Top 20 Ibiza Club Anthems (2000–2010)

Mar 26, 2025

Tiffany Barrett

13 min read

We've put together a list of twenty iconic dance tracks from 2000 to 2010 that defined Ibiza’s incredible summers. These anthems span house, trance, techno, electro, progressive and more – many of them booming out of Pacha, Amnesia, Space, DC10 and beyond during their peak seasons. Which one is your favorite?

“Groovejet (If This Ain’t Love)” – Spiller feat. Sophie Ellis-Bextor (2000)

House.

This funky, disco-infused house track was the song of summer 2000 in Ibiza’s clubs. With its catchy guitar sample and Sophie Ellis-Bextor’s vocals, “Groovejet” filled dance floors nightly at venues like Pacha and Space. It famously became the first song ever played on an iPod during a Pacha DJ set, and its feel-good groove set the tone for the new millennium’s Balearic party vibe. Crowds would erupt at its chorus, making it a quintessential Ibiza anthem of that era.

“The Man With The Red Face” – Laurent Garnier (2000)

Techno.

A saxophone-led techno masterpiece, Garnier’s track was a crossover anthem heard all over Ibiza’s spectrum of parties. Regularly championed by Carl Cox at Space and by Cocoon’s techno contingent at Amnesia, its unique fusion of jazzy sax riffs with driving beats made it stand out. The tune’s euphoric build and release would create hands-in-the-air moments even at eclectic nights like Manumission. “The Man With The Red Face” became a timeless Ibiza weapon, later remixed in 2008 into a main-room house hit, but the original 2000 version already had island clubbers in awe.

“Silence” (DJ Tiësto’s In Search of Sunrise Remix) – Delerium feat. Sarah McLachlan (2000)

Trance.

Tiësto’s epic remix of “Silence” defined the sound of early-2000s trance and was a peak-time staple at Ibiza superclubs like Amnesia. The track’s haunting vocals and uplifting synths created spine-tingling moments; when the breakdown hit, thousands of clubbers would sing along in unison. From Cream’s trance nights to sunset sessions, this remix was the euphoric anthem that united crowds in sheer bliss. Decades later it’s still remembered as a trance classic that encapsulated the freedom and joy of Ibiza’s nightlife in 2000.

“Another Chance” – Roger Sanchez (2001)

House.

An emotive house anthem built on a soulful Toto sample, “Another Chance” was the mega-hit of Ibiza’s summer 2001. It reached #1 on charts and was ubiquitous on the White Isle, from the sunset bars to the big rooms. Roger Sanchez often dropped it as a finale at his Release Yourself parties, and it would bring the crowd to a euphoric sing-along. With its hopeful melody and thumping groove, the track became an Ibiza classic that symbolized those magical late-night moments when “just one more chance” to dance felt infinite.

“Finally” – Kings of Tomorrow feat. Julie McKnight (2001)

Vocal House.

A soulful house classic, “Finally” was embraced across Ibiza’s clubs and cafes as a timeless anthem. Its gorgeous vocal and warm groove made it a favorite at Café Mambo sunsets and on dance floors alike. DJs from deep-house sets to main-room nights slipped this track in to ignite instant emotion. It’s often cited as a track that instantly transports Ibiza veterans back to the island – the kind of song everyone sings along to, arms raised, epitomizing Ibiza’s soulful side. “Finally” has remained a staple well beyond 2001, truly finally never leaving Ibiza’s soundtrack.

“Love Story (vs Finally)” – Layo & Bushwacka! (2002)

Tech House.

Powered by a rolling bassline and a euphoric piano hook, “Love Story” was the definitive Ibiza house anthem of summer 2002. It started as an underground tech-house gem by Layo & Bushwacka!, then gained even more fame when mashed up with the vocals of “Finally.” The hybrid became omnipresent – every club from Space to Amnesia pumped this tune out loud, sending clubbers into “hands-in-the-air” heaven. Its Balearic energy and memorable melody captured the feeling of Ibiza’s late nights and sunrise afterparties, securing its status as an all-time island classic.

“It Just Won’t Do” – Tim Deluxe feat. Sam Obernik (2002)

House.

Funky, fun, and ridiculously catchy, this track – with its sultry trumpet riff and sassy vocals – became the backing track to the Balearic summer of 2002. “It Just Won’t Do” epitomized the upbeat funky-house era: you’d hear its bouncy groove everywhere from Bora Bora beach sessions to West End bars and big clubs. Named “Track of the Season” at the Ibiza DJ Awards that year, it always got people dancing on tables and in VIP booths alike. Even as the funky-house sound faded later, this tune’s carefree Ibiza spirit has endured.

“As The Rush Comes” – Motorcycle (Gabriel & Dresden) (2003)

Progressive Trance.

A sweeping vocal trance anthem, this track was the rush of summer 2003. Its dreamy lyrics (“embrace me…”) and lush melody made it a standout during Ibiza trance nights like Armin van Buuren’s and Paul van Dyk’s sets. Dropped at the peak of a night in Amnesia’s main room or on the terrace at Space, it sent waves of emotion through the crowd. “As The Rush Comes” built slowly and, when that chorus hit, clubbers closed their eyes, raised their hands, and collectively felt the euphoria – a signature Ibiza goosebumps moment for the trance family.

“Easy Lee” – Ricardo Villalobos (2003)

Minimal Techno.

In stark contrast to mainstream hits, this minimal masterpiece defined the summer of 2003 at DC10’s Circoloco and Cocoon afterparties. All hypnotic clicks, whispers, and a deep bass throb, “Easy Lee” became an unlikely anthem that season. It was the anti-anthem that became an anthem: when Villalobos or Sven Väth spun it in the hazy Monday morning light at DC10, the place went wild in its own trance. It symbolized the underground shift of that era, proving that a stripped-down, atmospheric track could unite a dancefloor just as much as a big vocal hit. “Easy Lee” cemented minimal techno’s place in Ibiza’s story.

“Satisfaction” – Benny Benassi (2003)

Electro House.

With its grinding synth bass and robo-vocals, “Satisfaction” heralded the electro-house explosion. In summer 2003, this track’s distinctive buzz-saw sound blasted from Ibiza’s more commercial dance floors (and even foam parties) as well as cheeky after-hours sets. It wasn’t subtle – but that was the point. The chunky groove had everyone stomping in unison, and its infamous music video only boosted its popularity. “Satisfaction” became a global hit, and on Ibiza it bridged the gap between the fading trance era and a new harder electro style. By the time the chorus commanded “Push me, and then just touch me,” every clubber knew exactly what to do: go absolutely crazy.

“Lola’s Theme” – The Shapeshifters (2004)

House.

Uplifting and joyous, “Lola’s Theme” was the hands-down anthem of Ibiza in 2004 – a track so popular it won Ibiza’s Track of the Season award that year. Built on a filtered disco sample and soaring vocals, it brought pure feel-good energy to the dance floor. Whether at Defected’s Ibiza nights or mainstream parties, this song’s orchestral intro would send cheers through the crowd. It topped charts in the UK and just about every DJ on the island, underground or commercial, found a slot for it in their set lists. “Lola’s Theme” lit up Pacha’s glamorous nights and Space’s terrace alike, and its enduring popularity has kept it in Ibiza playlists for years since.

“Rej” – Âme (2005)

Deep/Tech House.

A mesmerizing instrumental with a subtly building hook, “Rej” became a surprise underground anthem in 2005. Its deep, hypnotic melody crept into Ibiza sets from DC10 to Amnesia’s terrace, often during sunrise or transition moments. The track’s creeping synth line and shuffling percussion created an almost spiritual vibe on the dance floor. Techno and house DJs both championed “Rej,” making it a unifying tune across scenes. It signaled a shift toward more melodic, deep tech-house on the island mid-decade. Even without a vocal, “Rej” could raise the energy of an Ibiza crowd – by the time the full melody dropped, the terrace would erupt in cheers at this modern Balearic classic.

“Adagio for Strings” (Tiësto Remix) – Tiësto (2005)

Trance.

Already famous as an orchestral piece, “Adagio for Strings” got transformed by Tiësto into a trance powerhouse that rocked Ibiza in the mid-2000s. Tiësto often used this remix as the emotional climax of his sets (including his residency at Privilege in 2005), and it never failed to give clubbers goosebumps. The sweeping, dramatic build and breakdown – those yearning strings turned into synth – created huge crowd eruptions at clubs like Amnesia during Cream nights. As a “hands-in-the-air” anthem, it encapsulated the peak moment of a trance night when everyone felt united by the melody. “Adagio for Strings” became an Ibiza legend, illustrating how classical beauty and club euphoria could merge on the dance floor.

“World, Hold On” – Bob Sinclar feat. Steve Edwards (2006)

Vocal House.

Breezy and soulful, this Bob Sinclar hit was the official Track of the Season in Ibiza 2006 and a fixture at the island’s most glamorous parties. Its whistling hook and uplifting lyrics made it a perfect summer song; you’d hear it at Pacha’s “F**k Me I’m Famous” nights and chilled beach clubs alike. When Steve Edwards’ vocals implored “world, hold on,” Ibiza crowds would sing along under the laser lights. The track’s Balearic vibes – complete with a reggae-tinged groove – captured the cosmopolitan, feel-good atmosphere of Ibiza’s open-air venues. It became synonymous with sunsets, smiles, and unity on the dance floor, solidifying Sinclar’s reputation as a king of Ibiza-friendly house.

“Put Your Hands Up For Detroit” – Fedde Le Grand (2006)

Electro House.

In late 2006, this track’s chunky electro bassline and catchy chant took Ibiza by storm. “Put Your Hands Up For Detroit” was a peak-time bomb that brought a massive crowd reaction on every drop. Its minimal lyrics and pounding beat embodied the new electro-house wave, and it crossed over from underground to commercial playlists. In Ibiza, you might have heard it at Amnesia’s terrace one night and in Eden’s main room the next – it was that universally loved. The track’s breakdown practically forced everyone to, indeed, put their hands up and bounce. By the end of 2006, it was impossible to avoid this tune on the White Isle, and it’s remembered as one of the era’s defining electro anthems.

“Pjanoo” – Eric Prydz (2008)

House.

Centered on an irresistible piano riff, “Pjanoo” became an instant Ibiza classic in summer 2008. Its bright, melodic hook cut through the crowd noise – whether at the Space terrace in the afternoon or in Amnesia’s main room at 3am, the piano line had people grinning and raising their arms. Virtually every DJ that year, across genres, worked “Pjanoo” into their sets, as its vibe fit a sunset set, a house set, even a trance encore. The track topped Ibiza club charts and even mainstream charts, reflecting how universally it was embraced. To this day, that opening piano melody can transport Ibiza veterans back to ’08, recalling packed dance floors united by Prydz’s modern piano house gem.

“La Mezcla” – Michel Cleis feat. Totó la Momposina (2009)

Latin Tech House.

A true dance floor phenomenon, “La Mezcla” was the Balearic anthem that ruled Ibiza in 2009. Built on Afro-Colombian vocals and tribal drums, it brought a Latin flair into the tech-house sound. From bars, to beaches, to clubs, literally everywhere on the island was swaying along to that hypnotic chant. The track was especially big at underground parties – Luciano and the Cadenza crew hammered it at Cadenza Vagabundos and DC10 – but also crept into mainstream DJ sets because of its infectious groove. “La Mezcla” perfectly captured the cosmopolitan, multicultural spirit of Ibiza’s dance music. Hearing its rhythmic chants echo at daylight after-parties remains a defining memory of Ibiza 2009 for many.

“One (Your Name)” – Swedish House Mafia feat. Pharrell (2010)

Progressive House.

Debuted on the island during SHM’s own Masquerade Motel nights, “One” quickly became a ubiquitous anthem in Ibiza and across the world in summer 2010. Its stabbing synth hook and massive drops epitomized the exploding big-room sound. At Pacha on Monday nights, Axwell, Ingrosso, and Angello would drop “One” to a frenzy – it was the highlight of their set, with the entire club shouting along even before the Pharrell vocal version hit the airwaves. By mid-season it reached “F*** Me I’m Famous” levels of popularity on the island, blasting not just at Pacha but at festivals and beach clubs. “One” signaled a new era of EDM-fueled Ibiza parties, and its impact was so large that even after one season it was clear the track (and the Swedes) had become mainstays of Ibiza’s club scene.

“Hey Hey” – Dennis Ferrer (2010)

House.

With its infectious “hey hey” vocal hook and bouncy bassline, this tune united Ibiza dance floors in 2010. “Hey Hey” appealed to house purists and mainstream clubbers alike. The track’s simplicity (a looping vocal chant and a driving groove) was its strength: it got everyone chanting along. By the end of the season it was one of the most inescapable songs on the island – a true Ibiza crowd-pleaser that had both underground credibility and commercial appeal. Even years later, many DJs drop “Hey Hey” as a throwback, instantly recalling the vibe of Ibiza in 2010 when this song’s call-and-response filled the air.

“Coma Cat” – Tensnake (2010)

Nu-Disco/House.

Sunny, retro, and irresistibly catchy, “Coma Cat” was a refreshing summer anthem that year. It was selected as Ibiza’s top track of 2010 by many, even topping Space’s own annual anthem list. With a bouncy bassline and feel-good disco samples, it became a soundtrack for pool parties and daytime club sets across the island. DJs from deep-house to techno couldn’t resist slipping in this slice of nu-disco bliss to lift the mood. Whether on the Ushuaïa beach stage or at Café Mambo, “Coma Cat” had Ibiza crowds grooving with smiles on their faces. Its crossover charm showed that even in the era of booming big-room beats, a funky, classic-feeling house jam could still conquer Ibiza’s heart.

Each of these tracks, in its own way, captured the spirit of its time on the White Isle. From hands-in-the-air trance epics to groove-heavy house jams and underground rollers, they all became Ibiza club anthems – the tunes that would drop at peak moments and forever tie our memories to those magical Ibiza summers.

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