, they run the Homeless Homie charity organization, raising money for local homeless shelters. After years of charitable work, the nonprofit finally caught traction in 2018, as the philanthropic pair raised funds and collected toiletries for local shelters during the Christmas season. In years since, the Homeless Homies initiative has developed into a large-scale music event in Detroit and several other cities, with their biggest iterations happening at ADE (Amsterdam Dance Event) in 2019 and 2021.




7. Porter Robinson



After his younger sibling was diagnosed with a rare iteration of lymphoma, indie-electronic dance artist Porter Robinson founded the Robinson Malawi Fund to raise funds and awareness for the cancer most prominently found in Malawi, Africa. The artist continues to donate proceeds from his Second Sky Festival, now in its third iteration. At the festival’s inaugural event, the dance music producer raised around $150,000. Today, Robinson’s fund continues to raise money for research and directly provides resources for children suffering from the rare form of cancer.












7 Dance Music Artists Using their Platform for Philanthropy

On Ibiza we welcome the July heat and juicy events led by some of the best DJs on the planet. Long beach days and non-stop partying are synonymous with Ibiza summers. So to keep that heat going on the dancefloor we selected a few of the best places to be for the upcoming week.



Carl Cox Invites | DC10 | Tuesday, July 5

For eight dates this season, the king Carl Cox is inviting some of his DJ friends to DC10. The legendary techno artist that will take over Tuesdays in July and August at Ibiza’s paradise for ravers located at the end of the airport runway.



Cox has been a regular in Ibiza for more than 20 years and the main man at Space Ibiza (closed in 2016) but this is the first time he lands on the island with his Carl Cox invites concept after touring it worldwide last year. If you want to experience a pure night of clubbing by one of the most in demand DJs on the planet, make your way to DC10 this Tuesday July 5.



Purchase tickets for Carl Cox invites at DC10 on Tuesday, July 5

Follow Carl Cox on Twitter| Instagram | SoundCloud











Martin Garrix Opening Party | Ushuaïa | Thursday, July 7

Dutch producer and EDM star Martin Garrix returns to Ushuaïa this summer, taking over the open-air venue for ten events on Thursday afternoons untill September 8. In 2015, young 19-year-old Garrix - who has recently released his first album Sentio – held court on the island with his first residency. Now, the youngest number one DJ for three years in a row (2016-2019), label owner, and producer of many hits celebrates his third residency on Ushuaïa’s main stage kicking off Thursday, July 7.



Get your ticket to enjoy Martin Garrix at Ushuaïa.

Follow Martin Garrix on Twitter | Instagram | SoundCloud













Afterlife Opening Party | Hï | Thursday, July 7

“An odyssey through the realm of consciousness,” is how Italian techno duo Carmine Conte and Matteo Milleri, better known as Tale Of Us, define their concept. The multifaceted artists are inviting innovators including Ben Klock, Rødhåd, Nina Kraviz, Carl Craig, Mind Against, and Modeselektor in electronic music to help lead the journey. Afterlife has become one of the most successful summer encounters at Hï Ibiza. Thursday night’s feature hypnotic and minimal production to keep the focus on the music. A highly recommended night for real techno lovers. 



Enjoy Afterlife with Tale Of Us at Hï

Follow Afterlife on Twitter | Instagram | SoundCloud













El Baile Opening Party | Pacha | Thursday, July 7

The team behind Storytellers brings a new immersive party concept to the Ibiza scene to celebrate dancing as a symbol of freedom, equality, and diversity and pay homage to the dance music culture of the island through 14 different ‘chapter’ events. It takes its name El Baile (The Dance) from the book that celebrates Pacha’s 25th anniversary. The team is bringing the Queen of neo-soul Erykah Badu to the opening party alongside a roster of powerful female performers. El Baile honors the past in the present with a powerful feminine spirit recognizing the roots of clubbing culture born in gay communities. Visit Pacha on Thursday if you are looking for a friendly and distinctive celebration!



Tickets for El Baile opening party at Pacha on Thursday

Follow Erykah Badu on Twitter | Instagram | SoundCloud











Skreamizm | Amnesia | Friday, July 8

DJ and producer Oliver Jones, better known as Skream, makes two appearances on the island as part of his Pan-European Skreamizm tour. The London-based DJ —considered the ambassador of dubstep in the 2000s—will be touring five countries and stopping at Amnesia for two Fridays this summer. Skream is one of the most versatile DJs on the scene, weaving a path from house and disco to techno, drum'n'bass, and more. His Skreamizm events are a representation of that diversity with a host of DJ guests including legendary duo Octave One to perform live, Aussie boy Partiboi69, Scottish selector Eclair Fifi, and Sally C.



Buy tickets for Skreamizm party on Friday at Amnesia

Follow Skream on Twitter | Instagram | SoundCloud











Ibiza isn’t just the greatest clubbing destination in the world, it’s also a foodies paradise. Check out some of our recommendations below.



Dinner and a show at 528 Ibiza

For a multi-sensory experience, 528 Ibiza, located in the rural hills of Benimussa, is the perfect blend of Mediterranean cuisine, music, art, and live entertainment. Its name is a nod to both club culture and the spirit of love that transformed the island into an international hub of unity. 528 Hz is known as the frequency of health, connection, inner peace, and love. A theatrical open-air dining experience converted into an interactive Phoenician marketplace, full of diverse and colorful characters and some of the most skilled artists in the world. A brilliant link to Ibiza’s heritage and culture, 528 honors the past and the island’s famous mystical energy. All topped with an Ibizan-inspired menu made by internationally renowned chefs paired with craft avant-garde cocktails. Doors open at 7:55 pm so you can enjoy the sunset.

More info at: www.528ibiza.com









El Silencio

Tentacles, giant lips and swings are some of the elements you can find at the infamous Parisian venue Silencio. The playful club was designed by Miranda Makaroff and and features Brazilian artist Samuel de Saboia’s Dreamland paintings. French owner and founder of NESO Paris Guillaume Sanchez fuses the menu with high-quality local products and you can also order street food powered by Pharrell Williams’s ToGo street-food group(you can take away and eat at the beach). There is also a tapas and beach restaurant by Mauro Colagreco, chill-out area, and club nights courtesy of CHA CHÁ The Club Madrid, LunArts, Jaime Fiorito, Cuts & Wines, and Pascal Moscheni. El Silencio is located at Cala Molí, on the east side of the island and opens at noon.

More info at: www.elsilencioibiza.com











ASAL Ibiza

Opposite Pacha, located inside the Ibiza Gran Hotel, a new venue has been born, Asal Restaurant and Bar. It consists of three minimal spaces Inspired by organic and natural Gaudí shapes and a Pitiusan style. The Garden Terrace and the Chef’s Saloon are guided by Mario Sandoval, who holds two Michelin stars and has been recently awarded the Michelin green star (an award for sustainable cuisine). This new luxury venue is a combination of the beauty of the island with light, modern, and timeless style that evokes Ibiza's famous caves.

More info at: www.asalibiza.com













Ibiza Selects (July 4 – July 10)

One of the UK’s most prominent producers, Skream, has been at the helm of boundary-breaking sounds for the better part of two decades. As a young up-and-comer, a 15-year-old Ollie Jones was pivotal in the progress of dubstep in the early 2000s. He pioneered the depths of the low end for ten years before transitioning to the soulful side of dance music. Navigating the new sounds like a fish to water, Skream found his way behind the decks at dance music institutions like Spain’s elrow, Manchester’s Parklife, and many more around the globe.





We’ve seen Jones touch back to his Dubstep roots recently, notching a dubstep set at Coachella and a whopping seven-hour B2B with Mama at an all-night party in London club, KOKO. Clearly, in tune with both sides of the spectrum, we weren’t sure what to expect from the July 15th arrival of his new EP, The Attention Deficit, but we now know this much: the inaugural single, “The Attention Deficit Track,” is a straight-up tech house fire starter.



The kick wastes no time setting a heart-pounding pace while the percussion builds the primal beat of this relentless stomper. Chopped Italian vocals begin to furiously fly through space in vigorous hypnotic symmetry, and any inhibition towards movement dissipates. It’s spine-tingling. It’s stimulating. It’s absolutely mad, and we absolutely love it.



This newest offering comes in collaboration with Glasgow’s famous genre-blender, Jackmaster. Skream and Jack came up together in the UK Dance Music scene, their careers running separately but parallel, working to push and defy boundaries. Seeing two top-tier talents in sync on a seismic single is a thing of beauty, and it seems there's more. Jack tweeted on release day, “Good things come to those who wait. Just wait till you hear what we have up our sleeves next.”







Follow Skream on Facebook | Instagram | Twitter

Follow Jackmaster on Facebook | Instagram | Twitter

Skream Holds Nothing Back with 'The Attention Deficit Track'

One of the UK’s most notable and long-admired DJs and producers, Oliver Dene Jones, aka Skream, enjoyed the type of pandemic productivity many could only dream of.



Over the course of lockdowns throughout 2020 and 2021, the multi-genre dubstep-turned-disco DJ and producer created a whopping 220 tracks, on top of establishing his own, inaugural label, IFEEL, which became the creative launchpad for self-produced tracks such as “Trees” and “Chester’s Groove” (remixed by Berghain resident Norman Nodge).



Though quarantine served as a catalyst for the latest era of Skream’s prolific career, the South London native has a unique origin story more than two decades in the making. So, who is this artist whose sonic influence has reverberated throughout vast world of dance music?







Skream, now 36, began as a bedroom DJ at the age of 11. He would break into his brother, DJ Hijak’s, room to fiddle with his turntables before eventually experimenting with music production equipment at his stomping grounds, Big Apple Records, in Croydon. It was “all fun and games,” at the start, but by the age of 13, he knew he was destined to be producer. By 14 or 15, his tracks had begun making their way through the sound systems of local London clubs.



“There was a really famous party that had just started called Forward. It was also the first time that I heard one of my songs in a club,” Skream told Billboard in a 2021 interview. “It was the icing on the cake for me that was like, ‘This is what is what I want to do.’”







Skream’s career can be characterized as one that’s always been on the vanguard of musical movements, encompassing the entire arc of the electronic dance music industry. He was on the leading edge of the dubstep movement in the mid-aughts, paved the way for the transition to a more underground (yet still commercially appealing) house and techno sound in the early-2010s, and more recently, has even leaned into the nu-disco revival.





Early in his career, Skream’s ability to flex cross-genre led to a slew of opportunities. Following the launch of one of his biggest releases, Midnight Request Line, in 2005, Skream found success across multiple musical categories, collaborating with notable grime artists, Wiley and Skepta, and adding his dark, dubsteppy DJing flare to remixes for songs like La Roux’s “In for the Kill.” In 2006, he began a stint on London–based Rinse FM. The community-based station has long remained ahead of the curve in urban and underground music and Skream’s weekly show quickly gained notoriety around Britain and beyond, cementing his place in the burgeoning dubstep spotlight.









In 2007, a new project emerged. Skream combined forces with producers and DJs Benga and Artwork (previously known as Menta), two artists he met during his Big Apple Record days. The trio embarked on a sold-out global tour in 2010 and released their eponymous album, which peaked at number 5 on the UK Album Charts in 2010 with the lead single, “spot.”








The project further skyrocketed Skream into electronic music prominence, and over the course of following years, the artist worked his way onto some of the most high-profile stages (including Berghain’s Panorama Bar and Printworks London) and into some of the most prominent electronic music institutions in the world, including contributing to Pete Tong’s 2013 Defected Records house mix.







But in the 2010s, yet again on the frontier of a new era for dance music, Skream verbalized the marked shift he was witnessing in EDM. In a 2013 interview with Fact, he left nothing to the imagination on his position of the evolution (read: dilution) of dance music.



“I can’t fucking stand EDM anymore,” he said, going on to laude artists like Seth Troxler and the newly-debuted Kaytranada for their roles in injecting real, deep, underground house more into the mainstream. “There’s a lot more interest in it, people are interested in good music again, and that’s good.”







And in the decade since, Skream’s career has evolved yet again, appealing to widening the fanbase eager to reconnect (or connect for the first time) with the soulful, powerful, and authentic roots of dance music. From a Saturday residency at Shoreditch Club’s XOYO to his consistent sets at some of Manchester’s mega-clubs, Skrea’s sound has shifted into a funkier, disco-laden style that’s caught fire throughout the UK and beyond.

“Manchester was the biggest fanbase in the country for a while,” he said in a video interview with The Warehouse Project, surrounded by shelves of sneakers (Skream is a self-described sneakerhead, who jokingly admits has tried to curb his obsession in recent years). In both a production and DJ capacity, Skream has continued to adopt the flare of disco and funk. Since the pandemic, he’s played prolific parties like Spain-based elrow, Manchester’s Parklife, and Glastonbury’s Lost Horizon.







With the world on the precipice of some semi-return to normalcy, what’s next for Skream?



For one, a continued focus on his label. "I wanted to create a label solely for my own productions, in any genre I feel like," he told EDM.com. "I also wanted to bring in artists that I really admire."



And that he did. Set to reunite with Benga in 2022, Skream is causing a lot of buzz about the potential for a fishhook back into his dubstep origins. But don’t expect this artist defined by mutability to be pinned down for long.



Follow Skream on Facebook | Twitter | Instagram | YouTube | SoundCloud | Resident Advisor




From Dubstep to Disco and Back: Skream Stays on the Forefront of Dance Music

Spain

Anna Tur

It's hard to imagine a life outside of dance music when you grow up at the forefront of the Ibiza club scene. Ibiza-born DJ, musician, and entrepreneur Anna Tur carries on a legacy of her culture-defining family. She's established a dominating presence in the scene after years of heartfelt dedication, and both her innate artistic flair and unthinkable musical expertise only continue to bloom as her journey continues to unfold. 

Art, music, and media were the backdrop of her life from a young age. It was inevitable that she fall into the industry's lap, never questioning how she ended up here. Her greatest inspiration comes from her upbringing in a stimulating and imaginative environment.

"I'm so lucky to have been born and raised in such an inspirational place like Ibiza. It's the perfect place for those of us who aspire to dedicate our lives to music or any other artform. It's just a very inspirational place. It's home."

As her role models, her parents played a tremendous role in shaping her into a progressive, forward-thinking creative. Her father, Daniele Luppino,  is the mastermind behind Ibiza Global Radio and her mother was a journalist and radio broadcaster on the picturesque island. After endless summers of observing their work and volunteering to assist them as a teenager, she was mesmerized by the thrill of working in the industry,

Anna's story expresses the nature vs. nurture notion wholeheartedly. Thanks to a little bit of luck, a little bit of fate, and a whole lot of extraordinary talent, she's become one of the most fascinating artists in the industry today. 

The world was her oyster, and she could go anywhere and everywhere she wanted. But the spellbinding ambiance of Ibiza anchored her. She couldn't imagine exploring her talents and uncovering her path in the music industry would lead to anywhere but there.

She followed in her father's footsteps and managed Ibiza Global Radio for several years, and hosted the popular show 'ON AIR With Anna Tur.' But, when she launched her imprint, Lowita Records, she realized she craved more. She just knew there was something else she must accomplish. 

This is where her adventure as a prosperous DJ began. Despite having well knows parents, she still paid her dues. Like most DJs out there, she started performing at local restaurants and venues around the island to smaller crowds. She was only familiar with mixing house music yet yearned to create her unique sound within the genre. Eventually, inspiration struck, and after experimenting with a varied palette of soundscapes, her obsession with techno ignited. 

Her extraordinary sound comes thanks to her genuine creative nature and never-ending devotion to electronic music. She intertwines an exotic blend of hypnotizing, soul-stirring house and grooving techno. 

She spent a lifetime around Dj culture. It's not just her passion. It's the central focus of her entire life. She's a natural storyteller, and on stage, she seeks to translate her intense emotional connection to music into peak dance floor experiences.

"Watching people's reactions, seeing how I'm moving them with my music, and realizing how it makes them really feel something is what made me fall in love with doing what I do. From a young age, I've always felt the music. My parents would play records at home and they had to stop at times because I would cry of emotion. Music just does this to me, and I still get this way to be honest. I knew I wanted to make other people feel exactly like this. That's our main goal as DJs anyways."

Anna's DJ career has blossomed since her debut at Space Ibiza in 2009. She's had groundbreaking performances at festivals like Dreambeach in Algeria, Untold in Romania, and Creamfields on the Carl Cox Invites stage. She's also a mainstay at renowned Ibiza, such as Marco Carola's Music on Amnesia. And beyond the shores of the White Isle, she's a regular at striking nightclubs in Spain like Fabrik Madrid and Pacha Barcelona.

"Whether I'm playing to 15,000 people at a festival or to 300 people at a club, it's all about that special connection with the crowd and really feeling that bond and sense of togetherness. You have to feel that feeling in both atmospheres, and I feel it, which is how I know I chose the right profession."

The integrity of the one-of-a-kind Ibiza groove is an international concept that continues to live on in Anna Tur. Her sensational soundscapes and enlightening entrepreneurial mindset instill a sense of inspiration in other like-minded creatives and music lovers. It's artists like her that keep this enchanting world of electronic dance music spinning around. 

She wisely notes, "When you're passionate about something and you choose to make it your career, it becomes a part of your life and everyday is an adventure. Plus, you get to change the world by doing so."



Desert festivals might be some of the hardest to come by, and not just because those barren spaces are few and far between. Raving in 100-degree weather is just something that most people wouldn’t dream of, and it might seem even more improbable in such a remote location. So, why do ravers take to these arid sandscapes to dwell in the desert for days on end?

Despite the unforgiving environment, desert landscapes make for some of the best festivals in the world. Often without any towns or cities within earshot for miles, the lack of noise licenses allows for larger than average sound systems with no time constraints. Deserts also provide a completely blank slate meaning they can play host to any kind of creativity or blueprint, whether stages, art installations, or campsites. After dark, once the heat settles over the planes or dunes, it’s high time to let loose, and party as the dry daytime air subsides, creating the perfect starlit setting for any eager raver.

So, with that, let’s dig into some of the best desert festivals across the globe - and no, it’s not just Burning Man!




Monegros Desert Festival, Spain



We’re kicking off this list in Europe - an unusual spot considering the continent’s vast greenery. In the dusty region of Aragon, Northern Spain, a growing community sets up shop in the Monegros Desert, where the eponymous festival takes place. By day, festival-goers take shade under enormous fairytale-esque mushrooms, later lit up by trance-inducing lights transforming the space into a psychedelic oasis. Monegros Desert Festival is known for its prodigious lineup too. Promising one of the most exciting performances of the year as Wu-Tang Clan take to the stage in July 2022, accompanied by a slew of DJs including Adam Beyer, Charlotte De Witte, Seth Troxler, Maceo Plex, and more. This year’s event falls on July 30 for a full-frontal 24 hours.

Website | Instagram | Tickets







Transahara, Morocco



Over in the Sahara Desert, early summertime event Transahara kicks off this year on May 13th-17th deep in the barren zone amongst the “mythical dunes of Merzouga.” With a traditionally psytrance lineup, this South Moroccan festival is a great escape for fans of higher-tempo tunes. Yet, previous lineups have included house and techno artists whose soundscapes fit for the mystical desert environment like John Aquaviva, Nitin, Matt Caines, and D-Nox. Due to the fragility of the ecosystem surrounding the venue, the festival is capped at 1500 and accommodations in one of five hotels and camps nearby. Accommodations are quite reasonable ranging from $30-80 a night. Transahara beautifully fuses art, music, and culture for a grand celebration under the starlit sky every spring. 

Website | Instagram | Tickets




Burning Man, Nevada

Photo Credit: Michael Holden



Of course, this list wouldn’t be complete without Burning Man. It might be the first one that comes to mind when you think of desert-based festivals, but many don’t know the full ins and outs of this unusual event. As thousands of people - 80,000 to be exact - make the pilgrimage each year to Nevada’s Black Rock Desert, festivalgoers land in the barren metropolis of Black Rock City surrounded by art installations, burning structures, adventurous outfits, and a heck of a lot of bicycles. Black Rock City doesn't have traditional stages, the music is instead hosted by sound camps that each add their own artistic aesthetic to the dusty environment. Soundcamps like the fire-laden Opulent Temple, Debouchaerous day party Distrikt, and Carl Cox led Playground have hosted some of the biggest names in house and techno, including Carl Cox, The Martinez Brothers, and Joseph Capriati.

Website | Instagram | Tickets




Ragasthan, India

Previously dubbed ‘India’s craziest music festival’, Ragasthan has a lot to live up to - and it does. The three-day camping event takes place in the medieval trading town-turned-desert of Jaisalmer, Rajasthan, just off the border of Pakistan. Boasting a lineup of both electronic and indie music, India’s top-tier festival also includes cinema screenings and fly-by art on top of late-night DJ sets from the likes of Christ Burstein, Bemet, and more amongst the mystical landscape. Ragasthan takes place each year in February to ease away those winter blues.

Website | Instagram | Tickets




AfrikaBurn, South Africa



Burning Man's sibling festivals are called regional burns. Founded on the same 10 Principles of Burning Man (Radical Inclusion, Gifting, Decommodification, Radical Self-reliance, Radical Self-expression, Communal Effort, Civic Responsibility, Leaving No Trace, Participation, and Immediacy) they give the worldwide community a chance to relish in its spirit closer to home.

Afrikaburn is the second largest regional event after its sibling festival Midburn in Israel. And it's a worthy contender. Originally taking place on Stonehenge farm, AfrikaBurn later moved to South Africa’s Quaggafontein, where it sets up a similar event with the same ethos as Burning Man. The experiencial festival is said to be a ‘playground without politic’ bringing together the South African Burner community. This year’s event kicks off in the Western Cape province on April 25th until May 1st.

Website | Instagram | Tickets




Desert Daze, California



California’s Desert Daze Festival has consistently had one of the better lineups over the past few years in the arid, mountainous destination of Lake Perris. Though more a beach than a desert festival, this dry setting has previously hosted the likes of Floating Points, Boards of Canada, Flying Lotus, plus a few pop, rap, and rock numbers. Desert Daze takes place annually toward the end of the year to avoid peak summertime heat, but with a lake just metres away, there’s always room for a quick dip. Expect some more magic in the desert this year from September 30th until October 2nd.


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Sandbox, Egypt



Sandbox is a once-in-a-lifetime event taking place mid-summer. As the sun hangs low over the Gouna Red Sea next to Egypt’s El Gouna desert, almighty lineups including Folamour, Palms Trax, Mella Dee, Sweely, and more play to intimate crowds. The desert plane hosting Sandbox sits next to the turquoise waters of the red sea, making it the perfect respite for anyone seeking some time away from the unforgiving heat. This year’s dates are currently unconfirmed, although you can bank on a glorious weekend somewhere in mid June.

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Day Zero, Israel



Finishing off our selection is Israel's Day Zero festival hosted in the UNESCO World Heritage Site of Masada, not to be confused with the festival’s second event held in the jungle of Tulum. As termed by the festival itself, Day Zero is ‘a convergence of mysticism, music, natural wonder and apocalyptic sentiment’, set amongst the scenic desert space in the heart of Israel. Here, you can find a bill of impressive house and techno artists from all over the globe with previous residents including DJ Tennis, Black Coffee, Four Tet, and Dennis Cruz amongst others. Day Zero celebrates 10 years this year kicking off on September 23rd, 2022.

Website | Instagram | Tickets



Desert Festivals to Visit Around The World

2021 was yet another tumultuous year. A year that constantly highlighted the fragility of the everyday. As lock-downs eased, a late-stage festival season emerged like nothing we've seen before. And as new variants surged, our plans with family and friends were once again thrown into the blender. We learned to understand that the only constant is change. 

We experienced euphoric dance floor reunions and the hope of a reunited house and techno community. The clubs, festivals, and playlists exploded new talent, the dancefloor bustled with new fans, and veterans observed a rediscovered spirit that reflects the storied days of the 90s.


And as artists shared their quarantine anthems, we learned that dance music could be many things. It's always fun, always danceable, but it can also be deeply personal, emotionally transcendent, and a revelation and reflection of our deepest desires. 


It was an unprecedented year of growth for house and techno worldwide. And the Gray Area team took the time to dig through the crates and pull out the songs that exemplified the year best. So here are our best house and techno tracks of 2021.

WEISS, Sharlene Hector - Lift Me Up

Now that house music has wriggled its way into the mainstream, we’ve seen a surplus of house bangers filling up the charts. An old-school house-styled cut like "Lift Me Up" stands out among the rest not only for its nostalgic sounds and production but because  Sharlene’s fervent vocals captivate and inspire. Her resounding, soulful vocals combined with Weiss’ masterful house production form one of this year’s most compelling piano house tracks—one that could easily be heard in a set by Marshall Jefferson or Paul Johnson back in the day. -Melissa Yuriar

KREAM, Dan Caplen - Roads (feat. Dan Caplen)[VIP Remix]

Norwegian electronic dance music duo KREAM has a penchant for producing deep house cuts with emphatically heartfelt lyrics. "Roads," released earlier this year, is a saccharine dance track driven by poignant vocals from classically trained musician Dan Caplen. He cites Bill Withers and John Legend as vocal inspirations. Though Caplen’s heart-rending vocals remain at the forefront of the reworked deep-house tune, they appear to have a more pronounced sultry finish. The VIP remix is a bouncy, enthralling remix of the original that feels timeless.  -Melissa Yuriar


Gorgon City, DRAMA - You've Done Enough

Gorgon City’s distinct bass-driven house music is immediately recognizable, having amassed over 1.5 billion streams to date on all their records combined. Their latest album Olympia, released in June, features incredible collaborations with Sofi Tukker, Hayley May, and Jem Cooke. The self-deprecating love ballad “You’ve Done Enough,” features vocals from Rosa of the Chicago-based duo DRAMA. Powered by an infectious, oscillating bassline and sweetly sung lyrics that form a compelling story many resonate with. 

“It’s been said that if you become the best version of yourself that it’s easier to find someone to love you for who you truly are, as opposed to someone who loves you for who they think you are or will become,” said Rosa about the song’s meaning to Genius. “Know that you deserve nice things, like people loving you.”  -Melisa Yuriar

Shaolin Cowboy, manon - Réveiller (feat. manon)

Rising London producer Shaolin Cowboy is one to watch. Last year he released several singles on Bandcamp and his acclaimed debut EP, Catch Feels Get High. While his production features plenty of lofi-grooves, textures, and breaks, he’s demonstrated his fearlessness in experimenting with various tempos and elements from multiple genres. His latest EP, 21 Hours, amalgamates several elements plucked from sound system genres–UK garage, breakbeat, acid, and house–and contains the stunning breakout single, "Réveiller." The tune is an upbeat lofi-house club track that features alluring vocals by upcoming French songstress, manon. Shaolin Cowboy’s production on the tune is one of the most interesting we’ve heard this year. Don’t sleep on this unbelievably underrated house tune.  -Melisa Yuriar

Sofia Kourtesis - Nicolas

Peruvian tastemaker-producer Sofia Kourtesis' brand of house music is distinct. Much of it centers around distorted or looped vocals and splintered film samples that she expertly weaves into emotive and buoyant beats. "Nicolas," off her latest EP, Fresia Magdalena delivers house-realness with its driving bassline, lofi textures, and shimmery fills—the enchanting song is a potent cut with infectious energy. Sofia’s adeptness in sound design and mixing is nothing short of sensational. - Melisa Yuriar








Dom Dolla, Mansionair - Strangers

Australian house producer Dom Dolla collaborated with electronic-indie artists Mansionair on one of the most stirring house tracks of the year. Mansionair’s Jack Froggatt lent his impassioned vocals while Dom showed off his production prowess with driving basslines and atmospheric melodies that ebb and flow throughout. 

The song’s narrative deals with themes of longing and impulsivity with sweeping strings and a heart-rending delivery from Froggatt. Catch this and many more house hitters from Dom this year as he tours across the United States and the United Kingdom, Netherlands, New Zealand, and Australia next year. Mansionair recently announced the forthcoming release of their sophomore album; they'll be touring the US early next year.   -Melisa Yuriar


TSHA - Power

Awarded BBC Radio 1’s “Future Artist” title, UK-producer TSHA is having an incredible year. Her latest EP OnlyL, which contains the stand-out single “Power,” received broad support from Annie Mac, Zane Lowe, Bonobo, and publications like Fader, Resident Advisor, Mixmag, XLR8R, This Song is Sick, and Dancing Astronaut. 

"Power," released on Ninja Tune, is one of her best releases this year. The song features oscillating instrumentals, uplifting vocal samples, and a delicate piano loop that exudes warm, jubilant energy. Her hip-shaking club bangers and production style are inimitable. We can't wait to hear what this rising talent has in store for us next year.  -Melisa Yuriar










J Worra feat. Little Boots - Wasteland 

This tune is a straight banger with signature bass heavy-hitting beats by J. Worra. The vocals by Little Boots add the right element to the track to make this tune straight up sassy and sexy.  -Alicia Baron

Alinka- Glimmer 

This full-throttle-house track has no shortage of texture and soundscapes that keep you energized. With a fun nod to 90's Eurodance in the hook. The pumping bass mixed with euphoric glimmering synth packs so much multidimensional punch.  -Alicia Baron

Nala- Psychic Attack

This track has taken dancefloors by storm. An ecstatic blend of indie electro and house, wonky beats, and a fat groovy bassline. Nala's voice adds an element of ethereal with her signature lyrics as she dives into the topic of mass media manipulation of the mind.   -Alicia Baron







Disclosure- Observer Effect 

Disclosure mixes their signature house shuffle adds heavier synths than we're used to from the boys. It's gritty analog sounds are fundamentaly face-melting.  -Alicia Baron

Joshwa, Lee Foss - My Humps

"My Humps" combines a blissfully nostalgic throwback with the thumping speaker-freaker sound. It easily viral even before its release combining rampant energy and a new take on Fergie's 2005 smash hit of the same name.   -Alicia Baron

Maceo Plex, Liberty City - You Know What I Got

Maceo Plex's swirling melodies and Liberty City’s infectious vocal are a match made in heaven. This track is a fresh take on the 1995 classic featuring soaring leads, fluctuating synths, and warped vocals, which is nothing short of epic.   -Alicia Baron

Kevin Knapp - Dancing with the Devil 

This track kicks off in Kevin Knapp's usual fashion - with big fat beats, heavy drums, and powerful synths. This track has a hard edge with echoing vocal samples to deliver a fast-paced drive throughout.   -Alicia Baron

Sacha Robotti - Fuck the Pain Away

A remake of Peaches’ iconic track Robotti delivers punching bass throughout. The infectious percussion arrangement offers a fierce dance floor groove under the infamous vocals redone by BabyGirl. This is a true Robotti classic.     -Alicia Baron

Jayda G - All I Need 

GRAMMY-nominated Jayda G has beautifully emerged from the underground onto the stages of Boiler Room, Dekmantel Festival, and Aluna’s upcoming all-Black Noir Fever New Orleans. Her track “All I Need” premiered on the coveted DJ-Kicks series and garnered rave reviews by the likes of Rolling Stone, NYLON, as well as being placed on Pitchfork’s electronic and regular top songs of 2021. Jayda G brings back vintage house feels in this ultra groovy tune, even including clips of an old rave in the accompanying music video.  -Arielle Lana LeJarde


TOKiMONSTA - Say Yes (feat. VanJess)

Los Angeles producer, DJ, and record label owner TOKiMONSTA first received a GRAMMY nod in 2019 after her personal Lune Rouge album. "Say Yes” is a rework of Floetry’s 2002 track by the same name. R&B duo VanJess and TOKiMONSTA reimagined it into a sexy, soulful house tune that you can’t help but groove to. When venues started opening up again, it was rare to find a house set this wasn’t rinsed in. -Arielle Lana LeJarde

Gemi - Talk

Gemi is one of London’s hidden gems who describe their music as “nukg shithousery.” And precisely as advertised, “Talk” is a UK garage track that showcases playful percussion, dreamy vocals, and shimmering synths that make you feel like you’re floating. 
-Arielle Lana LeJarde

Rome In Silver - Fill Up My Soul 

Multi-faced Rome In Silver never sticks to one genre, and that’s why he can be found on esteemed labels ranging from Monstercat to bitbird to Quality Goods Records, as well as supporting a wide range of names from CloZee to Dabin. In a turn of events, Zeds Dead's label Deadbeats released Rome In Silver’s latest track of the year, “Fill Up My Soul.” The song is a funky disco tune that seamlessly blends in bass elements and stays true to the label's sound. The soulful adlibs and vocal chops throughout the track truly take you back in time.  -Arielle Lana LeJarde


Make Me Feel - John Summit

John Summit announced himself on a global scale with 2020’s song of the year, "Deep End." Although many artists would be satisfied with that accomplishment, John did not take a day off. "Make Me Feel" is just one of many hit songs John Summit dropped in 2021 to continue his ascension. The track majors in John Summit’s signature low-end bassline, with a satisfying female vocal loop to keep feet moving on the dancefloor. It maintains hype without sounding too radio-friendly, a lane that John seems to manage regularly. -Jonah Flint

Do It - Sohmi

A classically trained pianist, and vocalist, Sohmi refuses to be defined. One of the breakout stars of 2021, the Korean-American has turned heads with her unique blend of dark minimal house, techno, left field, breaks, and funk. "Do It" encapsulates her work, a stunning release on Yotto’s label Odd One Out. Utilizing her sultry vocals, the track takes listeners on a journey through her unique take on techno with a monster synth line and punchy bass. -Jonah Flint



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Alter Ego - Duke Dumont

Duke Dumont is no stranger to big hits. He has been a headliner for years now, although the last few have regularly seen him raise the bar. Returning to his club sound, "Alter Ego" is infectious. Calling upon the budding star Channel Tres for his iconic vocals, the track is a club-ready banger that can put a groove in your step walking down the street or at 4 am in a dark room during a night out on the town. -Jonah Flint


Ahora Todo Va - Josh Butler & Dennis Cruz

When two veterans get together, you can expect brilliant results. "Ahora Todo Va" is a track that Josh Butler was sitting on for months until he enlisted the assistance of Dennis Cruz. Together, the two crafted a Latin-influenced tech house track that is relentless. Spanish vocals, lively drum patterns, and a lengthy build-up give this track the energy to fit any size of the room. Coupled with a monster remix by Gorgon City, ‘Ahora Todo Va’ is one of the year’s best tracks.  - Jonah Flint

The Best House and Techno Tracks of 2021


Gray Area makes another step in its mission to “unify and strengthen the House Music community around the world,” today by partnering with Spotify for an official editorial playlist on the streaming platform. Gray Area Guest List launched with over five hours of house and techno from the forward-thinking and creative voices that are defining the myriad sounds of underground dance. 



Spotify’s Guest List playlists allow noted brands and artists to take over an official editorial playlist curating it from top to bottom precisely to match that brand’s unique footprint. And the Gray Area list is lovingly selected to reflect the future of dance music.



Included are songs from Gray Area Spotlight featured artists QRTR, LP Giobbi, Vintage Culture, and Will Clarke. Alongside bonafide legends like Ricardo Villalobos, Miss Kittin, Maya Jane Coles, Anja Schneider, Guy Gerber, Steve Bug, The Martinez Brothers, Joseph Capriati, Jamie Jones, Louie Vega, Pig & Dan, Royksopp, and Maceo Plex. 2022 GRAMMY Award nominee Black Coffee, Repopulate Mars boss Lee Foss, Drumcode front-man Adam Beyer, and Godfather of House Frankie Knuckles are also featured.


The Gray Area Guest List is a great way to get familiar with the sweeping sonic footprint of house and techno. Too often, we get stuck in our own lane, and the beauty of dance music is that it encompasses an array of shifting moods and aural textures. So take yourself on a journey through the expanse of underground dance music, turn up the volume and Let There Be More House Music.




Gray Area Takes Over Spotify's Official Guest List Playlist

After an unforeseeable two-year hiatus, the world’s leading indoor techno festival makes its monumental return to the states. On November 19th and 20th, Time Warp US will transport attendees to another dimension with its otherworldly attributes and spellbinding soundscapes spanning two modernized dance floors in a brand new Brooklyn location. 

Recognized for its entrancing lineups packed with techno’s finest, and cutting-edge audio and visual production design, this industrialized area in the city that never sleeps hosts the perfect underground environment for a beaming techno-infused celebration of this caliber. 

Time Warp US never ceases to astonish, but this year’s highly-anticipated production welcomes some extraordinary b2b performances and live acts that will add an unusual touch to the already alluring festival. 

What makes Time Warp so special is its unwavering devotion to techno, consistent authenticity, and sense of community throughout each installment. If you’re planning on attending next weekend, read on to gain more insight on seven Time Warp US b2b sets and live acts you don’t want to miss!

 

Ben Klock b2b Marcel Dettman

 

German techno titans Ben Klock and Marcel Dettman will bring a taste of that true Berlin sound everyone just can’t seem to get enough of. The Berghain club mainstays and resident DJs never fail to stir up a crowd with their flawless chemistry on the decks, always fusing their slightly distinct approaches to techno in the most harmonious manner. After catching a glimpse of their recent b2b set at Secret Project Festival during ADE last month, there’s no doubt this upcoming performance will leave attendees begging for more. 

 

 

Seth Troxler b2b Jamie Jones 

 

Fans were already thrilled for a Seth Troxler solo set since he was announced on the lineup in phase one. A few weeks ago, the festival curators unveiled that he would be playing alongside Welsh Hot Creations label boss Jamie Jones, an unexpected—yet welcome— surprise. After living in dance music-savvy cities like Detroit, Berlin, London, and Ibiza, Troxler has established himself as one of underground house and techno’s most iconic artists. Combined with Jamie Jones’ innovative soundscapes, this is one dynamic duo you won’t want to skip out on. 

 

 

 

 

 

Mink b2b O.Bee




Brooklyn native Mink has made a name for himself across NYC’s thriving music scene with his groundbreaking performances and all-encompassing compositions. Slated to take the stage next to Istanbul-born Brooklyn-based O.BEE, the two talented musicians will enlighten festival-goers with their rebellious, forward-thinking sounds during their unified Time Warp US debut. Both known for incorporating classic New York flavor into their sets, there’s a reason these two flourishing acts were enlisted for the festival this time around. 

 

Ricardo Villalobos b2b Craig Richards

 

Ricardo Villalobos has been fond of all things music from a young age, and it displays on every single note and melody he shares with fans across the globe. Born in Chile but raised in Germany, the acclaimed DJ and producer is inspired by both countries’ musical histories and is now acknowledged as a leading pioneer of the minimal techno genre. The Time Warp veteran returns alongside nightlife prodigy Craig Richards, whose diversified musical background and captivating techno ensembles mesh perfectly with Villalobos’ exotic beats. While it’ll be hard to top their 2019 b2b set, we’re excited to see these two live in action again.

 

KiNK (Live)

 

Bulgarian artist KiNK wears various hats within the industry but is particularly praised for his state-of-the-art, experimental live performances. The blooming DJ, producer, and beatmaker uses intricate analog machines in conjunction with CDJs when performing on stage, and each performance portrays his impressive sound mixing capabilities and musical expertise in the most alluring manner. KiNK will bring his passion for mixing and his live futuristic techno sounds to Brooklyn as he debuts at Time Warp next weekend!

 

 

Reinier Zonneveld (Live)

 

Reinier Zonneveld is living proof that you can turn your dreams into reality if you give it your absolute all. The self-taught Dutch musician’s decision to drop everything and dedicate all of his time and effort to solely creating techno has surely paid off. Zonneveld’s mesmerizing sonic elements are influenced greatly by his never-ending love for classical music and life-changing warehouse rave experiences, and he brings these devotions to life exquisitely during each live performance. Only he can master intertwining deep and melodic tones with heart rate-inducing acid techno in a live setting. 



 

 

 

Stephan Bodzin (Live)

 

Always humming to the beat of his own drum, Stephan Bodzin has established his own uniquely curated corner of techno. The renowned instrumentalist has headlined some of the world’s most influential venues and festivals, always captivating fans with his ethereal, mind-altering soundscapes. For those who’ve witnessed any of his live sets, it feels like you’re in a dream. A true storyteller on the dance floor, Bodzin portrays his authenticity and impassioned artistic vision flawlessly through each hypnotic melody and live performance. 

 

Aside from these peculiar b2b sets and live acts, all the other remarkable artists on this year’s Time Warp US lineup have a story of their own to tell through their individual mind-bending sounds, so make sure to indulge in as many different performances as possible throughout the festival. There’s a reason why Time Warp made its way across the Atlantic to New York City a few years back, and we’re just as thrilled as you are for its massive return!

For more information on Time Warp USA including time slots, full lineup, and tickets visit their website. 




Catch These Stunning B2Bs and Live Sets at Time Warp USA

We’re just days away from Miami’s infamous iii Points Festival. Since its debut in 2013, it’s won praise for its musical diversity, cultural art collaborations, and eye-popping art installations. iii Points offers a wide range of musical acts from hip-hop, pop, mainstream/ rock, and dance. Here are picks for the top house and techno artists to catch while you're in Miami.







Jamie xx

A forward-thinking beatmaker and producer helped shape the sound of the late 2000s and beyond with his English indie group the xx. As a solo artist, he tempered the restraint of his other work with his reverence for dance music's power to move bodies and hearts. His artful blend of kinetic and atmospheric is equally innovative and evocative.




Nicola Cruz

Latin American DJ and producer has always been captivating. His creative process involves a careful curation of life, nature, and sound to form a unique vibey rhythm that speaks to his roots. Intertwining the siku into his melodies, a wind instrument of Andean origin, is highly symbolic in ancestral rituals. Cruz continues to expand his vision towards new stories and other cultures as sources of inspiration. 







Black Coffee 

The South African DJ and producer built his career gradually over nearly two decades crafting a unique jungle house signature sound inspired by his cultural heritage and a love of house music. On the decks, he’s a perfectionist and delivers a euphoric performance each time he steps on stage. In 2010, he attained the Guinness World Record for longest-ever DJ set with a non-stop 60-hour set. As a producer, he’s collaborated with a wide range of artists including Usher, Diplo, Elderbrook, and David Guetta. He’s led the charge for an influx of talented artists from Africa and is arguably the continent's largest dance music export.










Peggy Gou

Hailing from South Korea, DJ and producer one of the leading ladies in house and techno. Gou became internationally renowned for her energetic sets and acclaimed tracks such as “It Makes You Forget (Itgehane),” “Starry Nigh”, and “I Go.” Her vibrant, joyous productions echo vintage deep house and post-disco without sounding like throwbacks.




Maceo Plex

A legend in the techno scene, Eric Estornel has produced and performed under numerous aliases like Maetrik and Mariel Ito. It’s under his Maceo Plex moniker that he is most well known for. The Miami-based DJ and producer played at countless iconic festivals and released a slew of records, singles, projects, and is the owner of Ellum Audio. His sound is dramatic and elegant, an aesthetic you can hear on the ambitious “Solar,” named after his son. He’s adept at mixing dark, more sci-fi-influenced tones with moving melodies. A true master of the craft who always performs with quality.




Patrick Topping

Hailing from England, the savvy DJ and producer has contributed a constant flow of positivity to the music scene he loves so dearly. He’s known for vibrant tech-house tracks such as “Be Sharp Say Nowt,” “Forget,” “Rocket Fuel,” and the infamous collab with Green Velvet “Voicemail.” Equally talented as a DJ, Patrick has attained international status as a headline act. His illustrious discography, blossoming label TRICK, and affiliation with party brands such as elrow prove he is at the top of his game. As he continues to inject his energy into refining his craft and building his crew of talented acts, Patrick is entering a new level of artistry.




Cristoph 

Inspired by the progressive sounds of musical legends like Sasha and Digweed, Christoph has developed his take on melodic house that’s as emotional as it is dance floor ready. He mastered his craft on vinyl and then developed a sound that gained the notice of Eric Prydz. In the last few years tracks like “Sleepless Nights,” “Out of Reach,” and “Breathe” with Camelphat have catapulted him to the top of the charts. He continues to release more music along with his radio show Consequence of Society. 




Michael Bibi

A certified icon of the underground scene, the English producer has crafted countless killer tracks. His raw passion for music began at a young age. Bibi has carved out and established a distinct signature sound translating into support from some of the industry’s biggest names. He’s also got a signature haircut that’s often imitated, but never quite duplicated. Bibi's unique production style and off-the-wall vocals are the keys to his success. 




Fjaak 

The German duo is known for their driving, energetic tracks ranging from house to storming warehouse techno. They are also known to toss in an occasional U.K. garage, dub, or breakbeat hardcore tune for good measure. The weed-loving duo consists of Felix Wagner and Aaron Röbig, who commonly perform in dark dungeonous settings, so iii Points will be a unique opportunity to experience a slice of rave in the sunshine. Filled with grit and sensuality, their tracks are all composed entirely on analog equipment. 







Danny Daze 

The Miami native is known for mixing classic electro, Detroit techno, and funk with glistening 80s-90s vibes. Daniel Gomez makes raw and authentic tracks supported by many of the other pristine techno artists who will also be playing at the festival. His radical approach to preserving music’s integrity while breaking its boundaries may seem volatile, but it’s not random. 






Amnesia Opening Party 2023

Ana Monroy Yglesias

Austin Miller

Lissy Lübeck

Austin Miller

Ana Monroy Yglesias

Staley Sharples

Austin Miller

Amanda Thames

John Cameron

Melisa Yuriar

Pilar Lopez

Austin Miller

Rob Engle

Maria Marcano

Sam Morges

Gray Area Editorial Team

Alexander Dias

Maria Marcano

Meagen Surowiecki